Janet Blake
- Published in print:
- 2015
- Published Online:
- August 2015
- ISBN:
- 9780198723516
- eISBN:
- 9780191790300
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198723516.003.0006
- Subject:
- Law, Public International Law, Environmental and Energy Law
Chapter 6 considers the way in which cultural products, goods, and services form part of cultural heritage and how they can be protected and promoted through cultural policies and law. The dual ...
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Chapter 6 considers the way in which cultural products, goods, and services form part of cultural heritage and how they can be protected and promoted through cultural policies and law. The dual economic and cultural character of this heritage is considered and some important contextual issues introduced, including cultural diversity, globalization, culture and development, and human rights. The protection of cultural expressions and their diversity is also placed within a wider economic, political, and international law context, especially with regard to trade liberalization within the World Trade Organization. UNESCO’s 2005 Convention on the Diversity of Cultural Expressions is placed within this context and is examined in detail, with attention to such questions as the rights and duties of States Parties, the role of civil society, how sustainable development is treated under the Convention, and the international cooperation and assistance framework it establishes.Less
Chapter 6 considers the way in which cultural products, goods, and services form part of cultural heritage and how they can be protected and promoted through cultural policies and law. The dual economic and cultural character of this heritage is considered and some important contextual issues introduced, including cultural diversity, globalization, culture and development, and human rights. The protection of cultural expressions and their diversity is also placed within a wider economic, political, and international law context, especially with regard to trade liberalization within the World Trade Organization. UNESCO’s 2005 Convention on the Diversity of Cultural Expressions is placed within this context and is examined in detail, with attention to such questions as the rights and duties of States Parties, the role of civil society, how sustainable development is treated under the Convention, and the international cooperation and assistance framework it establishes.
Paul D. Numrich
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780195386219
- eISBN:
- 9780199866731
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195386219.003.0006
- Subject:
- Religion, Religion and Society
September 11, 2001, moved a Lutheran Church–Missouri Synod congregation to face the global and local realities of Islam. Although congregational leaders agreed on the ultimate goal of saving Muslim ...
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September 11, 2001, moved a Lutheran Church–Missouri Synod congregation to face the global and local realities of Islam. Although congregational leaders agreed on the ultimate goal of saving Muslim souls, they debated the nature of Islam (does it come from the same God Christians worship or not?) and the best strategy for approaching Muslims with the Gospel (should we emphasize the contrasts or the commonalities between Christianity and Islam?). The issue of religious truth thus came to the fore: Is Islam a true religion, a false religion, or one that is partially true? In addition, St. Silas also sought to distinguish the core claims of the Gospel from cultural expressions of Christianity.Less
September 11, 2001, moved a Lutheran Church–Missouri Synod congregation to face the global and local realities of Islam. Although congregational leaders agreed on the ultimate goal of saving Muslim souls, they debated the nature of Islam (does it come from the same God Christians worship or not?) and the best strategy for approaching Muslims with the Gospel (should we emphasize the contrasts or the commonalities between Christianity and Islam?). The issue of religious truth thus came to the fore: Is Islam a true religion, a false religion, or one that is partially true? In addition, St. Silas also sought to distinguish the core claims of the Gospel from cultural expressions of Christianity.
Samia Mehrez (ed.)
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9789774165337
- eISBN:
- 9781617971303
- Item type:
- book
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774165337.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
This unique interdisciplinary collective project is the culmination of research and translation work conducted by AUC students of different cultural and linguistic backgrounds who continue to witness ...
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This unique interdisciplinary collective project is the culmination of research and translation work conducted by AUC students of different cultural and linguistic backgrounds who continue to witness Egypt's ongoing revolution. This historic event has produced an unprecedented proliferation of political and cultural documents and materials, whether written, oral, or visual. Given their range, different linguistic registers, and referential worlds, these documents present a great challenge to any translator. The contributors to this volume have selectively translated chants, banners, jokes, poems, and interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership. This mature collective project is in many ways a reenactment of the new infectious revolutionary spirit in Egypt today.Less
This unique interdisciplinary collective project is the culmination of research and translation work conducted by AUC students of different cultural and linguistic backgrounds who continue to witness Egypt's ongoing revolution. This historic event has produced an unprecedented proliferation of political and cultural documents and materials, whether written, oral, or visual. Given their range, different linguistic registers, and referential worlds, these documents present a great challenge to any translator. The contributors to this volume have selectively translated chants, banners, jokes, poems, and interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership. This mature collective project is in many ways a reenactment of the new infectious revolutionary spirit in Egypt today.
