Karen Mary Davalos
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781479877966
- eISBN:
- 9781479825165
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479877966.001.0001
- Subject:
- Society and Culture, Latin American Studies
Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that ...
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Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that feature their work, but also collectors, curators, critics, and advocates. Using an interdisciplinary method that combines decolonial and feminist theory, art historical analysis, and extensive archival and field research, Karen Mary Davalos explores how narrow notions of identity, politics, and aesthetics have limited debates over Chicana/o art. This comprehensive art history employs vernacular concepts, such as the errata exhibition and the remix, which emerge out of art practice itself, to drive the analysis of over three dozen artists. It rejects familiar narratives that evaluate Chicana/o art in binary terms: political versus commercial, realist versus conceptual, and so on. Each chapter explores undocumented or previously ignored information, such as European aesthetic influences on Chicana/o art or commercial ventures of community-based arts organizations, which are made invisible by conventions of art history or Chicana/o studies. The book illuminates the transnational, borderlands, feminist, and decolonial aesthetic processes and social conditions that expand, not contract, how we consider Chicana/o art. Davalos presents her most ambitious project to date in this examination of fifty years of Chicana/o art production in a major metropolitan area.Less
Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that feature their work, but also collectors, curators, critics, and advocates. Using an interdisciplinary method that combines decolonial and feminist theory, art historical analysis, and extensive archival and field research, Karen Mary Davalos explores how narrow notions of identity, politics, and aesthetics have limited debates over Chicana/o art. This comprehensive art history employs vernacular concepts, such as the errata exhibition and the remix, which emerge out of art practice itself, to drive the analysis of over three dozen artists. It rejects familiar narratives that evaluate Chicana/o art in binary terms: political versus commercial, realist versus conceptual, and so on. Each chapter explores undocumented or previously ignored information, such as European aesthetic influences on Chicana/o art or commercial ventures of community-based arts organizations, which are made invisible by conventions of art history or Chicana/o studies. The book illuminates the transnational, borderlands, feminist, and decolonial aesthetic processes and social conditions that expand, not contract, how we consider Chicana/o art. Davalos presents her most ambitious project to date in this examination of fifty years of Chicana/o art production in a major metropolitan area.
Tuğçe Kurtiş and Glenn Adams
- Published in print:
- 2018
- Published Online:
- January 2018
- ISBN:
- 9780190658540
- eISBN:
- 9780190658571
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190658540.003.0005
- Subject:
- Psychology, Social Psychology
Cultural psychology highlights the mutual constitution of psyche and culture—that is, the bidirectional relationship between person-based structures of mind and socially constructed affordances ...
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Cultural psychology highlights the mutual constitution of psyche and culture—that is, the bidirectional relationship between person-based structures of mind and socially constructed affordances inscribed in everyday cultural worlds. The experience of gender and sexuality requires engagement with particular sociocultural affordances, and cultural traditions of gender and sexuality are (re)produced by everyday activities. Western feminists have often viewed aspects of gender relations in Majority-World settings as pathological or oppressive. Adopting a decolonial standpoint, we proposes two analytic strategies to counter such epistemic violence: (1) normalize Other patterns that appear abnormal or deficient; and (2) denaturalize the patterns that prevail in Western high-income settings. We illustrate these strategies by describing our research on “self-silencing,” relationship satisfaction, and depression among Turkish women.Less
Cultural psychology highlights the mutual constitution of psyche and culture—that is, the bidirectional relationship between person-based structures of mind and socially constructed affordances inscribed in everyday cultural worlds. The experience of gender and sexuality requires engagement with particular sociocultural affordances, and cultural traditions of gender and sexuality are (re)produced by everyday activities. Western feminists have often viewed aspects of gender relations in Majority-World settings as pathological or oppressive. Adopting a decolonial standpoint, we proposes two analytic strategies to counter such epistemic violence: (1) normalize Other patterns that appear abnormal or deficient; and (2) denaturalize the patterns that prevail in Western high-income settings. We illustrate these strategies by describing our research on “self-silencing,” relationship satisfaction, and depression among Turkish women.
