Eyal Ben-Eliyahu, Yehudah Cohn, and Fergus Millar
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265222
- eISBN:
- 9780191771873
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265222.001.0001
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
From major seminal works such as the Mishnah or the Palestinian and Babylonian Talmuds, to Biblical commentaries, translations of Biblical books into Aramaic or relatively little-known mystical, ...
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From major seminal works such as the Mishnah or the Palestinian and Babylonian Talmuds, to Biblical commentaries, translations of Biblical books into Aramaic or relatively little-known mystical, liturgical, or apocalyptic writings, this book is a complete guide to the rich tradition of Jewish literature in the second to seventh centuries of the Common Era. Each work is described in a way that covers its contents, dating, language, and accessibility (or otherwise) in print or online. The aim throughout is to cover all of this literature and to answer the following questions: What Jewish literature, written either in Hebrew or Aramaic, has survived? What different genres of such literature are there? What printed texts or translations into any modern language, or commentaries (either in Hebrew or a European language) are there? And, for those who want to enquire further, what are the manuscripts on which modern editions are based?Less
From major seminal works such as the Mishnah or the Palestinian and Babylonian Talmuds, to Biblical commentaries, translations of Biblical books into Aramaic or relatively little-known mystical, liturgical, or apocalyptic writings, this book is a complete guide to the rich tradition of Jewish literature in the second to seventh centuries of the Common Era. Each work is described in a way that covers its contents, dating, language, and accessibility (or otherwise) in print or online. The aim throughout is to cover all of this literature and to answer the following questions: What Jewish literature, written either in Hebrew or Aramaic, has survived? What different genres of such literature are there? What printed texts or translations into any modern language, or commentaries (either in Hebrew or a European language) are there? And, for those who want to enquire further, what are the manuscripts on which modern editions are based?
Heinrich Schenker
- Published in print:
- 2002
- Published Online:
- May 2008
- ISBN:
- 9780195151510
- eISBN:
- 9780199871582
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195151510.003.0002
- Subject:
- Music, Theory, Analysis, Composition
This chapter argues that a composer's mode of notation indicates the desired effect, and that the performer must grasp the intention behind it. Examples demonstrate that interpreting indications ...
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This chapter argues that a composer's mode of notation indicates the desired effect, and that the performer must grasp the intention behind it. Examples demonstrate that interpreting indications literally can actually prevent the desired effect. The performer has the challenge of finding dissembling means which enable him to realize the composer's intentions. The importance of using an authentic text based on manuscripts and first editions is stressed.Less
This chapter argues that a composer's mode of notation indicates the desired effect, and that the performer must grasp the intention behind it. Examples demonstrate that interpreting indications literally can actually prevent the desired effect. The performer has the challenge of finding dissembling means which enable him to realize the composer's intentions. The importance of using an authentic text based on manuscripts and first editions is stressed.
Stanley Wells
- Published in print:
- 1984
- Published Online:
- October 2011
- ISBN:
- 9780198129349
- eISBN:
- 9780191671777
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198129349.001.0001
- Subject:
- Literature, Shakespeare Studies
Should Shakespeare's plays be presented in the spelling and punctuation of the early editions, or should these features of the text be modernized? What are the advantages and disadvantages of either ...
