Robert Peterson
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780195076370
- eISBN:
- 9780199853786
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195076370.003.0059
- Subject:
- History, Cultural History
This chapter describes a view that recognition should be afforded to the great stars of Negro baseball at the National Baseball Hall of Fame and Museum in Cooperstown, New York. The chapter states ...
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This chapter describes a view that recognition should be afforded to the great stars of Negro baseball at the National Baseball Hall of Fame and Museum in Cooperstown, New York. The chapter states the arguments that may be made not to support such recognition including the lack of records and experience with major league players of Negro clubs. Nonetheless, the chapter presents answers to these arguments with humor. The chapter also provides a mechanism to determine the number of Negros who may be added by means of percentage and also a way to determine who may be included in the Hall of Fame. The chapter expresses a desire for Negro baseball players to be recognized albeit belatedly for their contributions in baseball history.Less
This chapter describes a view that recognition should be afforded to the great stars of Negro baseball at the National Baseball Hall of Fame and Museum in Cooperstown, New York. The chapter states the arguments that may be made not to support such recognition including the lack of records and experience with major league players of Negro clubs. Nonetheless, the chapter presents answers to these arguments with humor. The chapter also provides a mechanism to determine the number of Negros who may be added by means of percentage and also a way to determine who may be included in the Hall of Fame. The chapter expresses a desire for Negro baseball players to be recognized albeit belatedly for their contributions in baseball history.
Jonathan Usher
- Published in print:
- 2007
- Published Online:
- January 2012
- ISBN:
- 9780197264133
- eISBN:
- 9780191734649
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264133.003.0005
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter examines the concept of the solitary Petrarch and suggests that Petrarch's theory of secular fame and the various stages of death, fame, time, and eternity are already present in nuce in ...
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This chapter examines the concept of the solitary Petrarch and suggests that Petrarch's theory of secular fame and the various stages of death, fame, time, and eternity are already present in nuce in the early Latin elegy on his mother's death. It highlights the influence of Dante's Inferno in Petrarch's development of an iterative mortality/vitality related to memory early in his career and on his Metrica on the death of his mother.Less
This chapter examines the concept of the solitary Petrarch and suggests that Petrarch's theory of secular fame and the various stages of death, fame, time, and eternity are already present in nuce in the early Latin elegy on his mother's death. It highlights the influence of Dante's Inferno in Petrarch's development of an iterative mortality/vitality related to memory early in his career and on his Metrica on the death of his mother.
Kenneth H. Craik
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195330922
- eISBN:
- 9780199868292
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195330922.003.0001
- Subject:
- Psychology, Social Psychology
This chapter examines the structure and membership of a person’s reputational network, including its size, density, and patterning. It sketches the life-span dynamics of reputational networks, with ...
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This chapter examines the structure and membership of a person’s reputational network, including its size, density, and patterning. It sketches the life-span dynamics of reputational networks, with some members being recruited to it as others depart. On the one hand, compared to the global population, the membership of any person’s reputational network is relatively small and interrelated; from this network perspective, “it’s a small village.” On the other hand, reputational information courses through certain network bridges that link together and expand a person’s potential network through relatively isolated ties to others, generating the capacity for rapid, widespread, and often untraceable reputational information flow. In this sense, a possibly global scale of fame appears to be perhaps not too unattainable; thus, from this network perspective, “it’s a small world.”Less
This chapter examines the structure and membership of a person’s reputational network, including its size, density, and patterning. It sketches the life-span dynamics of reputational networks, with some members being recruited to it as others depart. On the one hand, compared to the global population, the membership of any person’s reputational network is relatively small and interrelated; from this network perspective, “it’s a small village.” On the other hand, reputational information courses through certain network bridges that link together and expand a person’s potential network through relatively isolated ties to others, generating the capacity for rapid, widespread, and often untraceable reputational information flow. In this sense, a possibly global scale of fame appears to be perhaps not too unattainable; thus, from this network perspective, “it’s a small world.”
Edward I. Condren
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9780813032412
- eISBN:
- 9780813038339
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813032412.001.0001
- Subject:
- Literature, Early and Medieval Literature
While covering all the major work produced by Geoffrey Chaucer in his pre-Canterbury Tales career, this book seeks to correct the traditional interpretations of these poems. The author provides new ...
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While covering all the major work produced by Geoffrey Chaucer in his pre-Canterbury Tales career, this book seeks to correct the traditional interpretations of these poems. The author provides new interpretations of the three “dream visions” — Book of the Duchess, Parliament of Fowls, and House of Fame — as well as Chaucer's early masterwork Troilus and Criseyde. He draws a series of portraits of Chaucer as glimpsed in his work: the fledgling poet who is seeking to master the artificial style of French love poetry, the passionate author attempting to rebut critics of his work, and, finally, the master of a naturalistic style entirely his own.Less
While covering all the major work produced by Geoffrey Chaucer in his pre-Canterbury Tales career, this book seeks to correct the traditional interpretations of these poems. The author provides new interpretations of the three “dream visions” — Book of the Duchess, Parliament of Fowls, and House of Fame — as well as Chaucer's early masterwork Troilus and Criseyde. He draws a series of portraits of Chaucer as glimpsed in his work: the fledgling poet who is seeking to master the artificial style of French love poetry, the passionate author attempting to rebut critics of his work, and, finally, the master of a naturalistic style entirely his own.
David Quint
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161914
- eISBN:
- 9781400850488
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161914.003.0007
- Subject:
- Literature, Criticism/Theory
This chapter relates the separate falls of Eve and Adam in book 9, respectively, to deeply held wishes that Milton reveals in other writings throughout his career. The fall of Eve grows out of the ...
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This chapter relates the separate falls of Eve and Adam in book 9, respectively, to deeply held wishes that Milton reveals in other writings throughout his career. The fall of Eve grows out of the desire to make trial of an otherwise cloistered virtue and to stand approved in the eyes of God: individual recognition, which Milton uneasily assimilates with the wish for fame. Adam, on the other hand, falls in the name of marital love. Both Eve and Adam have good reasons that go wrong when they disobey God, and their respective wishes—the proof, in Eve's case, of one's solitary spiritual worth and sufficiency, the remedying, in Adam's, of one's social deficiency through human love and companionship—survive and are ratified after the Fall when the couple appear to have switched positions. Adam at the poem's end asserts his vertical dependence on the only God, while Eve declares her love for and inseparability from Adam.Less
This chapter relates the separate falls of Eve and Adam in book 9, respectively, to deeply held wishes that Milton reveals in other writings throughout his career. The fall of Eve grows out of the desire to make trial of an otherwise cloistered virtue and to stand approved in the eyes of God: individual recognition, which Milton uneasily assimilates with the wish for fame. Adam, on the other hand, falls in the name of marital love. Both Eve and Adam have good reasons that go wrong when they disobey God, and their respective wishes—the proof, in Eve's case, of one's solitary spiritual worth and sufficiency, the remedying, in Adam's, of one's social deficiency through human love and companionship—survive and are ratified after the Fall when the couple appear to have switched positions. Adam at the poem's end asserts his vertical dependence on the only God, while Eve declares her love for and inseparability from Adam.
DAVID STARKEY
- Published in print:
- 2011
- Published Online:
- January 2013
- ISBN:
- 9780197264942
- eISBN:
- 9780191754111
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264942.003.0014
- Subject:
- History, British and Irish Modern History
This chapter addresses the question of why the Tudors have been famous for five hundred years. One reason is the availability of actual representations of them through art, which allows people to see ...
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This chapter addresses the question of why the Tudors have been famous for five hundred years. One reason is the availability of actual representations of them through art, which allows people to see what every one of them looked like, or at least what they wanted us to think they looked like. Another is their extraordinary life story. The Tudors are almost the perfect soap — a drama powered by the mechanics and dramas of family relationships.Less
This chapter addresses the question of why the Tudors have been famous for five hundred years. One reason is the availability of actual representations of them through art, which allows people to see what every one of them looked like, or at least what they wanted us to think they looked like. Another is their extraordinary life story. The Tudors are almost the perfect soap — a drama powered by the mechanics and dramas of family relationships.
John Casey
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195092950
- eISBN:
- 9780199869732
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195092950.003.0005
- Subject:
- Religion, World Religions
In ancient Greece a new idea of immortality emerges—hope, not for personal survival, but fame and eternal memory. This becomes an official doctrine of both Greece and Rome, but one might doubt how ...
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In ancient Greece a new idea of immortality emerges—hope, not for personal survival, but fame and eternal memory. This becomes an official doctrine of both Greece and Rome, but one might doubt how far it was truly believed in. The melancholy underworld of the shades, conscious only if they drink sacrificial blood, makes the “official” doctrine of civic virtue, with a readiness to die for the city both heroic and scarcely possible. Skepticism about civic virtue, especially in some Greek and Roman epitaphs, is explored, as is the hope of future life in the religion of Orphism. The chapter ends with discussion of Lucretius, Horace, Plato, and Aristotle.Less
In ancient Greece a new idea of immortality emerges—hope, not for personal survival, but fame and eternal memory. This becomes an official doctrine of both Greece and Rome, but one might doubt how far it was truly believed in. The melancholy underworld of the shades, conscious only if they drink sacrificial blood, makes the “official” doctrine of civic virtue, with a readiness to die for the city both heroic and scarcely possible. Skepticism about civic virtue, especially in some Greek and Roman epitaphs, is explored, as is the hope of future life in the religion of Orphism. The chapter ends with discussion of Lucretius, Horace, Plato, and Aristotle.
Paul Davis
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199297832
- eISBN:
- 9780191711572
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199297832.003.0006
- Subject:
- Literature, 17th-century and Restoration Literature, 18th-century Literature
This chapter measures the impact of the customary equations of translating with trade and with kinship on Pope's version of the Iliad (1715-20) and the version of the Odyssey (1725-6), which he ...
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This chapter measures the impact of the customary equations of translating with trade and with kinship on Pope's version of the Iliad (1715-20) and the version of the Odyssey (1725-6), which he produced in collaboration with William Broome and Elijah Fenton. Pope is normally presented as an implacable opponent of mercantile values and practices but his father made his money through trade, and ‘commerce’. In a broadened sense of mutuality or interdependence, this work constituted for him a powerful ideal of poetic conduct, a corrective to the selfish pursuit of fame. The chapter argues that Homer's evocations of heroism — Achilles's relentless individualism and the embryonic sociality manifested by Hector and Odysseus — sharply focused Pope's interior debate about competition and co-operation. Translating the ‘Father of Poetry’, Pope probed the divide between himself and his ‘honest merchant’ father and began his lifelong effort to adjust the claims of greatness against those of goodness.Less
This chapter measures the impact of the customary equations of translating with trade and with kinship on Pope's version of the Iliad (1715-20) and the version of the Odyssey (1725-6), which he produced in collaboration with William Broome and Elijah Fenton. Pope is normally presented as an implacable opponent of mercantile values and practices but his father made his money through trade, and ‘commerce’. In a broadened sense of mutuality or interdependence, this work constituted for him a powerful ideal of poetic conduct, a corrective to the selfish pursuit of fame. The chapter argues that Homer's evocations of heroism — Achilles's relentless individualism and the embryonic sociality manifested by Hector and Odysseus — sharply focused Pope's interior debate about competition and co-operation. Translating the ‘Father of Poetry’, Pope probed the divide between himself and his ‘honest merchant’ father and began his lifelong effort to adjust the claims of greatness against those of goodness.
Williams Martin
- Published in print:
- 1993
- Published Online:
- October 2011
- ISBN:
- 9780195083491
- eISBN:
- 9780199853205
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195083491.003.0001
- Subject:
- Music, Popular
Earl Hines was one of the few contemporary pianists who molded the history of jazz music. In a cold Friday evening in 1964, Earl Hines performed the first on a multiple series of concerts held at ...
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Earl Hines was one of the few contemporary pianists who molded the history of jazz music. In a cold Friday evening in 1964, Earl Hines performed the first on a multiple series of concerts held at Broadway's Little Theatre. The concert was a success and the start of arguably the greatest comeback in the history of jazz. He was featured on an influential profile by Whitney Balliett as a famous jazz performer. He was chosen to represent the United States on a visit to Soviet Republic. And he was enacted in Down Beat's Jazz “Hall of Fame”, joining other famous musicians such as Charlie Parker, Duke Ellington, Count Basic, Coleman Hawkins, and Louis Armstrong.Less
Earl Hines was one of the few contemporary pianists who molded the history of jazz music. In a cold Friday evening in 1964, Earl Hines performed the first on a multiple series of concerts held at Broadway's Little Theatre. The concert was a success and the start of arguably the greatest comeback in the history of jazz. He was featured on an influential profile by Whitney Balliett as a famous jazz performer. He was chosen to represent the United States on a visit to Soviet Republic. And he was enacted in Down Beat's Jazz “Hall of Fame”, joining other famous musicians such as Charlie Parker, Duke Ellington, Count Basic, Coleman Hawkins, and Louis Armstrong.
Bernard Cooke
- Published in print:
- 2004
- Published Online:
- January 2005
- ISBN:
- 9780195174519
- eISBN:
- 9780199835119
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195174518.003.0006
- Subject:
- Religion, Theology
Fame and good reputation have long been recognized as powerful forces of motivation. A person's good name and credibility can be enhanced or damaged by report or rumours; to so influence one's public ...
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Fame and good reputation have long been recognized as powerful forces of motivation. A person's good name and credibility can be enhanced or damaged by report or rumours; to so influence one's public esteem is to exert considerable power. Again, the power of propaganda has often been employed to influence public opinion and acceptance of a regime. Esteem of influential professional groups, such as clergy, doctors or lawyers, provides subtle power for members of those groups, provided they adhere to accepted norms of ‘respectability’. Special credibility attaches to those in ‘sacred’ offices or those with a reputation for sanctity.Less
Fame and good reputation have long been recognized as powerful forces of motivation. A person's good name and credibility can be enhanced or damaged by report or rumours; to so influence one's public esteem is to exert considerable power. Again, the power of propaganda has often been employed to influence public opinion and acceptance of a regime. Esteem of influential professional groups, such as clergy, doctors or lawyers, provides subtle power for members of those groups, provided they adhere to accepted norms of ‘respectability’. Special credibility attaches to those in ‘sacred’ offices or those with a reputation for sanctity.
- Published in print:
- 2008
- Published Online:
- June 2013
- ISBN:
- 9780804748636
- eISBN:
- 9780804779395
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804748636.003.0020
- Subject:
- Literature, World Literature
In rejecting the notion that popular taste is the arbiter of poetic authenticity, Shinkei acknowledges that the common people or the majority, who are incapable of appreciating the greatest minds, ...
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In rejecting the notion that popular taste is the arbiter of poetic authenticity, Shinkei acknowledges that the common people or the majority, who are incapable of appreciating the greatest minds, must necessarily remain in obscurity. This does not mean that Shinkei himself considers obscurity as necessarily evidence of virtue, or that he welcomes it. His allusion to Bai Juyi's poem on the lonely pine implies that Shinkei is aware of being remote from any worldly fame at this time. As if to prove Sasamegoto right even at its author's expense, Shinkei always chose to stay just beyond the limelight, not only in his lifetime but also afterward.Less
In rejecting the notion that popular taste is the arbiter of poetic authenticity, Shinkei acknowledges that the common people or the majority, who are incapable of appreciating the greatest minds, must necessarily remain in obscurity. This does not mean that Shinkei himself considers obscurity as necessarily evidence of virtue, or that he welcomes it. His allusion to Bai Juyi's poem on the lonely pine implies that Shinkei is aware of being remote from any worldly fame at this time. As if to prove Sasamegoto right even at its author's expense, Shinkei always chose to stay just beyond the limelight, not only in his lifetime but also afterward.
Geoffrey Brennan and Philip Pettit
- Published in print:
- 2004
- Published Online:
- November 2004
- ISBN:
- 9780199246489
- eISBN:
- 9780191601460
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199246483.001.0001
- Subject:
- Economics and Finance, Microeconomics
However much people want esteem, it is an untradeable commodity: there is no way that I can buy the good opinion of another or sell to others my good opinion of them. But though it is a non-tradable ...
