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Listening to Signs in Post-Schaefferian Electroacoustic Music

Joanna Demers

in Listening through the Noise: The Aesthetics of Experimental Electronic Music

Published in print:
2010
Published Online:
September 2010
ISBN:
9780195387650
eISBN:
9780199863594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195387650.003.0001
Subject:
Music, History, Western, History, American

Chapter 1 begins with electroacoustic music inspired by Pierre Schaeffer and its efforts to control the listening process. Much electroacoustic music employs sounds that are not conventionally ... More


Genre, Experimentalism, and the Musical Frame

Joanna Demers

in Listening through the Noise: The Aesthetics of Experimental Electronic Music

Published in print:
2010
Published Online:
September 2010
ISBN:
9780195387650
eISBN:
9780199863594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195387650.003.0006
Subject:
Music, History, Western, History, American

Chapter 6 takes a step back to consider the three metagenres of institutional electroacoustic, electronica, and sound art. Participants in each metagenre describe their music in terms borrowing from ... More


Introduction

Joanna Demers

in Listening through the Noise: The Aesthetics of Experimental Electronic Music

Published in print:
2010
Published Online:
September 2010
ISBN:
9780195387650
eISBN:
9780199863594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195387650.003.0000
Subject:
Music, History, Western, History, American

The introduction describes the aims and scope of the book, presents its methodology, and states its core argument. The book furnishes an aesthetic theory of several types of post-1980 electronic ... More


Shamanic Diffusions

Jonathan Weinel

in Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media

Published in print:
2018
Published Online:
March 2018
ISBN:
9780190671181
eISBN:
9780190671228
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190671181.003.0006
Subject:
Music, Popular

This chapter explores how electroacoustic music takes the listener on a journey through unreal, imaginary, or hallucinatory sound-worlds. The chapter commences with a general explanation of ... More


Timbre-and-Form: The BSC and the Boston Improvising Community

Lou Bunk

in Analytical and Cross-Cultural Studies in World Music

Published in print:
2011
Published Online:
January 2012
ISBN:
9780195384581
eISBN:
9780199918331
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195384581.003.0006
Subject:
Music, Ethnomusicology, World Music

In small galleries and warehouse lofts, the Boston improvisational scene presents concerts of timbre-and-form-based electro-acoustic music. This vibrant community of musicians is informed by the ... More


“That’s Not Something to Show in a Concert”: Experimentation and Legitimacy at the Centro Latinoamericano de Altos Estudios Musicales

Eduardo Herrera

in Experimentalisms in Practice: Music Perspectives from Latin America

Published in print:
2018
Published Online:
January 2018
ISBN:
9780190842741
eISBN:
9780190842789
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190842741.003.0002
Subject:
Music, Ethnomusicology, World Music

Between 1962 and 1971, a total of fifty-four composers from all across Latin America went to Buenos Aires to study classical music composition at the Centro Latinoamericano de Altos Estudios ... More


Re-Imagining Westphalia: Electroacoustic Reminders

M.I. Franklin

in Sampling Politics: Music and the Geocultural

Published in print:
2021
Published Online:
September 2021
ISBN:
9780190855475
eISBN:
9780190855512
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190855475.003.0005
Subject:
Political Science, International Relations and Politics

Chapter 5 focuses on a work from Karlheinz Stockhausen entitled Hymnen (Anthems). Stockhausen’s influence on the electronic music avant-garde, in classical and popular music domains, on those from ... More


Noise, Sonic Experimentation, and Interior Coloniality in Costa Rica

Susan Campos Fonseca and Julianne Graper

in Experimentalisms in Practice: Music Perspectives from Latin America

Published in print:
2018
Published Online:
January 2018
ISBN:
9780190842741
eISBN:
9780190842789
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190842741.003.0009
Subject:
Music, Ethnomusicology, World Music

This chapter explores how conceptual disputes over genre boundaries, noise, and music open a window into a society that debates and constructs its own contemporaneity, in dialogue with conceptions ... More


Embodied Avant-garde(s): A Way of Being in the World

Eduardo Herrera

in Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-garde Music

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190877538
eISBN:
9780190877569
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190877538.003.0006
Subject:
Music, Ethnomusicology, World Music

This chapter uses CLAEM as a window into how musical avant-gardism was understood and experienced. The chapter provides a thick description of how different CLAEM fellows engaged with a wide range of ... More


Centro Latinoamericano de Altos Estudios Musicales: 1962–1971

Eduardo Herrera

in Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-garde Music

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190877538
eISBN:
9780190877569
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190877538.003.0002
Subject:
Music, Ethnomusicology, World Music

This chapter locates CLAEM as part of a fast-growing cosmopolitan Buenos Aires and within the Di Tella Institute and its other art centers. It then provides an overview of the fellows, professors, ... More


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