Steven Heine
- Published in print:
- 2008
- Published Online:
- January 2008
- ISBN:
- 9780195326772
- eISBN:
- 9780199870363
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195326772.001.0001
- Subject:
- Religion, Buddhism
This book provides analyses of the many ways Japanese Zen Buddhism can be interpreted as either a cure‐all for the world's problems as stated by the Traditional Zen Narrative (TZN) view or whether ...
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This book provides analyses of the many ways Japanese Zen Buddhism can be interpreted as either a cure‐all for the world's problems as stated by the Traditional Zen Narrative (TZN) view or whether Zen is a contradictory, self‐serving entity as offered by the Historical and Cultural Criticism (HCC) view. Through the concepts of Zen “writes, rites, and rights,” the book examines the character of Zen. “Zen writes” describes the contradiction that although Zen is traditionally considered to be an esoteric religion based on personal transmissions between monks, it has created an extraordinary amount of written literature. The chapter considers whether the voluminous literature is a strength or a weak point for Zen. In the debate of “Zen rites,” the critical view (HCC) points out the history of religious syncretism in Japan as a compromise by Zen to appeal to the general public by incorporating folk gods and rituals into monastic rites, while the traditional view maintains that there is a separation between the syncretic and the monastic sides of Zen. And finally, “Zen rights” deals with both the ethical benefits that Zen can provide in addition to the moral atrocities that Zen has committed in the past. Zen can be a powerful tool in environmental preservation and world peace, but has also been used to justify discrimination and extreme nationalism in Japan through the 20th century. The final chapter seeks to rectify the two views of TZN and HCC through an acknowledgment of both sides and a balanced recommendation for the future of Zen.Less
This book provides analyses of the many ways Japanese Zen Buddhism can be interpreted as either a cure‐all for the world's problems as stated by the Traditional Zen Narrative (TZN) view or whether Zen is a contradictory, self‐serving entity as offered by the Historical and Cultural Criticism (HCC) view. Through the concepts of Zen “writes, rites, and rights,” the book examines the character of Zen. “Zen writes” describes the contradiction that although Zen is traditionally considered to be an esoteric religion based on personal transmissions between monks, it has created an extraordinary amount of written literature. The chapter considers whether the voluminous literature is a strength or a weak point for Zen. In the debate of “Zen rites,” the critical view (HCC) points out the history of religious syncretism in Japan as a compromise by Zen to appeal to the general public by incorporating folk gods and rituals into monastic rites, while the traditional view maintains that there is a separation between the syncretic and the monastic sides of Zen. And finally, “Zen rights” deals with both the ethical benefits that Zen can provide in addition to the moral atrocities that Zen has committed in the past. Zen can be a powerful tool in environmental preservation and world peace, but has also been used to justify discrimination and extreme nationalism in Japan through the 20th century. The final chapter seeks to rectify the two views of TZN and HCC through an acknowledgment of both sides and a balanced recommendation for the future of Zen.
Michael Legaspi
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195394351
- eISBN:
- 9780199777211
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195394351.001.0001
- Subject:
- Religion, History of Christianity
During the Enlightenment, scholars guided by a new vision of a post-theological age did not simply investigate the Bible, they remade it. In place of the familiar scriptural Bibles that belonged to ...
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During the Enlightenment, scholars guided by a new vision of a post-theological age did not simply investigate the Bible, they remade it. In place of the familiar scriptural Bibles that belonged to Christian and Jewish communities, they created a new form: the academic Bible. This book examines the creation of the academic Bible. Beginning with the fragmentation of biblical interpretation in the centuries after the Reformation, it shows how the weakening of scriptural authority in the Western churches altered the role of biblical interpretation. In contexts shaped by skepticism and religious strife, interpreters increasingly operated on the Bible as a text to be managed by critical tools. These developments prepared the way for scholars to formalize an approach to biblical study shaped by classical philology and oriented toward the statist vision of the new universities and their sponsors. Focusing on a renowned German scholar of the period, Johann David Michaelis (1717–1791) of Göttingen, this book explores the ways that critics reconceived the role of the Bible. The founders of modern biblical criticism preserved the cultural authority of the Bible, yet they did so by pushing scriptural Bibles and religious reading to the margins of academic discourse. This book offers a new account of the origins of biblical studies, illuminating the relation of the Bible to churchly readers, theological exegesis, and academic criticism. It explains why, in an age of religious resurgence, modern biblical criticism may no longer be in a position to serve as the Bible’s disciplinary gatekeeper.Less
During the Enlightenment, scholars guided by a new vision of a post-theological age did not simply investigate the Bible, they remade it. In place of the familiar scriptural Bibles that belonged to Christian and Jewish communities, they created a new form: the academic Bible. This book examines the creation of the academic Bible. Beginning with the fragmentation of biblical interpretation in the centuries after the Reformation, it shows how the weakening of scriptural authority in the Western churches altered the role of biblical interpretation. In contexts shaped by skepticism and religious strife, interpreters increasingly operated on the Bible as a text to be managed by critical tools. These developments prepared the way for scholars to formalize an approach to biblical study shaped by classical philology and oriented toward the statist vision of the new universities and their sponsors. Focusing on a renowned German scholar of the period, Johann David Michaelis (1717–1791) of Göttingen, this book explores the ways that critics reconceived the role of the Bible. The founders of modern biblical criticism preserved the cultural authority of the Bible, yet they did so by pushing scriptural Bibles and religious reading to the margins of academic discourse. This book offers a new account of the origins of biblical studies, illuminating the relation of the Bible to churchly readers, theological exegesis, and academic criticism. It explains why, in an age of religious resurgence, modern biblical criticism may no longer be in a position to serve as the Bible’s disciplinary gatekeeper.
