Richard E. Matland and Kathleen A. Montgomery (eds)
- Published in print:
- 2003
- Published Online:
- January 2005
- ISBN:
- 9780199246861
- eISBN:
- 9780191601965
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199246866.001.0001
- Subject:
- Political Science, Comparative Politics
This book presents 12 case studies on female legislative representation in new post-communist democracies in Europe. The cases represent a wide range of “pathways” from communist rule. Five rank as ...
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This book presents 12 case studies on female legislative representation in new post-communist democracies in Europe. The cases represent a wide range of “pathways” from communist rule. Five rank as lower-middle income (Bulgaria, Lithuania, Macedonia, the Russian Federation, and Ukraine), four as upper-middle income (Croatia, Czech Republic, Hungary, and Poland, and two as high-income (Germany and Slovenia). A general framework on legislative recruitment based on Western political science literature is used to explain changes over time within each country. It is shown that many of the theoretical predictions based on existing literature from industrialized democracies hold true in Eastern Europe. The book ends with a discussion on the next steps to take in understanding women’s access to political power in post-communist Europe.Less
This book presents 12 case studies on female legislative representation in new post-communist democracies in Europe. The cases represent a wide range of “pathways” from communist rule. Five rank as lower-middle income (Bulgaria, Lithuania, Macedonia, the Russian Federation, and Ukraine), four as upper-middle income (Croatia, Czech Republic, Hungary, and Poland, and two as high-income (Germany and Slovenia). A general framework on legislative recruitment based on Western political science literature is used to explain changes over time within each country. It is shown that many of the theoretical predictions based on existing literature from industrialized democracies hold true in Eastern Europe. The book ends with a discussion on the next steps to take in understanding women’s access to political power in post-communist Europe.
Tatiana Kostadinova
- Published in print:
- 2003
- Published Online:
- January 2005
- ISBN:
- 9780199246861
- eISBN:
- 9780191601965
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199246866.003.0015
- Subject:
- Political Science, Comparative Politics
This chapter examines women’s representation in Bulgaria’s national assembly. It is argued that women’s representation can be improved when parties become unified organizations and when women achieve ...
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This chapter examines women’s representation in Bulgaria’s national assembly. It is argued that women’s representation can be improved when parties become unified organizations and when women achieve leadership in these parties. However, the volatile party system and the uncertainty of voter support has made parties hesitant to nominate women in competitive list positions.Less
This chapter examines women’s representation in Bulgaria’s national assembly. It is argued that women’s representation can be improved when parties become unified organizations and when women achieve leadership in these parties. However, the volatile party system and the uncertainty of voter support has made parties hesitant to nominate women in competitive list positions.
Dawn Nowacki
- Published in print:
- 2003
- Published Online:
- January 2005
- ISBN:
- 9780199246861
- eISBN:
- 9780191601965
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199246866.003.0009
- Subject:
- Political Science, Comparative Politics
This chapter examines the variations in women’s representation in Russian regional assemblies. A study of representation levels according to economic regions and distance from the Moscow-St. ...
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This chapter examines the variations in women’s representation in Russian regional assemblies. A study of representation levels according to economic regions and distance from the Moscow-St. Petersburg axis show that women have done much better in peripheral regions than in the central regions. Political institutions such as the electoral system, district size, and the level of support for political reform play influence the variation in female representation. Political culture, measured indirectly using dominant religion, also plays a major role in women’s access to regional parliaments.Less
This chapter examines the variations in women’s representation in Russian regional assemblies. A study of representation levels according to economic regions and distance from the Moscow-St. Petersburg axis show that women have done much better in peripheral regions than in the central regions. Political institutions such as the electoral system, district size, and the level of support for political reform play influence the variation in female representation. Political culture, measured indirectly using dominant religion, also plays a major role in women’s access to regional parliaments.
Jonathan Tonge
- Published in print:
- 2014
- Published Online:
- August 2014
- ISBN:
- 9780198705772
- eISBN:
- 9780191775215
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198705772.003.0009
- Subject:
- Political Science, UK Politics
The shortfall of female representatives in the DUP is often blamed on the reluctance of women to stand for election, as opposed to the existence of any barriers to participating in the political ...
