Joseph Drexler-Dreis
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780823281886
- eISBN:
- 9780823286003
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823281886.001.0001
- Subject:
- Religion, Theology
This book raises the question of what it means to engage in theological reflection in an authentic way in the present context of global coloniality. In response to the historical manifestations of ...
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This book raises the question of what it means to engage in theological reflection in an authentic way in the present context of global coloniality. In response to the historical manifestations of the coloniality of power on the levels of being, knowledge, and eschatology, it searches for a decolonized image of salvation that can unsettle historical structures of coloniality. The book starts by analyzing modern/colonial structures that shape the present context and the ways Christian theology is entangled in these structures. I then argues that the theological work of Ignacio Ellacuría and Jon Sobrino points to the theoretical possibility of a theology that contests the patterns of domination that continue after political decolonization. Using the work of Ellacuría and Sobrino, it turns to the ways Frantz Fanon and James Baldwin responded to colonial modernity by exposing idols and revealing illusionary notions of stasis in light of alternative commitments to orientations of decolonial love. This decolonial love, and the ways it is historicized in praxis, is perceived as violent from the perspective of Western modernity. This book argues that the orientations of decolonial from which Fanon and Baldwin operate break open cracks in Western modernity and make salvation present in history. Decolonial love thus becomes theologically pedagogic—that is, it provides a source from which to make theological claims. Decolonial love offers one way of doing theology and one way of shaping the content of a decolonized image of salvation.Less
This book raises the question of what it means to engage in theological reflection in an authentic way in the present context of global coloniality. In response to the historical manifestations of the coloniality of power on the levels of being, knowledge, and eschatology, it searches for a decolonized image of salvation that can unsettle historical structures of coloniality. The book starts by analyzing modern/colonial structures that shape the present context and the ways Christian theology is entangled in these structures. I then argues that the theological work of Ignacio Ellacuría and Jon Sobrino points to the theoretical possibility of a theology that contests the patterns of domination that continue after political decolonization. Using the work of Ellacuría and Sobrino, it turns to the ways Frantz Fanon and James Baldwin responded to colonial modernity by exposing idols and revealing illusionary notions of stasis in light of alternative commitments to orientations of decolonial love. This decolonial love, and the ways it is historicized in praxis, is perceived as violent from the perspective of Western modernity. This book argues that the orientations of decolonial from which Fanon and Baldwin operate break open cracks in Western modernity and make salvation present in history. Decolonial love thus becomes theologically pedagogic—that is, it provides a source from which to make theological claims. Decolonial love offers one way of doing theology and one way of shaping the content of a decolonized image of salvation.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.001.0001
- Subject:
- Literature, European Literature
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses ...
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Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.Less
Anti-Empire explores how different writers across Lusophone spaces engage with imperial and colonial power at its various levels of domination, while imagining alternatives to dominant discourses pertaining to race, ethnicity, culture, gender, sexuality, and class. Guided by a theoretically eclectic approach ranging from Psychoanalysis, Deconstruction, Postcolonial Theory, Queer Theory, and Critical Race Studies, Empire is explored as a spectrum of contemporary global power inaugurated by European expansion and propagated in the postcolonial present through economic, cultural, and political forces. Through the texts analysed, Anti-Empire offers in-depth interrogations of contemporary power in terms of racial politics, gender performance, socio-economic divisions, political structures, and the intersections of these facets of domination and hegemony. By way of grappling with Empire’s discursive field and charting new modes of producing meaning in opposition to that of Empire, the texts read from Brazil, the Cape Verde Islands, East Timor, Portugal, and São Tomé and Príncipe open new inquiries for Postcolonial and Decolonial Studies while contributing theoretical debates to the study of Lusophone cultures.
Barbara Glowczewski
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781474450300
- eISBN:
- 9781474476911
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474450300.001.0001
- Subject:
- Philosophy, History of Philosophy
‘Radical alterity is not about exotism and exclusion but about imagination of how to weave different worlds in respect of their singularities always in becoming, how to recreate outsideness in our ...