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Should Shakespeare's plays be presented in the spelling and punctuation of the early editions, or should these features of the text be modernized? What are the advantages and disadvantages of either procedure? When error is suspected in these texts, what kinds of correction can be attempted? How can Shakespeare's plays, written for the theatre and first printed with inadequate stage directions, best be presented for the reader? When texts survive in two versions, one close to the point of composition, the other reflecting performance by Shakespeare's company, which should the editor prefer? Can fresh thought about a play's staging affect its text? These are among the questions raised and discussed by this book. Welcoming the major advances in the bibliographical study of Shakespeare in recent years, the book is concerned with the practical problems of putting the result of such study into editorial effect. In a detailed investigation of the relationship between dialogue and stage action in Act One of Titus Andronicus, the book brings the reader close to Shakespeare in the act of creation; a conjectured reconstruction of Shakespeare's first draft of the Act is included.Less
Should Shakespeare's plays be presented in the spelling and punctuation of the early editions, or should these features of the text be modernized? What are the advantages and disadvantages of either procedure? When error is suspected in these texts, what kinds of correction can be attempted? How can Shakespeare's plays, written for the theatre and first printed with inadequate stage directions, best be presented for the reader? When texts survive in two versions, one close to the point of composition, the other reflecting performance by Shakespeare's company, which should the editor prefer? Can fresh thought about a play's staging affect its text? These are among the questions raised and discussed by this book. Welcoming the major advances in the bibliographical study of Shakespeare in recent years, the book is concerned with the practical problems of putting the result of such study into editorial effect. In a detailed investigation of the relationship between dialogue and stage action in Act One of Titus Andronicus, the book brings the reader close to Shakespeare in the act of creation; a conjectured reconstruction of Shakespeare's first draft of the Act is included.
Stanley Wells
- Published in print:
- 1984
- Published Online:
- October 2011
- ISBN:
- 9780198129349
- eISBN:
- 9780191671777
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198129349.003.0001
- Subject:
- Literature, Shakespeare Studies
The four chapters of this book are concerned with the presentation as well as with the establishing of Shakespeare's text. The first two look at verbal details of that text, the second two at matters ...
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The four chapters of this book are concerned with the presentation as well as with the establishing of Shakespeare's text. The first two look at verbal details of that text, the second two at matters of staging. They address questions such as the justification for modernizing the spelling and punctuation of the early printings of the plays, the need to re-examine traditional emendations, and the propriety and techniques of adding to and altering their original stage directions. Many editions of Shakespeare are now available to the modern reader. But many people keep thinking hard about Shakespeare and, more generally, about various aspects of the time in which he lived. There are new editions that are in modern spelling: there was no edition of the complete works in their original spelling and punctuation.Less
The four chapters of this book are concerned with the presentation as well as with the establishing of Shakespeare's text. The first two look at verbal details of that text, the second two at matters of staging. They address questions such as the justification for modernizing the spelling and punctuation of the early printings of the plays, the need to re-examine traditional emendations, and the propriety and techniques of adding to and altering their original stage directions. Many editions of Shakespeare are now available to the modern reader. But many people keep thinking hard about Shakespeare and, more generally, about various aspects of the time in which he lived. There are new editions that are in modern spelling: there was no edition of the complete works in their original spelling and punctuation.
Michael Millgate
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780198183662
- eISBN:
- 9780191674099
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183662.003.0001
- Subject:
- Literature, 19th-century and Victorian Literature
Many writers of the last two centuries looked at Sir Walter Scott as a supreme model of career closure and of noble dying. In his last years, aware of the immensity of his reputation, he collaborated ...
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Many writers of the last two centuries looked at Sir Walter Scott as a supreme model of career closure and of noble dying. In his last years, aware of the immensity of his reputation, he collaborated in the production of his final comprehensive edition of novels, his magnum-opus. This book examines the different ways and strategies in which writers and authors in their old age exert some degree of posthumous control over their personal and literary reputations. In this book, their strategies in keeping their personal and creative privacy and in maintaining the interpretation and textual integrity of their published works are discussed. The four authors examined are Robert Browning, Alfred Tennyson, Henry James and Thomas Hardy, all of whom maintained and etched a pattern of conscious career conclusion by deliberately and passionately ensuring the maintenance of their personal and creative privacy up to and beyond the moment of their death and directed the future conceptions of their work by either preserving personal papers, revising earlier works and providing new prefaces and annotations, publishing so-called ‘collected’ editions, and destroying unwanted works.Less
Many writers of the last two centuries looked at Sir Walter Scott as a supreme model of career closure and of noble dying. In his last years, aware of the immensity of his reputation, he collaborated in the production of his final comprehensive edition of novels, his magnum-opus. This book examines the different ways and strategies in which writers and authors in their old age exert some degree of posthumous control over their personal and literary reputations. In this book, their strategies in keeping their personal and creative privacy and in maintaining the interpretation and textual integrity of their published works are discussed. The four authors examined are Robert Browning, Alfred Tennyson, Henry James and Thomas Hardy, all of whom maintained and etched a pattern of conscious career conclusion by deliberately and passionately ensuring the maintenance of their personal and creative privacy up to and beyond the moment of their death and directed the future conceptions of their work by either preserving personal papers, revising earlier works and providing new prefaces and annotations, publishing so-called ‘collected’ editions, and destroying unwanted works.