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The shortfall of female representatives in the DUP is often blamed on the reluctance of women to stand for election, as opposed to the existence of any barriers to participating in the political arena. This chapter challenges this assumption and explores how supply (family commitments, self-confidence) and demand factors (party selection procedures, voting system) help explain the constraints on women representing the DUP. These factors, whilst not specific to the DUP, exacerbate the problem of lack of gender balance in the membership. Drawing upon interviews and survey data this chapter examines the role and opinion of women at various levels of the DUP to gain their perspectives on whether there is discrimination against women in public life, the position of women in the party, and how they feel female representation could be improved. The DUP primarily encourages a ‘gender-neutral’ position, which emphasizes the principle of merit as a method of selection, as opposed to the implementation of gender quotas.Less
The shortfall of female representatives in the DUP is often blamed on the reluctance of women to stand for election, as opposed to the existence of any barriers to participating in the political arena. This chapter challenges this assumption and explores how supply (family commitments, self-confidence) and demand factors (party selection procedures, voting system) help explain the constraints on women representing the DUP. These factors, whilst not specific to the DUP, exacerbate the problem of lack of gender balance in the membership. Drawing upon interviews and survey data this chapter examines the role and opinion of women at various levels of the DUP to gain their perspectives on whether there is discrimination against women in public life, the position of women in the party, and how they feel female representation could be improved. The DUP primarily encourages a ‘gender-neutral’ position, which emphasizes the principle of merit as a method of selection, as opposed to the implementation of gender quotas.
Lisa Purse
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780748638178
- eISBN:
- 9780748670857
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638178.003.0005
- Subject:
- Film, Television and Radio, Film
The chapter introduces and historicises the key debates about the female action hero, before offering an extended investigation of the representation of the female action hero in contemporary action ...
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The chapter introduces and historicises the key debates about the female action hero, before offering an extended investigation of the representation of the female action hero in contemporary action cinema. Identifying an action heroine who is physically and economically empowered while also sexualized, the chapter argues that this figure is defined by her proximity to postfeminist discourses of female power and sexual agency, while suggesting that the potentially unsettling prospect of a physically violent woman is minimised by traditional containment strategies that locate her in comic or overtly fantastical settings. Using Charlie's Angels: Full Throttle and Kill Bill as illustrative case studies, the chapter shows how, in this dominant representational mode, images of physical stress and damage are suppressed for ideological reasons, but also argues that more ‘untidy’ forms of female physical agency are emerging in the margins of the mainstream.Less
The chapter introduces and historicises the key debates about the female action hero, before offering an extended investigation of the representation of the female action hero in contemporary action cinema. Identifying an action heroine who is physically and economically empowered while also sexualized, the chapter argues that this figure is defined by her proximity to postfeminist discourses of female power and sexual agency, while suggesting that the potentially unsettling prospect of a physically violent woman is minimised by traditional containment strategies that locate her in comic or overtly fantastical settings. Using Charlie's Angels: Full Throttle and Kill Bill as illustrative case studies, the chapter shows how, in this dominant representational mode, images of physical stress and damage are suppressed for ideological reasons, but also argues that more ‘untidy’ forms of female physical agency are emerging in the margins of the mainstream.
Frank C. Thames and Margaret S. Williams
- Published in print:
- 2013
- Published Online:
- March 2016
- ISBN:
- 9780814784174
- eISBN:
- 9780814784181
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814784174.001.0001
- Subject:
- Political Science, Comparative Politics
Women's participation in parliaments, high courts, and executive offices worldwide has reached record high numbers, but this global increase in women's representation masks significant variation ...