Janet Blake
- Published in print:
- 2015
- Published Online:
- August 2015
- ISBN:
- 9780198723516
- eISBN:
- 9780191790300
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198723516.003.0007
- Subject:
- Law, Public International Law, Environmental and Energy Law
Chapter 7 looks at Cultural Heritage and Intellectual Property Law. The appropriateness of intellectual property rules for protecting traditional cultural expressions and knowledge are addressed, ...
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Chapter 7 looks at Cultural Heritage and Intellectual Property Law. The appropriateness of intellectual property rules for protecting traditional cultural expressions and knowledge are addressed, with particular attention given to copyright law, patent law, and industrial property rights. The limitations of intellectual property rules for protecting for cultural heritage are identified. The application of intellectual property rules to traditional cultural expressions and knowledge is then examined with regard to both protection afforded by existing intellectual property treaties which are analysed here, and in relation to work that has been undertaken in the World Intellectual Property Organization (WIPO) since 2000 to develop sui generis rules that can afford better protection for traditional cultural expressions and knowledge. To this end, the WIPO Revised Provisions for Protecting Traditional Cultural Expressions (2014) and the WIPO Draft Articles on the Protection of Traditional Knowledge (2014), both in draft form at time of writing, are examined.Less
Chapter 7 looks at Cultural Heritage and Intellectual Property Law. The appropriateness of intellectual property rules for protecting traditional cultural expressions and knowledge are addressed, with particular attention given to copyright law, patent law, and industrial property rights. The limitations of intellectual property rules for protecting for cultural heritage are identified. The application of intellectual property rules to traditional cultural expressions and knowledge is then examined with regard to both protection afforded by existing intellectual property treaties which are analysed here, and in relation to work that has been undertaken in the World Intellectual Property Organization (WIPO) since 2000 to develop sui generis rules that can afford better protection for traditional cultural expressions and knowledge. To this end, the WIPO Revised Provisions for Protecting Traditional Cultural Expressions (2014) and the WIPO Draft Articles on the Protection of Traditional Knowledge (2014), both in draft form at time of writing, are examined.
Dalia Abdelhady
- Published in print:
- 2011
- Published Online:
- March 2016
- ISBN:
- 9780814707333
- eISBN:
- 9780814705452
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814707333.003.0004
- Subject:
- Sociology, Race and Ethnicity
This chapter charts the ways in which diasporic identities and communal attachments are expressed by the artists among the respondents and focuses on their cultural expressions as a diasporic ...
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This chapter charts the ways in which diasporic identities and communal attachments are expressed by the artists among the respondents and focuses on their cultural expressions as a diasporic practice and form of engagement. Just as Lebanese immigrants navigate between the homeland, the host society, and the larger diaspora, so too do the artists among them express sentiments of nostalgia and displacement but also possess global feelings of belonging and cosmopolitanism. Lebanese diasporic artists express their belonging to a global community and cosmopolitan duty through their art work which emphasizes global social change, justice, and ways of thinking. This focus on artists illustrates direct engagement with the diasporic existence, but at the same time, their interest in social change encompasses their homeland, their host society, and the world at large.Less
This chapter charts the ways in which diasporic identities and communal attachments are expressed by the artists among the respondents and focuses on their cultural expressions as a diasporic practice and form of engagement. Just as Lebanese immigrants navigate between the homeland, the host society, and the larger diaspora, so too do the artists among them express sentiments of nostalgia and displacement but also possess global feelings of belonging and cosmopolitanism. Lebanese diasporic artists express their belonging to a global community and cosmopolitan duty through their art work which emphasizes global social change, justice, and ways of thinking. This focus on artists illustrates direct engagement with the diasporic existence, but at the same time, their interest in social change encompasses their homeland, their host society, and the world at large.
Susan Viswanathan
- Published in print:
- 1999
- Published Online:
- October 2012
- ISBN:
- 9780195647990
- eISBN:
- 9780199080663
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195647990.001.0001
- Subject:
- Sociology, Sociology of Religion
This book explores the practice of Christianity among the Yakoba in the small region of Kerala. It uses the categories of time, space, architecture, and the body as a means of identifying the ways in ...
