Judith Hamera
- Published in print:
- 2017
- Published Online:
- November 2017
- ISBN:
- 9780199348589
- eISBN:
- 9780199348619
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780199348589.003.0005
- Subject:
- Music, Popular, Dance
Chapter 4 examines Detroit as US capitalism’s putative post-industrial phoenix between 2011 and 2016: both a blank slate and an emerging comeback story. The chapter analyzes key national and local ...
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Chapter 4 examines Detroit as US capitalism’s putative post-industrial phoenix between 2011 and 2016: both a blank slate and an emerging comeback story. The chapter analyzes key national and local figurations of Detroit’s widely touted arts- and artist-led renaissance that kunst-wash the structural inequities and racialized austerity imperatives of some current redevelopment initiatives. Two Detroit installations, Tyree Guyton’s Heidelberg Project and Mike Kelley’s Mobile Homestead, challenge these kunst-washed figurations. Both works draw their potency from their status as homes in a period when homes in the city were facing threats of tax foreclosure, water shutoffs, new versions of redlining, and proposed civic abandonment. Each work is discussed in detail using Bertolt Brecht’s concept of the gest. Both installations stage core elements of the deindustrial; both challenge audiences to confront the racialization, selective debility and selective prosperity, melancholy, and uncanniness of deindustriality itself.Less
Chapter 4 examines Detroit as US capitalism’s putative post-industrial phoenix between 2011 and 2016: both a blank slate and an emerging comeback story. The chapter analyzes key national and local figurations of Detroit’s widely touted arts- and artist-led renaissance that kunst-wash the structural inequities and racialized austerity imperatives of some current redevelopment initiatives. Two Detroit installations, Tyree Guyton’s Heidelberg Project and Mike Kelley’s Mobile Homestead, challenge these kunst-washed figurations. Both works draw their potency from their status as homes in a period when homes in the city were facing threats of tax foreclosure, water shutoffs, new versions of redlining, and proposed civic abandonment. Each work is discussed in detail using Bertolt Brecht’s concept of the gest. Both installations stage core elements of the deindustrial; both challenge audiences to confront the racialization, selective debility and selective prosperity, melancholy, and uncanniness of deindustriality itself.
Sean Redmond
- Published in print:
- 2016
- Published Online:
- February 2021
- ISBN:
- 9781911325093
- eISBN:
- 9781800342200
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781911325093.001.0001
- Subject:
- Film, Television and Radio, Film
Ridley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science-fiction cinema and one of the most influential films released in the last forty years. Yet on its ...
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Ridley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science-fiction cinema and one of the most influential films released in the last forty years. Yet on its original release, it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high-octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? This book excavates the many significances of the film — its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director's Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context.Less
Ridley Scott's 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science-fiction cinema and one of the most influential films released in the last forty years. Yet on its original release, it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high-octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? This book excavates the many significances of the film — its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director's Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context.
Marcus Anthony Hunter and Zandria F. Robinson
- Published in print:
- 2018
- Published Online:
- May 2018
- ISBN:
- 9780520292826
- eISBN:
- 9780520966178
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520292826.003.0010
- Subject:
- Sociology, Race and Ethnicity
Centering the life, music, and experiences of New Orleans–based bounce music artist Big Freedia, this chapter explores the migration stories of black people across the Black Map through the lens of ...
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Centering the life, music, and experiences of New Orleans–based bounce music artist Big Freedia, this chapter explores the migration stories of black people across the Black Map through the lens of hip hop music, bounce music, gender-nonconforming peoples, Hurricane Katrina, Down South, and the Deep South. Emphasizing the importance of cultural production and black music, the authors highlight the role of race, place, music, forced migration, gender, and sexual orientation in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black power politics, natural disasters, sexuality, and regional sounds in the politics and migrations of black people throughout the chocolate cities.Less
Centering the life, music, and experiences of New Orleans–based bounce music artist Big Freedia, this chapter explores the migration stories of black people across the Black Map through the lens of hip hop music, bounce music, gender-nonconforming peoples, Hurricane Katrina, Down South, and the Deep South. Emphasizing the importance of cultural production and black music, the authors highlight the role of race, place, music, forced migration, gender, and sexual orientation in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black power politics, natural disasters, sexuality, and regional sounds in the politics and migrations of black people throughout the chocolate cities.