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‘Radical alterity is not about exotism and exclusion but about imagination of how to weave different worlds in respect of their singularities always in becoming, how to recreate outsideness in our minds.’ This is what Barbara Glowczewski calls ‘indigenising anthropology’ in this collection of essays that chart her intellectual trajectory as an anthropologist involved since 1979 with Warlpiri people from central Australia and other Indigenous people in the Kimberley and on Palm Island. The book shows how the many ways in which Aboriginal men and women actualise virtualities of their Dreaming totemic space-time into collective networks of ritualised places resonate with some of Deleuze’s and Guattari’s concepts and also with reticular digital memories. It is a tribute to Indigenous cosmovisions and art, as well as the creative affirmation of collective movements in Oceania, in Brazil and France, who struggle to defend existential territories that could restore a multiplicity of commons to heal the earth from past colonisation and present destruction. Glowczewski draws on 40 years of shared experiences with Indigenous peoples, her own conversations with Guattari, her participation in decolonial ecological debates and engagement for an ‘earth in common’ (https://encommun.eco/), to deliver an innovative agenda for radical anthropology which offers new avenues for research on environmental and social justice based on the value of difference and creative resistance.Less
‘Radical alterity is not about exotism and exclusion but about imagination of how to weave different worlds in respect of their singularities always in becoming, how to recreate outsideness in our minds.’ This is what Barbara Glowczewski calls ‘indigenising anthropology’ in this collection of essays that chart her intellectual trajectory as an anthropologist involved since 1979 with Warlpiri people from central Australia and other Indigenous people in the Kimberley and on Palm Island. The book shows how the many ways in which Aboriginal men and women actualise virtualities of their Dreaming totemic space-time into collective networks of ritualised places resonate with some of Deleuze’s and Guattari’s concepts and also with reticular digital memories. It is a tribute to Indigenous cosmovisions and art, as well as the creative affirmation of collective movements in Oceania, in Brazil and France, who struggle to defend existential territories that could restore a multiplicity of commons to heal the earth from past colonisation and present destruction. Glowczewski draws on 40 years of shared experiences with Indigenous peoples, her own conversations with Guattari, her participation in decolonial ecological debates and engagement for an ‘earth in common’ (https://encommun.eco/), to deliver an innovative agenda for radical anthropology which offers new avenues for research on environmental and social justice based on the value of difference and creative resistance.
Joseph Drexler-Dreis
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780823281886
- eISBN:
- 9780823286003
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823281886.003.0009
- Subject:
- Religion, Theology
The conclusion draws attention to the intellective praxes of Frantz Fanon, James Baldwin, and liberation theologians within the context of asking the question of what it means to do theology in the ...
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The conclusion draws attention to the intellective praxes of Frantz Fanon, James Baldwin, and liberation theologians within the context of asking the question of what it means to do theology in the present context of global coloniality. It argues that the theological pedagogy of decolonial love offers a particular orientation to theologians as they struggle to apprehend reality: when decolonial love informs a theological image of salvation, it implies a commitment to opposing Western modernity and its ways of delineating ways of being, knowledge, and eschatology, and to living into an alternative eschatological commitment. The theological pedagogy of decolonial love requires investing in new forms of analysis and requires struggling to ground theological language more strongly in historical realities, while doing so in light of the imagination of and commitment to the sacred.Less
The conclusion draws attention to the intellective praxes of Frantz Fanon, James Baldwin, and liberation theologians within the context of asking the question of what it means to do theology in the present context of global coloniality. It argues that the theological pedagogy of decolonial love offers a particular orientation to theologians as they struggle to apprehend reality: when decolonial love informs a theological image of salvation, it implies a commitment to opposing Western modernity and its ways of delineating ways of being, knowledge, and eschatology, and to living into an alternative eschatological commitment. The theological pedagogy of decolonial love requires investing in new forms of analysis and requires struggling to ground theological language more strongly in historical realities, while doing so in light of the imagination of and commitment to the sacred.
Karen Mary Davalos
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781479877966
- eISBN:
- 9781479825165
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479877966.001.0001
- Subject:
- Society and Culture, Latin American Studies
Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that ...
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Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that feature their work, but also collectors, curators, critics, and advocates. Using an interdisciplinary method that combines decolonial and feminist theory, art historical analysis, and extensive archival and field research, Karen Mary Davalos explores how narrow notions of identity, politics, and aesthetics have limited debates over Chicana/o art. This comprehensive art history employs vernacular concepts, such as the errata exhibition and the remix, which emerge out of art practice itself, to drive the analysis of over three dozen artists. It rejects familiar narratives that evaluate Chicana/o art in binary terms: political versus commercial, realist versus conceptual, and so on. Each chapter explores undocumented or previously ignored information, such as European aesthetic influences on Chicana/o art or commercial ventures of community-based arts organizations, which are made invisible by conventions of art history or Chicana/o studies. The book illuminates the transnational, borderlands, feminist, and decolonial aesthetic processes and social conditions that expand, not contract, how we consider Chicana/o art. Davalos presents her most ambitious project to date in this examination of fifty years of Chicana/o art production in a major metropolitan area.Less
Remixing and reexamining art of and after the Chicano movement of the 1960s and 1970s, this book brings to light new insights about artists, their cultural production, and the exhibitions that feature their work, but also collectors, curators, critics, and advocates. Using an interdisciplinary method that combines decolonial and feminist theory, art historical analysis, and extensive archival and field research, Karen Mary Davalos explores how narrow notions of identity, politics, and aesthetics have limited debates over Chicana/o art. This comprehensive art history employs vernacular concepts, such as the errata exhibition and the remix, which emerge out of art practice itself, to drive the analysis of over three dozen artists. It rejects familiar narratives that evaluate Chicana/o art in binary terms: political versus commercial, realist versus conceptual, and so on. Each chapter explores undocumented or previously ignored information, such as European aesthetic influences on Chicana/o art or commercial ventures of community-based arts organizations, which are made invisible by conventions of art history or Chicana/o studies. The book illuminates the transnational, borderlands, feminist, and decolonial aesthetic processes and social conditions that expand, not contract, how we consider Chicana/o art. Davalos presents her most ambitious project to date in this examination of fifty years of Chicana/o art production in a major metropolitan area.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.003.0010
- Subject:
- Literature, European Literature
The conclusion brings together the fundamental questions raised in each chapter and the interventions proposed by the texts analysed. In joining these, the book closes with a final concise reflection ...