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This book explores the practice of Christianity among the Yakoba in the small region of Kerala. It uses the categories of time, space, architecture, and the body as a means of identifying the ways in which Hindu, Christian, and Syrian strands have been woven together to form a rich cultural tapestry in the region. The Yakoba, on which this study is based, are divided into two distinct groups—the Orthodox Syrians and the Jacobite Syrians. The author relates their on-going quarrel over ecclesiastical jurisdiction and the ways in which this quarrel affects Syrian Christian life and experience as a whole. She argues that people’s interpretations of Christianity are a very powerful mode of cultural expression and societal flexibility.Less
This book explores the practice of Christianity among the Yakoba in the small region of Kerala. It uses the categories of time, space, architecture, and the body as a means of identifying the ways in which Hindu, Christian, and Syrian strands have been woven together to form a rich cultural tapestry in the region. The Yakoba, on which this study is based, are divided into two distinct groups—the Orthodox Syrians and the Jacobite Syrians. The author relates their on-going quarrel over ecclesiastical jurisdiction and the ways in which this quarrel affects Syrian Christian life and experience as a whole. She argues that people’s interpretations of Christianity are a very powerful mode of cultural expression and societal flexibility.
Wendy Griswold
- Published in print:
- 2008
- Published Online:
- February 2013
- ISBN:
- 9780226309224
- eISBN:
- 9780226309262
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226309262.003.0002
- Subject:
- Sociology, Culture
This chapter considers what exactly a place is and how people make one. It focuses on cultural expressions of place, both in the more passive form of regional culture and in the more assertive form ...
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This chapter considers what exactly a place is and how people make one. It focuses on cultural expressions of place, both in the more passive form of regional culture and in the more assertive form of regionalism. It then turns to literature and the aesthetic structure of literary regionalism, rooted in classical pastoral and encountered most often in the contemporary regional mystery. Examples of these genres will flesh out the understanding of how regional literature operates and why its appeal is so strong.Less
This chapter considers what exactly a place is and how people make one. It focuses on cultural expressions of place, both in the more passive form of regional culture and in the more assertive form of regionalism. It then turns to literature and the aesthetic structure of literary regionalism, rooted in classical pastoral and encountered most often in the contemporary regional mystery. Examples of these genres will flesh out the understanding of how regional literature operates and why its appeal is so strong.
Laura Jeffery
- Published in print:
- 2011
- Published Online:
- July 2012
- ISBN:
- 9780719084300
- eISBN:
- 9781781702451
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719084300.003.0004
- Subject:
- Society and Culture, Ethical Issues and Debates
Displaced Chagos islanders are not only embroiled in political mobilisation and protest: they also participate in cultural expression in exile. This chapter illustrates how representations of a ...
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Displaced Chagos islanders are not only embroiled in political mobilisation and protest: they also participate in cultural expression in exile. This chapter illustrates how representations of a homeland in song lyrics and oral narratives have been transformed through experiences of displacement and relocation, and asks to what extent such transformed representations help or hinder political and legal struggles in exile. Focusing on the relationship between displacement and musical production, it reveals the changing structure and thematic content of Chagossian song lyrics by comparing the lyrics of songs composed by Chagos islanders while living on the colonial Chagos Archipelago with those composed by displaced Chagos islanders living in exile. The latter songs form part of an emergent collective historical imagination motivated by the political and legal struggles for compensation and the right to return to Chagos.Less
Displaced Chagos islanders are not only embroiled in political mobilisation and protest: they also participate in cultural expression in exile. This chapter illustrates how representations of a homeland in song lyrics and oral narratives have been transformed through experiences of displacement and relocation, and asks to what extent such transformed representations help or hinder political and legal struggles in exile. Focusing on the relationship between displacement and musical production, it reveals the changing structure and thematic content of Chagossian song lyrics by comparing the lyrics of songs composed by Chagos islanders while living on the colonial Chagos Archipelago with those composed by displaced Chagos islanders living in exile. The latter songs form part of an emergent collective historical imagination motivated by the political and legal struggles for compensation and the right to return to Chagos.
Alan Tansman
- Published in print:
- 2009
- Published Online:
- March 2012
- ISBN:
- 9780520245051
- eISBN:
- 9780520943490
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520245051.001.0001
- Subject:
- History, Asian History
This wide-ranging study of Japanese cultural expression reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political ...
