Thomas L. Brodie
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195138368
- eISBN:
- 9780199834037
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195138368.003.0004
- Subject:
- Religion, Biblical Studies
Theoretically, Genesis’ diptych structure may be seen either as belonging to the nature of the text or simply as an editorial addition – a way of arranging the text. To determine which explanation is ...
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Theoretically, Genesis’ diptych structure may be seen either as belonging to the nature of the text or simply as an editorial addition – a way of arranging the text. To determine which explanation is true, research needs to attend to the full meaning of the individual texts or diptychs; the immediate context of Genesis; the further context of the Primary History (Genesis‐2 Kings); the larger context of the Bible as a whole; and the context of diverse theories concerning sources, particularly the documentary theory.Less
Theoretically, Genesis’ diptych structure may be seen either as belonging to the nature of the text or simply as an editorial addition – a way of arranging the text. To determine which explanation is true, research needs to attend to the full meaning of the individual texts or diptychs; the immediate context of Genesis; the further context of the Primary History (Genesis‐2 Kings); the larger context of the Bible as a whole; and the context of diverse theories concerning sources, particularly the documentary theory.
Thomas L. Brodie
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195138368
- eISBN:
- 9780199834037
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195138368.003.0008
- Subject:
- Religion, Biblical Studies
In contrast with the documentary theory, which presumed that the sources of Genesis were lost, George Smith indicated in 1872 that source‐like material from Assyria concerning the flood story is ...
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In contrast with the documentary theory, which presumed that the sources of Genesis were lost, George Smith indicated in 1872 that source‐like material from Assyria concerning the flood story is still extant. Today it is possible to identify other extant materials that Genesis used in diverse ways. These materials include historiography, epic, prophetic books, and law.Less
In contrast with the documentary theory, which presumed that the sources of Genesis were lost, George Smith indicated in 1872 that source‐like material from Assyria concerning the flood story is still extant. Today it is possible to identify other extant materials that Genesis used in diverse ways. These materials include historiography, epic, prophetic books, and law.
Gregory Currie
- Published in print:
- 2004
- Published Online:
- January 2005
- ISBN:
- 9780199256280
- eISBN:
- 9780191601712
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199256284.001.0001
- Subject:
- Philosophy, Aesthetics
Thirteen essays, five not previously published, on the arts. These are philosophical essays, mostly concerned with the ways in which theories about mind and language can contribute to our ...
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Thirteen essays, five not previously published, on the arts. These are philosophical essays, mostly concerned with the ways in which theories about mind and language can contribute to our understanding of art. Some explore the challenges posed by art to the empirical sciences of mind – linguistics and pragmatics, psychology and anthropology. Particular problems confronted include: the nature of literary works, genres, and fictional characters; whether there is coherent and useful concept of documentary; whether fiction can tell us anything interesting about time; what pragmatics tells us about interpretation; the prospects for cognitive film theory; the role of empathy in our engagement with fiction; the role of the unreliable narrator; the relations between children's pretend play and their mind reading skills; how we should decide whether animals engage in pretence; what biological and cultural evolution can tell us about the development of art.Less
Thirteen essays, five not previously published, on the arts. These are philosophical essays, mostly concerned with the ways in which theories about mind and language can contribute to our understanding of art. Some explore the challenges posed by art to the empirical sciences of mind – linguistics and pragmatics, psychology and anthropology. Particular problems confronted include: the nature of literary works, genres, and fictional characters; whether there is coherent and useful concept of documentary; whether fiction can tell us anything interesting about time; what pragmatics tells us about interpretation; the prospects for cognitive film theory; the role of empathy in our engagement with fiction; the role of the unreliable narrator; the relations between children's pretend play and their mind reading skills; how we should decide whether animals engage in pretence; what biological and cultural evolution can tell us about the development of art.
Ernest Nicholson
- Published in print:
- 2002
- Published Online:
- September 2011
- ISBN:
- 9780199257836
- eISBN:
- 9780191698484
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199257836.001.0001
- Subject:
- Religion, Biblical Studies
Despite innumerable studies from at least the time of the Reformation, it was not until little more than a century ago that one hypothesis concerning the origin of the Pentateuch, the so-called ...