Thomas B Dozeman
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195367331
- eISBN:
- 9780199867417
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195367331.001.0001
- Subject:
- Religion, Church History
This book is an initial response to the call of the World Council of Churches for renewed theological reflection on the biblical roots of ordination to strengthen the vocational identity of the ...
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This book is an initial response to the call of the World Council of Churches for renewed theological reflection on the biblical roots of ordination to strengthen the vocational identity of the ordained and to provide a framework for ecumenical dialogue. It is grounded in the assumption that the vocation of ordination requires an understanding of holiness and how it functions in human religious experience. The goal is to construct a biblical theology of ordination, embedded in broad reflection on the nature of holiness. The study of holiness and ministry interweaves three methodologies. First, the history of religions describes two theories of holiness in the study of religion — as a dynamic force and as a ritual resource — which play a central role in biblical literature and establish the paradigm of ordination to Word and Sacrament in Christian tradition. Second, the study of the Moses in the Pentateuch and the formation of the Mosaic office illustrate the ways in which the two views of holiness model ordination to the prophetic word and to the priestly ritual. And, third, canonical criticism provides the lens to explore the ongoing influence of the Mosaic office in the New Testament literature.Less
This book is an initial response to the call of the World Council of Churches for renewed theological reflection on the biblical roots of ordination to strengthen the vocational identity of the ordained and to provide a framework for ecumenical dialogue. It is grounded in the assumption that the vocation of ordination requires an understanding of holiness and how it functions in human religious experience. The goal is to construct a biblical theology of ordination, embedded in broad reflection on the nature of holiness. The study of holiness and ministry interweaves three methodologies. First, the history of religions describes two theories of holiness in the study of religion — as a dynamic force and as a ritual resource — which play a central role in biblical literature and establish the paradigm of ordination to Word and Sacrament in Christian tradition. Second, the study of the Moses in the Pentateuch and the formation of the Mosaic office illustrate the ways in which the two views of holiness model ordination to the prophetic word and to the priestly ritual. And, third, canonical criticism provides the lens to explore the ongoing influence of the Mosaic office in the New Testament literature.
Uwe Steinhoff
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199547807
- eISBN:
- 9780191720758
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199547807.003.0005
- Subject:
- Political Science, Comparative Politics, Political Theory
The results are summarised along with further critical comments on Habermas' methodology.
The results are summarised along with further critical comments on Habermas' methodology.
Kiichiro Itsumi
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780199229611
- eISBN:
- 9780191710780
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199229611.001.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
This book describes the metrical features of the twenty-two Pindaric epinikia which are not composed in dactylo-epitrite (‘the other half’). These odes are puzzling, and scholars currently assume, ...