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This wide-ranging study of Japanese cultural expression reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an “aesthetic of fascism” in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, the book suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. The book traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.Less
This wide-ranging study of Japanese cultural expression reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an “aesthetic of fascism” in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, the book suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. The book traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
Robert Ji-Song Ku
- Published in print:
- 2013
- Published Online:
- November 2016
- ISBN:
- 9780824839215
- eISBN:
- 9780824869465
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824839215.001.0001
- Subject:
- Society and Culture, Cultural Studies
California roll, Chinese take-out, American-made kimchi, dogmeat, monosodium glutamate, SPAM—all are examples of what this book calls “dubious” foods. Strongly associated with Asian and Asian ...
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California roll, Chinese take-out, American-made kimchi, dogmeat, monosodium glutamate, SPAM—all are examples of what this book calls “dubious” foods. Strongly associated with Asian and Asian American gastronomy, they are commonly understood as ersatz, depraved, or simply bad. This book contends that these foods share a spiritual fellowship with Asians in the United States in that the Asian presence, be it culinary or corporeal, is often considered watered-down, counterfeit, or debased manifestations of the “real thing.” The American expression of Asianness is defined as doubly inauthentic—as insufficiently Asian and unreliably American when measured against a largely ideological if not entirely political standard of authentic Asia and America. By exploring the other side of what is prescriptively understood as proper Asian gastronomy, the book suggests that Asian cultural expressions occurring in places such as Los Angeles, Honolulu, New York City, and even Baton Rouge are no less critical to understanding the meaning of Asian food—and, by extension, Asian people—than culinary expressions that took place in Tokyo, Seoul, and Shanghai centuries ago. In critically considering the impure and hybridized with serious and often whimsical intent, the book argues that while the notion of cultural authenticity is troubled, troubling, and troublesome, the apocryphal is not necessarily a bad thing: The dubious, as in the case of Asian foods, can be and is often quite delicious.Less
California roll, Chinese take-out, American-made kimchi, dogmeat, monosodium glutamate, SPAM—all are examples of what this book calls “dubious” foods. Strongly associated with Asian and Asian American gastronomy, they are commonly understood as ersatz, depraved, or simply bad. This book contends that these foods share a spiritual fellowship with Asians in the United States in that the Asian presence, be it culinary or corporeal, is often considered watered-down, counterfeit, or debased manifestations of the “real thing.” The American expression of Asianness is defined as doubly inauthentic—as insufficiently Asian and unreliably American when measured against a largely ideological if not entirely political standard of authentic Asia and America. By exploring the other side of what is prescriptively understood as proper Asian gastronomy, the book suggests that Asian cultural expressions occurring in places such as Los Angeles, Honolulu, New York City, and even Baton Rouge are no less critical to understanding the meaning of Asian food—and, by extension, Asian people—than culinary expressions that took place in Tokyo, Seoul, and Shanghai centuries ago. In critically considering the impure and hybridized with serious and often whimsical intent, the book argues that while the notion of cultural authenticity is troubled, troubling, and troublesome, the apocryphal is not necessarily a bad thing: The dubious, as in the case of Asian foods, can be and is often quite delicious.
Dalia Abdelhady
- Published in print:
- 2011
- Published Online:
- March 2016
- ISBN:
- 9780814707333
- eISBN:
- 9780814705452
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814707333.001.0001
- Subject:
- Sociology, Race and Ethnicity
The Lebanese are the largest group of Middle Eastern immigrants in the United States, and Lebanese immigrants are also prominent across Europe and the Americas. Based on over eighty interviews with ...
