Stanley S.K. Kwan and Nicole Kwan
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099555
- eISBN:
- 9789882207530
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099555.001.0001
- Subject:
- History, Asian History
While Hong Kong's spectacular economic growth and political development have been well documented, the social and cultural lives of the ordinary people swept up in the changes have not found a ...
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While Hong Kong's spectacular economic growth and political development have been well documented, the social and cultural lives of the ordinary people swept up in the changes have not found a significant voice. Through the personal experiences of the author of this book and those around him, this book gives a voice to people whose lives have been profoundly affected by the dramatic changes, as Hong Kong transitioned from an entrepôt to an international financial centre and from a colony to become a part of China. The book contributes to the ongoing search for Hong Kong identity in the Special Administrative Region.Less
While Hong Kong's spectacular economic growth and political development have been well documented, the social and cultural lives of the ordinary people swept up in the changes have not found a significant voice. Through the personal experiences of the author of this book and those around him, this book gives a voice to people whose lives have been profoundly affected by the dramatic changes, as Hong Kong transitioned from an entrepôt to an international financial centre and from a colony to become a part of China. The book contributes to the ongoing search for Hong Kong identity in the Special Administrative Region.
Gregor Thum
- Published in print:
- 2011
- Published Online:
- October 2017
- ISBN:
- 9780691140247
- eISBN:
- 9781400839964
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691140247.003.0013
- Subject:
- History, European Modern History
This chapter discusses how the Polish state and the people who came to Wroclaw after the Second World War managed to rebuild and revive this city. Considering the situation at the end of the war—the ...
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This chapter discusses how the Polish state and the people who came to Wroclaw after the Second World War managed to rebuild and revive this city. Considering the situation at the end of the war—the devastation, the complete collapse of the previous order, the evacuation of its entire population—this achievement borders on a miracle. If that were not enough, after overcoming its tremendous postwar challenges Wroclaw has gone on to become more than simply a functioning Polish city. The secret capital of the western territories ranks next to Warsaw and Krakow as one of Poland's leading cultural metropolises. Furthermore, Wroclaw's cultural life extends beyond the reach of direct state sponsorship. The chapter also shows how, in the 1980s, Polish inhabitants of the western territories began to show a growing interest in the silenced history of their homeland.Less
This chapter discusses how the Polish state and the people who came to Wroclaw after the Second World War managed to rebuild and revive this city. Considering the situation at the end of the war—the devastation, the complete collapse of the previous order, the evacuation of its entire population—this achievement borders on a miracle. If that were not enough, after overcoming its tremendous postwar challenges Wroclaw has gone on to become more than simply a functioning Polish city. The secret capital of the western territories ranks next to Warsaw and Krakow as one of Poland's leading cultural metropolises. Furthermore, Wroclaw's cultural life extends beyond the reach of direct state sponsorship. The chapter also shows how, in the 1980s, Polish inhabitants of the western territories began to show a growing interest in the silenced history of their homeland.
Paul Douglas Lockhart
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199271214
- eISBN:
- 9780191709616
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199271214.003.0009
- Subject:
- History, European Early Modern History
This chapter focuses on Danish culture during the reign of Christian IV. Topics covered include the age of Resen, Christian IV's active interest in church affairs, education and learning, and the ...
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This chapter focuses on Danish culture during the reign of Christian IV. Topics covered include the age of Resen, Christian IV's active interest in church affairs, education and learning, and the role of the court.Less
This chapter focuses on Danish culture during the reign of Christian IV. Topics covered include the age of Resen, Christian IV's active interest in church affairs, education and learning, and the role of the court.
Glanmor Williams
- Published in print:
- 1993
- Published Online:
- October 2011
- ISBN:
- 9780192852786
- eISBN:
- 9780191670565
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780192852786.003.0006
- Subject:
- History, British and Irish Early Modern History
This chapter discusses the literary traditions of Wales and describes two major elements which helped inject new life into the cultural life of the Welsh. It discusses the development of the ...
