Daniel Apollon and Claire Belisle (eds)
- Published in print:
- 2014
- Published Online:
- April 2017
- ISBN:
- 9780252038402
- eISBN:
- 9780252096280
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252038402.001.0001
- Subject:
- Literature, Criticism/Theory
This book examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving ...
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This book examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship. Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, the book ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. It discusses the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, what kind of text is produced? Why is it produced in this particular way? The book provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits.Less
This book examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship. Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, the book ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. It discusses the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, what kind of text is produced? Why is it produced in this particular way? The book provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits.
Amy E. Earhart
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677948
- eISBN:
- 9781452948379
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677948.003.0030
- Subject:
- Education, Philosophy and Theory of Education
This chapter examines the current position of race and digital humanities work. It focuses on the digital work being produced by those associated with academia and those with strong connections to ...
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This chapter examines the current position of race and digital humanities work. It focuses on the digital work being produced by those associated with academia and those with strong connections to traditional humanities fields including history, literature, classics, art history, and archeology, among others. It argues that digital humanists need to examine the canon that they are constructing, a canon that skews toward traditional texts and excludes crucial work by women, people of color, and the GLBTQ community. They need to reinvigorate the spirit of previous scholars who believed that textual recovery was crucial to their work, who saw the digital as a way to enact changes in the canon.Less
This chapter examines the current position of race and digital humanities work. It focuses on the digital work being produced by those associated with academia and those with strong connections to traditional humanities fields including history, literature, classics, art history, and archeology, among others. It argues that digital humanists need to examine the canon that they are constructing, a canon that skews toward traditional texts and excludes crucial work by women, people of color, and the GLBTQ community. They need to reinvigorate the spirit of previous scholars who believed that textual recovery was crucial to their work, who saw the digital as a way to enact changes in the canon.
Alan Liu
- Published in print:
- 2008
- Published Online:
- February 2013
- ISBN:
- 9780226486956
- eISBN:
- 9780226486970
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226486970.003.0009
- Subject:
- Literature, Criticism/Theory
This chapter, which provides a critical analysis of the technological terms of the postindustrial institutions led by knowledge work business, views such techno-logic through the lens of other ...
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This chapter, which provides a critical analysis of the technological terms of the postindustrial institutions led by knowledge work business, views such techno-logic through the lens of other participating institutions that, while increasingly colonized by postindustrial principles, offer an alternative perspective. The specific institutional perspective it brings to bear is that of the humanities and arts in the academy. Members of the Association for Computers and the Humanities and the Text Encoding Initiative, for example, have long had a hand in developing or adapting text encoding standards, and, in the last decade, major digital text and image archives at East Coast centers of humanities computing in the United States (such as Brown University and the University of Virginia) have proved the sophistication and robustness of text encoding for literature.Less
This chapter, which provides a critical analysis of the technological terms of the postindustrial institutions led by knowledge work business, views such techno-logic through the lens of other participating institutions that, while increasingly colonized by postindustrial principles, offer an alternative perspective. The specific institutional perspective it brings to bear is that of the humanities and arts in the academy. Members of the Association for Computers and the Humanities and the Text Encoding Initiative, for example, have long had a hand in developing or adapting text encoding standards, and, in the last decade, major digital text and image archives at East Coast centers of humanities computing in the United States (such as Brown University and the University of Virginia) have proved the sophistication and robustness of text encoding for literature.
Witmore Witmore
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677948
- eISBN:
- 9781452948379
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677948.003.0033
- Subject:
- Education, Philosophy and Theory of Education
This chapter begins with a brief description of the author’s work as part of the Working Group for Digital Inquiry at Wisconsin. He describes the University of Wisconsin’s licensing agreement with ...
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This chapter begins with a brief description of the author’s work as part of the Working Group for Digital Inquiry at Wisconsin. He describes the University of Wisconsin’s licensing agreement with the University of Michigan to begin working with files from the Text Creation Partnership (TCP), which contains over 27,000 items from early modern print. He then offers reflections about the nature of the text objects and populations of texts he is working with. He asks: What is the distinguishing feature of the digitized text—that ideal object of analysis considered in all its hypothetical relations with other ideal objects?Less
This chapter begins with a brief description of the author’s work as part of the Working Group for Digital Inquiry at Wisconsin. He describes the University of Wisconsin’s licensing agreement with the University of Michigan to begin working with files from the Text Creation Partnership (TCP), which contains over 27,000 items from early modern print. He then offers reflections about the nature of the text objects and populations of texts he is working with. He asks: What is the distinguishing feature of the digitized text—that ideal object of analysis considered in all its hypothetical relations with other ideal objects?