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Women's participation in parliaments, high courts, and executive offices worldwide has reached record high numbers, but this global increase in women's representation masks significant variation among different democratic political systems. For example, in December of 2009, Rwanda's legislature contained 56 percent women, while the U.S. Congress contained only about 17 percent and the Japanese Diet had only 11 percent. Since 2000, only twenty-seven women have achieved executive office worldwide. This book takes a comprehensive look at women's participation in all aspects of public life in the main democratic political institutions—the executive, the judiciary, the legislature, and within political parties. Moving beyond studies of single countries and institutions, the book presents original data from 159 democratic countries spanning fifty years, providing a comprehensive understanding of women in democracies worldwide. The first book to offer an analysis on all avenues for women's participation for such a lengthy time period, it examines not only the causes of women's representation in the main democratic political institutions but also how women's representation in one institution affects the others. Each chapter contains case studies and examples of the change in women's participation over time from around the world. The book definitively explains the rise, decline, or stagnant levels of women's political participation, considering how representation is contagious across political institutions and gaining a better understanding of what factors affect women's political participation.Less
Women's participation in parliaments, high courts, and executive offices worldwide has reached record high numbers, but this global increase in women's representation masks significant variation among different democratic political systems. For example, in December of 2009, Rwanda's legislature contained 56 percent women, while the U.S. Congress contained only about 17 percent and the Japanese Diet had only 11 percent. Since 2000, only twenty-seven women have achieved executive office worldwide. This book takes a comprehensive look at women's participation in all aspects of public life in the main democratic political institutions—the executive, the judiciary, the legislature, and within political parties. Moving beyond studies of single countries and institutions, the book presents original data from 159 democratic countries spanning fifty years, providing a comprehensive understanding of women in democracies worldwide. The first book to offer an analysis on all avenues for women's participation for such a lengthy time period, it examines not only the causes of women's representation in the main democratic political institutions but also how women's representation in one institution affects the others. Each chapter contains case studies and examples of the change in women's participation over time from around the world. The book definitively explains the rise, decline, or stagnant levels of women's political participation, considering how representation is contagious across political institutions and gaining a better understanding of what factors affect women's political participation.
Terri Murray
- Published in print:
- 2019
- Published Online:
- February 2021
- ISBN:
- 9781911325802
- eISBN:
- 9781800342439
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781911325802.003.0005
- Subject:
- Film, Television and Radio, Film
This chapter challenges critics' readings of films as ‘sexist’, looking at two illustrative examples: Paul Verhoeven and Spike Lee. Paul Verhoeven's Basic Instinct (1992) was widely regarded as ...
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This chapter challenges critics' readings of films as ‘sexist’, looking at two illustrative examples: Paul Verhoeven and Spike Lee. Paul Verhoeven's Basic Instinct (1992) was widely regarded as misogynistic and ‘lesbophobic’. Basic Instinct is a neo-noir film that scandalously refuses to conform to the patriarchal rule of ‘compensating moral values’. Moreover, its visual pleasures are deliberately constructed against the grain of male voyeuristic pleasures and offer women (especially lesbian women) a rare opportunity to dissect and ridicule male sexism, homophobia, and voyeuristic power. Verhoeven's Elle (2016) is a much more subtle and complex critique of how women's self-image is ‘mediated’ by patriarchal culture, and the film makes explicit or oblique references to tabloid journalism, the gaming industry, and religion in the construction of a total culture that presents women as ‘others’ not only to men but also to themselves. Meanwhile, Spike Lee has been a frequent target for the ‘sexist’ label. The chapter argues that this is unfair, given Lee's relatively frequent attempts to make films about female sexual empowerment (or the causes of female sexual disempowerment). The three examples of She's Gotta Have It (1986), She Hate Me (2004), and BlacKkKlansman (2018) suggest that Lee has in various ways attempted to represent females as empowered sexual agents, and to address social double standards erected by men to possess women through the possession of their bodies.Less
This chapter challenges critics' readings of films as ‘sexist’, looking at two illustrative examples: Paul Verhoeven and Spike Lee. Paul Verhoeven's Basic Instinct (1992) was widely regarded as misogynistic and ‘lesbophobic’. Basic Instinct is a neo-noir film that scandalously refuses to conform to the patriarchal rule of ‘compensating moral values’. Moreover, its visual pleasures are deliberately constructed against the grain of male voyeuristic pleasures and offer women (especially lesbian women) a rare opportunity to dissect and ridicule male sexism, homophobia, and voyeuristic power. Verhoeven's Elle (2016) is a much more subtle and complex critique of how women's self-image is ‘mediated’ by patriarchal culture, and the film makes explicit or oblique references to tabloid journalism, the gaming industry, and religion in the construction of a total culture that presents women as ‘others’ not only to men but also to themselves. Meanwhile, Spike Lee has been a frequent target for the ‘sexist’ label. The chapter argues that this is unfair, given Lee's relatively frequent attempts to make films about female sexual empowerment (or the causes of female sexual disempowerment). The three examples of She's Gotta Have It (1986), She Hate Me (2004), and BlacKkKlansman (2018) suggest that Lee has in various ways attempted to represent females as empowered sexual agents, and to address social double standards erected by men to possess women through the possession of their bodies.