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The Lebanese are the largest group of Middle Eastern immigrants in the United States, and Lebanese immigrants are also prominent across Europe and the Americas. Based on over eighty interviews with first-generation Lebanese immigrants in the global cities of New York, Montreal and Paris, this book shows that the Lebanese diaspora—like all diasporas—constructs global relations connecting and transforming their new societies, previous homeland and world-wide communities. Taking Lebanese immigrants' forms of identification, community attachments and cultural expression as manifestations of diaspora experiences, the book delves into the ways that members of Lebanese diasporic communities move beyond nationality, ethnicity and religion, giving rise to global solidarities and negotiating their social and cultural spaces. The book explores new forms of identities, alliances and cultural expressions, elucidating the daily experiences of Lebanese immigrants and exploring new ways of thinking about immigration, ethnic identity, community, and culture in a global world. By criticizing and challenging our understandings of nationality, ethnicity and assimilation, the book shows that global immigrants are giving rise to new forms of cosmopolitan citizenship.Less
The Lebanese are the largest group of Middle Eastern immigrants in the United States, and Lebanese immigrants are also prominent across Europe and the Americas. Based on over eighty interviews with first-generation Lebanese immigrants in the global cities of New York, Montreal and Paris, this book shows that the Lebanese diaspora—like all diasporas—constructs global relations connecting and transforming their new societies, previous homeland and world-wide communities. Taking Lebanese immigrants' forms of identification, community attachments and cultural expression as manifestations of diaspora experiences, the book delves into the ways that members of Lebanese diasporic communities move beyond nationality, ethnicity and religion, giving rise to global solidarities and negotiating their social and cultural spaces. The book explores new forms of identities, alliances and cultural expressions, elucidating the daily experiences of Lebanese immigrants and exploring new ways of thinking about immigration, ethnic identity, community, and culture in a global world. By criticizing and challenging our understandings of nationality, ethnicity and assimilation, the book shows that global immigrants are giving rise to new forms of cosmopolitan citizenship.
Günter Leypoldt
- Published in print:
- 2009
- Published Online:
- March 2012
- ISBN:
- 9780748635740
- eISBN:
- 9780748651658
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748635740.003.0007
- Subject:
- Literature, 19th-century and Victorian Literature
This chapter discusses the concept of incarnation in US discourse, which draws its persuasiveness from the rhetorical tension and interplay between two different geographical models of culture. Here, ...
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This chapter discusses the concept of incarnation in US discourse, which draws its persuasiveness from the rhetorical tension and interplay between two different geographical models of culture. Here, the discussion is divided into two main sections. The first examines spatial determinism, and the second studies the natural environment that is reproduced in the structure of cultural expression. The chapter also takes a look at symbolic geography, symptomatic spaces, spatial symbolism, poetic naturism, and symptomatic spatial poetics.Less
This chapter discusses the concept of incarnation in US discourse, which draws its persuasiveness from the rhetorical tension and interplay between two different geographical models of culture. Here, the discussion is divided into two main sections. The first examines spatial determinism, and the second studies the natural environment that is reproduced in the structure of cultural expression. The chapter also takes a look at symbolic geography, symptomatic spaces, spatial symbolism, poetic naturism, and symptomatic spatial poetics.
Barry Atkins
- Published in print:
- 2003
- Published Online:
- July 2012
- ISBN:
- 9780719063640
- eISBN:
- 9781781700235
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719063640.003.0001
- Subject:
- Society and Culture, Media Studies
The formal characteristics of the computer game as an independent form need examination if it is to be treated with the seriousness, as a massively popular form of cultural expression, that it ...
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The formal characteristics of the computer game as an independent form need examination if it is to be treated with the seriousness, as a massively popular form of cultural expression, that it deserves. To simply condemn or ignore this developing form of fiction as ‘childish’, rather than recognise its ‘immaturity’, might well be a mistake. This study offers suggestions, through example, of a practice of reading computer games that in no way constitutes a rigid methodology, but might be among the first faltering steps towards such a critical undertaking.Less
The formal characteristics of the computer game as an independent form need examination if it is to be treated with the seriousness, as a massively popular form of cultural expression, that it deserves. To simply condemn or ignore this developing form of fiction as ‘childish’, rather than recognise its ‘immaturity’, might well be a mistake. This study offers suggestions, through example, of a practice of reading computer games that in no way constitutes a rigid methodology, but might be among the first faltering steps towards such a critical undertaking.
Kees van der Spek
- Published in print:
- 2012
- Published Online:
- January 2012
- ISBN:
- 9789774164033
- eISBN:
- 9781617970917
- Item type:
- chapter
- Publisher:
- American University in Cairo Press
- DOI:
- 10.5743/cairo/9789774164033.003.0014
- Subject:
- Society and Culture, Middle Eastern Studies
The historic and ethnographic material uncovered during this study reveals the Theban west bank as a rich and fascinating field site. Overshadowed and obscured by the practice and marginalizing ...