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Despite innumerable studies from at least the time of the Reformation, it was not until little more than a century ago that one hypothesis concerning the origin of the Pentateuch, the so-called ‘Documentary Theory’ formulated by Julius Wellhausen, established itself as the point of departure for all subsequent study of this topic. This has remained so until recently, but during the past twenty-five years the study of the Pentateuch has been once more in turmoil, and new theories have proliferated. This book arises from the conviction that much in current Pentateuchal research needs to be subjected to rigorous scrutiny and that much, indeed, is radically mistaken. The author argues that the work of Wellhausen, for all that it needs revision and development in detail, remains the securest basis for understanding the Pentateuch. The book is not a mere call to go ‘back to Wellhausen’, however, for the author also shows that much in the intervening debate has significantly modified his conclusions, as well as asking questions that were not on Wellhausen's agenda. But the Documentary Hypothesis should remain our primary point of reference, and it alone provides the most dependable perspective from which to approach this most difficult of areas in the study of the Old Testament.Less
Despite innumerable studies from at least the time of the Reformation, it was not until little more than a century ago that one hypothesis concerning the origin of the Pentateuch, the so-called ‘Documentary Theory’ formulated by Julius Wellhausen, established itself as the point of departure for all subsequent study of this topic. This has remained so until recently, but during the past twenty-five years the study of the Pentateuch has been once more in turmoil, and new theories have proliferated. This book arises from the conviction that much in current Pentateuchal research needs to be subjected to rigorous scrutiny and that much, indeed, is radically mistaken. The author argues that the work of Wellhausen, for all that it needs revision and development in detail, remains the securest basis for understanding the Pentateuch. The book is not a mere call to go ‘back to Wellhausen’, however, for the author also shows that much in the intervening debate has significantly modified his conclusions, as well as asking questions that were not on Wellhausen's agenda. But the Documentary Hypothesis should remain our primary point of reference, and it alone provides the most dependable perspective from which to approach this most difficult of areas in the study of the Old Testament.
Neil Weinstock Netanel
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195137620
- eISBN:
- 9780199871629
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195137620.003.0002
- Subject:
- Political Science, American Politics
For some, copyright's speech burdens are painfully obvious. But many others do not perceive that copyright poses any serious conflict with freedom of speech.This Chapter presents some illustrative ...
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For some, copyright's speech burdens are painfully obvious. But many others do not perceive that copyright poses any serious conflict with freedom of speech.This Chapter presents some illustrative examples that ought to at least give doubters some pause. They range from speech that is overtly political to purely artistic, from fantasy to documentary, from discrete cases to entire expressive genres, from religious tracts to counterculture comics, from analog to digital, from out‐and‐out copying to highly creative recasting, from new creation to Google search tool, and from copyright holders' calculated suppression of unwanted expression to speakers' inability to pay the copyright license fee that was offered. They demonstrate that copyright may indeed prevent us from effectively conveying a message, pursuing deeply held beliefs, expressing artistic inspiration, participating in a cultural tradition, or, for that matter, promoting “the progress of science.”Less
For some, copyright's speech burdens are painfully obvious. But many others do not perceive that copyright poses any serious conflict with freedom of speech.
This Chapter presents some illustrative examples that ought to at least give doubters some pause. They range from speech that is overtly political to purely artistic, from fantasy to documentary, from discrete cases to entire expressive genres, from religious tracts to counterculture comics, from analog to digital, from out‐and‐out copying to highly creative recasting, from new creation to Google search tool, and from copyright holders' calculated suppression of unwanted expression to speakers' inability to pay the copyright license fee that was offered. They demonstrate that copyright may indeed prevent us from effectively conveying a message, pursuing deeply held beliefs, expressing artistic inspiration, participating in a cultural tradition, or, for that matter, promoting “the progress of science.”