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This book describes the metrical features of the twenty-two Pindaric epinikia which are not composed in dactylo-epitrite (‘the other half’). These odes are puzzling, and scholars currently assume, without detailed examination, that they are all composed in a single type of metre which is often called ‘aeolic’. The book argues that there are in fact two types of metre (Pindaric epinikia are not as polymetric as the odes of tragedy), and divides the metrical styles of the stanza-forms of the ‘other half’ into three groups, according to the way in which these two metres are knitted together. This is the main theme of Part I. Part II consists of metrical commentaries. The structure of each stanza-form is analysed and compared with others, and abundant metrical parallels are provided, both for the individual verses and for the stanza-form as a whole. In a few passages textual problems are also discussed, for metrical study is in part an auxiliary discipline of textual criticism. In particular, metrical understanding is essential when one has to judge whether or not exact responsion may be broken in a particular metrical position. In an Appendix to this Part, the metrical features of the major fragments (most of which are Paeans) and their characteristics are also described. With its clear identification of a series of precise entities from which Pindar's verses are made, the book's study as a whole imposes a new clarity and discipline on what had previously seemed a much vaguer process.Less
This book describes the metrical features of the twenty-two Pindaric epinikia which are not composed in dactylo-epitrite (‘the other half’). These odes are puzzling, and scholars currently assume, without detailed examination, that they are all composed in a single type of metre which is often called ‘aeolic’. The book argues that there are in fact two types of metre (Pindaric epinikia are not as polymetric as the odes of tragedy), and divides the metrical styles of the stanza-forms of the ‘other half’ into three groups, according to the way in which these two metres are knitted together. This is the main theme of Part I. Part II consists of metrical commentaries. The structure of each stanza-form is analysed and compared with others, and abundant metrical parallels are provided, both for the individual verses and for the stanza-form as a whole. In a few passages textual problems are also discussed, for metrical study is in part an auxiliary discipline of textual criticism. In particular, metrical understanding is essential when one has to judge whether or not exact responsion may be broken in a particular metrical position. In an Appendix to this Part, the metrical features of the major fragments (most of which are Paeans) and their characteristics are also described. With its clear identification of a series of precise entities from which Pindar's verses are made, the book's study as a whole imposes a new clarity and discipline on what had previously seemed a much vaguer process.
James Barr
- Published in print:
- 2000
- Published Online:
- November 2003
- ISBN:
- 9780198269878
- eISBN:
- 9780191600401
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0198269870.001.0001
- Subject:
- Religion, Biblical Studies
Is the Bible historically true? Or are its narratives the expression of the ideologies of partisan groups far removed in time from the events depicted? The questions are not new, but are now being ...
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Is the Bible historically true? Or are its narratives the expression of the ideologies of partisan groups far removed in time from the events depicted? The questions are not new, but are now being posed in a different terminology and outlook, often characterized as postmodernism. The book goes back to redefine the term ‘biblical criticism’ and concentrates on some examples from the history of Israel. An attempt is made to clarify the possible meanings of ‘ideology’ and some relations between postmodernism and theology are examined. Tradition and continuity are to be prized in contrast to the feverish grasp at novelty.Less
Is the Bible historically true? Or are its narratives the expression of the ideologies of partisan groups far removed in time from the events depicted? The questions are not new, but are now being posed in a different terminology and outlook, often characterized as postmodernism. The book goes back to redefine the term ‘biblical criticism’ and concentrates on some examples from the history of Israel. An attempt is made to clarify the possible meanings of ‘ideology’ and some relations between postmodernism and theology are examined. Tradition and continuity are to be prized in contrast to the feverish grasp at novelty.
Frederick C. Beiser
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780199573011
- eISBN:
- 9780191722202
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199573011.001.0001
- Subject:
- Philosophy, Aesthetics, History of Philosophy
This book is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late 17th and 18th century. It is partly an historical survey of the central figures and ...
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This book is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late 17th and 18th century. It is partly an historical survey of the central figures and themes of this tradition, but it is also a philosophical defence of some of its leading ideas such as: that beauty plays an integral role in life; that aesthetic pleasure is the perception of perfection; and that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.Less
This book is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late 17th and 18th century. It is partly an historical survey of the central figures and themes of this tradition, but it is also a philosophical defence of some of its leading ideas such as: that beauty plays an integral role in life; that aesthetic pleasure is the perception of perfection; and that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.
Charles Martindale
- Published in print:
- 2004
- Published Online:
- September 2007
- ISBN:
- 9780199240401
- eISBN:
- 9780191714337
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199240401.001.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
The aim of this book is to encourage an interest in the tradition of modern Western aesthetics as it applies to poetry and the arts. It argues that the study of literature today is unduly dominated ...