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This chapter discusses the literary traditions of Wales and describes two major elements which helped inject new life into the cultural life of the Welsh. It discusses the development of the provincial printing-press and the scholarly zeal of Edward Lhuyd, the versatile Oxford scholar, who sought to broaden the intellectual horizons of his countrymen and sow the seeds of ideological concepts which would grow luxuriantly in the future. The Welsh press provided native culture with a new momentum by publishing and selling cheap books that stimulated demand for Welsh books. New ventures sprang up, sponsored by practical men of enterprise who were keen to stimulate and satisfy the demands of the swelling ranks of the reading public.Less
This chapter discusses the literary traditions of Wales and describes two major elements which helped inject new life into the cultural life of the Welsh. It discusses the development of the provincial printing-press and the scholarly zeal of Edward Lhuyd, the versatile Oxford scholar, who sought to broaden the intellectual horizons of his countrymen and sow the seeds of ideological concepts which would grow luxuriantly in the future. The Welsh press provided native culture with a new momentum by publishing and selling cheap books that stimulated demand for Welsh books. New ventures sprang up, sponsored by practical men of enterprise who were keen to stimulate and satisfy the demands of the swelling ranks of the reading public.
Yelena Baraz
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691153322
- eISBN:
- 9781400842162
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691153322.001.0001
- Subject:
- Philosophy, Political Philosophy
In the 40s BCE, during his forced retirement from politics under Julius Caesar’s dictatorship, Cicero turned to philosophy, producing a massive and important body of work. As he was acutely aware, ...
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In the 40s BCE, during his forced retirement from politics under Julius Caesar’s dictatorship, Cicero turned to philosophy, producing a massive and important body of work. As he was acutely aware, this was an unusual undertaking for a Roman statesman because Romans were often hostile to philosophy, perceiving it as foreign and incompatible with fulfilling one’s duty as a citizen. How, then, are we to understand Cicero’s decision to pursue philosophy in the context of the political, intellectual, and cultural life of the late Roman republic? This book takes up this question and makes the case that philosophy for Cicero was not a retreat from politics but a continuation of politics by other means, an alternative way of living a political life and serving the state under newly restricted conditions. The book examines the rhetorical battle that Cicero stages in his philosophical prefaces—a battle between the forces that would oppose or support his project. It presents his philosophy as intimately connected to the new political circumstances and his exclusion from politics. His goal—to benefit the state by providing new moral resources for the Roman elite—was traditional, even if his method of translating Greek philosophical knowledge into Latin and combining Greek sources with Roman heritage was unorthodox. The book provides a new perspective on Cicero’s conception of his philosophical project while also adding to the broader picture of late-Roman political, intellectual, and cultural life.Less
In the 40s BCE, during his forced retirement from politics under Julius Caesar’s dictatorship, Cicero turned to philosophy, producing a massive and important body of work. As he was acutely aware, this was an unusual undertaking for a Roman statesman because Romans were often hostile to philosophy, perceiving it as foreign and incompatible with fulfilling one’s duty as a citizen. How, then, are we to understand Cicero’s decision to pursue philosophy in the context of the political, intellectual, and cultural life of the late Roman republic? This book takes up this question and makes the case that philosophy for Cicero was not a retreat from politics but a continuation of politics by other means, an alternative way of living a political life and serving the state under newly restricted conditions. The book examines the rhetorical battle that Cicero stages in his philosophical prefaces—a battle between the forces that would oppose or support his project. It presents his philosophy as intimately connected to the new political circumstances and his exclusion from politics. His goal—to benefit the state by providing new moral resources for the Roman elite—was traditional, even if his method of translating Greek philosophical knowledge into Latin and combining Greek sources with Roman heritage was unorthodox. The book provides a new perspective on Cicero’s conception of his philosophical project while also adding to the broader picture of late-Roman political, intellectual, and cultural life.
Born Georgina
- Published in print:
- 1995
- Published Online:
- May 2012
- ISBN:
- 9780520202160
- eISBN:
- 9780520916845
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520202160.003.0004
- Subject:
- Anthropology, European Cultural Anthropology
This chapter provides the historical background of the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) and its conditions of existence, suggesting that the IRCAM culture is ...
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This chapter provides the historical background of the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) and its conditions of existence, suggesting that the IRCAM culture is situated in a space which is crossed by both artistic and technological inflections of the rhetoric of modern French nationalism. It also explains that the experience of American researchers at IRCAM shows that it is the more immediate context of French cultural life which resonates with and converges to produce IRCAM's character.Less
This chapter provides the historical background of the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) and its conditions of existence, suggesting that the IRCAM culture is situated in a space which is crossed by both artistic and technological inflections of the rhetoric of modern French nationalism. It also explains that the experience of American researchers at IRCAM shows that it is the more immediate context of French cultural life which resonates with and converges to produce IRCAM's character.
Nancy Scheper-Hughes
- Published in print:
- 2002
- Published Online:
- May 2012
- ISBN:
- 9780520230286
- eISBN:
- 9780520927575
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520230286.003.0014
- Subject:
- Anthropology, African Cultural Anthropology
This chapter considers several issues on the anthropological insights taken from a study of structural dynamics. It shows that anthropologists have been influenced to overlook the forms of political ...
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This chapter considers several issues on the anthropological insights taken from a study of structural dynamics. It shows that anthropologists have been influenced to overlook the forms of political terror and “everyday violence” that often affects the peoples whom they study. It analyzes the relationship of Alfred Kroeber and Ishi, the “last California aborigine”, in order to show how anthropologists also took an active role in preserving and recording the cultural life of indigenous peoples. This chapter also emphasizes that anthropologists should directly confront the question of what makes genocide possible.Less
This chapter considers several issues on the anthropological insights taken from a study of structural dynamics. It shows that anthropologists have been influenced to overlook the forms of political terror and “everyday violence” that often affects the peoples whom they study. It analyzes the relationship of Alfred Kroeber and Ishi, the “last California aborigine”, in order to show how anthropologists also took an active role in preserving and recording the cultural life of indigenous peoples. This chapter also emphasizes that anthropologists should directly confront the question of what makes genocide possible.
Roy F. Baumeister
- Published in print:
- 2005
- Published Online:
- April 2010
- ISBN:
- 9780195167030
- eISBN:
- 9780199894147
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195167030.003.0002
- Subject:
- Psychology, Social Psychology
This chapter discusses the basic ideas about nature and culture. It explains what is special about culture, of what culture is made, and what are some of the psychological requirements for ...
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This chapter discusses the basic ideas about nature and culture. It explains what is special about culture, of what culture is made, and what are some of the psychological requirements for participating in culture. It gives special attention to the role of language and meaning, in view of its central importance to cultural life. The organization of the psyche into two parts (conscious and automatic) is emphasized as a crucial theme that every other chapter needs in order to explain human functioning within culture.Less
This chapter discusses the basic ideas about nature and culture. It explains what is special about culture, of what culture is made, and what are some of the psychological requirements for participating in culture. It gives special attention to the role of language and meaning, in view of its central importance to cultural life. The organization of the psyche into two parts (conscious and automatic) is emphasized as a crucial theme that every other chapter needs in order to explain human functioning within culture.
Alan Ryan
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691148403
- eISBN:
- 9781400841950
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691148403.003.0023
- Subject:
- Philosophy, Political Philosophy
This chapter offers a reading of Alexis de Tocqueville's Democracy in America, arguing that the book was not a philosophical analysis of the concept of democracy, nor a simple narrative of the ...
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This chapter offers a reading of Alexis de Tocqueville's Democracy in America, arguing that the book was not a philosophical analysis of the concept of democracy, nor a simple narrative of the origins of American political institutions, but a form of political theory that used historical evidence to teach general lessons about the prospects for politics in the present. The chapter first places Tocqueville in his times and among his family before discussing his journey to America in 1831. It then considers the three major themes that might be extracted from the second volume of Democracy: the quality of intellectual and cultural life in an egalitarian society; the stability or proneness to revolutionary upheaval of such societies; and Tocqueville's final and most distinctive thoughts on democratic despotism, or what one might term quiet totalitarianism.Less
This chapter offers a reading of Alexis de Tocqueville's Democracy in America, arguing that the book was not a philosophical analysis of the concept of democracy, nor a simple narrative of the origins of American political institutions, but a form of political theory that used historical evidence to teach general lessons about the prospects for politics in the present. The chapter first places Tocqueville in his times and among his family before discussing his journey to America in 1831. It then considers the three major themes that might be extracted from the second volume of Democracy: the quality of intellectual and cultural life in an egalitarian society; the stability or proneness to revolutionary upheaval of such societies; and Tocqueville's final and most distinctive thoughts on democratic despotism, or what one might term quiet totalitarianism.
Richard Stites
- Published in print:
- 2005
- Published Online:
- October 2013
- ISBN:
- 9780300108897
- eISBN:
- 9780300128185
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300108897.003.0002
- Subject:
- History, Cultural History
This chapter examines the role of the arts in the culture and society of towns and countryside in imperial Russia. It describes the private and public cultural places during the decades between the ...
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This chapter examines the role of the arts in the culture and society of towns and countryside in imperial Russia. It describes the private and public cultural places during the decades between the reign of Catherine II and the end of serfdom, and discusses the role of the arts in presenting and representing topography and various elements of the population on stage and on canvas. The chapter also considers the role of the provincial intelligentsia in cultural life and in the links between the countryside and the capitals.Less
This chapter examines the role of the arts in the culture and society of towns and countryside in imperial Russia. It describes the private and public cultural places during the decades between the reign of Catherine II and the end of serfdom, and discusses the role of the arts in presenting and representing topography and various elements of the population on stage and on canvas. The chapter also considers the role of the provincial intelligentsia in cultural life and in the links between the countryside and the capitals.
Robert Holland
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780300235920
- eISBN:
- 9780300240870
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300235920.003.0004
- Subject:
- History, Social History
This chapter details British engagement with the Mediterranean from 1830 to 1860. Any discussion of Victorian cultural life is hindered by a stereotype: that it was an age of intimidating confidence ...
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This chapter details British engagement with the Mediterranean from 1830 to 1860. Any discussion of Victorian cultural life is hindered by a stereotype: that it was an age of intimidating confidence and national, increasingly imperial, certainties. The truth was very different. Leading Victorians were wracked by fears of individual and collective decay and outright breakdown, often fomented by disturbing Mediterranean experience, real or imagined, which had religious, mental, and sexual connotations. There was also fear of political dissolution from the outset of this period. Moreover, aristocratic influences became enmeshed in the shibboleths of the emerging Victorian middle class. In their cultural form, those influences always had a deep Mediterranean imprint.Less
This chapter details British engagement with the Mediterranean from 1830 to 1860. Any discussion of Victorian cultural life is hindered by a stereotype: that it was an age of intimidating confidence and national, increasingly imperial, certainties. The truth was very different. Leading Victorians were wracked by fears of individual and collective decay and outright breakdown, often fomented by disturbing Mediterranean experience, real or imagined, which had religious, mental, and sexual connotations. There was also fear of political dissolution from the outset of this period. Moreover, aristocratic influences became enmeshed in the shibboleths of the emerging Victorian middle class. In their cultural form, those influences always had a deep Mediterranean imprint.
Julian Johnson
- Published in print:
- 2002
- Published Online:
- October 2011
- ISBN:
- 9780195146813
- eISBN:
- 9780199849246
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195146813.003.0001
- Subject:
- Music, Philosophy of Music
Classical music is currently undergoing apparent devaluation and this has consequences as a legitimation crisis. Assessing the relevance in the postmodern, plural, and multicultural world is merely ...
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Classical music is currently undergoing apparent devaluation and this has consequences as a legitimation crisis. Assessing the relevance in the postmodern, plural, and multicultural world is merely the starting point for examining classical music's claim to a distinctive value. This book's questions are not just all about music but they are about the nature of contemporary culture because change in perception to music is not that huge, at least compared to changes in cultural practices, values, and attitudes. Central to this argument is the attitude about classical music that makes it appear marginal to contemporary society. Also included in this book is how different people find different styles of music articulate in different values that correlates or contradicts other areas affecting both individually and collectively.Less
Classical music is currently undergoing apparent devaluation and this has consequences as a legitimation crisis. Assessing the relevance in the postmodern, plural, and multicultural world is merely the starting point for examining classical music's claim to a distinctive value. This book's questions are not just all about music but they are about the nature of contemporary culture because change in perception to music is not that huge, at least compared to changes in cultural practices, values, and attitudes. Central to this argument is the attitude about classical music that makes it appear marginal to contemporary society. Also included in this book is how different people find different styles of music articulate in different values that correlates or contradicts other areas affecting both individually and collectively.