Marvin A. Sweeney
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195133240
- eISBN:
- 9780199834693
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195133242.003.0011
- Subject:
- Religion, Biblical Studies
This chapter summarizes the results of the study of the Deuteronomistic History in Part I. Analysis of the Deuteronomistic History indicates at least three levels of composition: an eighth century ...
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This chapter summarizes the results of the study of the Deuteronomistic History in Part I. Analysis of the Deuteronomistic History indicates at least three levels of composition: an eighth century b.c.e. Hezekian edition of the work that was designed to portray righteous Davidic rule over the rebellious northern tribes; a seventh century b.c.e. Josianic edition of the work that was designed to support Josiah's reform by portraying him as the ideal monarch of the entire Davidic line; and a sixth‐century Exilic edition of the work that was designed to explain the Babylonian exile.Less
This chapter summarizes the results of the study of the Deuteronomistic History in Part I. Analysis of the Deuteronomistic History indicates at least three levels of composition: an eighth century b.c.e. Hezekian edition of the work that was designed to portray righteous Davidic rule over the rebellious northern tribes; a seventh century b.c.e. Josianic edition of the work that was designed to support Josiah's reform by portraying him as the ideal monarch of the entire Davidic line; and a sixth‐century Exilic edition of the work that was designed to explain the Babylonian exile.
Marvin A. Sweeney
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195133240
- eISBN:
- 9780199834693
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195133242.003.0002
- Subject:
- Religion, Biblical Studies
2 Kings 23:31–25:30 relates the history of Judah from the death of King Josiah in 609 b.c.e. through the destruction of Jerusalem and the Babylonian exile in 587 b.c.e. until the release of King ...
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2 Kings 23:31–25:30 relates the history of Judah from the death of King Josiah in 609 b.c.e. through the destruction of Jerusalem and the Babylonian exile in 587 b.c.e. until the release of King Jehoiachin of Judah from prison. Scholars have consistently pointed to a marked changed in the formulation of the regnal formulas of the Kings of Judah during this period, which indicates that these narratives were written as a supplement to the history of Israel and Judah that originally concluded with the reign of Josiah. An examination of the texts and arguments relevant to this discussion supports the view that 2 Kings 23:31–25:30 were written as a supplement to an earlier Josianic edition of the DtrH.Less
2 Kings 23:31–25:30 relates the history of Judah from the death of King Josiah in 609 b.c.e. through the destruction of Jerusalem and the Babylonian exile in 587 b.c.e. until the release of King Jehoiachin of Judah from prison. Scholars have consistently pointed to a marked changed in the formulation of the regnal formulas of the Kings of Judah during this period, which indicates that these narratives were written as a supplement to the history of Israel and Judah that originally concluded with the reign of Josiah. An examination of the texts and arguments relevant to this discussion supports the view that 2 Kings 23:31–25:30 were written as a supplement to an earlier Josianic edition of the DtrH.
