Rebecca Hillauer
- Published in print:
- 2006
- Published Online:
- September 2011
- ISBN:
- 9789774249433
- eISBN:
- 9781936190089
- Item type:
- book
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774249433.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
Who are the Arab women filmakers? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts — and constraints — of patriarchal societies? ...
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Who are the Arab women filmakers? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts — and constraints — of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. This book assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries — Egypt, Iraq, Lebanon, Syria, Algeria, among others — from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For this book, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's “model,” one that is far removed from western clichés.Less
Who are the Arab women filmakers? What drives them? What are their experiences in a male-dominated profession? How do they function within the contexts — and constraints — of patriarchal societies? The answers are complex and sometimes surprising, as complex and surprising as the vastly different films these women direct. This book assembles a comprehensive and penetrating look into the history of Arab women's filmmaking, as well as the political and social background of the countries — Egypt, Iraq, Lebanon, Syria, Algeria, among others — from which these artists emerged. In addition to the biographies, filmographies, and discussions of their most important works, lively, in-depth interviews allow us to hear from the filmmakers themselves. Collectively, these women, who hail from a wide range of professional, religious, and social backgrounds, provide a varied and vivid picture of what it means to work in creative and journalistic fields in the modern Arab world. For this book, the subject of a film, its genesis, and the personal story of the artist who created it reveal far more than a particular approach to cinematography. Arab women filmmakers and their main characters (who are often semi-autobiographical) not only afford us a look at seldom-seen facets of Arab societies, they personify an alternative women's “model,” one that is far removed from western clichés.