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The conclusion brings together the fundamental questions raised in each chapter and the interventions proposed by the texts analysed. In joining these, the book closes with a final concise reflection on possible trajectories against Empire.Less
The conclusion brings together the fundamental questions raised in each chapter and the interventions proposed by the texts analysed. In joining these, the book closes with a final concise reflection on possible trajectories against Empire.
Annette K. Joseph-Gabriel
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780252042935
- eISBN:
- 9780252051791
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042935.001.0001
- Subject:
- Sociology, Race and Ethnicity
In the 20th century, black women in the French empire played crucial leadership roles in anticolonial movements. This book harnesses untapped archival documents to highlight the work of Suzanne ...
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In the 20th century, black women in the French empire played crucial leadership roles in anticolonial movements. This book harnesses untapped archival documents to highlight the work of Suzanne Césaire, Paulette Nardal, Eugénie Éboué-Tell, Jane Vialle, Andrée Blouin, Aoua Kéita and Eslanda Robeson, women who remain relatively understudied in scholarship that continues to privilege male politicians and writers. Examining the literary production and political activism of African, Antillean, Guyanese and African American women, this book argues that black women writers and thinkers articulated multi-layered forms of citizenship that emphasized plural cultural and racial identities in direct opposition to colonialism. Their decolonial citizenship expanded the possibilities of belonging beyond the borders of the nation state and even the French empire to imagine transnational Pan-African and Pan-Caribbean identities informed by black feminist intellectual frameworks and practices.Less
In the 20th century, black women in the French empire played crucial leadership roles in anticolonial movements. This book harnesses untapped archival documents to highlight the work of Suzanne Césaire, Paulette Nardal, Eugénie Éboué-Tell, Jane Vialle, Andrée Blouin, Aoua Kéita and Eslanda Robeson, women who remain relatively understudied in scholarship that continues to privilege male politicians and writers. Examining the literary production and political activism of African, Antillean, Guyanese and African American women, this book argues that black women writers and thinkers articulated multi-layered forms of citizenship that emphasized plural cultural and racial identities in direct opposition to colonialism. Their decolonial citizenship expanded the possibilities of belonging beyond the borders of the nation state and even the French empire to imagine transnational Pan-African and Pan-Caribbean identities informed by black feminist intellectual frameworks and practices.
Encarnación Gutiérrez Rodríguez and Shirley Anne Tate (eds)
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781781381717
- eISBN:
- 9781781382288
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381717.001.0001
- Subject:
- History, European Modern History
Creolizing Europe aims to interrogate creolization as the decolonial, rhizomatic thinking necessary for understanding the social and cultural transformations set in motion through trans/national ...
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Creolizing Europe aims to interrogate creolization as the decolonial, rhizomatic thinking necessary for understanding the social and cultural transformations set in motion through trans/national dislocations. It explores the usefulness, transferability, and limitations of creolization for thinking through post/coloniality, raciality, and othering as both historical legacies and constitutive of European societies and epistemologies as it develops interdisciplinary dialogue between the social sciences and humanities. It juxtaposes US-UK debates on ‘hybridity’, ‘mixed race’, and the ‘Black Atlantic’ with Caribbean and Latin American theorizations of cultural mixing in order to engage with Europe as a permanent scene of Édouard Glissant’s creolization. Further, through a comparative methodology the focus on Europe is broadened in order to understand the role of Europe’s colonial past in the shaping of its post/migrant and diasporic present. ‘Europe’ becomes an expanded and contested term, unthinkable without reference to its historical legacies and possible futures. Although not all the contributions explicitly address Glissant’s approach to creolization, they all engage with aspects of his thinking in terms of the usefulness, transferability and limitations of creolization to the European context. This volume offers a significant contribution to European Studies, Post/Colonial Studies, Decolonial Studies and Cultural Studies by emphasizing that ‘race’ and ‘cultural mixing’ are central to theorizing Europe and by applying Glissantian perspectives to empirical work on diasporic spaces, conviviality, citizenship, aesthetics, racism, nation, gender, sexuality, representations and memory.Less
Creolizing Europe aims to interrogate creolization as the decolonial, rhizomatic thinking necessary for understanding the social and cultural transformations set in motion through trans/national dislocations. It explores the usefulness, transferability, and limitations of creolization for thinking through post/coloniality, raciality, and othering as both historical legacies and constitutive of European societies and epistemologies as it develops interdisciplinary dialogue between the social sciences and humanities. It juxtaposes US-UK debates on ‘hybridity’, ‘mixed race’, and the ‘Black Atlantic’ with Caribbean and Latin American theorizations of cultural mixing in order to engage with Europe as a permanent scene of Édouard Glissant’s creolization. Further, through a comparative methodology the focus on Europe is broadened in order to understand the role of Europe’s colonial past in the shaping of its post/migrant and diasporic present. ‘Europe’ becomes an expanded and contested term, unthinkable without reference to its historical legacies and possible futures. Although not all the contributions explicitly address Glissant’s approach to creolization, they all engage with aspects of his thinking in terms of the usefulness, transferability and limitations of creolization to the European context. This volume offers a significant contribution to European Studies, Post/Colonial Studies, Decolonial Studies and Cultural Studies by emphasizing that ‘race’ and ‘cultural mixing’ are central to theorizing Europe and by applying Glissantian perspectives to empirical work on diasporic spaces, conviviality, citizenship, aesthetics, racism, nation, gender, sexuality, representations and memory.