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However much people want esteem, it is an untradeable commodity: there is no way that I can buy the good opinion of another or sell to others my good opinion of them. But though it is a non-tradable good, esteem is allocated in society according to systematic determinants; people’s performance, publicity and presentation relative to others will help fix how much esteem they enjoy and how much disesteem they avoid. The fact that it is subject to such determinants means in turn that rational individuals are bound to compete with one another, however tacitly, in the attempt to control those influences, increasing their chances of winning esteem and avoiding disesteem. And the fact that they all compete for esteem in this way shapes the environment in which they each pursue the good, setting relevant comparators and benchmarks, and determining the cost that a person must bear–the price that they must pay–for obtaining a given level of esteem in any domain of activity.Hidden in the multifarious interactions and exchanges of social life, then, there is a quiet force at work–a force as silent and powerful as gravity–which moulds the basic form of people’s relationships and associations. This force was more or less routinely invoked in the writings of classical theorists like Aristotle and Plato, Locke and Montesquieu, Mandeville and Hume and Madison. Sometimes it was invoked to explain why people behaved as they did, sometimes to identify initiatives whereby they might be persuaded to behave better. Although Adam Smith himself gave it great credence, however, the rise of economics proper coincided with a sudden decline in the attention devoted to the economy of esteem. What had been a topic of compelling interest for earlier authors fell into relative neglect throughout the nineteenth and twentieth centuries. This book is designed to reverse the trend. It begins by outlining the psychology of esteem and the way the working of that psychology can give rise to an economy. It then shows how a variety of social patterns that are otherwise anomalous come to make a lot of sense within an economics of esteem. And it looks, finally, at the ways in which the economy of esteem may be reshaped so as to make for an improvement–by reference to received criteria–in overall social outcomes. While making connections with older patterns of social theorizing, it offers a novel orientation for contemporary thought about how society works and how it may be made to work. It puts the economy of esteem firmly on the agenda of economic and social science and of moral and political theory.Less
However much people want esteem, it is an untradeable commodity: there is no way that I can buy the good opinion of another or sell to others my good opinion of them. But though it is a non-tradable good, esteem is allocated in society according to systematic determinants; people’s performance, publicity and presentation relative to others will help fix how much esteem they enjoy and how much disesteem they avoid. The fact that it is subject to such determinants means in turn that rational individuals are bound to compete with one another, however tacitly, in the attempt to control those influences, increasing their chances of winning esteem and avoiding disesteem. And the fact that they all compete for esteem in this way shapes the environment in which they each pursue the good, setting relevant comparators and benchmarks, and determining the cost that a person must bear–the price that they must pay–for obtaining a given level of esteem in any domain of activity.
Hidden in the multifarious interactions and exchanges of social life, then, there is a quiet force at work–a force as silent and powerful as gravity–which moulds the basic form of people’s relationships and associations. This force was more or less routinely invoked in the writings of classical theorists like Aristotle and Plato, Locke and Montesquieu, Mandeville and Hume and Madison. Sometimes it was invoked to explain why people behaved as they did, sometimes to identify initiatives whereby they might be persuaded to behave better. Although Adam Smith himself gave it great credence, however, the rise of economics proper coincided with a sudden decline in the attention devoted to the economy of esteem. What had been a topic of compelling interest for earlier authors fell into relative neglect throughout the nineteenth and twentieth centuries. This book is designed to reverse the trend. It begins by outlining the psychology of esteem and the way the working of that psychology can give rise to an economy. It then shows how a variety of social patterns that are otherwise anomalous come to make a lot of sense within an economics of esteem. And it looks, finally, at the ways in which the economy of esteem may be reshaped so as to make for an improvement–by reference to received criteria–in overall social outcomes. While making connections with older patterns of social theorizing, it offers a novel orientation for contemporary thought about how society works and how it may be made to work. It puts the economy of esteem firmly on the agenda of economic and social science and of moral and political theory.
Miloš Ković
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199574605
- eISBN:
- 9780191595134
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199574605.003.0012
- Subject:
- History, European Modern History, Political History
The concluding chapter stresses the influence of conservatism and romanticism on Disraeli's understanding of the Eastern Question. The experiences of the Greek Revolution are highlighted, as well as ...