Rebecca Emiene Badejogbin
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780198870753
- eISBN:
- 9780191913365
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198870753.003.0007
- Subject:
- Law, Public International Law, Comparative Law
The lack of female judicial appointments in the history of international courts has led to the introduction of obligations and targets for nominating/appointing authorities to select and elect women ...
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The lack of female judicial appointments in the history of international courts has led to the introduction of obligations and targets for nominating/appointing authorities to select and elect women candidates. Compliance with these obligations remains a challenge and the women who aspire to these offices must not only have the requisite qualifications, but also pass through the nomination and election processes, which can involve a high level of political manoeuvring. Mentoring, deliberate mobilization, and gatekeeping may also play a role. Other important elements that may affect a woman’s international judicial career include socio-economic factors, geo-cultural politics, the political will to nominate women, and a blend of contextual experiences, institutional opportunities, and personal agency. This chapter probes these dynamics, offering insights into the challenges and opportunities for women who seek careers on the international bench, focusing specifically on the unique experiences of female African judges in international and regional courts.Less
The lack of female judicial appointments in the history of international courts has led to the introduction of obligations and targets for nominating/appointing authorities to select and elect women candidates. Compliance with these obligations remains a challenge and the women who aspire to these offices must not only have the requisite qualifications, but also pass through the nomination and election processes, which can involve a high level of political manoeuvring. Mentoring, deliberate mobilization, and gatekeeping may also play a role. Other important elements that may affect a woman’s international judicial career include socio-economic factors, geo-cultural politics, the political will to nominate women, and a blend of contextual experiences, institutional opportunities, and personal agency. This chapter probes these dynamics, offering insights into the challenges and opportunities for women who seek careers on the international bench, focusing specifically on the unique experiences of female African judges in international and regional courts.
Melanie Williams
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781474405638
- eISBN:
- 9781474434843
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474405638.001.0001
- Subject:
- Film, Television and Radio, Film
Film stars are often seen as a predominantly Hollywood creation but this book explores how British cinema developed its own culture of stardom, and how its female stars have been prized by audiences ...
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Film stars are often seen as a predominantly Hollywood creation but this book explores how British cinema developed its own culture of stardom, and how its female stars have been prized by audiences worldwide. Female Stars of British Cinema uses case studies of seven female stars whose careers span the 1940s to the present day – Jean Kent, Diana Dors, Rita Tushingham, Glenda Jackson, Helena Bonham Carter, Emily Lloyd, and Judi Dench – to explore how British star femininities have developed over time, and how the image of the British female star has responded to broader social and cultural changes. These ‘women in question’ offer a way into the complexities of British cinema’s culture of stardom which has sometimes espoused glamour and sometimes rejected it, and is entangled with issues of regional, national and ethnic identity, as well as class, sexuality and age. Exploring and investigating the variety of British star femininities over the last seventy-five years, this book also interrogates the omissions and absences from that same cinematic firmament.Less
Film stars are often seen as a predominantly Hollywood creation but this book explores how British cinema developed its own culture of stardom, and how its female stars have been prized by audiences worldwide. Female Stars of British Cinema uses case studies of seven female stars whose careers span the 1940s to the present day – Jean Kent, Diana Dors, Rita Tushingham, Glenda Jackson, Helena Bonham Carter, Emily Lloyd, and Judi Dench – to explore how British star femininities have developed over time, and how the image of the British female star has responded to broader social and cultural changes. These ‘women in question’ offer a way into the complexities of British cinema’s culture of stardom which has sometimes espoused glamour and sometimes rejected it, and is entangled with issues of regional, national and ethnic identity, as well as class, sexuality and age. Exploring and investigating the variety of British star femininities over the last seventy-five years, this book also interrogates the omissions and absences from that same cinematic firmament.
Catherine Drummond
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780198870753
- eISBN:
- 9780191913365
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198870753.003.0006
- Subject:
- Law, Public International Law, Comparative Law
Efforts to improve the representation of women in international dispute settlement continue to face significant challenges. While there is an increasing acknowledgement that the lack of gender ...
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Efforts to improve the representation of women in international dispute settlement continue to face significant challenges. While there is an increasing acknowledgement that the lack of gender diversity needs to be addressed, this abstract concern has not translated into a meaningful increase in the number of women being appointed by parties to international courts and tribunals. This Chapter focuses on the processes for the selection and appointment of arbitrators and judges ad hoc on public international law courts and tribunals. It explores what those processes reveal about the different layers of prejudice that female candidates face and their combined effect in creating and sustaining barriers to equal opportunities for women. Identifying these layers of prejudice from a processual perspective can assist with formulating practical measures that could be taken by different stakeholders to address each of the specific barriers. The Chapter also highlights the special role and responsibility that counsel for appointing parties have in granting equal opportunities for women in each individual appointment process.Less
Efforts to improve the representation of women in international dispute settlement continue to face significant challenges. While there is an increasing acknowledgement that the lack of gender diversity needs to be addressed, this abstract concern has not translated into a meaningful increase in the number of women being appointed by parties to international courts and tribunals. This Chapter focuses on the processes for the selection and appointment of arbitrators and judges ad hoc on public international law courts and tribunals. It explores what those processes reveal about the different layers of prejudice that female candidates face and their combined effect in creating and sustaining barriers to equal opportunities for women. Identifying these layers of prejudice from a processual perspective can assist with formulating practical measures that could be taken by different stakeholders to address each of the specific barriers. The Chapter also highlights the special role and responsibility that counsel for appointing parties have in granting equal opportunities for women in each individual appointment process.
James Marriott
- Published in print:
- 2013
- Published Online:
- February 2021
- ISBN:
- 9781906733711
- eISBN:
- 9781800342101
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781906733711.003.0008
- Subject:
- Film, Television and Radio, Film
This chapter assesses what difference it makes that Neil Marshall's party is women only, and investigates The Descent's contribution to the thorny issue of the representation of women in horror ...
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This chapter assesses what difference it makes that Neil Marshall's party is women only, and investigates The Descent's contribution to the thorny issue of the representation of women in horror films. Marshall admits that his original concept for the film involved a mixed group, and that he was attracted to a colleague's off-hand suggestion of making the cavers an all-female group for its novelty. This highlights the first, obvious point: it is a selling point, a distinguishing feature. As Marshall points out in 'The Making of The Descent', the film is unique among what Marshall describes as 'action horror' films in having an all-female cast. Given that the cast is all-female — and young, athletic and attractive to boot — Marshall's treatment of them is remarkably desexualised, arguably working against this selling point, for at least some of the film's audience. The decision to present the women neutrally — not only desexualised but also, perhaps, defeminised — relates to the underlying themes in the film.Less
This chapter assesses what difference it makes that Neil Marshall's party is women only, and investigates The Descent's contribution to the thorny issue of the representation of women in horror films. Marshall admits that his original concept for the film involved a mixed group, and that he was attracted to a colleague's off-hand suggestion of making the cavers an all-female group for its novelty. This highlights the first, obvious point: it is a selling point, a distinguishing feature. As Marshall points out in 'The Making of The Descent', the film is unique among what Marshall describes as 'action horror' films in having an all-female cast. Given that the cast is all-female — and young, athletic and attractive to boot — Marshall's treatment of them is remarkably desexualised, arguably working against this selling point, for at least some of the film's audience. The decision to present the women neutrally — not only desexualised but also, perhaps, defeminised — relates to the underlying themes in the film.
Iija A. Luciak
- Published in print:
- 2009
- Published Online:
- September 2011
- ISBN:
- 9780813030630
- eISBN:
- 9780813039473
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813030630.003.0005
- Subject:
- Society and Culture, Latin American Studies
This chapter discusses the selection process made by the National Candidate Commission in order to provide a final candidate list for the national elections of 2002–2003. This chapter focuses on the ...