Shweta Kishore
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474433068
- eISBN:
- 9781474453578
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474433068.001.0001
- Subject:
- Film, Television and Radio, Film
Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we ...
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Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we understand the significance of this mode of cultural production?
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a 'tactical practice’, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system. Focusing on selected filmmakers, the book establishes how they have reorganised the dominance of industrial media, technology and social relations to develop practices that build upon principles of de-economisation, artisanship and interdependence.Less
Independent documentary is enjoying a resurgence in post-reform India. But in contemporary cinema and media cultures, where ‘independent’ operates as an industry genre or critical category, how do we understand the significance of this mode of cultural production?
Based on detailed onsite observation of documentary production, circulation practices and the analysis of film texts, this book identifies independence as a 'tactical practice’, contesting the normative definitions and functions assigned to culture, cultural production and producers in a neoliberal economic system. Focusing on selected filmmakers, the book establishes how they have reorganised the dominance of industrial media, technology and social relations to develop practices that build upon principles of de-economisation, artisanship and interdependence.
Kaitlin M. Murphy
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780823282548
- eISBN:
- 9780823284818
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823282548.001.0001
- Subject:
- Society and Culture, Latin American Studies
In Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas, Kaitlin M. Murphy analyzes a range of visual memory practices that have emerged in opposition to political discourses and ...
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In Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas, Kaitlin M. Murphy analyzes a range of visual memory practices that have emerged in opposition to political discourses and visual economies that suppress certain subjects and overlook past and present human rights abuses. From the Southern Cone to Central America and the US-Mexico borderlands, and across documentary film, photography, performance, memory sites, and new media, she compares how these visual texts use memory as a form of contemporary intervention. Interweaving visual and performance theory with memory and affect, Murphy develops new frameworks for analyzing how visual culture performs as an embodied agent of memory and witnessing. She argues that visuality is inherently performative; and analyzing the performative elements, or strategies, of visual texts—such as embodiment, reperformance, reenactment, haunting, and the performance of material objects and places—elucidates how memory is both anchored into and extracted from specific bodies, objects, and places. Murphy progressively develops the theory of memory mapping, defined as the visual process of representing the affective, sensorial, polyvocal, and temporally layered relationship between past and present, anchored within the specificities of place. Ultimately, by exploring how memory is “mapped” across a range of sites and mediums, Murphy argues that memory mapping is a visual strategy for producing new temporal and spatial arrangements of knowledge and memory that function as counter-practices to official narratives that often neglect or designate as transgressive certain memories or experiences.Less
In Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas, Kaitlin M. Murphy analyzes a range of visual memory practices that have emerged in opposition to political discourses and visual economies that suppress certain subjects and overlook past and present human rights abuses. From the Southern Cone to Central America and the US-Mexico borderlands, and across documentary film, photography, performance, memory sites, and new media, she compares how these visual texts use memory as a form of contemporary intervention. Interweaving visual and performance theory with memory and affect, Murphy develops new frameworks for analyzing how visual culture performs as an embodied agent of memory and witnessing. She argues that visuality is inherently performative; and analyzing the performative elements, or strategies, of visual texts—such as embodiment, reperformance, reenactment, haunting, and the performance of material objects and places—elucidates how memory is both anchored into and extracted from specific bodies, objects, and places. Murphy progressively develops the theory of memory mapping, defined as the visual process of representing the affective, sensorial, polyvocal, and temporally layered relationship between past and present, anchored within the specificities of place. Ultimately, by exploring how memory is “mapped” across a range of sites and mediums, Murphy argues that memory mapping is a visual strategy for producing new temporal and spatial arrangements of knowledge and memory that function as counter-practices to official narratives that often neglect or designate as transgressive certain memories or experiences.
Bernard A. Knapp
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780199237371
- eISBN:
- 9780191717208
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199237371.003.0006
- Subject:
- Classical Studies, Archaeology: Classical
This chapter provides an island history of Bronze Age and early Iron Age Cyprus, discussing at length all published documentary evidence related to Alashiya, Ku‐pi‐ri‐jo, and Iadnana (Neo‐Assyrian ...
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This chapter provides an island history of Bronze Age and early Iron Age Cyprus, discussing at length all published documentary evidence related to Alashiya, Ku‐pi‐ri‐jo, and Iadnana (Neo‐Assyrian cuneiform texts). Whilst specific focus falls on issues of identity, the more general intention is to situate Cyprus in its eastern Mediterranean context. Each section — on economy, society, and polity — provides commentary on the material dimensions of the textual evidence; a general historical overview concludes the chapter. Given converging streams of evidence, it is argued that Late Bronze Age Cyprus was centrally organized — politically and economically — under a ruling class that had adopted a coherent ideological and symbolic repertoire of material paraphernalia to signal their identity, within and beyond the island. The documentary evidence related to Alashiya demonstrates a role so pervasive and influential in the international world of the eastern Mediterranean and the Near East at this time that it is difficult to see how its king would not have controlled the entire island.Less
This chapter provides an island history of Bronze Age and early Iron Age Cyprus, discussing at length all published documentary evidence related to Alashiya, Ku‐pi‐ri‐jo, and Iadnana (Neo‐Assyrian cuneiform texts). Whilst specific focus falls on issues of identity, the more general intention is to situate Cyprus in its eastern Mediterranean context. Each section — on economy, society, and polity — provides commentary on the material dimensions of the textual evidence; a general historical overview concludes the chapter. Given converging streams of evidence, it is argued that Late Bronze Age Cyprus was centrally organized — politically and economically — under a ruling class that had adopted a coherent ideological and symbolic repertoire of material paraphernalia to signal their identity, within and beyond the island. The documentary evidence related to Alashiya demonstrates a role so pervasive and influential in the international world of the eastern Mediterranean and the Near East at this time that it is difficult to see how its king would not have controlled the entire island.
Alice Bach
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195335989
- eISBN:
- 9780199868940
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195335989.003.0006
- Subject:
- Religion, Religion and Society
With a wealth of material already published on the general project of matching films with biblical texts (especially within the “sword‐and‐sandal” genre), this chapter proposes a new method that uses ...
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With a wealth of material already published on the general project of matching films with biblical texts (especially within the “sword‐and‐sandal” genre), this chapter proposes a new method that uses documentaries about Palestinians and Israelis in order to approach critical theory and religion. Instead of engaging students in film criticism by comparing text to film representation, documentaries involve the students in the social criticism those very same texts present. This chapter includes appendices with extensive bibliographies on Bible and film, as well as religion and film material.Less
With a wealth of material already published on the general project of matching films with biblical texts (especially within the “sword‐and‐sandal” genre), this chapter proposes a new method that uses documentaries about Palestinians and Israelis in order to approach critical theory and religion. Instead of engaging students in film criticism by comparing text to film representation, documentaries involve the students in the social criticism those very same texts present. This chapter includes appendices with extensive bibliographies on Bible and film, as well as religion and film material.
Amir Hussain
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195335989
- eISBN:
- 9780199868940
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195335989.003.0010
- Subject:
- Religion, Religion and Society
This chapter will be useful to those who want to incorporate film into their introductory course on Islam. It discusses the representations of Islam and of Muslim lives in contemporary Western films ...
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This chapter will be useful to those who want to incorporate film into their introductory course on Islam. It discusses the representations of Islam and of Muslim lives in contemporary Western films and the way in which these relate to the particular challenges of using movies to teach Islam. The chapter describes various motion pictures to give a sense of the range of Islamic issues that movies can productively portray, including fundamentalism and assimilation. There is also a discussion of films from the Muslim world (most notably Iran) that depict Muslim life in a way that is not usually seen in Western films. Tips on the use of documentary films about Islam are also provided.Less
This chapter will be useful to those who want to incorporate film into their introductory course on Islam. It discusses the representations of Islam and of Muslim lives in contemporary Western films and the way in which these relate to the particular challenges of using movies to teach Islam. The chapter describes various motion pictures to give a sense of the range of Islamic issues that movies can productively portray, including fundamentalism and assimilation. There is also a discussion of films from the Muslim world (most notably Iran) that depict Muslim life in a way that is not usually seen in Western films. Tips on the use of documentary films about Islam are also provided.
Eyal Ben-Eliyahu, Yehudah Cohn, and Fergus Millar
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780197265222
- eISBN:
- 9780191771873
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265222.003.0009
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter describes contemporary documentary texts, written on stone, mosaic or papyrus, or on amulets or magic bowls. It does not aim to provide a full bibliography of these documents, but simply ...
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This chapter describes contemporary documentary texts, written on stone, mosaic or papyrus, or on amulets or magic bowls. It does not aim to provide a full bibliography of these documents, but simply to offer a guide to those publications that gives the reader the easiest access to the original text, a photograph of it and, where available, a translation.Less
This chapter describes contemporary documentary texts, written on stone, mosaic or papyrus, or on amulets or magic bowls. It does not aim to provide a full bibliography of these documents, but simply to offer a guide to those publications that gives the reader the easiest access to the original text, a photograph of it and, where available, a translation.
Gregory J. Watkins
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195335989
- eISBN:
- 9780199868940
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195335989.003.0018
- Subject:
- Religion, Religion and Society
This chapter reports on a course that successfully uses film to introduce students to the basic theoretical approaches to the study of religion. In conjunction with primary text selections from some ...
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This chapter reports on a course that successfully uses film to introduce students to the basic theoretical approaches to the study of religion. In conjunction with primary text selections from some of the great theorists of religion, students use the films they see to deepen their appreciation and consideration of the various theoretical orientations while asking about the nature of film itself. The course is guided by an overarching consideration of the proposition that film makes possible a unique articulation of religious thought and experience. The chapter also discusses some of the practical challenges of making film viewing a central part of the work in the course, from the logistics of screenings to the use of film clips on exams.Less
This chapter reports on a course that successfully uses film to introduce students to the basic theoretical approaches to the study of religion. In conjunction with primary text selections from some of the great theorists of religion, students use the films they see to deepen their appreciation and consideration of the various theoretical orientations while asking about the nature of film itself. The course is guided by an overarching consideration of the proposition that film makes possible a unique articulation of religious thought and experience. The chapter also discusses some of the practical challenges of making film viewing a central part of the work in the course, from the logistics of screenings to the use of film clips on exams.
Kay Richardson
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195374056
- eISBN:
- 9780199776177
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195374056.003.0002
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
Chapter 2 focuses on previous research that has examined dialogue in television drama, distinguishing between contributions from media research and contributions from linguistic perspectives. A ...
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Chapter 2 focuses on previous research that has examined dialogue in television drama, distinguishing between contributions from media research and contributions from linguistic perspectives. A tension between arts and social science discourses is noted in this survey, in which the sociolinguistic research is divided into three main groups: one group approaches the material from a stylistic point of view, another has a sociolinguistic interest, and a third group has an applied interest. Theoretical contributions are also discussed, as are instances in which dialogue's role in documentary reconstructions, rather than fictional dramatic productions, is the focus of attention.Less
Chapter 2 focuses on previous research that has examined dialogue in television drama, distinguishing between contributions from media research and contributions from linguistic perspectives. A tension between arts and social science discourses is noted in this survey, in which the sociolinguistic research is divided into three main groups: one group approaches the material from a stylistic point of view, another has a sociolinguistic interest, and a third group has an applied interest. Theoretical contributions are also discussed, as are instances in which dialogue's role in documentary reconstructions, rather than fictional dramatic productions, is the focus of attention.
Camille Deprez and Judith Pernin (eds)
- Published in print:
- 2015
- Published Online:
- January 2018
- ISBN:
- 9780748694136
- eISBN:
- 9781474412193
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748694136.001.0001
- Subject:
- Film, Television and Radio, Film
This book presents in-depth case studies focusing on the major aspects of post-1990 documentary practices and styles. The book questions the meanings of ‘independence’ for documentaries made in the ...