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The aim of this book is to encourage an interest in the tradition of modern Western aesthetics as it applies to poetry and the arts. It argues that the study of literature today is unduly dominated by ideology critique, and that there is a need for a new recognition of the importance of beauty and the aesthetic in our response to the arts. It explores ways in which Kant’s aesthetic theory, as set out in the Critique of Judgement, still provides powerful tools of analysis for the modern critic. For example, the Kantian aesthetic — the free judgement of taste — carries a rebuke to the means/end rationality that is so widespread and so dangerous in the contemporary West. It shows that the Kantian ‘judgement of taste’ is a judgement of form and content together, and is thus not a version of formalism. It explores the relationship between politics and aesthetics in the responses to the arts, arguing that aesthetic judgements are not simply disguised judgements of other kinds. Finally, it urges on those writing about literature the value of aesthetic criticism — the attempt to isolate the unique aesthetic quality of artworks — as pioneered by Walter Pater, offering three essays on Latin poets as examples of what might be done.Less
The aim of this book is to encourage an interest in the tradition of modern Western aesthetics as it applies to poetry and the arts. It argues that the study of literature today is unduly dominated by ideology critique, and that there is a need for a new recognition of the importance of beauty and the aesthetic in our response to the arts. It explores ways in which Kant’s aesthetic theory, as set out in the Critique of Judgement, still provides powerful tools of analysis for the modern critic. For example, the Kantian aesthetic — the free judgement of taste — carries a rebuke to the means/end rationality that is so widespread and so dangerous in the contemporary West. It shows that the Kantian ‘judgement of taste’ is a judgement of form and content together, and is thus not a version of formalism. It explores the relationship between politics and aesthetics in the responses to the arts, arguing that aesthetic judgements are not simply disguised judgements of other kinds. Finally, it urges on those writing about literature the value of aesthetic criticism — the attempt to isolate the unique aesthetic quality of artworks — as pioneered by Walter Pater, offering three essays on Latin poets as examples of what might be done.
Valerie Tiberius
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780199202867
- eISBN:
- 9780191707988
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199202867.001.0001
- Subject:
- Philosophy, Moral Philosophy
How should you live? Should you devote yourself to perfecting a single talent or try to live a balanced life? Should you lighten up and have more fun, or buckle down and try to achieve greatness? ...
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How should you live? Should you devote yourself to perfecting a single talent or try to live a balanced life? Should you lighten up and have more fun, or buckle down and try to achieve greatness? Should you try to be a better friend? Should you be self-critical or self-accepting? And how should you decide among the possibilities open to you? Should you consult experts, listen to your parents, or should you do lots of research? Should you make lists of pros and cons, or go with your gut? These are not questions that can be answered in general or in the abstract. Rather, these questions are addressed to the first person point of view, to the perspective each of us occupies when we reflect on how to live without knowing exactly what we're aiming for. To answer them, this book focuses on the process of living one's life from the inside, rather than on defining goals from the outside. Drawing on traditional philosophical sources as well as literature and recent work in social psychology, this book argues that to live well, we need to develop reflective wisdom: to care about things that will sustain us and give us good experiences, to have perspective on our successes and failures, and to be moderately self-aware and cautiously optimistic about human nature. Further, we need to know when to think about our values, character, and choices, and when not to. A crucial part of wisdom, the book maintains, is being able to shift perspectives: to be self-critical; to be realistic; to examine life when reflection is appropriate, but not when we should lose ourselves in experience.Less
How should you live? Should you devote yourself to perfecting a single talent or try to live a balanced life? Should you lighten up and have more fun, or buckle down and try to achieve greatness? Should you try to be a better friend? Should you be self-critical or self-accepting? And how should you decide among the possibilities open to you? Should you consult experts, listen to your parents, or should you do lots of research? Should you make lists of pros and cons, or go with your gut? These are not questions that can be answered in general or in the abstract. Rather, these questions are addressed to the first person point of view, to the perspective each of us occupies when we reflect on how to live without knowing exactly what we're aiming for. To answer them, this book focuses on the process of living one's life from the inside, rather than on defining goals from the outside. Drawing on traditional philosophical sources as well as literature and recent work in social psychology, this book argues that to live well, we need to develop reflective wisdom: to care about things that will sustain us and give us good experiences, to have perspective on our successes and failures, and to be moderately self-aware and cautiously optimistic about human nature. Further, we need to know when to think about our values, character, and choices, and when not to. A crucial part of wisdom, the book maintains, is being able to shift perspectives: to be self-critical; to be realistic; to examine life when reflection is appropriate, but not when we should lose ourselves in experience.
Tania Oldenhage
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780195150520
- eISBN:
- 9780199834549
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019515052X.001.0001
- Subject:
- Religion, Biblical Studies
Over the centuries, New Testament texts have often been read in ways that reflect and encourage anti‐Judaism. Since the Holocaust, Christian scholars have increasingly recognized this inheritance. ...