Fabian Holt
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9780226738406
- eISBN:
- 9780226738680
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226738680.003.0001
- Subject:
- Music, Popular
This chapter introduces the idea of the book and provides a foundational framework for live music as a study object and an area of organized musical life. The idea is that a new mass culture of live ...
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This chapter introduces the idea of the book and provides a foundational framework for live music as a study object and an area of organized musical life. The idea is that a new mass culture of live music has emerged in the first two decades of the twenty-first century and that a critical interpretation of this culture is lacking in the literature. Also lacking is a more general understanding of musical performance in organized cultural life of modern societies. The book interprets the new pop culture of live music as the product of commercial exploitation and of broader changes in the conditions of culture and human life in capitalism. The introductory chapter progresses through five sections: (1) a presentation of the general argument, (2) an overview of the chapters, (3) a detailing of the critique of contemporary live music discourse, (4) a disciplinary grounding of the investigation in music studies and sociology, and (5) an outline of a conceptual framework of performance institutions and their place within seasonal domains. The framework will serve to organize the analyses in the subsequent chapters and it will be developed further in those chapters.Less
This chapter introduces the idea of the book and provides a foundational framework for live music as a study object and an area of organized musical life. The idea is that a new mass culture of live music has emerged in the first two decades of the twenty-first century and that a critical interpretation of this culture is lacking in the literature. Also lacking is a more general understanding of musical performance in organized cultural life of modern societies. The book interprets the new pop culture of live music as the product of commercial exploitation and of broader changes in the conditions of culture and human life in capitalism. The introductory chapter progresses through five sections: (1) a presentation of the general argument, (2) an overview of the chapters, (3) a detailing of the critique of contemporary live music discourse, (4) a disciplinary grounding of the investigation in music studies and sociology, and (5) an outline of a conceptual framework of performance institutions and their place within seasonal domains. The framework will serve to organize the analyses in the subsequent chapters and it will be developed further in those chapters.
M. B. Hackler
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604734904
- eISBN:
- 9781621032540
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604734904.003.0001
- Subject:
- Society and Culture, Cultural Studies
This chapter first talks about the devastations that were hurricanes Katrina and Rita, disasters that have struck a chord with the communities that they ravaged. In fact, the events were so ...
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This chapter first talks about the devastations that were hurricanes Katrina and Rita, disasters that have struck a chord with the communities that they ravaged. In fact, the events were so devastating that an overwhelmingly large number of books, articles, reports, and declarations came out, each with their own input on the subject. The contents of each of these books, articles, blogs, and editorials respond to sometimes drastically different visions of highly contested histories. This chapter thus introduces the ideas and events that have led to the study that is focused upon in this book: namely, a discourse of cultural policy with regard to the re-creation, revitalization, or reinvention of the cultural life of the Gulf Coast communities in the aftermath of the disaster of Hurricane Katrina.Less
This chapter first talks about the devastations that were hurricanes Katrina and Rita, disasters that have struck a chord with the communities that they ravaged. In fact, the events were so devastating that an overwhelmingly large number of books, articles, reports, and declarations came out, each with their own input on the subject. The contents of each of these books, articles, blogs, and editorials respond to sometimes drastically different visions of highly contested histories. This chapter thus introduces the ideas and events that have led to the study that is focused upon in this book: namely, a discourse of cultural policy with regard to the re-creation, revitalization, or reinvention of the cultural life of the Gulf Coast communities in the aftermath of the disaster of Hurricane Katrina.
Pamela M. Potter
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780520282346
- eISBN:
- 9780520957961
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520282346.001.0001
- Subject:
- Art, Visual Culture
One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favorable than we assume. Potter conducts a ...