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This book presents in-depth case studies focusing on the major aspects of post-1990 documentary practices and styles. The book questions the meanings of ‘independence’ for documentaries made in the post-1990 context, a period of unrivalled disruption and creativity in the field. Written from a wide range of academic perspectives, the book sheds new light on historical, theoretical, and empirical issues pertaining to the independent documentary, in order to better comprehend the radical transformations of the form over the past twenty years. The book focuses on works and practitioners existing at the margins of the traditional media, the mainstream film industry, and the prevailing economic and socio-political systems. In doing so, it addresses an important gap in the global understanding of documentary practices and styles. The book provides critical and detailed insight into contemporary independent documentary makers and their varied works, practices and uses and offers a variety of perspectives and interpretations of under studied contemporary subject matters and styles, as well as production, distribution, and exhibition strategies.Less
This book presents in-depth case studies focusing on the major aspects of post-1990 documentary practices and styles. The book questions the meanings of ‘independence’ for documentaries made in the post-1990 context, a period of unrivalled disruption and creativity in the field. Written from a wide range of academic perspectives, the book sheds new light on historical, theoretical, and empirical issues pertaining to the independent documentary, in order to better comprehend the radical transformations of the form over the past twenty years. The book focuses on works and practitioners existing at the margins of the traditional media, the mainstream film industry, and the prevailing economic and socio-political systems. In doing so, it addresses an important gap in the global understanding of documentary practices and styles. The book provides critical and detailed insight into contemporary independent documentary makers and their varied works, practices and uses and offers a variety of perspectives and interpretations of under studied contemporary subject matters and styles, as well as production, distribution, and exhibition strategies.
Simon Szreter and Keith Breckenridge
- Published in print:
- 2012
- Published Online:
- January 2014
- ISBN:
- 9780197265314
- eISBN:
- 9780191760402
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265314.003.0001
- Subject:
- History, World Modern History
This introductory chapter provides an overview of the key arguments and subjects discussed in the book, but it undertakes this review by means of a close investigation of the place of registration in ...
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This introductory chapter provides an overview of the key arguments and subjects discussed in the book, but it undertakes this review by means of a close investigation of the place of registration in contemporary scholarship. It explores the meaning of the term registration, and then examines the concept in existing social science theory, tracking the limits of its usage in the writings of Michel Foucault, Jack Goody, James Scott, and Amartya Sen's scholarship of social rights. It draws linkages between the chapters in the volume and the existing historiography on documentary government, drawing out the implications, in particular, of Clanchy's work. Moving beyond this review, it offers a theoretical account of the work of registration which highlights the (often neglected) dialectical politics at work in the registration of membership in human collectivities across time and region.Less
This introductory chapter provides an overview of the key arguments and subjects discussed in the book, but it undertakes this review by means of a close investigation of the place of registration in contemporary scholarship. It explores the meaning of the term registration, and then examines the concept in existing social science theory, tracking the limits of its usage in the writings of Michel Foucault, Jack Goody, James Scott, and Amartya Sen's scholarship of social rights. It draws linkages between the chapters in the volume and the existing historiography on documentary government, drawing out the implications, in particular, of Clanchy's work. Moving beyond this review, it offers a theoretical account of the work of registration which highlights the (often neglected) dialectical politics at work in the registration of membership in human collectivities across time and region.
Kevin Jon Heller
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780199554317
- eISBN:
- 9780191728624
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199554317.003.0018
- Subject:
- Law, Public International Law, Criminal Law and Criminology
This concluding chapter ends the book by summarizing the lessons of the previous chapters and asking whether the trials were successful. It covers issues such as retributive justice, documentary ...
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This concluding chapter ends the book by summarizing the lessons of the previous chapters and asking whether the trials were successful. It covers issues such as retributive justice, documentary record, and wrongful acquittals and convictions.Less
This concluding chapter ends the book by summarizing the lessons of the previous chapters and asking whether the trials were successful. It covers issues such as retributive justice, documentary record, and wrongful acquittals and convictions.