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Over the centuries, New Testament texts have often been read in ways that reflect and encourage anti‐Judaism. Since the Holocaust, Christian scholars have increasingly recognized this inheritance. New Testament scholars have not directly confronted the horror of Nazi crimes, Odlenhage argues, but their work has nonetheless been deeply affected by the events of the Holocaust. By placing twentieth‐century biblical scholarship within its specific historical and cultural contexts, she is able to trace the process by which the Holocaust gradually moved into the collective consciousness of New Testament scholars, both in Germany and in the U.S.. Her focus is on the interpretation of the parables of Jesus by scholars, including Joachim Jeremias, Wolfgang Harnisch, Paul Ricoeur and John Dominic Crossan. In conclusion, Oldenhage offers her own reading of the parable of the wicked husbandmen, demonstrating how the turn from historical criticism to literary theory opens up the text to interpretation in light of the Holocaust. Thereby, she seeks to fashion a biblical hermeneutics that consciously works with memories of the Holocaust. If the parables are to be meaningful in our time, Oldenhage contends, we must take account of the troubling resonance between these ancient Christian stories and the atrocities of Auschwitz.Less
Over the centuries, New Testament texts have often been read in ways that reflect and encourage anti‐Judaism. Since the Holocaust, Christian scholars have increasingly recognized this inheritance. New Testament scholars have not directly confronted the horror of Nazi crimes, Odlenhage argues, but their work has nonetheless been deeply affected by the events of the Holocaust. By placing twentieth‐century biblical scholarship within its specific historical and cultural contexts, she is able to trace the process by which the Holocaust gradually moved into the collective consciousness of New Testament scholars, both in Germany and in the U.S.. Her focus is on the interpretation of the parables of Jesus by scholars, including Joachim Jeremias, Wolfgang Harnisch, Paul Ricoeur and John Dominic Crossan. In conclusion, Oldenhage offers her own reading of the parable of the wicked husbandmen, demonstrating how the turn from historical criticism to literary theory opens up the text to interpretation in light of the Holocaust. Thereby, she seeks to fashion a biblical hermeneutics that consciously works with memories of the Holocaust. If the parables are to be meaningful in our time, Oldenhage contends, we must take account of the troubling resonance between these ancient Christian stories and the atrocities of Auschwitz.
DE STE CROIX
- Published in print:
- 2004
- Published Online:
- September 2007
- ISBN:
- 9780199255177
- eISBN:
- 9780191719844
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199255177.003.0001
- Subject:
- Classical Studies, European History: BCE to 500CE
This introductory chapter begins with the story behind the delayed publication of the collection of essays presented in this volume. An overview of the essays is then given. It is argued that if the ...
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This introductory chapter begins with the story behind the delayed publication of the collection of essays presented in this volume. An overview of the essays is then given. It is argued that if the ultimate aim of the essays is to school the political intelligence of their readers, their method is scholarship of a detailed and rigorous kind. They are largely exercises in ‘source criticism’ (Quellenkritik) in its twin branches: study of the ancient evidence with a view to establishing who said what, and on what authority; and criticism of the data thus secured in the light of the observable political behaviour of human actors.Less
This introductory chapter begins with the story behind the delayed publication of the collection of essays presented in this volume. An overview of the essays is then given. It is argued that if the ultimate aim of the essays is to school the political intelligence of their readers, their method is scholarship of a detailed and rigorous kind. They are largely exercises in ‘source criticism’ (Quellenkritik) in its twin branches: study of the ancient evidence with a view to establishing who said what, and on what authority; and criticism of the data thus secured in the light of the observable political behaviour of human actors.
Randall Fuller
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195313925
- eISBN:
- 9780199787753
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195313925.001.0001
- Subject:
- Literature, Criticism/Theory
The central question engaged in this book is the following: why does Emerson's cultural legacy continue to influence writers so forcefully? This study examines the way influential 20th-century ...
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The central question engaged in this book is the following: why does Emerson's cultural legacy continue to influence writers so forcefully? This study examines the way influential 20th-century critics have understood and deployed Emerson as part of their own larger projects aimed at reconceiving America. It examines previously unpublished material and original research on Van Wyck Brooks, Perry Miller, F. O. Matthiessen, and Sacvan Bercovitch along with other supporting thinkers. Emerging from this research is an in-depth account of Emerson's cultural construction as well as an institutional history of American literary studies in the 20th century. This book is also a fine-grained study of how the relationship between a scholar's individual perspective and prevailing cultural conditions merge together to impel critics to redirect the course of a present moment — often experienced as disappointing and unfulfilled — toward a desired future. When an engaged but theoretical mind meets with an impassive history, the response that follows, for some of our most imaginative and brilliant critics, has led, often and suggestively, to a turn toward Emerson.Less
The central question engaged in this book is the following: why does Emerson's cultural legacy continue to influence writers so forcefully? This study examines the way influential 20th-century critics have understood and deployed Emerson as part of their own larger projects aimed at reconceiving America. It examines previously unpublished material and original research on Van Wyck Brooks, Perry Miller, F. O. Matthiessen, and Sacvan Bercovitch along with other supporting thinkers. Emerging from this research is an in-depth account of Emerson's cultural construction as well as an institutional history of American literary studies in the 20th century. This book is also a fine-grained study of how the relationship between a scholar's individual perspective and prevailing cultural conditions merge together to impel critics to redirect the course of a present moment — often experienced as disappointing and unfulfilled — toward a desired future. When an engaged but theoretical mind meets with an impassive history, the response that follows, for some of our most imaginative and brilliant critics, has led, often and suggestively, to a turn toward Emerson.
Christopher Ricks
- Published in print:
- 1978
- Published Online:
- October 2011
- ISBN:
- 9780198120902
- eISBN:
- 9780191671289
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198120902.001.0001
- Subject:
- Literature, Milton Studies
Milton's Grand Style has been vigorously attacked in the 20th century and beyond, and this book is an attempt to refute Milton's detractors by showing the delicacy and subtlety which is to be found ...
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Milton's Grand Style has been vigorously attacked in the 20th century and beyond, and this book is an attempt to refute Milton's detractors by showing the delicacy and subtlety which is to be found in the verse of ‘Paradise Lost’.Less
Milton's Grand Style has been vigorously attacked in the 20th century and beyond, and this book is an attempt to refute Milton's detractors by showing the delicacy and subtlety which is to be found in the verse of ‘Paradise Lost’.
A. Raghuramaraju
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780198070122
- eISBN:
- 9780199080014
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198070122.003.0008
- Subject:
- Sociology, Social Theory
Some social theorists in India, including Partha Chatterjee, Javeed Alam, and Gopal Guru, have failed to recognize the core project of modernity and its social consequences. Instead, they were ...
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Some social theorists in India, including Partha Chatterjee, Javeed Alam, and Gopal Guru, have failed to recognize the core project of modernity and its social consequences. Instead, they were preoccupied with the themes of modernity including reason or the ‘cunning of reason’, ‘individualism’ or ‘individuation’, nationalism, secularism, and universalism. This prevented them from recognizing the internal project of modernity. This also prevented others from seeing some important and unique issues including internal criticism that is evident in the writings of contemporary Indian thinkers like Swami Vivekananda, and prevented them from identifying a third kind of action in Mahatma Gandhi, namely, inaction. This book argues that, unlike the West, social theory in India was unable to grasp the philosophical foundations of modernity that lies in its method.Less
Some social theorists in India, including Partha Chatterjee, Javeed Alam, and Gopal Guru, have failed to recognize the core project of modernity and its social consequences. Instead, they were preoccupied with the themes of modernity including reason or the ‘cunning of reason’, ‘individualism’ or ‘individuation’, nationalism, secularism, and universalism. This prevented them from recognizing the internal project of modernity. This also prevented others from seeing some important and unique issues including internal criticism that is evident in the writings of contemporary Indian thinkers like Swami Vivekananda, and prevented them from identifying a third kind of action in Mahatma Gandhi, namely, inaction. This book argues that, unlike the West, social theory in India was unable to grasp the philosophical foundations of modernity that lies in its method.
Janet Gallingani Casey
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195338959
- eISBN:
- 9780199867103
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195338959.001.0001
- Subject:
- Literature, Women's Literature, American, 20th Century Literature
This book reconceptualizes American modernity by focusing on rurality and women. It challenges the notion of the city as the privileged site of modern experience, arguing that rurality—urbanity’s ...
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This book reconceptualizes American modernity by focusing on rurality and women. It challenges the notion of the city as the privileged site of modern experience, arguing that rurality—urbanity’s opposite, frequently associated with nostalgia and feminine sentimentality—was a fruitful geographic and psychic location for registering women’s perceptions of the modern. As its title implies, however, it is less about the empirical facts of farm life than about its abstractions—the idea of rurality, and the ways in which women were positioned, by themselves and others, in reference to it. Attending closely to language, images, and figurative connections, it demonstrates the theoretical importance of rurality to the imaginative construction of American modernity and modernism, and asserts that women had a special stake in that relation. To that end, it considers idea(l)s of women and rurality across a broad field of discourses and representational arenas, including social theory, periodical literature, literary criticism, photography, and, especially, women’s rural fiction (“low” and “high”). It engages such diverse subjects as eugenics, advertising, the literary prize culture of the 1920s, and the role of the camera in defining women as modern. It also relies on substantial archival research, and explores at length an underrecognized periodical, The Farmer’s Wife, which was the single nationally distributed farm periodical for women in the twentieth century. Ultimately, the book’s aim is to articulate an alternative mode of American modernism that had special meaning and appeal for women, and to show how that mode clearly responded to prevalent attitudes about agrarianism, modernity, and gender in the culture at large.Less
This book reconceptualizes American modernity by focusing on rurality and women. It challenges the notion of the city as the privileged site of modern experience, arguing that rurality—urbanity’s opposite, frequently associated with nostalgia and feminine sentimentality—was a fruitful geographic and psychic location for registering women’s perceptions of the modern. As its title implies, however, it is less about the empirical facts of farm life than about its abstractions—the idea of rurality, and the ways in which women were positioned, by themselves and others, in reference to it. Attending closely to language, images, and figurative connections, it demonstrates the theoretical importance of rurality to the imaginative construction of American modernity and modernism, and asserts that women had a special stake in that relation. To that end, it considers idea(l)s of women and rurality across a broad field of discourses and representational arenas, including social theory, periodical literature, literary criticism, photography, and, especially, women’s rural fiction (“low” and “high”). It engages such diverse subjects as eugenics, advertising, the literary prize culture of the 1920s, and the role of the camera in defining women as modern. It also relies on substantial archival research, and explores at length an underrecognized periodical, The Farmer’s Wife, which was the single nationally distributed farm periodical for women in the twentieth century. Ultimately, the book’s aim is to articulate an alternative mode of American modernism that had special meaning and appeal for women, and to show how that mode clearly responded to prevalent attitudes about agrarianism, modernity, and gender in the culture at large.