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The concluding chapter stresses the influence of conservatism and romanticism on Disraeli's understanding of the Eastern Question. The experiences of the Greek Revolution are highlighted, as well as the personal experiences from Disraeli's Grand Tour. The changes in his view of the Eastern Question are highlighted, as well as his declining enthusiasm for the Ottoman Empire. Equally, the roles which Metternich and Palmerston played in shaping Disraeli's perception of the Eastern Question are analysed, as well as the crucial experience of the Crimean War in forming Disraeli's reliance on a strategy based on deterrence. The decisive role which Disraeli would play in Britain's policy during the Eastern Crisis is stressed. Finally, it is demonstrated how, during the Eastern Crisis, Disraeli put into practice the key principles on which his foreign policy was based: the ‘instinct of power’, ‘love of fame’, quest for prestige, and preservation of the balance of power.Less
The concluding chapter stresses the influence of conservatism and romanticism on Disraeli's understanding of the Eastern Question. The experiences of the Greek Revolution are highlighted, as well as the personal experiences from Disraeli's Grand Tour. The changes in his view of the Eastern Question are highlighted, as well as his declining enthusiasm for the Ottoman Empire. Equally, the roles which Metternich and Palmerston played in shaping Disraeli's perception of the Eastern Question are analysed, as well as the crucial experience of the Crimean War in forming Disraeli's reliance on a strategy based on deterrence. The decisive role which Disraeli would play in Britain's policy during the Eastern Crisis is stressed. Finally, it is demonstrated how, during the Eastern Crisis, Disraeli put into practice the key principles on which his foreign policy was based: the ‘instinct of power’, ‘love of fame’, quest for prestige, and preservation of the balance of power.
Miloš Ković
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199574605
- eISBN:
- 9780191595134
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199574605.003.0004
- Subject:
- History, European Modern History, Political History
The Crimean War played a decisive role in consolidating Disraeli's perceptions of the Eastern Question. Guided by Aberdeen's example and following Palmerston's tactics, he claimed that Russia had to ...
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The Crimean War played a decisive role in consolidating Disraeli's perceptions of the Eastern Question. Guided by Aberdeen's example and following Palmerston's tactics, he claimed that Russia had to be sent decisive and clear messages, which had to be accompanied with some sabre‐rattling as well. Only in this way could Russia be prevented from reaching out for the Sultan's possessions and disturbing the existing balance of power. In his policies towards the Balkan states, Disraeli nevertheless found himself closer to Metternich than Palmerston — the status quo had to be defended at all costs. The chapter highlights that in Disraeli's understanding of the Eastern Question, and foreign policy as a whole, the concepts of ‘the instinct of power’ and ‘the love of fame’ were crucial, as well as that his understandings were close to the Realist school in international relations.Less
The Crimean War played a decisive role in consolidating Disraeli's perceptions of the Eastern Question. Guided by Aberdeen's example and following Palmerston's tactics, he claimed that Russia had to be sent decisive and clear messages, which had to be accompanied with some sabre‐rattling as well. Only in this way could Russia be prevented from reaching out for the Sultan's possessions and disturbing the existing balance of power. In his policies towards the Balkan states, Disraeli nevertheless found himself closer to Metternich than Palmerston — the status quo had to be defended at all costs. The chapter highlights that in Disraeli's understanding of the Eastern Question, and foreign policy as a whole, the concepts of ‘the instinct of power’ and ‘the love of fame’ were crucial, as well as that his understandings were close to the Realist school in international relations.
Mark Philp and Z. A. Pelczynski
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199645060
- eISBN:
- 9780191741616
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199645060.003.0003
- Subject:
- Philosophy, History of Philosophy
Does Machiavelli operate with a different standard for the public (virtue) than or the private sphere (goodness)? What is his understanding of virtue and immorality? Plamenatz argues that the double ...