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The historic and ethnographic material uncovered during this study reveals the Theban west bank as a rich and fascinating field site. Overshadowed and obscured by the practice and marginalizing dominance of a differently focused academic discipline and the wholesale global preoccupation with ancient Egypt that its practice and analyses continue to inspire, this study has attempted to return to Qurnawi, the degree of historic and contemporary visibility that their place in this archaeological landscape warrants, and the level of academic interest that its social and ethnographic specificity merits on its own terms. Greater insight into the social history and contemporary cultural expression of the former inhabitants of the Theban “City of the Dead” further exposes the color of the rich social fabric that this community of the living has brought and continues to bring to the Luxor west bank.Less
The historic and ethnographic material uncovered during this study reveals the Theban west bank as a rich and fascinating field site. Overshadowed and obscured by the practice and marginalizing dominance of a differently focused academic discipline and the wholesale global preoccupation with ancient Egypt that its practice and analyses continue to inspire, this study has attempted to return to Qurnawi, the degree of historic and contemporary visibility that their place in this archaeological landscape warrants, and the level of academic interest that its social and ethnographic specificity merits on its own terms. Greater insight into the social history and contemporary cultural expression of the former inhabitants of the Theban “City of the Dead” further exposes the color of the rich social fabric that this community of the living has brought and continues to bring to the Luxor west bank.
Eric Avila
- Published in print:
- 2014
- Published Online:
- August 2015
- ISBN:
- 9780816680726
- eISBN:
- 9781452947860
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816680726.001.0001
- Subject:
- Architecture, Architectural Theory and Criticism
The Folklore of the Freeway provides an alternative history of highway construction in urban America, emphasizing the cultural politics of fighting freeways in the inner city. Using the methods of ...
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The Folklore of the Freeway provides an alternative history of highway construction in urban America, emphasizing the cultural politics of fighting freeways in the inner city. Using the methods of ethnic studies, cultural studies, and urban history, this book offers a revisionist history of the freeway revolt in urban America, that moment when neighborhood activists organized against state highway builders to defend the integrity of their communities. While historical accounts of the freeway revolt emphasize successful forms of grassroots mobilization within predominantly white, middle-class urban communities, the urban neighborhoods that bore the brunt of urban highway construction, lacking political and economic power, devised a creative set of cultural strategies to express opposition towards the routing of freeways through their neighborhoods. These expressions, taking shape through visual and literary cultural forms, iterates the destructive consequences of the Interstate highway program, helping to preserve communal integrity and identity and inventing new relationships between people and the urban built environment. This book thus considers the cultural dimensions of this freeway revolt, emphasizing the role of culture and identity in mediating the relationship between inner city communities and the disruptive process of infrastructural development. Losers, perhaps, in the fight against the freeway, these racially and ethnically diverse communities of working class men and women nonetheless innovated a genre of cultural expression that shapes our understanding of the urban landscape and influences the shifting priorities of urban policy since the 1960s.Less
The Folklore of the Freeway provides an alternative history of highway construction in urban America, emphasizing the cultural politics of fighting freeways in the inner city. Using the methods of ethnic studies, cultural studies, and urban history, this book offers a revisionist history of the freeway revolt in urban America, that moment when neighborhood activists organized against state highway builders to defend the integrity of their communities. While historical accounts of the freeway revolt emphasize successful forms of grassroots mobilization within predominantly white, middle-class urban communities, the urban neighborhoods that bore the brunt of urban highway construction, lacking political and economic power, devised a creative set of cultural strategies to express opposition towards the routing of freeways through their neighborhoods. These expressions, taking shape through visual and literary cultural forms, iterates the destructive consequences of the Interstate highway program, helping to preserve communal integrity and identity and inventing new relationships between people and the urban built environment. This book thus considers the cultural dimensions of this freeway revolt, emphasizing the role of culture and identity in mediating the relationship between inner city communities and the disruptive process of infrastructural development. Losers, perhaps, in the fight against the freeway, these racially and ethnically diverse communities of working class men and women nonetheless innovated a genre of cultural expression that shapes our understanding of the urban landscape and influences the shifting priorities of urban policy since the 1960s.
Mette Hjort and Duncan Petrie (eds)
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748625369
- eISBN:
- 9780748671151
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748625369.001.0001
- Subject:
- Film, Television and Radio, Film
The guiding premise of this book is that careful analysis of a range of small national cinemas can suggest a number of conceptual models for understanding the persistence of the nation in various ...