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One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favorable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist. German exile experiences in the 1930s first inspired these notions, and they gained currency during the occupation of Germany (as careers and trends from the Third Reich continued despite implications of the “Zero Hour”) and throughout the Cold War (as direct comparisons of Nazi and Soviet repression gained momentum). The first histories of Nazi arts, which appeared in the late 1940s, reflected these immediate concerns, but over the next decades, arts scholarship failed to benefit from debates that problematized concepts of totalitarianism, intentionalism, and fascism. They also adhered to explicit definitions of modernism that sustained a narrative of Nazi antimodernism comparable to that of Stalin. The end of the Cold War spawned new comparisons between Nazi Germany and East Germany, but recent considerations of popular culture, economics, and global conditions in the 1930s and 1940s can offer a deeper understanding of the similarities and differences between culture in Nazi Germany and the rest of the industrial world.Less
One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favorable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist. German exile experiences in the 1930s first inspired these notions, and they gained currency during the occupation of Germany (as careers and trends from the Third Reich continued despite implications of the “Zero Hour”) and throughout the Cold War (as direct comparisons of Nazi and Soviet repression gained momentum). The first histories of Nazi arts, which appeared in the late 1940s, reflected these immediate concerns, but over the next decades, arts scholarship failed to benefit from debates that problematized concepts of totalitarianism, intentionalism, and fascism. They also adhered to explicit definitions of modernism that sustained a narrative of Nazi antimodernism comparable to that of Stalin. The end of the Cold War spawned new comparisons between Nazi Germany and East Germany, but recent considerations of popular culture, economics, and global conditions in the 1930s and 1940s can offer a deeper understanding of the similarities and differences between culture in Nazi Germany and the rest of the industrial world.
Mina Gorji
- Published in print:
- 2009
- Published Online:
- June 2013
- ISBN:
- 9781846311635
- eISBN:
- 9781846315381
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/UPO9781846315381
- Subject:
- Literature, Poetry
Traditional accounts of Romantic and nineteenth-century poetry have depicted John Clare as a peripheral figure, an ‘original genius’ whose talents set him apart from the mainstream of contemporary ...
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Traditional accounts of Romantic and nineteenth-century poetry have depicted John Clare as a peripheral figure, an ‘original genius’ whose talents set him apart from the mainstream of contemporary literary culture. But in recent years there has been a major shift of direction in Clare studies. Jonathan Bate, Zachary Leader and others have helped to show that Clare, far from being an isolated genius, was deeply involved in the rich cultural life both of his village and the metropolis. This study takes impetus from this new critical direction, offering an account of his poems as they relate to the literary culture of his day, and to literary history as it was being constructed in the early nineteenth century. The book defines a literary historical context in which Clare's poetry can best be understood, paying particular attention to questions of language and style.Less
Traditional accounts of Romantic and nineteenth-century poetry have depicted John Clare as a peripheral figure, an ‘original genius’ whose talents set him apart from the mainstream of contemporary literary culture. But in recent years there has been a major shift of direction in Clare studies. Jonathan Bate, Zachary Leader and others have helped to show that Clare, far from being an isolated genius, was deeply involved in the rich cultural life both of his village and the metropolis. This study takes impetus from this new critical direction, offering an account of his poems as they relate to the literary culture of his day, and to literary history as it was being constructed in the early nineteenth century. The book defines a literary historical context in which Clare's poetry can best be understood, paying particular attention to questions of language and style.
- Published in print:
- 2010
- Published Online:
- June 2013
- ISBN:
- 9780804761222
- eISBN:
- 9780804774239
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804761222.003.0003
- Subject:
- Society and Culture, Jewish Studies
This chapter examines how it was that ghetto fiction came to gain such a central position in German-Jewish cultural life in the nineteenth century. The work of Leopold Kompert (1822–1886) provides a ...
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This chapter examines how it was that ghetto fiction came to gain such a central position in German-Jewish cultural life in the nineteenth century. The work of Leopold Kompert (1822–1886) provides a useful window into the genre as a whole both because of his pioneering role in establishing the ghetto tale as a reputable form of belles lettres and because his fiction left a particularly rich paper trail in the nineteenth-century press. In this sense, studying Kompert provides ample material which can be used to determine what it means that nostalgic tales about the ghetto became the dominant form of German-Jewish literature during this period.Less
This chapter examines how it was that ghetto fiction came to gain such a central position in German-Jewish cultural life in the nineteenth century. The work of Leopold Kompert (1822–1886) provides a useful window into the genre as a whole both because of his pioneering role in establishing the ghetto tale as a reputable form of belles lettres and because his fiction left a particularly rich paper trail in the nineteenth-century press. In this sense, studying Kompert provides ample material which can be used to determine what it means that nostalgic tales about the ghetto became the dominant form of German-Jewish literature during this period.
Donald J. Morse
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780823234707
- eISBN:
- 9780823240760
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823234707.003.0008
- Subject:
- Philosophy, American Philosophy
This chapter shows how the early Dewey conceives of the concept of a community ideal, and how he uses it in particular to combat the modernism considered as a problematic form of cultural life. ...
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This chapter shows how the early Dewey conceives of the concept of a community ideal, and how he uses it in particular to combat the modernism considered as a problematic form of cultural life. Modernist thought insists on the socially detached individual, one who must draw on his or her own inner resources alone to determine how to live. Armed with his new idealism, in which the negation of one term leads to another, or in which the movement between the two terms gives them their meaning, Dewey argues for a new form of social life that relies on the interplay and continual movement between individual and society. The key to overcoming pessimism is to find joy in life in the struggle to create this meaningful world. This is the ultimate message of Dewey's early philosophy: life is worth living in the pursuit of this ideal of community life.Less
This chapter shows how the early Dewey conceives of the concept of a community ideal, and how he uses it in particular to combat the modernism considered as a problematic form of cultural life. Modernist thought insists on the socially detached individual, one who must draw on his or her own inner resources alone to determine how to live. Armed with his new idealism, in which the negation of one term leads to another, or in which the movement between the two terms gives them their meaning, Dewey argues for a new form of social life that relies on the interplay and continual movement between individual and society. The key to overcoming pessimism is to find joy in life in the struggle to create this meaningful world. This is the ultimate message of Dewey's early philosophy: life is worth living in the pursuit of this ideal of community life.
Marilyn Strathern
- Published in print:
- 1988
- Published Online:
- May 2012
- ISBN:
- 9780520064232
- eISBN:
- 9780520910713
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520064232.001.0001
- Subject:
- Anthropology, Asian Cultural Anthropology
In this original synthesis on Melanesian scholarship, this book argues that gender relations have been a particular casualty of unexamined assumptions held by Western anthropologists and feminist ...
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In this original synthesis on Melanesian scholarship, this book argues that gender relations have been a particular casualty of unexamined assumptions held by Western anthropologists and feminist scholars alike. The book treats with equal seriousness—and with equal good humor—the insights of Western social science, feminist politics, and ethnographic reporting, in order to rethink the representation of Melanesian social and cultural life. This makes this book one of the most sustained critiques of cross-cultural comparison that anthropology has seen, and one of its most spirited vindications.Less
In this original synthesis on Melanesian scholarship, this book argues that gender relations have been a particular casualty of unexamined assumptions held by Western anthropologists and feminist scholars alike. The book treats with equal seriousness—and with equal good humor—the insights of Western social science, feminist politics, and ethnographic reporting, in order to rethink the representation of Melanesian social and cultural life. This makes this book one of the most sustained critiques of cross-cultural comparison that anthropology has seen, and one of its most spirited vindications.
Richard Stites
- Published in print:
- 2005
- Published Online:
- October 2013
- ISBN:
- 9780300108897
- eISBN:
- 9780300128185
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300108897.003.0007
- Subject:
- History, Cultural History
This chapter examines the history of theater in the provinces in imperial Russia. It explains that during the imperial period, theater ruled provincial cultural life and reached out to many more ...
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This chapter examines the history of theater in the provinces in imperial Russia. It explains that during the imperial period, theater ruled provincial cultural life and reached out to many more consumers than did literature, classical music, or fine art. The chapter also discusses the transformation of the theater from an elite engine of amusement and enlightenment in the capitals and on rural estates to a network of public entertainment centers open to all in scores of provincial and district towns. It suggests that the network of provincial theaters represented an expansion of public cultural space at the expense of the private sphere.Less
This chapter examines the history of theater in the provinces in imperial Russia. It explains that during the imperial period, theater ruled provincial cultural life and reached out to many more consumers than did literature, classical music, or fine art. The chapter also discusses the transformation of the theater from an elite engine of amusement and enlightenment in the capitals and on rural estates to a network of public entertainment centers open to all in scores of provincial and district towns. It suggests that the network of provincial theaters represented an expansion of public cultural space at the expense of the private sphere.