D. D. Raphael
- Published in print:
- 2007
- Published Online:
- May 2007
- ISBN:
- 9780199213337
- eISBN:
- 9780191707544
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199213337.003.0001
- Subject:
- Philosophy, History of Philosophy
The main subject of The Theory of Moral Sentiments is moral judgement but it does have a second minor subject, the nature of virtue, discussed at length in a new part added to the sixth edition. Thus ...
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The main subject of The Theory of Moral Sentiments is moral judgement but it does have a second minor subject, the nature of virtue, discussed at length in a new part added to the sixth edition. Thus the version of Smith's moral philosophy in the sixth edition is substantially different from that of editions 1–5.Less
The main subject of The Theory of Moral Sentiments is moral judgement but it does have a second minor subject, the nature of virtue, discussed at length in a new part added to the sixth edition. Thus the version of Smith's moral philosophy in the sixth edition is substantially different from that of editions 1–5.
Monika Baár
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199581184
- eISBN:
- 9780191722806
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199581184.003.0004
- Subject:
- History, European Modern History
Chapter 3, ‘Institutionalization and Professionalization’, examines the institutional setting of the five scholars' activities and investigates their role in the professionalization and ...
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Chapter 3, ‘Institutionalization and Professionalization’, examines the institutional setting of the five scholars' activities and investigates their role in the professionalization and institutionalization of the discipline. It explores the role of patriotic and scholarly societies in the organization of national culture and the historians' contribution to those activities. This is followed by the study of the universities' limited role in the promotion of historical studies in the region. Thereafter, the historians' contribution to the creation of periodicals and source collections is discussed and the claim is put forward that such ventures were instrumental in the formation of a unified national culture and language. Finally, examples of censorial intervention in their work are analysed, alongside the strategies which they devised in order to alleviate the impact of censorship.Less
Chapter 3, ‘Institutionalization and Professionalization’, examines the institutional setting of the five scholars' activities and investigates their role in the professionalization and institutionalization of the discipline. It explores the role of patriotic and scholarly societies in the organization of national culture and the historians' contribution to those activities. This is followed by the study of the universities' limited role in the promotion of historical studies in the region. Thereafter, the historians' contribution to the creation of periodicals and source collections is discussed and the claim is put forward that such ventures were instrumental in the formation of a unified national culture and language. Finally, examples of censorial intervention in their work are analysed, alongside the strategies which they devised in order to alleviate the impact of censorship.
Eyal Ben-Eliyahu, Yehudah Cohn, and Fergus Millar
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265222
- eISBN:
- 9780191771873
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265222.003.0003
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter describes the following Midrashic texts: Mekhilta DeRabbi Yishmael; Mekhilta DeRabbi Shimon bar Yoṭai; Sifra; Sifre Numbers; Sifre Zuta (Numbers); Sifre Deuteronomy; Mekhilta Deuteronomy ...
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This chapter describes the following Midrashic texts: Mekhilta DeRabbi Yishmael; Mekhilta DeRabbi Shimon bar Yoṭai; Sifra; Sifre Numbers; Sifre Zuta (Numbers); Sifre Deuteronomy; Mekhilta Deuteronomy (Midrash Tannaim); Sifre Zuta (Deuteronomy); Baraita DeMelekhet HaMishkan; Genesis Rabbah; Leviticus Rabbah; Pesiqta DeRav Kahana; Lamentations Rabbati; Shir HaShirim Rabbah; Esther Rabbah; Ruth Rabbah; and Qohelet Rabbah. For each of these texts, details on the contents, dating, language, printed editions, translations, commentaries, bibliography, electronic resources and manuscripts are covered.Less
This chapter describes the following Midrashic texts: Mekhilta DeRabbi Yishmael; Mekhilta DeRabbi Shimon bar Yoṭai; Sifra; Sifre Numbers; Sifre Zuta (Numbers); Sifre Deuteronomy; Mekhilta Deuteronomy (Midrash Tannaim); Sifre Zuta (Deuteronomy); Baraita DeMelekhet HaMishkan; Genesis Rabbah; Leviticus Rabbah; Pesiqta DeRav Kahana; Lamentations Rabbati; Shir HaShirim Rabbah; Esther Rabbah; Ruth Rabbah; and Qohelet Rabbah. For each of these texts, details on the contents, dating, language, printed editions, translations, commentaries, bibliography, electronic resources and manuscripts are covered.