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The guiding premise of this book is that careful analysis of a range of small national cinemas can suggest a number of conceptual models for understanding the persistence of the nation in various transnational constellations. A dozen case studies have been selected to provide a broad geographical spread including Iceland, Denmark, Scotland, Ireland, Bulgaria, Hong Kong, Taiwan, Singapore, New Zealand, Cuba, Tunisia and Burkina Faso. These have been selected in relation to four major definitions – population size, geographical scale, GNP and relationship to a dominant or ruling nation. In film studies the national remains a significant term, albeit one that requires a paradigm shift in terms of how it is now located in relation to concepts of the transnational, the global and the regional. The political scientist Peter Katzenstein provides a helpful differentiation between processes of globalisation and internationalisation, where the latter emphasises the maintenance of nation states and cross border exchanges, as opposed to the sense of transformation and convergence signified by the former which in turn suggests a very productive conceptual frame for thinking about small nations. The contradictory pressures to engage simultaneously in processes of globalisation and national building in turn informs the operations of small national cinemas where participation in the global market place frequently co-exists with the promotion and nurturing of local film-makers and industries and the facilitation of cultural expression.Less
The guiding premise of this book is that careful analysis of a range of small national cinemas can suggest a number of conceptual models for understanding the persistence of the nation in various transnational constellations. A dozen case studies have been selected to provide a broad geographical spread including Iceland, Denmark, Scotland, Ireland, Bulgaria, Hong Kong, Taiwan, Singapore, New Zealand, Cuba, Tunisia and Burkina Faso. These have been selected in relation to four major definitions – population size, geographical scale, GNP and relationship to a dominant or ruling nation. In film studies the national remains a significant term, albeit one that requires a paradigm shift in terms of how it is now located in relation to concepts of the transnational, the global and the regional. The political scientist Peter Katzenstein provides a helpful differentiation between processes of globalisation and internationalisation, where the latter emphasises the maintenance of nation states and cross border exchanges, as opposed to the sense of transformation and convergence signified by the former which in turn suggests a very productive conceptual frame for thinking about small nations. The contradictory pressures to engage simultaneously in processes of globalisation and national building in turn informs the operations of small national cinemas where participation in the global market place frequently co-exists with the promotion and nurturing of local film-makers and industries and the facilitation of cultural expression.
Yannick Fer
- Published in print:
- 2015
- Published Online:
- May 2017
- ISBN:
- 9780814772591
- eISBN:
- 9780814723517
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814772591.003.0013
- Subject:
- Anthropology, Anthropology, Religion
This chapter shows how the histories of Polynesian island nations are very much bound up with Christianity. The growth of charismatic movements in Polynesia, against a backdrop of rapid social change ...
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This chapter shows how the histories of Polynesian island nations are very much bound up with Christianity. The growth of charismatic movements in Polynesia, against a backdrop of rapid social change and transnational circulations between the island states and strong diasporic communities in New Zealand, Australia, and the United States, has resulted in a type of “nonconformist liberation.” Polynesian youth are drawn to the more individuated understanding of moral consciousness, as well as the new possibilities for bodily movements and cultural expression such as dance. Thus, local culture, the chapter suggests, might in fact have a positive moral valency for contemporary Christians.Less
This chapter shows how the histories of Polynesian island nations are very much bound up with Christianity. The growth of charismatic movements in Polynesia, against a backdrop of rapid social change and transnational circulations between the island states and strong diasporic communities in New Zealand, Australia, and the United States, has resulted in a type of “nonconformist liberation.” Polynesian youth are drawn to the more individuated understanding of moral consciousness, as well as the new possibilities for bodily movements and cultural expression such as dance. Thus, local culture, the chapter suggests, might in fact have a positive moral valency for contemporary Christians.
Katrina Dyonne Thompson
- Published in print:
- 2016
- Published Online:
- April 2017
- ISBN:
- 9780252038259
- eISBN:
- 9780252096112
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252038259.003.0002
- Subject:
- Music, Performing Practice/Studies
This chapter examines seventeenth- and eighteenth-century European and American travel journals to reveal the manner in which they portrayed West Africans in order to create the moral and social ...
