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Introduction: On the reality of film

Richard Rushton

in The Reality of Film: Theories of Filmic Reality

Published in print:
2010
Published Online:
July 2012
ISBN:
9780719082689
eISBN:
9781781702994
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719082689.003.0009
Subject:
Film, Television and Radio, Film

This introductory chapter argues that films are part of reality. It tries to see films as part of the reality people typically inhabit, as part of the world they live in, as parts of their lives. ... More


The Reality of Film: Theories of Filmic Reality

Richard Rushton

Published in print:
2010
Published Online:
July 2012
ISBN:
9780719082689
eISBN:
9781781702994
Item type:
book
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719082689.001.0001
Subject:
Film, Television and Radio, Film

In formulating a notion of filmic reality, this book offers a novel way of understanding our relationship with cinema. It argues that cinema need not be understood in terms of its capacities to refer ... More


Realism, reality and authenticity

Richard Rushton

in The Reality of Film: Theories of Filmic Reality

Published in print:
2010
Published Online:
July 2012
ISBN:
9780719082689
eISBN:
9781781702994
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719082689.003.0013
Subject:
Film, Television and Radio, Film

Filmic reality is dependent on the attitude of an individual to see the film as a part of reality instead of its representations. This chapter focuses on the works of André Bazin who goes beyond ... More


The imaginary as filmic reality

Richard Rushton

in The Reality of Film: Theories of Filmic Reality

Published in print:
2010
Published Online:
July 2012
ISBN:
9780719082689
eISBN:
9781781702994
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719082689.003.0016
Subject:
Film, Television and Radio, Film

This chapter brings forth Christian Metz's conception of cinema. On the one hand, he has been discredited with trying to reduce cinematic expression to linguistic terms while on the other hand he has ... More


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