Jane Caputi
- Published in print:
- 2020
- Published Online:
- July 2020
- ISBN:
- 9780190902704
- eISBN:
- 9780190902742
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190902704.001.0001
- Subject:
- Political Science, American Politics, Political Theory
The proposed new geological era, The Anthropocene (a.k.a. Age of Humans, Age of Man), marking human domination of the planet long called Mother Earth, is truly The Age of the Motherfucker. The ...
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The proposed new geological era, The Anthropocene (a.k.a. Age of Humans, Age of Man), marking human domination of the planet long called Mother Earth, is truly The Age of the Motherfucker. The ecocide of the Anthropocene is the responsibility of Man, the Western- and masculine-identified corporate, military, intellectual, and political class that masks itself as the exemplar of the civilized and the human. The word motherfucker was invented by the enslaved children of White slave masters to name their mothers’ rapist/owners. Man’s strategic motherfucking, from the personal to the planetary, is invasion, exploitation, spirit-breaking, extraction and toxic wasting of individuals, communities, and lands, for reasons of pleasure, plunder, and profit. Ecocide is attempted deicide of Mother Nature-Earth, reflecting Man’s goal to become the god he first made in his own image. The motivational word Motherfucker has a flip side, further revealing the Anthropocene as it signifies an outstanding, formidable, and inexorable force. Mother Nature-Earth is that “Mutha’ ”—one defying translation into heteropatriarchal classifications of gender, one capable of overwhelming Man, and not the other way around. Drawing upon Indigenous and African American scholarship; ecofeminism; ecowomanism; green activism; femme, queer, and gender non-binary philosophies; literature and arts; Afrofuturism; and popular culture, Call Your “Mutha’ ” contends that the Anthropocene is not evidence of Man’s supremacy over nature, but that Mother Nature-Earth, faced with disrespect, is going away. It is imperative now to call the “Mutha’ ” by decolonizing land, bodies, and minds, ending rapism, feeding the green, renewing sustaining patterns, and affirming devotion to Mother Nature-Earth.Less
The proposed new geological era, The Anthropocene (a.k.a. Age of Humans, Age of Man), marking human domination of the planet long called Mother Earth, is truly The Age of the Motherfucker. The ecocide of the Anthropocene is the responsibility of Man, the Western- and masculine-identified corporate, military, intellectual, and political class that masks itself as the exemplar of the civilized and the human. The word motherfucker was invented by the enslaved children of White slave masters to name their mothers’ rapist/owners. Man’s strategic motherfucking, from the personal to the planetary, is invasion, exploitation, spirit-breaking, extraction and toxic wasting of individuals, communities, and lands, for reasons of pleasure, plunder, and profit. Ecocide is attempted deicide of Mother Nature-Earth, reflecting Man’s goal to become the god he first made in his own image. The motivational word Motherfucker has a flip side, further revealing the Anthropocene as it signifies an outstanding, formidable, and inexorable force. Mother Nature-Earth is that “Mutha’ ”—one defying translation into heteropatriarchal classifications of gender, one capable of overwhelming Man, and not the other way around. Drawing upon Indigenous and African American scholarship; ecofeminism; ecowomanism; green activism; femme, queer, and gender non-binary philosophies; literature and arts; Afrofuturism; and popular culture, Call Your “Mutha’ ” contends that the Anthropocene is not evidence of Man’s supremacy over nature, but that Mother Nature-Earth, faced with disrespect, is going away. It is imperative now to call the “Mutha’ ” by decolonizing land, bodies, and minds, ending rapism, feeding the green, renewing sustaining patterns, and affirming devotion to Mother Nature-Earth.
Ruth Bush
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620665
- eISBN:
- 9781789623666
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620665.003.0004
- Subject:
- History, Imperialism and Colonialism
This essay demonstrates the need to unpack the colonial and postcolonial history of the Sorbonne in order to better understand this institution’s symbolic meanings and in turn their epistemic ...
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This essay demonstrates the need to unpack the colonial and postcolonial history of the Sorbonne in order to better understand this institution’s symbolic meanings and in turn their epistemic implications for francophone universities on the African continent. The contribution explores these issues through analysis of two speeches by Léopold Sédar Senghor (one given at the Sorbonne, the other at the inauguration of the University of Dakar) and the landmark event of Cheikh Anta Diop’s viva at the Sorbonne in January 1960. Underpinning the discussion is a defense of humanistic concepts of education, borrowed and adapted by Senghor from Michel de Montaigne.Less
This essay demonstrates the need to unpack the colonial and postcolonial history of the Sorbonne in order to better understand this institution’s symbolic meanings and in turn their epistemic implications for francophone universities on the African continent. The contribution explores these issues through analysis of two speeches by Léopold Sédar Senghor (one given at the Sorbonne, the other at the inauguration of the University of Dakar) and the landmark event of Cheikh Anta Diop’s viva at the Sorbonne in January 1960. Underpinning the discussion is a defense of humanistic concepts of education, borrowed and adapted by Senghor from Michel de Montaigne.