Werner Hüllen
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780199553235
- eISBN:
- 9780191720352
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199553235.003.0003
- Subject:
- Linguistics, Semantics and Pragmatics, Lexicography
The many succeeding editions of Roget's Thesaurus are marked by the fact that all of them adhere to the original ‘Plan of classification’ (macrostructure) and design of entry articles ...
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The many succeeding editions of Roget's Thesaurus are marked by the fact that all of them adhere to the original ‘Plan of classification’ (macrostructure) and design of entry articles (microstructure) although the words collected changed continuously and their number increased steadily. This is testimony to the original ingenuity of P. M. Roget. Illustrations are given of the method how entirely new words, denoting new domains of reality, are fitted into the old slots.Less
The many succeeding editions of Roget's Thesaurus are marked by the fact that all of them adhere to the original ‘Plan of classification’ (macrostructure) and design of entry articles (microstructure) although the words collected changed continuously and their number increased steadily. This is testimony to the original ingenuity of P. M. Roget. Illustrations are given of the method how entirely new words, denoting new domains of reality, are fitted into the old slots.
Hrileena Ghosh
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620610
- eISBN:
- 9781789629798
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620610.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the ...
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The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the notebook Keats maintained during this time, with the premise that in Keats’ medical Notebook exists a manuscript revealing both the true depth of the poet’s medical knowledge and the significant influence this exercised on his poetry. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, this book explores the intriguing connections between Keats’ medical knowledge and his greatest poetry. It reveals that Keats’ two careers proved mutually enabling and enriching, with their co-existence contributing greatly to his success in both. Opening with a fully annotated edition of Keats’ medical Notebook newly transcribed from the manuscript, the book offers chapters on the provenance of Keats’ medical Notebook; the ‘hospital poems’ he wrote at Guy’s; the medical milieu of Keats’ daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and his 1820 volume, Lamia, Isabella, The Eve of St Agnes, and Other Poems. It shows how the visceral knowledge of human life that Keats gained at Guy’s Hospital transformed him into the ‘mighty poet of the human heart’, with new research recovering the many ways in which Keats’ creativity found expression in both his careers.Less
The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the notebook Keats maintained during this time, with the premise that in Keats’ medical Notebook exists a manuscript revealing both the true depth of the poet’s medical knowledge and the significant influence this exercised on his poetry. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, this book explores the intriguing connections between Keats’ medical knowledge and his greatest poetry. It reveals that Keats’ two careers proved mutually enabling and enriching, with their co-existence contributing greatly to his success in both. Opening with a fully annotated edition of Keats’ medical Notebook newly transcribed from the manuscript, the book offers chapters on the provenance of Keats’ medical Notebook; the ‘hospital poems’ he wrote at Guy’s; the medical milieu of Keats’ daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and his 1820 volume, Lamia, Isabella, The Eve of St Agnes, and Other Poems. It shows how the visceral knowledge of human life that Keats gained at Guy’s Hospital transformed him into the ‘mighty poet of the human heart’, with new research recovering the many ways in which Keats’ creativity found expression in both his careers.
Susan Hockey
- Published in print:
- 2000
- Published Online:
- October 2011
- ISBN:
- 9780198711940
- eISBN:
- 9780191694912
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198711940.003.0008
- Subject:
- Literature, Criticism/Theory
This chapter discusses textual criticism and electronic scholarly editions. It examines various tools and techniques for the preparation and publication of scholarly editions, moving from tools to ...