Noah Tsika
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780520297630
- eISBN:
- 9780520969926
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520297630.001.0001
- Subject:
- Film, Television and Radio, Film
Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even ...
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Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. Traumatic Imprints examines wartime and postwar debates about, aspirations for, and uses of cinema as a vehicle for studying, publicizing, and even “working through” war trauma.Less
Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. Traumatic Imprints examines wartime and postwar debates about, aspirations for, and uses of cinema as a vehicle for studying, publicizing, and even “working through” war trauma.
Thomas S. Davis
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231169424
- eISBN:
- 9780231537889
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231169424.003.0002
- Subject:
- Literature, Criticism/Theory
This chapter argues that documentary aesthetics turn to everyday life in order to create works that promoted the norms and values of the British liberal state during its period of greatest distress.
This chapter argues that documentary aesthetics turn to everyday life in order to create works that promoted the norms and values of the British liberal state during its period of greatest distress.
James Howard‐Johnston
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199208593
- eISBN:
- 9780191594182
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199208593.003.00014
- Subject:
- Classical Studies, World History: BCE to 500CE
Some general features of Christian historical writing dating from the seventh and later centuries are picked out, above all the turning away from history as a branch of literature and a more resolute ...
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Some general features of Christian historical writing dating from the seventh and later centuries are picked out, above all the turning away from history as a branch of literature and a more resolute pursuit of truth. The role of historian contracted to that of editor of antecedent material, much of it documentary in character. A growing interest in higher affairs (supernatural interventions in human history and God's providential plan for mankind) opened channels for a two‐way flow between history and hagiography. Islamic historical writing is shown to have developed out of religious scholarship (hence a concern, shared by Christians, to calibrate time from Creation) and to have incorporated much individual eyewitness material (all too often transmuted in transmission). Finally only one serious gap is found in the coverage of the sources—the secular history of Byzantium in a period of acute peril which lasted a quarter of a century (642–69).Less
Some general features of Christian historical writing dating from the seventh and later centuries are picked out, above all the turning away from history as a branch of literature and a more resolute pursuit of truth. The role of historian contracted to that of editor of antecedent material, much of it documentary in character. A growing interest in higher affairs (supernatural interventions in human history and God's providential plan for mankind) opened channels for a two‐way flow between history and hagiography. Islamic historical writing is shown to have developed out of religious scholarship (hence a concern, shared by Christians, to calibrate time from Creation) and to have incorporated much individual eyewitness material (all too often transmuted in transmission). Finally only one serious gap is found in the coverage of the sources—the secular history of Byzantium in a period of acute peril which lasted a quarter of a century (642–69).
William St Clair
- Published in print:
- 2004
- Published Online:
- January 2012
- ISBN:
- 9780197263181
- eISBN:
- 9780191734595
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197263181.003.0013
- Subject:
- Literature, Criticism/Theory
Numerous literary biographies of famous authors were normally shaped by the quantity and the nature of the surviving primary documentary evidences such as diaries, letters, notes of constructions, ...
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Numerous literary biographies of famous authors were normally shaped by the quantity and the nature of the surviving primary documentary evidences such as diaries, letters, notes of constructions, and descriptions of the commentaries. These sources not only shaped the nature of the biographies but also the biographical method adopted. This chapter discusses the nature of the biographical evidence. It examines how biographers who regard their work primarily as an historical investigation can deal with the hard and immovable fact that the sources on which they necessarily rely are normally likely to provide an unrepresentative record of the patterns of the lived life.Less
Numerous literary biographies of famous authors were normally shaped by the quantity and the nature of the surviving primary documentary evidences such as diaries, letters, notes of constructions, and descriptions of the commentaries. These sources not only shaped the nature of the biographies but also the biographical method adopted. This chapter discusses the nature of the biographical evidence. It examines how biographers who regard their work primarily as an historical investigation can deal with the hard and immovable fact that the sources on which they necessarily rely are normally likely to provide an unrepresentative record of the patterns of the lived life.