Ada Maria Isasi-Diaz and Eduardo Mendieta
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780823241354
- eISBN:
- 9780823241392
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823241354.001.0001
- Subject:
- Religion, Theology
This anthology gathers the work of three generations of Latina/o theologians and philosopher who have taken up the task of transforming their respective disciplines from the standpoint of liberation ...
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This anthology gathers the work of three generations of Latina/o theologians and philosopher who have taken up the task of transforming their respective disciplines from the standpoint of liberation and what has been called the “decolonial turn” in social theory, theology, and philosophy. This collection is focuses on the different ways in which Latina/o thinkers, activists, and public intellectuals are producing knowledge that addresses the unique social location of Latinas/os in the US. Instead of continuing to be represented, this group of scholars show the unsuspecting and original ways in which Latina/o locations in the US can be generative places for the development of new matrixes of knowledge. The book, thus, articulates a new point of departure for the self-understanding of not simply Latina/os, but also US citizens in this new age of post-colonialism and globalization.Less
This anthology gathers the work of three generations of Latina/o theologians and philosopher who have taken up the task of transforming their respective disciplines from the standpoint of liberation and what has been called the “decolonial turn” in social theory, theology, and philosophy. This collection is focuses on the different ways in which Latina/o thinkers, activists, and public intellectuals are producing knowledge that addresses the unique social location of Latinas/os in the US. Instead of continuing to be represented, this group of scholars show the unsuspecting and original ways in which Latina/o locations in the US can be generative places for the development of new matrixes of knowledge. The book, thus, articulates a new point of departure for the self-understanding of not simply Latina/os, but also US citizens in this new age of post-colonialism and globalization.
Xhercis Méndez and Yomaira C. Figueroa
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780823286898
- eISBN:
- 9780823288731
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286898.003.0004
- Subject:
- Religion, Theology
This chapter focuses on two important contentions in the work of/on Wynter: First, there is a productive engagement with her understandings of feminism, gender, and patriarchy as they pertain to the ...
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This chapter focuses on two important contentions in the work of/on Wynter: First, there is a productive engagement with her understandings of feminism, gender, and patriarchy as they pertain to the overrepresentation of Man and in its relation to women of color and decolonial feminisms. Second, the authors examine her articulation of the studia humanitatis as a critical site for transformation and liberatory imagination. The chapter explores how Wynter’s critique of mainstream liberal feminism has provided a language for dismissing the work and political concerns articulated by women of color, while highlighting the deep resonances between Wynter’s project and the contributions made by women of color and decolonial feminists. In addition to a long history of taking back the “Word,” women of color have consistently sought to create new value systems and build relations anew beyond those established through colonization and slavery and beyond those that serve to bolster “Man.”Less
This chapter focuses on two important contentions in the work of/on Wynter: First, there is a productive engagement with her understandings of feminism, gender, and patriarchy as they pertain to the overrepresentation of Man and in its relation to women of color and decolonial feminisms. Second, the authors examine her articulation of the studia humanitatis as a critical site for transformation and liberatory imagination. The chapter explores how Wynter’s critique of mainstream liberal feminism has provided a language for dismissing the work and political concerns articulated by women of color, while highlighting the deep resonances between Wynter’s project and the contributions made by women of color and decolonial feminists. In addition to a long history of taking back the “Word,” women of color have consistently sought to create new value systems and build relations anew beyond those established through colonization and slavery and beyond those that serve to bolster “Man.”
Barbara Glowczewski
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781474450300
- eISBN:
- 9781474476911
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474450300.003.0002
- Subject:
- Philosophy, History of Philosophy
This chapter sets the historical, anthropological and cosmopolitical context for the 13 other chapters assembled here. It is organised around the 5 thematic parts of the book. ‘The Indigenous ...
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This chapter sets the historical, anthropological and cosmopolitical context for the 13 other chapters assembled here. It is organised around the 5 thematic parts of the book. ‘The Indigenous Australian Experience of the Rhizome’ (Part One) explains Guattari’s interest for the rhizomatic practice of the Aboriginal nomadic territorialisation of myth, ritual and dreams with examples of oneiric revelations and speeches by Warlpiri women and men. ‘Totem, Taboo and the Women’s Law’ deconstructs anthropological and psychoanalytical preconceptions about religion, gender and society. ‘The Aboriginal Practice of Transversality and Dissensus’ (Part 3) analyses various forms of local, national and transnational Indigenous resistance to defend their culture, their land and social justice. ‘Micropolitics of hope and De-essentialisation’ (Part 4) introduces decolonial debates about race and environment with examples from France, Africa and the Pacific. ‘Dancing with the Spirits of the Land’ (Part 5) draws ecosophical lessons from Afro Brazilian and Indigenous forms of spiritual healing.Less
This chapter sets the historical, anthropological and cosmopolitical context for the 13 other chapters assembled here. It is organised around the 5 thematic parts of the book. ‘The Indigenous Australian Experience of the Rhizome’ (Part One) explains Guattari’s interest for the rhizomatic practice of the Aboriginal nomadic territorialisation of myth, ritual and dreams with examples of oneiric revelations and speeches by Warlpiri women and men. ‘Totem, Taboo and the Women’s Law’ deconstructs anthropological and psychoanalytical preconceptions about religion, gender and society. ‘The Aboriginal Practice of Transversality and Dissensus’ (Part 3) analyses various forms of local, national and transnational Indigenous resistance to defend their culture, their land and social justice. ‘Micropolitics of hope and De-essentialisation’ (Part 4) introduces decolonial debates about race and environment with examples from France, Africa and the Pacific. ‘Dancing with the Spirits of the Land’ (Part 5) draws ecosophical lessons from Afro Brazilian and Indigenous forms of spiritual healing.
María Lugones
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780823241354
- eISBN:
- 9780823241392
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823241354.003.0004
- Subject:
- Religion, Theology
María Lugones’ essay begins by reasserting the importance of understanding the inseparability of race and gender and the coalitional meaning of Women of Color: a term that reveals the self as well as ...
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María Lugones’ essay begins by reasserting the importance of understanding the inseparability of race and gender and the coalitional meaning of Women of Color: a term that reveals the self as well as reality as multiple by indicating a complex social construction that includes how Women of Color are perceived by others as inferior as well as how they reject such a construction. Lugones’ valuing of coalitional understanding and praxis emphasizes how collectivities and communities are the fractured locus from which emerges a subjective/intersubjective understanding of self. The essay then complicates the understanding of racialized gender by introducing the “coloniality of gender,” emphasizing that this is not merely a classification but also refers to the process of dehumanizing people to fit them into this category. To oppose the coloniality of gender, Lugones introduces “decolonial feminism” as a kind of theory which frees subjugated knowledges. The essay ends with a call to coalition building that has a starting point in the fractured locus that oppressing →← resisting peoples have in common.Less
María Lugones’ essay begins by reasserting the importance of understanding the inseparability of race and gender and the coalitional meaning of Women of Color: a term that reveals the self as well as reality as multiple by indicating a complex social construction that includes how Women of Color are perceived by others as inferior as well as how they reject such a construction. Lugones’ valuing of coalitional understanding and praxis emphasizes how collectivities and communities are the fractured locus from which emerges a subjective/intersubjective understanding of self. The essay then complicates the understanding of racialized gender by introducing the “coloniality of gender,” emphasizing that this is not merely a classification but also refers to the process of dehumanizing people to fit them into this category. To oppose the coloniality of gender, Lugones introduces “decolonial feminism” as a kind of theory which frees subjugated knowledges. The essay ends with a call to coalition building that has a starting point in the fractured locus that oppressing →← resisting peoples have in common.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.003.0001
- Subject:
- Literature, European Literature
This introduction briefly discuss the theoretical debates into which I insert the current project, namely those within the realms of Decolonial and Postcolonial Studies with implications for ...
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This introduction briefly discuss the theoretical debates into which I insert the current project, namely those within the realms of Decolonial and Postcolonial Studies with implications for interrelated branches of critical theory such as Queer Theory, Critical Race Theory, Psychoanalysis, and Deconstruction. In doing so, the introduction foregrounds the theoretical concerns raised by each text analysed, as well as the significance of these for study of Lusophone and postcolonial literatures, and beyond. By virtue of this reflection, the introduction also serves to lay out the theoretical groundwork that will inform the project.Less
This introduction briefly discuss the theoretical debates into which I insert the current project, namely those within the realms of Decolonial and Postcolonial Studies with implications for interrelated branches of critical theory such as Queer Theory, Critical Race Theory, Psychoanalysis, and Deconstruction. In doing so, the introduction foregrounds the theoretical concerns raised by each text analysed, as well as the significance of these for study of Lusophone and postcolonial literatures, and beyond. By virtue of this reflection, the introduction also serves to lay out the theoretical groundwork that will inform the project.
Daniel F. Silva
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941008
- eISBN:
- 9781789628999
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941008.003.0008
- Subject:
- Literature, European Literature
This chapter considers how Beja, born in 1946 in the African archipelago of São Tomé and Príncipe, seeks to produce a signifying chain that emerges from the centuries-long impact of imperial power on ...
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This chapter considers how Beja, born in 1946 in the African archipelago of São Tomé and Príncipe, seeks to produce a signifying chain that emerges from the centuries-long impact of imperial power on the world, particularly on disenfranchised peoples and spaces. Beja, in this sense, takes a further step by reflecting on ways to enunciate identity and collective struggle in a decolonial fashion. The chapter reads select poems from three of her collections spanning her poetic trajectory and oeuvre: Bô Tendê? [Do You Understand?] (1992), No País do Tchiloli [In the Country of Tchiloli] (1996), and Aromas de Cajamanga [Aromas of Ambarella] (2009). In doing so, we shall examine what we may call a decolonial remapping; one that Beja carries out, I argue, in a poetic narrating/signifying of movement through time and space that re-orders imperial signifiers.Less
This chapter considers how Beja, born in 1946 in the African archipelago of São Tomé and Príncipe, seeks to produce a signifying chain that emerges from the centuries-long impact of imperial power on the world, particularly on disenfranchised peoples and spaces. Beja, in this sense, takes a further step by reflecting on ways to enunciate identity and collective struggle in a decolonial fashion. The chapter reads select poems from three of her collections spanning her poetic trajectory and oeuvre: Bô Tendê? [Do You Understand?] (1992), No País do Tchiloli [In the Country of Tchiloli] (1996), and Aromas de Cajamanga [Aromas of Ambarella] (2009). In doing so, we shall examine what we may call a decolonial remapping; one that Beja carries out, I argue, in a poetic narrating/signifying of movement through time and space that re-orders imperial signifiers.
Andrea J. Pitts, Mariana Ortega, and José Medina (eds)
- Published in print:
- 2019
- Published Online:
- February 2020
- ISBN:
- 9780190062965
- eISBN:
- 9780190063009
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190062965.001.0001
- Subject:
- Philosophy, Feminist Philosophy
This volume stages an intergenerational dialogue among a number of prominent scholars to introduce and deepen engagement with Latinx and Latin American feminist philosophy. The collection includes a ...
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This volume stages an intergenerational dialogue among a number of prominent scholars to introduce and deepen engagement with Latinx and Latin American feminist philosophy. The collection includes a series of essays analyzing decolonial approaches within Latinx and Latin American feminist philosophy, including studies of the functions of gender within feminist theory, everyday modes of resistance, and methodological questions regarding the scope and breadth of decolonization as a critical praxis. Additionally, the authors include examine theoretical contributions to feminist discussions of selfhood, narrativity, and genealogy, as well as novel epistemic and hermeneutical approaches within the field. Lastly, a number of contributors in the book address themes of aesthetics and embodiment, including issues of visual representation, queer desire, and disability within Latin American and US Latinx feminisms.Less
This volume stages an intergenerational dialogue among a number of prominent scholars to introduce and deepen engagement with Latinx and Latin American feminist philosophy. The collection includes a series of essays analyzing decolonial approaches within Latinx and Latin American feminist philosophy, including studies of the functions of gender within feminist theory, everyday modes of resistance, and methodological questions regarding the scope and breadth of decolonization as a critical praxis. Additionally, the authors include examine theoretical contributions to feminist discussions of selfhood, narrativity, and genealogy, as well as novel epistemic and hermeneutical approaches within the field. Lastly, a number of contributors in the book address themes of aesthetics and embodiment, including issues of visual representation, queer desire, and disability within Latin American and US Latinx feminisms.
Serene J. Khader
- Published in print:
- 2019
- Published Online:
- November 2018
- ISBN:
- 9780190664190
- eISBN:
- 9780190664237
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190664190.001.0001
- Subject:
- Philosophy, Feminist Philosophy, Political Philosophy
Decolonizing Universalism develops a way forward for genuinely anti-imperialist feminisms. Against ways of thinking that suggest feminists must either reject normativity altogether or bite the bullet ...
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Decolonizing Universalism develops a way forward for genuinely anti-imperialist feminisms. Against ways of thinking that suggest feminists must either reject normativity altogether or bite the bullet and treat feminism as a product of Western chauvinism, the book offers a universalist conception of feminism that is not grounded in imperialism-causing values. Insisting that transnational, postcolonial, and decolonial feminisms criticize imperialism rather than valorize of cultural diversity as such, Khader advocates shifting the terms of feminist debates about imperialism. Rather than asking whether feminists should embrace any universal values, as the popular relativism/universalism framing does, the book asks whether feminism requires embracing the specific values that have been thought to be vehicles for imperialism. Khader offers a nonideal universalist conception of transnational feminist praxis, that understands feminism as opposition to sexist oppression and transnational feminist praxis as a justice-enhancing project. Her nonideal universalist vision allows feminists remain feminists without committing to the values of what she calls “Enlightenment liberalism,” including controversial forms of autonomy, secularism, and individualism, as well as gender eliminativism. The result is a new vision of solidarity according to which it can be both possible and preferable for feminisms to be rooted in worldviews that are unfamiliar to, and stigmatized by, Westerners—and a call to attend more seriously to the moral and practical meanings of “other” women’s activism. The book draws heavily on examples from international development, postcolonial theory, and Southern women’s movements.Less
Decolonizing Universalism develops a way forward for genuinely anti-imperialist feminisms. Against ways of thinking that suggest feminists must either reject normativity altogether or bite the bullet and treat feminism as a product of Western chauvinism, the book offers a universalist conception of feminism that is not grounded in imperialism-causing values. Insisting that transnational, postcolonial, and decolonial feminisms criticize imperialism rather than valorize of cultural diversity as such, Khader advocates shifting the terms of feminist debates about imperialism. Rather than asking whether feminists should embrace any universal values, as the popular relativism/universalism framing does, the book asks whether feminism requires embracing the specific values that have been thought to be vehicles for imperialism. Khader offers a nonideal universalist conception of transnational feminist praxis, that understands feminism as opposition to sexist oppression and transnational feminist praxis as a justice-enhancing project. Her nonideal universalist vision allows feminists remain feminists without committing to the values of what she calls “Enlightenment liberalism,” including controversial forms of autonomy, secularism, and individualism, as well as gender eliminativism. The result is a new vision of solidarity according to which it can be both possible and preferable for feminisms to be rooted in worldviews that are unfamiliar to, and stigmatized by, Westerners—and a call to attend more seriously to the moral and practical meanings of “other” women’s activism. The book draws heavily on examples from international development, postcolonial theory, and Southern women’s movements.
David Haekwon Kim
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780813174907
- eISBN:
- 9780813174914
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813174907.003.0012
- Subject:
- Political Science, American Politics
This essay, by David Haekwon Kim, examines Du Bois’s political transition during the interwar years from political expressionism to black Marxism. As Du Bois moved from being firmly in one category ...
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This essay, by David Haekwon Kim, examines Du Bois’s political transition during the interwar years from political expressionism to black Marxism. As Du Bois moved from being firmly in one category to entrench himself in the other, his views were broader than those espoused by black Marxism but narrower than those of a radical democrat, best aligning with the theory of decolonial democracy. Du Bois is often hailed as a precursor or progenitor of decolonial thought, as aspects of the central decolonial concept of “coloniality” are sprinkled throughout his work. Kim argues that the tension and complexity of different aspects of Du Bois’s politics reveal Du Bois as a distinctive type of decolonial thinker who experimented with a fusion of black radicalism and the Gandhian notions of liberation and nonviolent resistance.Less
This essay, by David Haekwon Kim, examines Du Bois’s political transition during the interwar years from political expressionism to black Marxism. As Du Bois moved from being firmly in one category to entrench himself in the other, his views were broader than those espoused by black Marxism but narrower than those of a radical democrat, best aligning with the theory of decolonial democracy. Du Bois is often hailed as a precursor or progenitor of decolonial thought, as aspects of the central decolonial concept of “coloniality” are sprinkled throughout his work. Kim argues that the tension and complexity of different aspects of Du Bois’s politics reveal Du Bois as a distinctive type of decolonial thinker who experimented with a fusion of black radicalism and the Gandhian notions of liberation and nonviolent resistance.
Anne Ring Petersen
- Published in print:
- 2018
- Published Online:
- May 2018
- ISBN:
- 9781526121905
- eISBN:
- 9781526132352
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526121905.003.0005
- Subject:
- Art, Art History
Chapter 4 explores how Western museums of art and culture have become important arenas for new forms of bridge-building as well as critical interrogations of the Eurocentric bias inherent in these ...
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Chapter 4 explores how Western museums of art and culture have become important arenas for new forms of bridge-building as well as critical interrogations of the Eurocentric bias inherent in these institutions. It focuses on artists’ interventions in which the artist takes on the role as an interlocutor within the discourse of museum collections. This strategy has been used for more than two decades and gives evidence that one of the most efficient means of institutional critique and of deconstructing Western museums as cultural spaces is to invite a critical artist to make an intervention. Some artists have coupled interventionist strategies with decolonial and postcolonial critique. American artist Fred Wilson’s groundbreaking installation ‘Mining the Museum’ (1992) effectively disclosed the underlying syntax of coloniality and the hegemonic relations of power that shape museums, culturally, socially and economically. Chapter 4 proposes that such institutional interventions are a means to turn museums into sites of contamination capable of including formerly repressed histories and migrating memories. To substantiate this proposition, the chapter turns to Yinka Shonibare’s exhibition Garden of Love at the Quai Branly Museum (Paris, 2007) and Rina Banerjee’s exhibition Chimeras of India and the West at the Musée Guimet (Paris, 2011).Less
Chapter 4 explores how Western museums of art and culture have become important arenas for new forms of bridge-building as well as critical interrogations of the Eurocentric bias inherent in these institutions. It focuses on artists’ interventions in which the artist takes on the role as an interlocutor within the discourse of museum collections. This strategy has been used for more than two decades and gives evidence that one of the most efficient means of institutional critique and of deconstructing Western museums as cultural spaces is to invite a critical artist to make an intervention. Some artists have coupled interventionist strategies with decolonial and postcolonial critique. American artist Fred Wilson’s groundbreaking installation ‘Mining the Museum’ (1992) effectively disclosed the underlying syntax of coloniality and the hegemonic relations of power that shape museums, culturally, socially and economically. Chapter 4 proposes that such institutional interventions are a means to turn museums into sites of contamination capable of including formerly repressed histories and migrating memories. To substantiate this proposition, the chapter turns to Yinka Shonibare’s exhibition Garden of Love at the Quai Branly Museum (Paris, 2007) and Rina Banerjee’s exhibition Chimeras of India and the West at the Musée Guimet (Paris, 2011).