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This chapter examines seventeenth- and eighteenth-century European and American travel journals to reveal the manner in which they portrayed West Africans in order to create the moral and social justifications for slavery and racial stereotypes. It argues that European travelers often ignored the ritualistic purpose of West African music and dance and instead reduced West Africans to servants, prostitutes, and entertainers. These societal positions were developed on the premise of European hegemony and aimed to create an African commodity. Throughout West Africa, music, song, and dance were important cultural expressions. However, from the sixteenth to nineteenth centuries, European and American travelers distorted these expressions in order to project and fulfill their own desires. This chapter shows how travel narratives presented the identity of West Africans as malleable and capable of being shaped according to the desired purpose of the gazer. Through their creation of the innate dancers and singers, it contends that travel journals contributed to the subjugation and reconfiguration of the black body through its neglect of the actual culture and tradition of the performing arts.Less
This chapter examines seventeenth- and eighteenth-century European and American travel journals to reveal the manner in which they portrayed West Africans in order to create the moral and social justifications for slavery and racial stereotypes. It argues that European travelers often ignored the ritualistic purpose of West African music and dance and instead reduced West Africans to servants, prostitutes, and entertainers. These societal positions were developed on the premise of European hegemony and aimed to create an African commodity. Throughout West Africa, music, song, and dance were important cultural expressions. However, from the sixteenth to nineteenth centuries, European and American travelers distorted these expressions in order to project and fulfill their own desires. This chapter shows how travel narratives presented the identity of West Africans as malleable and capable of being shaped according to the desired purpose of the gazer. Through their creation of the innate dancers and singers, it contends that travel journals contributed to the subjugation and reconfiguration of the black body through its neglect of the actual culture and tradition of the performing arts.
Brian Dolinar
- Published in print:
- 2012
- Published Online:
- March 2014
- ISBN:
- 9781617032691
- eISBN:
- 9781617032707
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781617032691.003.0001
- Subject:
- Literature, African-American Literature
This book begins by presenting the common understanding that the Communist Party hindered black cultural expression during the 1940s. The chapter shows that the Communist-led Left promoted several ...
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This book begins by presenting the common understanding that the Communist Party hindered black cultural expression during the 1940s. The chapter shows that the Communist-led Left promoted several cultural organizations to draw black cultural workers into its orbit. Most important was the National Negro Congress (NNC) to which numerous black artists and writers contributed their talents. The NNC was a coalition of civil rights groups and labor organizations. It was officially launched in 1936 at a national conference in Chicago. It reached out to the newly formed Congress of Industrial Organizations (CIO), which heavily recruited African Americans into the labor movement. NNC organizers also worked on the cultural front by convening panels with artists and writers at its conferences, organizing campaigns against discrimination in Hollywood, and holding mass rallies to fight discrimination.Less
This book begins by presenting the common understanding that the Communist Party hindered black cultural expression during the 1940s. The chapter shows that the Communist-led Left promoted several cultural organizations to draw black cultural workers into its orbit. Most important was the National Negro Congress (NNC) to which numerous black artists and writers contributed their talents. The NNC was a coalition of civil rights groups and labor organizations. It was officially launched in 1936 at a national conference in Chicago. It reached out to the newly formed Congress of Industrial Organizations (CIO), which heavily recruited African Americans into the labor movement. NNC organizers also worked on the cultural front by convening panels with artists and writers at its conferences, organizing campaigns against discrimination in Hollywood, and holding mass rallies to fight discrimination.
Sean Cocco
- Published in print:
- 2012
- Published Online:
- September 2013
- ISBN:
- 9780226923710
- eISBN:
- 9780226923734
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226923734.003.0001
- Subject:
- History, History of Science, Technology, and Medicine
This book deals with the aesthetic appreciation of Vesuvius in the late Renaissance and the historical and scientific inquiry that sustained that appreciation. In this introduction, the relationship ...
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This book deals with the aesthetic appreciation of Vesuvius in the late Renaissance and the historical and scientific inquiry that sustained that appreciation. In this introduction, the relationship between place and native cultural expression is discussed. It also examines the links between the cultural views of Naples, the volcano itself, and Renaissance natural history as a thread in early volcanology.Less
This book deals with the aesthetic appreciation of Vesuvius in the late Renaissance and the historical and scientific inquiry that sustained that appreciation. In this introduction, the relationship between place and native cultural expression is discussed. It also examines the links between the cultural views of Naples, the volcano itself, and Renaissance natural history as a thread in early volcanology.
