Search Results

One of only a few women who ruled ancient Egypt as a king during its thousands of years of history, Tausret was the last pharaoh of the 19th dynasty (c.1200 bce), the last ruling descendent of Ramesses the Great, and one of only two female monarchs buried in Egypt's renowned Valley of the Kings. Though mentioned even in Homer as the pharaoh of Egypt who interacted with Helen at the time of the Trojan War, she has long remained a figure shrouded in mystery, hardly known even by many Egyptologists. Nevertheless, recent archaeological discoveries have illuminated Tausret's importance, her accomplishments, and the extent of her influence. This book combines distinguished scholars whose research and excavations have increased our understanding of the life and reign of this great woman. This book utilizes recent discoveries to correctly position Tausret alongside famous ruling queens such as Hatshepsut and Cleopatra, figures who have long dominated our view of the female monarchs of ancient Egypt. The book brings together archaeological, historical, women's studies, and other approaches to provide a text that will be an important contribution to the literature of Egyptology.

This book reviews the numerous developments in the theoretical framework of interpretation that have taken place over recent years. The application of more theoretically informed approaches to the ancient literary corpus, and a more detailed analysis of context, form, and reception, have fundamentally challenged the interpretative paradigms that formerly held sway. No consensus on interpretative stance has yet emerged, and in this volume many of the foremost researchers in the field examine the overall state of work on the subject. The chapters in the present volume are intended to contribute to this development of different approaches in their application to real Egyptian texts. No single overarching theoretical framework underlies these contributions; instead they represent a multiplicity of perspectives. The range of chapters includes textual criticism; literary criticism; the social role of literature; reception theory; and the treatment of newly discovered literary texts. All contributions centre on the problems and potentials of studying Egyptian literature in a theoretically informed manner. Although major difficulties remain in interpreting a literature preserved only fragmentarily, this volume demonstrates the ongoing vitality of current Egyptological approaches to this problem. This volume also incorporates a broader cross-cultural and comparative element, providing overviews of connections and discontinuities with biblical, Classical, and Mesopotamian literatures, in order to address the comparative contexts of Ancient Egyptian literature.

This book studies in English of Flaubert's least well‐known masterpiece, the final version of his Tentation de saint Antoine (1874). Thanks to Foucault, the work has the reputation of being an arcane and erudite ‘fantastic library’ or, thanks to genetic criticism, of being a ‘narrative’ of Flaubert's personal aesthetic (l'oeuvre de toute [s]a vie’). By presuming instead no necessary knowledge to read the text, its versions or its intertexts, this book sets out to offer new readings of the seven tableaux which comprise it, and new ways of interpreting the work as a whole. By arguing that Flaubert was imagining his own epoch through the eyes of a visionary saint in the 4th‐century AD, the dialogues between religion and science that are the dynamic of the work (and the two parts of this study) are elucidated for the first time. Moreover, by also arguing for the meticulous accuracy and imaginative representations of the science of the work, this book proposes in the ‘remapping’ analogy of its title that Flaubert's Tentation is a paradigm of 19th‐century French, and indeed European, ‘literary science’. For 19th‐century French and Flaubert specialists, as well as for curious new readers of the Tentation, this book thus challenges received critical wisdom on a number of fronts. It is through his unlikely protagonist‐visionary, Antoine, that Flaubert's ‘realism’, ‘anti‐clericalism’, and ‘orientalism’ can be given new airings. Through the religious and scientific dialogues of Flaubert's 1874 text this book argues that his ‘temptation’ was to write a vita of his times.

The sensational discovery in 1922 of Tutankhamun's tomb, close on the heels of Britain's declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of 'pharaonism'—popular interest in ancient Egypt—as an inspiration in the national struggle for full independence. Emphasizing the three decades from 1922 until Nasser's revolution in 1952, this follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—ancient Egyptian, Greco-Roman, Coptic, and Islamic. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities also joined in shaping these disciplines. The closely-related history of tourism—including Thomas Cook & Son, Nile steamers, and the famous Shepheard's Hotel—also receives careful attention. For Egyptians, developing their own expertise in fields dominated by the French, Germans, and British was often also an expression of nationalism. Egyptians who valued archaeology also had to defend it against the minority of their compatriots for whom pharaonic antiquity represented only alien and idolatrous darkness before the dawning of Islam. In 1952, Nasser's revolution put an end to ninety-four years of French direction of the Egyptian Antiquities Service, and four years later the Suez War rang down the curtain on British colonialism in Egypt.

Growing up in Egypt's Nile Delta, the author was fascinated by the magnificent pharaonic monuments from an early age, and as a student dreamed of conducting excavations and working in the Egyptian Museum in Cairo. At a time when Egyptology was dominated by men, especially those with close connections to the regime, the author was determined to succeed, and secured grants to study in Boston, London, and Vienna, eventually becoming the first female general director of the country's most prestigious museum. The author launched the first general inventory of the museum's cellars in its more than 100-year history, in the process discovering long-forgotten treasures, as well as confronting corruption and nepotism in the antiquities administration. In this very personal memoir, the author looks back at the history of Egypt and asks, what happened to the country? Where did Nasser's bright new beginning go wrong? Why did Sadat fail to bring peace? Why did the Egyptians allow themselves to be so corrupted by Mubarak? And why was the Muslim Brotherhood able to achieve power? But the author's first concern remains: How can the ancient legacy of Egypt truly be protected?

The so-called Will of Naunakhte (1154 BCE) has become rightly famous in Egyptology. Naunakhte was a woman from the New Kingdom village of Deir al-Medina who made a statement in court about her inheritance. So what really happened to her eight surviving children, four of whom were daughters? By carefully studying the documents mentioning members of the family and including all the material mentioning the women of the New Kingdom village of Deir al-Medina and other sources, the book puts to the forefront the remarkable role played by ordinary women in ancient Egypt. The book is an unprecedented view into the lives of these ordinary women and the status of divorce and marriage in Deir al-Medina at the time.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the first of a three-volume survey of the history of Egyptology, follows the fascination with ancient Egypt from antiquity until 1881, tracing the recovery of ancient Egypt and its impact on the human imagination in a saga filled with intriguing mysteries, great discoveries, and scholarly creativity. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

Labib Habachi, Egypt's most perceptive and productive Egyptologist, was marginalized for most of his career, only belatedly receiving international recognition for his major contributions to the field. This book presents not only a biography of this important scholar, but a survey of Egyptian archaeology in the twentieth century in which Habachi's work is measured against that of his best-known contemporaries —among them Selim Hassan, Ahmed Fakhry, Abdel Moneim Abu Bakr, and Gamal Mokhtar. The account of Habachi's major discovery, the Sanctuary of Heqaib on Elephantine in 1946, was shelved by Egypt's Antiquities Department for thirty years. When it was finally released for publication, it became the subject of a heated controversy between Habachi and a western scholar that was never resolved. To construct a picture of Labib Habachi, the book draws on a wide range of sources, including a long personal acquaintance with the subject. Tracing the arc of Habachi's career, the book sets his life's work in its full context, providing a perspective on the development of Egyptian Egyptology and the sometimes fraught relationship between Egypt's scholars and the western archaeological establishment. In this fresh look at Habachi's contributions to Egyptology are examples of academic and social elitism, rivalries between scholars, cultural arrogance, and discrimination.