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Does Machiavelli operate with a different standard for the public (virtue) than or the private sphere (goodness)? What is his understanding of virtue and immorality? Plamenatz argues that the double standard is widespread. He examines Machiavelli’s ‘magnificent crimes’ and his condoning or excusing of them, and the underlying philosophy, which values lasting fame and reputation. He identifies a number of heroic virtues in Machiavelli, which may be displayed in morally good or morally bad ways.Less
Does Machiavelli operate with a different standard for the public (virtue) than or the private sphere (goodness)? What is his understanding of virtue and immorality? Plamenatz argues that the double standard is widespread. He examines Machiavelli’s ‘magnificent crimes’ and his condoning or excusing of them, and the underlying philosophy, which values lasting fame and reputation. He identifies a number of heroic virtues in Machiavelli, which may be displayed in morally good or morally bad ways.
Geoffrey Brennan and Philip Pettit
- Published in print:
- 2004
- Published Online:
- November 2004
- ISBN:
- 9780199246489
- eISBN:
- 9780191601460
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199246483.003.0009
- Subject:
- Economics and Finance, Microeconomics
Esteem requires observation; and the magnitude of the esteem (or disesteem) on offer seems likely to be a function of audience size and quality. ‘Publicity’ can then be understood either in terms of ...
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Esteem requires observation; and the magnitude of the esteem (or disesteem) on offer seems likely to be a function of audience size and quality. ‘Publicity’ can then be understood either in terms of increased audience size or in terms of reputation effects–where the esteem-givers are not direct observers. The case of ‘fame’ (and ‘infamy’) is characterized by the fact that it is a matter of common belief among a relevant population that the famous person is esteem-worthy. However, because that belief need not depend on direct observation, fame may prove vulnerable to the ‘emperor’s new clothes’ phenomenon–fame may be unstable.Publicity is one of the primary levers by which esteem effects can be supported or suppressed. Accordingly, we examine briefly ‘publicity policy’ and isolate various decisions that are involved in mobilizing publicity policy most effectively, including whether the policy context is a ‘best shot’ or ‘weakest link’ one.Less
Esteem requires observation; and the magnitude of the esteem (or disesteem) on offer seems likely to be a function of audience size and quality. ‘Publicity’ can then be understood either in terms of increased audience size or in terms of reputation effects–where the esteem-givers are not direct observers. The case of ‘fame’ (and ‘infamy’) is characterized by the fact that it is a matter of common belief among a relevant population that the famous person is esteem-worthy. However, because that belief need not depend on direct observation, fame may prove vulnerable to the ‘emperor’s new clothes’ phenomenon–fame may be unstable.
Publicity is one of the primary levers by which esteem effects can be supported or suppressed. Accordingly, we examine briefly ‘publicity policy’ and isolate various decisions that are involved in mobilizing publicity policy most effectively, including whether the policy context is a ‘best shot’ or ‘weakest link’ one.
Alastair Fowler
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198183402
- eISBN:
- 9780191674037
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183402.003.0004
- Subject:
- Literature, 16th-century and Renaissance Literature
In the information age, fame can seem less metaphysical and more self-fulfilling. When the noise is the message, the burden of Fame's trumpet may be no ...
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In the information age, fame can seem less metaphysical and more self-fulfilling. When the noise is the message, the burden of Fame's trumpet may be no more than ‘these are famous because I blow their trumpet’. Alternatively, the famous may be those successful in business, or merely desirous of becoming so. During the Renaissance, people could be famous for sanctity or virtue. The problem of the relation between fame and virtue, already noticed by Cicero, was addressed, but not resolved, by Petrarch in his De Secreto. The vanity of fame is fully envisaged by the father of British scepticism, Geoffrey Chaucer, who is well aware of the powerfulness of fame and who insistently identifies chivalric ambition with its trumpets. The coexistence of fame and salvation is encapsulated within a mysterious image in The Faerie Queene: Panthea. This chapter deals with trumpets, asterisms, and the stellification of fame in Renaissance English literature.Less
In the information age, fame can seem less metaphysical and more self-fulfilling. When the noise is the message, the burden of Fame's trumpet may be no more than ‘these are famous because I blow their trumpet’. Alternatively, the famous may be those successful in business, or merely desirous of becoming so. During the Renaissance, people could be famous for sanctity or virtue. The problem of the relation between fame and virtue, already noticed by Cicero, was addressed, but not resolved, by Petrarch in his De Secreto. The vanity of fame is fully envisaged by the father of British scepticism, Geoffrey Chaucer, who is well aware of the powerfulness of fame and who insistently identifies chivalric ambition with its trumpets. The coexistence of fame and salvation is encapsulated within a mysterious image in The Faerie Queene: Panthea. This chapter deals with trumpets, asterisms, and the stellification of fame in Renaissance English literature.