Hugh Grady
- Published in print:
- 1994
- Published Online:
- October 2011
- ISBN:
- 9780198183228
- eISBN:
- 9780191673962
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183228.001.0001
- Subject:
- Literature, Shakespeare Studies, Criticism/Theory
This is a major study of the history of Shakespeare criticism in the modern era. Every epoch recreates its classic icons — and for literary culture none is more central nor more protean than ...
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This is a major study of the history of Shakespeare criticism in the modern era. Every epoch recreates its classic icons — and for literary culture none is more central nor more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the 18th century, he has always been constructed as a contemporary author. This book charts the construction of Shakespeare as a 20th-century Modernist text by redirecting ‘new historicist’ methods to an investigation of the social roots of contemporary Shakespeare criticism itself. Beginning with the formation of professionalism as an ideology in the Victorian age, this book describes the widespread attempts to save the values of the culturalist tradition, in reformulated ‘Modernist’ guise, from the threat of professionalist positivism in modernized universities. The tension between professionalism and culturalism gave rise to the Modernist Shakespeare of G. Wilson Knight, E. M. W. Tillyard, and American and British New Critics, and still conditions the postmodernist Shakespearean criticism of contemporary feminists, deconstructors, and ‘new historicists’.Less
This is a major study of the history of Shakespeare criticism in the modern era. Every epoch recreates its classic icons — and for literary culture none is more central nor more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the 18th century, he has always been constructed as a contemporary author. This book charts the construction of Shakespeare as a 20th-century Modernist text by redirecting ‘new historicist’ methods to an investigation of the social roots of contemporary Shakespeare criticism itself. Beginning with the formation of professionalism as an ideology in the Victorian age, this book describes the widespread attempts to save the values of the culturalist tradition, in reformulated ‘Modernist’ guise, from the threat of professionalist positivism in modernized universities. The tension between professionalism and culturalism gave rise to the Modernist Shakespeare of G. Wilson Knight, E. M. W. Tillyard, and American and British New Critics, and still conditions the postmodernist Shakespearean criticism of contemporary feminists, deconstructors, and ‘new historicists’.
Philip J. M. Sturgess
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780198119548
- eISBN:
- 9780191671173
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198119548.001.0001
- Subject:
- Literature, Criticism/Theory
Defining narrativity as the enabling force of narrative, this is a full-length exploration of the concept in fiction. It develops the notion of a ‘logic of narrativity’, and by this means contributes ...
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Defining narrativity as the enabling force of narrative, this is a full-length exploration of the concept in fiction. It develops the notion of a ‘logic of narrativity’, and by this means contributes a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches which have in recent years acquired near-orthodox status in the matter of textual interpretation. Most prominent among these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major 20th-century novels by Conrad, Joyce, Flann O'Brien, and Arthur Koestler, and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premises of the theory and its applications.Less
Defining narrativity as the enabling force of narrative, this is a full-length exploration of the concept in fiction. It develops the notion of a ‘logic of narrativity’, and by this means contributes a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches which have in recent years acquired near-orthodox status in the matter of textual interpretation. Most prominent among these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major 20th-century novels by Conrad, Joyce, Flann O'Brien, and Arthur Koestler, and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premises of the theory and its applications.
Hugh Grady
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198130048
- eISBN:
- 9780191671906
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198130048.001.0001
- Subject:
- Literature, Shakespeare Studies
William Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical ...
