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Hitchcock in Ascendance

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0025
Subject:
Film, Television and Radio, Film

This chapter describes Hitchcock’s working relationships during his most productive years as a director. Under terms negotiated by his agent, Lew Wasserman, ownership of the films he directed for ... More


Hitchcock and the Censors

John Billheimer

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
book
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.001.0001
Subject:
Film, Television and Radio, Film

The Motion Picture Production Code controlled the content and final cut on all films made and distributed in the US from 1934 to 1968. Code officials protected sensitive ears from the standard ... More


Censors at Work

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0003
Subject:
Film, Television and Radio, Film

This chapter views the Production Code Administration through the eyes of the censors employed by the administration, documenting their approach to reviewing film sources, scripts, and completed ... More


Mr. and Mrs. Smith (1941)

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0009
Subject:
Film, Television and Radio, Film

Mr. and Mrs. Smith was a departure for Hitchcock, a light comedy he took on for the pleasure of working with Carole Lombard. The Production Code censors objected primarily to racy dialogue and the ... More


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