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This chapter discusses the selection process made by the National Candidate Commission in order to provide a final candidate list for the national elections of 2002–2003. This chapter focuses on the 2002–2003 elections which provide a great opportunity to examine closely the Cuban electoral process. Whereas previous studies on Cuban elections lacked gender perspective, this chapter focuses on the gender composition of the various assemblies involved in the Cuban national elections wherein female representation on the local and national level varies considerably due to positive discrimination. The chapter also examines the candidate nomination process and presents a detailed election results for the municipal and national level.Less
This chapter discusses the selection process made by the National Candidate Commission in order to provide a final candidate list for the national elections of 2002–2003. This chapter focuses on the 2002–2003 elections which provide a great opportunity to examine closely the Cuban electoral process. Whereas previous studies on Cuban elections lacked gender perspective, this chapter focuses on the gender composition of the various assemblies involved in the Cuban national elections wherein female representation on the local and national level varies considerably due to positive discrimination. The chapter also examines the candidate nomination process and presents a detailed election results for the municipal and national level.
Kathleen M. Vernon
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780719097720
- eISBN:
- 9781526121172
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097720.003.0005
- Subject:
- Film, Television and Radio, Film
This chapter analyses the typification and standardisation of the voice in Spanish cinema, which is argued as the result of a long history of film dubbing, with its strict codification of vocal types ...
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This chapter analyses the typification and standardisation of the voice in Spanish cinema, which is argued as the result of a long history of film dubbing, with its strict codification of vocal types according to gender and role. This practice has resulted in a series of unwritten rules and expectations that continue to shape and restrict the kinds of voices that Spanish audiences hear on screen. Under these norms, while non-standard voices may be permitted and are even cultivated for comic and character parts, leading roles continue to demand what the chapter calls the ‘phonogenic’ expression of unproblematically feminine and masculine identities. With her unmistakable, high-pitched voice, the chapter shows how Gracita Morales was inevitably slotted into supporting roles, her child-like affect and lack of verbal inhibition put to classic comic ends as weapons used to skewer the pretensions of a would-be upwardly mobile and modernizing middle class. Despite being categorised in this manner, Gracita Morales become an example of what Kathleen Rowe calls ‘unruly women’, female comics who by talking back and laughing loudly claim their right to a traditionally male privilege, thereby challenging the notion of comedy as a male-dominated genre.Less
This chapter analyses the typification and standardisation of the voice in Spanish cinema, which is argued as the result of a long history of film dubbing, with its strict codification of vocal types according to gender and role. This practice has resulted in a series of unwritten rules and expectations that continue to shape and restrict the kinds of voices that Spanish audiences hear on screen. Under these norms, while non-standard voices may be permitted and are even cultivated for comic and character parts, leading roles continue to demand what the chapter calls the ‘phonogenic’ expression of unproblematically feminine and masculine identities. With her unmistakable, high-pitched voice, the chapter shows how Gracita Morales was inevitably slotted into supporting roles, her child-like affect and lack of verbal inhibition put to classic comic ends as weapons used to skewer the pretensions of a would-be upwardly mobile and modernizing middle class. Despite being categorised in this manner, Gracita Morales become an example of what Kathleen Rowe calls ‘unruly women’, female comics who by talking back and laughing loudly claim their right to a traditionally male privilege, thereby challenging the notion of comedy as a male-dominated genre.
Jaime Schultz
- Published in print:
- 2014
- Published Online:
- April 2017
- ISBN:
- 9780252038167
- eISBN:
- 9780252095962
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252038167.003.0009
- Subject:
- Society and Culture, Gender Studies
This concluding chapter considers the status of women's sports in 2012, the various points of change that brought them there, and reasserts the need to cheer with reserve. Even as the number of women ...
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This concluding chapter considers the status of women's sports in 2012, the various points of change that brought them there, and reasserts the need to cheer with reserve. Even as the number of women athletes seems to rise, their representation in administrative ranks has dwindled from the pre-Title IX era. In addition, sports sociologists Michael Messner and Cheryl Cooky found that there has been a “precipitous decline” in the amount of television coverage devoted to women's sports over the past several years. In 2009 women's sports garnered just 1.6 percent of network sports news and 1.4 percent of ESPN's SportsCenter. For a brief window in July 2012, however, those numbers temporarily increased as the world tuned in to the Women's Games.Less
This concluding chapter considers the status of women's sports in 2012, the various points of change that brought them there, and reasserts the need to cheer with reserve. Even as the number of women athletes seems to rise, their representation in administrative ranks has dwindled from the pre-Title IX era. In addition, sports sociologists Michael Messner and Cheryl Cooky found that there has been a “precipitous decline” in the amount of television coverage devoted to women's sports over the past several years. In 2009 women's sports garnered just 1.6 percent of network sports news and 1.4 percent of ESPN's SportsCenter. For a brief window in July 2012, however, those numbers temporarily increased as the world tuned in to the Women's Games.
