Jump to ContentJump to Main Navigation

You are looking at 1-4 of 4 items

  • Keywords: disembodied voices x
Clear All Modify Search

View:

Dumbstruck: A Cultural History of Ventriloquism

Steven Connor

Published in print:
2000
Published Online:
October 2011
ISBN:
9780198184331
eISBN:
9780191674204
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198184331.001.0001
Subject:
Literature, Film, Media, and Cultural Studies

Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of ‘seeming ... More


Disembodied Voices

Todd Decker

in Hymns for the Fallen: Combat Movie Music and Sound after Vietnam

Published in print:
2017
Published Online:
September 2017
ISBN:
9780520282322
eISBN:
9780520966543
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520282322.003.0006
Subject:
Film, Television and Radio, Film

Disembodied voices resound across the post-Vietnam Hollywood combat film. Some are heard in real time by way of military technology, such as radios which let soldiers and audiences experience battles ... More


Echo and Hum: Death’s Acoustic Spacein the Early Sound Film

C. Scott Combs

in Deathwatch: American Film, Technology, and the End of Life

Published in print:
2014
Published Online:
November 2015
ISBN:
9780231163477
eISBN:
9780231538039
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231163477.003.0003
Subject:
Film, Television and Radio, Film

This chapter examines the nondiegetic soundtrack as registrant in the early sound film. In theory, the sound camera can capture the last audible breath or spoken utterance, and it can produce the ... More


Four Rooms

Theresa M. Senft

in VOICE: Vocal Aesthetics in Digital Arts and Media

Published in print:
2010
Published Online:
August 2013
ISBN:
9780262013901
eISBN:
9780262289696
Item type:
chapter
Publisher:
The MIT Press
DOI:
10.7551/mitpress/9780262013901.003.0004
Subject:
Society and Culture, Media Studies

This chapter offers a first-person narrative of the disembodied fantasies of telephone sex, the use of audio tapes to prepare for invasive surgery, teaching a computer to recognize a person’s voice, ... More


View: