Rory Foster
- Published in print:
- 2010
- Published Online:
- September 2012
- ISBN:
- 9780813034591
- eISBN:
- 9780813046297
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813034591.003.0010
- Subject:
- Music, Dance
This chapter presents some concluding thoughts from the author. He says that there are intrinsic characteristics or qualities in his training, both in technique and performance, which go far beyond ...
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This chapter presents some concluding thoughts from the author. He says that there are intrinsic characteristics or qualities in his training, both in technique and performance, which go far beyond merely training the body and mind to dance. Training in ballet prepares dancers for performing careers, albeit relatively short ones, and also prepares them for life. It offers them what entrepreneurs possess, and what corporate, educational, research, and nonprofit enterprises seek in future associates and executives.Less
This chapter presents some concluding thoughts from the author. He says that there are intrinsic characteristics or qualities in his training, both in technique and performance, which go far beyond merely training the body and mind to dance. Training in ballet prepares dancers for performing careers, albeit relatively short ones, and also prepares them for life. It offers them what entrepreneurs possess, and what corporate, educational, research, and nonprofit enterprises seek in future associates and executives.
Liza Gennaro
- Published in print:
- 2021
- Published Online:
- December 2021
- ISBN:
- 9780190631093
- eISBN:
- 9780190631123
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190631093.003.0002
- Subject:
- Music, Dance, Popular
This chapter provides an examination of how Broadway dancers were trained, the introduction of jazz dance to Broadway, the 1920s gradual move away from unison line dancing in favor of the ...
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This chapter provides an examination of how Broadway dancers were trained, the introduction of jazz dance to Broadway, the 1920s gradual move away from unison line dancing in favor of the individuated chorus, and how a few dance directors began to consider dance in musicals in relation to the libretto as an integrated and meaningful addition to the musical play. The common practice of Black choreographers being pushed aside while white choreographers claimed credit for their work and the essential role Black dance teachers and coaches played in training white dancers for Broadway is discussed here. Examinations of choreographic works by dance directors Buddy Bradley, Charlie Davis, Seymour Felix, Sammy Lee, Albertina Rasch, and George Balanchine establish a historical basis in preparation for the radical innovations to be discussed in subsequent chapters.Less
This chapter provides an examination of how Broadway dancers were trained, the introduction of jazz dance to Broadway, the 1920s gradual move away from unison line dancing in favor of the individuated chorus, and how a few dance directors began to consider dance in musicals in relation to the libretto as an integrated and meaningful addition to the musical play. The common practice of Black choreographers being pushed aside while white choreographers claimed credit for their work and the essential role Black dance teachers and coaches played in training white dancers for Broadway is discussed here. Examinations of choreographic works by dance directors Buddy Bradley, Charlie Davis, Seymour Felix, Sammy Lee, Albertina Rasch, and George Balanchine establish a historical basis in preparation for the radical innovations to be discussed in subsequent chapters.
Lindsay Guarino and Wendy Oliver (eds)
- Published in print:
- 2014
- Published Online:
- May 2014
- ISBN:
- 9780813049298
- eISBN:
- 9780813050119
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813049298.001.0001
- Subject:
- Music, Dance
This multi-author textbook provides an in-depth look at the rich and varied history of jazz dance, from its African roots in early American society until today. The book is divided into six main ...
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This multi-author textbook provides an in-depth look at the rich and varied history of jazz dance, from its African roots in early American society until today. The book is divided into six main parts, each addressing a different aspect of jazz dance. The opening section explores the nature of jazz dance from the perspective of four different authors, and is capped by descriptions of the many different styles of jazz dance. The second section focuses on jazz dance history, giving an expansive overview beginning with African dance, through the jazz era of the 1920s-40s, the immense diversification of the late 20th century, and up to the present. The third part looks at master teachers and choreographers who shaped the way jazz dance was codified and performed from 1930-1980. The fourth section discusses dance genres which are closely related to jazz dance, including tap dance, musical theater dance, African-American concert dance, hip-hop dance, and dance in pop culture. Education and training is the focus of the fifth part, including an examination of jazz dance in colleges and universities, as well as private dance studios. Lastly, the sixth section looks at current topics in the jazz dance world including race, jazz dance in France, England, and Japan, and jazz dance aesthetics. The sum of these many parts is both a broader and deeper understanding of a uniquely American dance form, with its African roots and multiple permutations that have evolved as it has mixed with other dance forms and styles.Less
This multi-author textbook provides an in-depth look at the rich and varied history of jazz dance, from its African roots in early American society until today. The book is divided into six main parts, each addressing a different aspect of jazz dance. The opening section explores the nature of jazz dance from the perspective of four different authors, and is capped by descriptions of the many different styles of jazz dance. The second section focuses on jazz dance history, giving an expansive overview beginning with African dance, through the jazz era of the 1920s-40s, the immense diversification of the late 20th century, and up to the present. The third part looks at master teachers and choreographers who shaped the way jazz dance was codified and performed from 1930-1980. The fourth section discusses dance genres which are closely related to jazz dance, including tap dance, musical theater dance, African-American concert dance, hip-hop dance, and dance in pop culture. Education and training is the focus of the fifth part, including an examination of jazz dance in colleges and universities, as well as private dance studios. Lastly, the sixth section looks at current topics in the jazz dance world including race, jazz dance in France, England, and Japan, and jazz dance aesthetics. The sum of these many parts is both a broader and deeper understanding of a uniquely American dance form, with its African roots and multiple permutations that have evolved as it has mixed with other dance forms and styles.
Rory Foster
- Published in print:
- 2010
- Published Online:
- September 2012
- ISBN:
- 9780813034591
- eISBN:
- 9780813046297
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813034591.003.0004
- Subject:
- Music, Dance
Every ballet teacher should have a fundamental understanding of the musculoskeletal system and the biomechanics of human movement as it pertains to dance. Precise execution of a movement requires ...
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Every ballet teacher should have a fundamental understanding of the musculoskeletal system and the biomechanics of human movement as it pertains to dance. Precise execution of a movement requires correct technique, which in turn requires accurate posture and placement in balancing and counterbalancing. This is paramount, because once muscle memory—physical habit—is established through repetition, it is difficult to undo. Anatomy books have been written for dancers and teachers that should be on every teacher's bookshelf for easy reference. This chapter aims to reinforce and emphasize important points regarding muscular and skeletal functions as they apply to correct dance training, as well as to highlight certain areas that are particularly vulnerable to dance injuries.Less
Every ballet teacher should have a fundamental understanding of the musculoskeletal system and the biomechanics of human movement as it pertains to dance. Precise execution of a movement requires correct technique, which in turn requires accurate posture and placement in balancing and counterbalancing. This is paramount, because once muscle memory—physical habit—is established through repetition, it is difficult to undo. Anatomy books have been written for dancers and teachers that should be on every teacher's bookshelf for easy reference. This chapter aims to reinforce and emphasize important points regarding muscular and skeletal functions as they apply to correct dance training, as well as to highlight certain areas that are particularly vulnerable to dance injuries.