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William Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. This book argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era: that the broad analysis of modernity produced by Karl Marx, Max Horkheimer, Theodor W. Adorno, Michel Foucault, and others can serve as a productive enabling representation and critique of the emerging modernity represented by the image in Troilus and Cressida of ‘an universal wolf’ of appetite, power, and will. The readings in this book demonstrate Shakespeare's keen interest in what twentieth-century theory has called ‘reification’ — a term that designates social systems created by human societies, but that confronts those societies as operating beyond human control, according to an autonomous ‘systems’ logic — in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call ‘instrumental reason’.Less
William Shakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. This book argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era: that the broad analysis of modernity produced by Karl Marx, Max Horkheimer, Theodor W. Adorno, Michel Foucault, and others can serve as a productive enabling representation and critique of the emerging modernity represented by the image in Troilus and Cressida of ‘an universal wolf’ of appetite, power, and will. The readings in this book demonstrate Shakespeare's keen interest in what twentieth-century theory has called ‘reification’ — a term that designates social systems created by human societies, but that confronts those societies as operating beyond human control, according to an autonomous ‘systems’ logic — in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call ‘instrumental reason’.
Howard Felperin
- Published in print:
- 1986
- Published Online:
- October 2011
- ISBN:
- 9780198128960
- eISBN:
- 9780191671746
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198128960.001.0001
- Subject:
- Literature, Criticism/Theory
The past two decades have seen swift and radical change in the way literature is perceived and taught in this country and abroad, as numerous new schools of theory have blossomed, particularly at ...
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The past two decades have seen swift and radical change in the way literature is perceived and taught in this country and abroad, as numerous new schools of theory have blossomed, particularly at Yale, Johns Hopkins, and Cambridge. Intended as an introduction to these new theories, the book offers a balanced and lively overview that steers clear of technicalities as it explains, explores, and occasionally takes issue with the large movements that have followed the so-called ‘practical’ criticism of F. R. Leavis and others. It focuses on the major schools and figures of structuralism, Marxism, and deconstruction, giving a focus on the ideological and methodological issues involved.Less
The past two decades have seen swift and radical change in the way literature is perceived and taught in this country and abroad, as numerous new schools of theory have blossomed, particularly at Yale, Johns Hopkins, and Cambridge. Intended as an introduction to these new theories, the book offers a balanced and lively overview that steers clear of technicalities as it explains, explores, and occasionally takes issue with the large movements that have followed the so-called ‘practical’ criticism of F. R. Leavis and others. It focuses on the major schools and figures of structuralism, Marxism, and deconstruction, giving a focus on the ideological and methodological issues involved.
Thomas Docherty
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198183570
- eISBN:
- 9780191674075
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183570.001.0001
- Subject:
- Literature, Criticism/Theory
Dealing with literature from Shakespeare and Donne to Calvino, with philosophy from the medieval to the contemporary, with cinema from popular to art-film, and with political theory from Marx to ...
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Dealing with literature from Shakespeare and Donne to Calvino, with philosophy from the medieval to the contemporary, with cinema from popular to art-film, and with political theory from Marx to Lyotard, Baudrillard and Badiou, this book intervenes in all the major contemporary cultural debates to propose and practise a new criticism, whose theoretical foundations lie in postmodern ethics, ecopolitics, and an austere attention to the radical difficulties of art. The book is a response to a growing realization that modern criticism — even in its apparently oppositional forms — remains caught up within the limitations of a philosophy of identity. Consequently, the tacit purpose of existing critique is the self-legitimation of the subject of criticism, a solace gained only through the refusal of the encounter with the objects of criticism: art and the culture of sociality. The book argues that we must attend to the difficulty of aesthetic practices. The contention is that it is only through an attention to the radical otherness of the world outside consciousness that we will be able to arrive at a historical and materialist criticism. In making this claim, the book rehabilitates the questions of why we bother about art, and proposes new modes of critical engagement with contemporary culture.Less
Dealing with literature from Shakespeare and Donne to Calvino, with philosophy from the medieval to the contemporary, with cinema from popular to art-film, and with political theory from Marx to Lyotard, Baudrillard and Badiou, this book intervenes in all the major contemporary cultural debates to propose and practise a new criticism, whose theoretical foundations lie in postmodern ethics, ecopolitics, and an austere attention to the radical difficulties of art. The book is a response to a growing realization that modern criticism — even in its apparently oppositional forms — remains caught up within the limitations of a philosophy of identity. Consequently, the tacit purpose of existing critique is the self-legitimation of the subject of criticism, a solace gained only through the refusal of the encounter with the objects of criticism: art and the culture of sociality. The book argues that we must attend to the difficulty of aesthetic practices. The contention is that it is only through an attention to the radical otherness of the world outside consciousness that we will be able to arrive at a historical and materialist criticism. In making this claim, the book rehabilitates the questions of why we bother about art, and proposes new modes of critical engagement with contemporary culture.