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This chapter discusses textual criticism and electronic scholarly editions. It examines various tools and techniques for the preparation and publication of scholarly editions, moving from tools to assist with the production of traditional printed scholarly editions to models for publishing electronic material in image and text form. It tries to cut through various theories of editing to assess what can and cannot effectively be done. It also briefly discusses the Internet as a means of publishing editions.Less
This chapter discusses textual criticism and electronic scholarly editions. It examines various tools and techniques for the preparation and publication of scholarly editions, moving from tools to assist with the production of traditional printed scholarly editions to models for publishing electronic material in image and text form. It tries to cut through various theories of editing to assess what can and cannot effectively be done. It also briefly discusses the Internet as a means of publishing editions.
Julie Stone Peters
- Published in print:
- 2003
- Published Online:
- October 2011
- ISBN:
- 9780199262168
- eISBN:
- 9780191698811
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199262168.003.0008
- Subject:
- Literature, Drama
This chapter explores the mutual constitution of the ‘accurate edition,’ the individuated dramatic author, and the author's ‘original,’ monumentalized in the grand collected editions of the 17th ...
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This chapter explores the mutual constitution of the ‘accurate edition,’ the individuated dramatic author, and the author's ‘original,’ monumentalized in the grand collected editions of the 17th century.Less
This chapter explores the mutual constitution of the ‘accurate edition,’ the individuated dramatic author, and the author's ‘original,’ monumentalized in the grand collected editions of the 17th century.
Tom Lockwood
- Published in print:
- 2010
- Published Online:
- January 2012
- ISBN:
- 9780197264706
- eISBN:
- 9780191734557
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264706.003.0009
- Subject:
- Literature, Milton Studies
This chapter examines Milton not as an absolute, but as a concept historically constructed and changing over time. It examines the ways in which the different Miltons are repaired and returned in the ...
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This chapter examines Milton not as an absolute, but as a concept historically constructed and changing over time. It examines the ways in which the different Miltons are repaired and returned in the twentieth century. Two of those many Milton revivals form the focus of the chapter: one constructed in polemic about how and why to read Milton; and the other constructed in and by the availability of actual Milton editions that were read over the century. The first section discusses Milton's changing place within academia and his movement from being the common property of men of letters and the common reader in general culture to become the sole preserve of the university-bound specialist in the narrower and less-rewarding culture of higher education. The second section examines Milton readership. It outlines Milton's different periodicities of publishing and reading through the twentieth century.Less
This chapter examines Milton not as an absolute, but as a concept historically constructed and changing over time. It examines the ways in which the different Miltons are repaired and returned in the twentieth century. Two of those many Milton revivals form the focus of the chapter: one constructed in polemic about how and why to read Milton; and the other constructed in and by the availability of actual Milton editions that were read over the century. The first section discusses Milton's changing place within academia and his movement from being the common property of men of letters and the common reader in general culture to become the sole preserve of the university-bound specialist in the narrower and less-rewarding culture of higher education. The second section examines Milton readership. It outlines Milton's different periodicities of publishing and reading through the twentieth century.
Donald Maurice
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195156904
- eISBN:
- 9780199868339
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195156904.003.0008
- Subject:
- Music, History, Western
This chapter examines the aspects of the Viola Concerto that may, in the future, be developed in ways that lead to a more authentic version of the work. By discussing the work of the eminent ...
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This chapter examines the aspects of the Viola Concerto that may, in the future, be developed in ways that lead to a more authentic version of the work. By discussing the work of the eminent Hungarian musicologist, László Somfai, on Bartók's compositional processes one can extrapolate on what the composer may have done in subsequent drafts of the Viola Concerto. In his Béla Bartók: Composition, Concepts, and Autograph Sources, Somfai recreates the steps followed in other works from first drafts to final drafts, and in his contribution to the facsimile edition of the manuscript, he outlines the probable order in which the various parts of the sketch were added. A bar by bar comparison of the first draft and engraver's copy of the Second Violin Concerto demonstrates the kind of changes that may have occurred had Bartók lived long enough to take the Viola Concerto to the same stage.Less
This chapter examines the aspects of the Viola Concerto that may, in the future, be developed in ways that lead to a more authentic version of the work. By discussing the work of the eminent Hungarian musicologist, László Somfai, on Bartók's compositional processes one can extrapolate on what the composer may have done in subsequent drafts of the Viola Concerto. In his Béla Bartók: Composition, Concepts, and Autograph Sources, Somfai recreates the steps followed in other works from first drafts to final drafts, and in his contribution to the facsimile edition of the manuscript, he outlines the probable order in which the various parts of the sketch were added. A bar by bar comparison of the first draft and engraver's copy of the Second Violin Concerto demonstrates the kind of changes that may have occurred had Bartók lived long enough to take the Viola Concerto to the same stage.
Jane A. Bernstein
- Published in print:
- 2002
- Published Online:
- May 2008
- ISBN:
- 9780195141085
- eISBN:
- 9780199871421
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195141085.003.0008
- Subject:
- Music, History, Western
The musical repertories Antonio Gardano and Girolamo Scotto published suggest a spirit of cooperative enterprise among 16th-century Venetian music printers. Using specific case studies, this chapter ...
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The musical repertories Antonio Gardano and Girolamo Scotto published suggest a spirit of cooperative enterprise among 16th-century Venetian music printers. Using specific case studies, this chapter explores the various business strategies the two dynastic presses observed from the refashioning of reprinted editions and the creation of multi-volume series to the sub-specialization of musical genres and acquisition of clients and music from different locations. Gardano looked to Ferrara, Rome, and transalpine centers, while Scotto cultivated links with Lombardy, Mantua, and Trent, as well as Naples and Sicily. Later printing firms of Claudio Merulo and Francesco Rampazetto also demonstrate connections with the two dynastic presses.Less
The musical repertories Antonio Gardano and Girolamo Scotto published suggest a spirit of cooperative enterprise among 16th-century Venetian music printers. Using specific case studies, this chapter explores the various business strategies the two dynastic presses observed from the refashioning of reprinted editions and the creation of multi-volume series to the sub-specialization of musical genres and acquisition of clients and music from different locations. Gardano looked to Ferrara, Rome, and transalpine centers, while Scotto cultivated links with Lombardy, Mantua, and Trent, as well as Naples and Sicily. Later printing firms of Claudio Merulo and Francesco Rampazetto also demonstrate connections with the two dynastic presses.
Philip Waller
- Published in print:
- 2008
- Published Online:
- January 2010
- ISBN:
- 9780199541201
- eISBN:
- 9780191717284
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199541201.003.0006
- Subject:
- History, British and Irish Modern History
This chapter examines why this period saw the establishment of so many memorials in honour of particular writers, together with societies designed to promote the study of their work and to advance ...
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This chapter examines why this period saw the establishment of so many memorials in honour of particular writers, together with societies designed to promote the study of their work and to advance their reputations. It begins by considering how and why Rupert Brooke was elevated to iconic status during the Great War; then Victorian and Edwardian centenary commemorations of Robert Burns and Shakespeare are analysed, along with anniversaries relating to a host of other writers such as Byron, Keats, and Shelley, Dr Johnson, Christopher Marlowe, John Milton, Robert Browning, and Thackeray. Edmund Gosse and Robertson Nicoll were protagonists in several of these movements, which were seized on by publishers to market special editions and collected works; but there were many differences of opinion over how best to commemorate this or that writer, and these are pinpointed and explained.Less
This chapter examines why this period saw the establishment of so many memorials in honour of particular writers, together with societies designed to promote the study of their work and to advance their reputations. It begins by considering how and why Rupert Brooke was elevated to iconic status during the Great War; then Victorian and Edwardian centenary commemorations of Robert Burns and Shakespeare are analysed, along with anniversaries relating to a host of other writers such as Byron, Keats, and Shelley, Dr Johnson, Christopher Marlowe, John Milton, Robert Browning, and Thackeray. Edmund Gosse and Robertson Nicoll were protagonists in several of these movements, which were seized on by publishers to market special editions and collected works; but there were many differences of opinion over how best to commemorate this or that writer, and these are pinpointed and explained.