Alastair Fowler
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198183402
- eISBN:
- 9780191674037
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183402.003.0005
- Subject:
- Literature, 16th-century and Renaissance Literature
This chapter looks at the use of pyramids and obelisks as imagery in Renaissance English literature. It examines Michel de Montaigne's distrust of ...
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This chapter looks at the use of pyramids and obelisks as imagery in Renaissance English literature. It examines Michel de Montaigne's distrust of glory and his separation of virtue from the fame of it. John Milton writes that William Shakespeare's glory is too great to need a ‘star y-pointing pyramid’. The pyramid Milton probably means would not be the squat modern type, but rather a steep finial-like obelisk, like those fashionable in sepulchres of the time. Notable examples include the tomb of William the Silent at Delft and Hubert le Sueur's fine monument to the Duke of Buckingham in Westminster Abbey, each surmounted by four obelisks. The Pope might erect a few very large obelisks in Rome, but all over Britain churches and houses bristled with countless smaller ones.Less
This chapter looks at the use of pyramids and obelisks as imagery in Renaissance English literature. It examines Michel de Montaigne's distrust of glory and his separation of virtue from the fame of it. John Milton writes that William Shakespeare's glory is too great to need a ‘star y-pointing pyramid’. The pyramid Milton probably means would not be the squat modern type, but rather a steep finial-like obelisk, like those fashionable in sepulchres of the time. Notable examples include the tomb of William the Silent at Delft and Hubert le Sueur's fine monument to the Duke of Buckingham in Westminster Abbey, each surmounted by four obelisks. The Pope might erect a few very large obelisks in Rome, but all over Britain churches and houses bristled with countless smaller ones.
Juliette Atkinson
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199572137
- eISBN:
- 9780191722967
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199572137.003.0007
- Subject:
- Literature, 19th-century and Victorian Literature
This chapter considers yet another way in which obscurity was valued: for many Romantic poets, it was a sign of their sophistication, and would be overcome by a later audience who would confer on ...
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This chapter considers yet another way in which obscurity was valued: for many Romantic poets, it was a sign of their sophistication, and would be overcome by a later audience who would confer on them a posthumous fame. Victorian biographers formed the bulk of this ‘posthumous audience’ and possessed an important canonizing function. Richard Monckton Milnes's biography of Keats (1848), Alexander Gilchrist's life of Blake (1863), and Frederick Martin's biography of Clare (1865) place the idea of neglect at the heart of their work. They depict themselves as tireless champions of their cause, and use their authority as patrons to exhort the public to take better care of their literary heritage. These works were therefore as much sincere attempts to resurrect poets as they were an opportunity for the biographers to stake their cultural importance, despite the qualms of other members of the literary sphere.Less
This chapter considers yet another way in which obscurity was valued: for many Romantic poets, it was a sign of their sophistication, and would be overcome by a later audience who would confer on them a posthumous fame. Victorian biographers formed the bulk of this ‘posthumous audience’ and possessed an important canonizing function. Richard Monckton Milnes's biography of Keats (1848), Alexander Gilchrist's life of Blake (1863), and Frederick Martin's biography of Clare (1865) place the idea of neglect at the heart of their work. They depict themselves as tireless champions of their cause, and use their authority as patrons to exhort the public to take better care of their literary heritage. These works were therefore as much sincere attempts to resurrect poets as they were an opportunity for the biographers to stake their cultural importance, despite the qualms of other members of the literary sphere.
Charles L. Hughes
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9781469622439
- eISBN:
- 9781469623245
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469622439.001.0001
- Subject:
- History, African-American History
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same ...
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In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama—what this book calls the “country-soul triangle.” In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.Less
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama—what this book calls the “country-soul triangle.” In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash.
