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Pelléas et Mélisande: Mélisande as Christ Symbol‐Life, Death, and Resurrection‐and Motivic Reinterpretations of the Whole‐Tone Dyad

Elliott Antokoletz

in Musical Symbolism in the Operas of Debussy and Bartok

Published in print:
2008
Published Online:
May 2008
ISBN:
9780195365825
eISBN:
9780199868865
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195365825.003.0007
Subject:
Music, Opera

This chapter first looks at Act IV, Scene 1, a room in the castle. This scene anticipates Pelléas's fate as foreseen by his father. It then next looks at Act IV, Scene 2, which presents Mélisande as ... More


Duet (1994)

Steve Reich

in Writings on Music 1965–2000: 1965-2000

Published in print:
2004
Published Online:
October 2011
ISBN:
9780195151152
eISBN:
9780199850044
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195151152.003.0052
Subject:
Music, History, American

This chapter presents Reich's thoughts about Duet. Duet is dedicated to Yehudi Menuhin and to those ideals of international understanding which Menuhin has practiced throughout his life. The piece is ... More


Four‐Hand and Two‐Piano Pieces

William Kinderman

in Mozart's Piano Music

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195100679
eISBN:
9780199868315
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195100679.003.0005
Subject:
Music, History, Western

This chapter discusses all of Mozart's pieces for piano duet and two pianos, including the Sonata in C Major, K. 19d, which is shown to be of doubtful authenticity. Topics addressed include ... More


La gazza ladra and the Semiseria Style

Richard Osborne

in Rossini: His Life and Works

Published in print:
2007
Published Online:
October 2011
ISBN:
9780195181296
eISBN:
9780199851416
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195181296.003.0029
Subject:
Music, History, Western

In all other respects the operas are complementary, contrasted versions of the semiseria genre, with its unpredictable mix of comedy, drama, melodrama, and incipient tragedy. The orderliness which ... More


Lyric-and-iambic Duets in Euripides *

W. S. Barrett

in Greek Lyric, Tragedy, and Textual Criticism: Collected Papers

Published in print:
2007
Published Online:
September 2007
ISBN:
9780199203574
eISBN:
9780191708183
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199203574.003.0018
Subject:
Classical Studies, Literary Studies: Classical, Early, and Medieval

This chapter examines those scenes in the plays of Euripides which consist of a duet or dialogue conducted partly in excited lyric metres (predominantly dochmiac) and partly in iambic trimeters ... More


The 1950s: “Marry the Man Today”

Stacy Wolf

in Changed for Good: A Feminist History of the Broadway Musical

Published in print:
2011
Published Online:
September 2011
ISBN:
9780195378238
eISBN:
9780199897018
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195378238.003.0001
Subject:
Music, Popular, History, American

This chapter examines the female duet in the formally integrated musical that was typical in the 1950s: West Side Story, Guys and Dolls, and Wonderful Town. In the 1950s, most musicals used the ... More


Black and Tan Fantasy: Walt Whitman, African Americans, and Sounding the Nation

Ivy G. Wilson

in Specters of Democracy: Blackness and the Aesthetics of Politics in the Antebellum U.S.

Published in print:
2011
Published Online:
September 2011
ISBN:
9780195337372
eISBN:
9780199896929
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195337372.003.0005
Subject:
Literature, African-American Literature, American, 19th Century Literature

By asking what happens to our understanding of Walt Whitman and his cultural project if we turn to the question of sound, this chapter considers the nuances, inflections, tenor, idiosyncrasies, and ... More


Summerspace: The Body in Writing

Carrie Noland

in Merce Cunningham: After the Arbitrary

Published in print:
2020
Published Online:
September 2020
ISBN:
9780226541105
eISBN:
9780226541389
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226541389.003.0003
Subject:
Music, Dance

This chapter traces the process that led to the construction of the dance phrases constituting the "score" for Summerspace (1958). Cunningham began by identifying "imperfections" on a piece of paper; ... More


Music for the classical clarinet

Albert R. Rice

in The Clarinet in the Classical Period

Published in print:
2007
Published Online:
January 2010
ISBN:
9780195342994
eISBN:
9780199865666
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195342994.003.0005
Subject:
Music, History, Western

This chapter examines a selection of music written for the classical clarinet, organized by the following genres: opera and concert arias; choral music; concertos; orchestral music; and chamber ... More


Love Dances: Loss and Mourning in Intercultural Collaboration

SanSan Kwan

Published in print:
2021
Published Online:
October 2021
ISBN:
9780197514559
eISBN:
9780197514597
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780197514559.001.0001
Subject:
Music, Dance

Our current geopolitical moment is characterized by shockingly aggressive forms of xenophobia and racism. This alarming, though not new, predicament compels us to seek creative modes for resisting ... More


Introduction

Matthew James Smith and Julia Reinhard Lupton

in Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy

Published in print:
2019
Published Online:
May 2021
ISBN:
9781474435680
eISBN:
9781474465014
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474435680.003.0001
Subject:
Literature, Shakespeare Studies

The Introduction argues for the salience of the face to face for bridging the disciplinary divide between performance studies and ethical philosophy. The authors sketch three exemplary kinds of ... More


‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets

Lawrence Manley

in Face-to-Face in Shakespearean Drama: Ethics, Performance, Philosophy

Published in print:
2019
Published Online:
May 2021
ISBN:
9781474435680
eISBN:
9781474465014
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474435680.003.0003
Subject:
Literature, Shakespeare Studies

Of the myriad versions of face-to-faceness in Shakespeare, an elementary case is what this paper calls the “love duet.” Lawrence Manley’s contribution pursues a formal and dramaturgical route into ... More


Music Suitable for Two Flutes

Kate Clark and Amanda Markwick

in The Renaissance Flute: A Contemporary Guide

Published in print:
2020
Published Online:
July 2020
ISBN:
9780190913335
eISBN:
9780197546826
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190913335.003.0008
Subject:
Music, Performing Practice/Studies

Chapter 8 presents our own editions (in score format) of music for two flutes. (Individual parts can be downloaded from the accompanying website.) Many renaissance duets were intended as ... More


Legacy

Constance Valis Hill

in Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers, 20th Anniversary Edition

Published in print:
2021
Published Online:
November 2021
ISBN:
9780197523971
eISBN:
9780197524008
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780197523971.003.0012
Subject:
Music, History, American, Dance

This chapter begins with the Nicholas Brothers’ 1998 Samuel H. Scripps American Dance Festival Award citation, and continues with a descriptive summary of the classic style of jazz tap dancing ... More


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