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Dialogue and Literature: Apostrophe, Auditors, and the Collapse of Romantic Discourse

Michael Macovski

Published in print:
1994
Published Online:
October 2011
ISBN:
9780195069655
eISBN:
9780199855186
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195069655.001.0001
Subject:
Literature, 19th-century Literature and Romanticism

Extending and modifying the works of Bakhtin, Gadamer, Ong, and Foucault—though drawing primarily on Bakhtin's theory of dialogue—this book constructs a theoretical model of “dialogic romanticism” ... More


Mahler's Symphonic Sonatas

Seth Monahan

Published in print:
2015
Published Online:
April 2015
ISBN:
9780199303465
eISBN:
9780199395668
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199303465.001.0001
Subject:
Music, Theory, Analysis, Composition

This book examines Gustav Mahler’s career-long engagement with sonata form. It argues that a dynamic, process-based sonata-form concept factors into all of his early and middle-period symphonies, ... More


Sonata Form in Mahler’s Narrative Imagination

Seth Monahan

in Mahler's Symphonic Sonatas

Published in print:
2015
Published Online:
April 2015
ISBN:
9780199303465
eISBN:
9780199395668
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199303465.003.0002
Subject:
Music, Theory, Analysis, Composition

This chapter argues, against critical precedent, that sonata form was a driving force in Mahler’s narrative imagination. It shows that the genre’s central teleology—the resolution of tonal tension—is ... More


Tonal Orientation: New Tools for Navigating the Formal Landscape

Megan Kaes Long

in Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century

Published in print:
2020
Published Online:
August 2020
ISBN:
9780190851903
eISBN:
9780190851934
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190851903.003.0006
Subject:
Music, Theory, Analysis, Composition

The balletto and canzonetta have highly regulated strophic sectional forms. Three characteristics of these forms facilitate tonal expectation: they are comprehensible, and can easily be segmented by ... More


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