Robert H. F. Carver
- Published in print:
- 2007
- Published Online:
- May 2008
- ISBN:
- 9780199217861
- eISBN:
- 9780191712357
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199217861.003.0006
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter explores the printing of Apuleius' works. In 1464, two German clerics, Konrad Sweynheim and Arnold Pannartz, arrived at the Benedictine monastery of Santa Scolastica in Subiaco, 47 miles ...
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This chapter explores the printing of Apuleius' works. In 1464, two German clerics, Konrad Sweynheim and Arnold Pannartz, arrived at the Benedictine monastery of Santa Scolastica in Subiaco, 47 miles to the east of Rome. What made these new arrivals unique was their baggage. They brought with them items that had never been used before in Italy: cases of movable type, that marvel of 15th-century German ingenuity which had transformed the familiar technology of agricultural extraction (the screw-press) into an engine of reproduction. In 1469, the editio princeps of Apuleius' works appeared (without commentary) in Rome, the colophon being dated 28 February. The folio was edited by Sweynheim and Pannartz's corrector, the Bishop of Aleria (in Corsica), Giovanni Andrea de Bussi (Johannes Andreas de Buxis), and dedicated to no less a personage than Pope Paul II (1464-71) who had appointed him papal librarian in 1467.Less
This chapter explores the printing of Apuleius' works. In 1464, two German clerics, Konrad Sweynheim and Arnold Pannartz, arrived at the Benedictine monastery of Santa Scolastica in Subiaco, 47 miles to the east of Rome. What made these new arrivals unique was their baggage. They brought with them items that had never been used before in Italy: cases of movable type, that marvel of 15th-century German ingenuity which had transformed the familiar technology of agricultural extraction (the screw-press) into an engine of reproduction. In 1469, the editio princeps of Apuleius' works appeared (without commentary) in Rome, the colophon being dated 28 February. The folio was edited by Sweynheim and Pannartz's corrector, the Bishop of Aleria (in Corsica), Giovanni Andrea de Bussi (Johannes Andreas de Buxis), and dedicated to no less a personage than Pope Paul II (1464-71) who had appointed him papal librarian in 1467.
G. O. Hutchinson
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199279418
- eISBN:
- 9780191707322
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199279418.003.0005
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
Greek papyri, especially of epigrams, are used to show the connections and problems of the Catullan corpus. It is argued that a three-book collected edition does not fit the ancient material: poems ...
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Greek papyri, especially of epigrams, are used to show the connections and problems of the Catullan corpus. It is argued that a three-book collected edition does not fit the ancient material: poems 61-4 were issued separately; a (1-60) and c (65-116) are the somewhat distorted remains of two simultaneous books, which are to be read together and compared. c falls into two parts (c1 65-68b, c2 69-116) which are themselves to be contrasted, and which between them display Catullus matching the range of Callimachus' elegy. c2, c1, and a are seen to exploit differently the concern of epigram with physical objects. In c2 the objects are parts of the body; this helps c2 create a distinctive world.Less
Greek papyri, especially of epigrams, are used to show the connections and problems of the Catullan corpus. It is argued that a three-book collected edition does not fit the ancient material: poems 61-4 were issued separately; a (1-60) and c (65-116) are the somewhat distorted remains of two simultaneous books, which are to be read together and compared. c falls into two parts (c1 65-68b, c2 69-116) which are themselves to be contrasted, and which between them display Catullus matching the range of Callimachus' elegy. c2, c1, and a are seen to exploit differently the concern of epigram with physical objects. In c2 the objects are parts of the body; this helps c2 create a distinctive world.