Amy Simmons
- Published in print:
- 2015
- Published Online:
- February 2021
- ISBN:
- 9781906733414
- eISBN:
- 9781800342019
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781906733414.003.0004
- Subject:
- Film, Television and Radio, Film
This concluding chapter looks at the critical reception of Lars von Trier's Antichrist (2009). Despite the efforts of some to dismiss the film as a prank, Antichrist is an astonishing film of rage ...
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This concluding chapter looks at the critical reception of Lars von Trier's Antichrist (2009). Despite the efforts of some to dismiss the film as a prank, Antichrist is an astonishing film of rage and hopelessness, and its disturbing extremes speak of broad and deeply felt moral, social, and, ultimately, political anxieties. Compared with von Trier's previous films, Antichrist feels like a calculated provocation, begging audiences to question, both intellectually and viscerally, the limits of faith or ethics or whatever it is that makes one draw a line between good and evil. Still, how one sees, understands, and reacts to the film depends to a very large extent on what attitudes, beliefs, and prejudices one brings to it. Antichrist is essentially a film about misogyny. By revealing (via extreme exaggeration) the structure of patriarchal domination, the film critiques the tendency of mainstream films that represent women as needing to be disciplined by a rational male figure. In this respect, Antichrist has a considerable amount of feminist value to offer, and it should be explored as a complex net of sometimes contradictory meanings that expose the representation of the female gender within cinema and the fears connected to it.Less
This concluding chapter looks at the critical reception of Lars von Trier's Antichrist (2009). Despite the efforts of some to dismiss the film as a prank, Antichrist is an astonishing film of rage and hopelessness, and its disturbing extremes speak of broad and deeply felt moral, social, and, ultimately, political anxieties. Compared with von Trier's previous films, Antichrist feels like a calculated provocation, begging audiences to question, both intellectually and viscerally, the limits of faith or ethics or whatever it is that makes one draw a line between good and evil. Still, how one sees, understands, and reacts to the film depends to a very large extent on what attitudes, beliefs, and prejudices one brings to it. Antichrist is essentially a film about misogyny. By revealing (via extreme exaggeration) the structure of patriarchal domination, the film critiques the tendency of mainstream films that represent women as needing to be disciplined by a rational male figure. In this respect, Antichrist has a considerable amount of feminist value to offer, and it should be explored as a complex net of sometimes contradictory meanings that expose the representation of the female gender within cinema and the fears connected to it.
Teresa Doherty
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780198870753
- eISBN:
- 9780191913365
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198870753.003.0017
- Subject:
- Law, Public International Law, Comparative Law
Few female judges were appointed to the benches of the International Criminal Tribunal for the Former Yugoslavia (ICTY), the International Criminal Tribunal for Rwanda (ICTR), and Special Court for ...
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Few female judges were appointed to the benches of the International Criminal Tribunal for the Former Yugoslavia (ICTY), the International Criminal Tribunal for Rwanda (ICTR), and Special Court for Sierra Leone. Nevertheless, those appointments resulted in an active contribution of these women judges to the development of international criminal law, as is shown in the jurisprudence. Judges give judgement on the evidence, facts, and law before them, but women judges have been noted for advancing the existing law through broad interpretation. With the appointment of women investigators and prosecutors, more prosecutions for crimes of sexual violence followed. This is important as it progressively developed a field of law that had until then not, or only in a more limited manner, been adjudicated upon before international courts.Less
Few female judges were appointed to the benches of the International Criminal Tribunal for the Former Yugoslavia (ICTY), the International Criminal Tribunal for Rwanda (ICTR), and Special Court for Sierra Leone. Nevertheless, those appointments resulted in an active contribution of these women judges to the development of international criminal law, as is shown in the jurisprudence. Judges give judgement on the evidence, facts, and law before them, but women judges have been noted for advancing the existing law through broad interpretation. With the appointment of women investigators and prosecutors, more prosecutions for crimes of sexual violence followed. This is important as it progressively developed a field of law that had until then not, or only in a more limited manner, been adjudicated upon before international courts.