Colin A. Hughes
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780199249596
- eISBN:
- 9780191600012
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199249598.003.0017
- Subject:
- Political Science, Reference
Includes all relevant information on national elections and referendums held in Cook Islands since the establishment of self‐government in 1965. Part I gives a comprehensive overview of Cook Islands’ ...
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Includes all relevant information on national elections and referendums held in Cook Islands since the establishment of self‐government in 1965. Part I gives a comprehensive overview of Cook Islands’ political history, outlines the evolution of electoral provisions, and presents the current electoral legislation in a standardized manner (suffrage, elected institutions, nomination of candidates, electoral system, organizational context of elections). Part II includes exhaustive electoral statistics in systematic tables (numbers of registered voters, votes cast, the votes for parties in parliamentary elections and referendums, the electoral participation of political parties, the distribution of parliamentary seats, etc.).Less
Includes all relevant information on national elections and referendums held in Cook Islands since the establishment of self‐government in 1965. Part I gives a comprehensive overview of Cook Islands’ political history, outlines the evolution of electoral provisions, and presents the current electoral legislation in a standardized manner (suffrage, elected institutions, nomination of candidates, electoral system, organizational context of elections). Part II includes exhaustive electoral statistics in systematic tables (numbers of registered voters, votes cast, the votes for parties in parliamentary elections and referendums, the electoral participation of political parties, the distribution of parliamentary seats, etc.).
William Kostlevy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195377842
- eISBN:
- 9780199777204
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377842.003.0007
- Subject:
- Religion, Church History
The defection of the MCA mission in Los Angeles to Pentecostalism in 1906 played an important role in the Azusa Street Revival. MCA evangelist A. G. Garr urged MCA adherents in Los Angeles to attend ...
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The defection of the MCA mission in Los Angeles to Pentecostalism in 1906 played an important role in the Azusa Street Revival. MCA evangelist A. G. Garr urged MCA adherents in Los Angeles to attend nearby revival meetings led by William Seymour. A. G. and Lillian Anderson Garr embraced the Pentecostal experience and spread the message to India where Garr played a key role spreading Pentecostalism and in the reinterpretation of the meaning of the Pentecostal his experience. Other central emphasize of the MCA entered early Pentecostalism including the notion of restitution and the rejection of divorce and remarriage. In Wisconsin F. M. Messenger invented the Scripture Text Calendar, a decorative art calendar, to fund the MCA and spread the gospel.Less
The defection of the MCA mission in Los Angeles to Pentecostalism in 1906 played an important role in the Azusa Street Revival. MCA evangelist A. G. Garr urged MCA adherents in Los Angeles to attend nearby revival meetings led by William Seymour. A. G. and Lillian Anderson Garr embraced the Pentecostal experience and spread the message to India where Garr played a key role spreading Pentecostalism and in the reinterpretation of the meaning of the Pentecostal his experience. Other central emphasize of the MCA entered early Pentecostalism including the notion of restitution and the rejection of divorce and remarriage. In Wisconsin F. M. Messenger invented the Scripture Text Calendar, a decorative art calendar, to fund the MCA and spread the gospel.
Robin I.M. Dunbar
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197264980
- eISBN:
- 9780191754135
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264980.003.0003
- Subject:
- Sociology, Health, Illness, and Medicine
The brain consumes about 20 per cent of the total energy intake in human adults. Primates, and especially humans, have unusually large brains for body size compared with other vertebrates, and ...
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The brain consumes about 20 per cent of the total energy intake in human adults. Primates, and especially humans, have unusually large brains for body size compared with other vertebrates, and fuelling these is a significant drain on both time and energy. Larger-brained primates generally eat fruit-intense diets, but human brains are so large that a reduction in gut size is needed to free up sufficient resources to allow a larger brain to be evolved, placing further pressure on foraging. The early invention of cooking increased nutrient absorption by around 30 per cent over raw food. Increasing digestibility in this way perhaps inevitably leads to risk of obesity when food is super-abundant, as it is in post-industrial societies. However, obesity has clearly been around for a long time, as suggested by the late Palaeolithic Venus figures of Europe, so it is not a novel problem.Less
The brain consumes about 20 per cent of the total energy intake in human adults. Primates, and especially humans, have unusually large brains for body size compared with other vertebrates, and fuelling these is a significant drain on both time and energy. Larger-brained primates generally eat fruit-intense diets, but human brains are so large that a reduction in gut size is needed to free up sufficient resources to allow a larger brain to be evolved, placing further pressure on foraging. The early invention of cooking increased nutrient absorption by around 30 per cent over raw food. Increasing digestibility in this way perhaps inevitably leads to risk of obesity when food is super-abundant, as it is in post-industrial societies. However, obesity has clearly been around for a long time, as suggested by the late Palaeolithic Venus figures of Europe, so it is not a novel problem.
Patrick Vinton Kirch
- Published in print:
- 2010
- Published Online:
- May 2012
- ISBN:
- 9780520267251
- eISBN:
- 9780520947849
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520267251.001.0001
- Subject:
- Anthropology, American and Canadian Cultural Anthropology
This book addresses a central problem in anthropological archaeology—the emergence of “archaic states,” whose distinctive feature was divine kingship—taking as its focus the Hawaiian archipelago, ...
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This book addresses a central problem in anthropological archaeology—the emergence of “archaic states,” whose distinctive feature was divine kingship—taking as its focus the Hawaiian archipelago, commonly regarded as the archetype of a complex chiefdom. Integrating anthropology, linguistics, archaeology, traditional history, and theory, and drawing on significant contributions from four decades of research, it argues that Hawaiian polities had become states before the time of Captain Cook's voyage (1778–1779). The status of most archaic states is inferred from the archaeological record, but the book shows that because Hawai'i's kingdoms were established relatively recently, they could be observed and recorded by Cook and other European voyagers. The book contributes to the literature of precontact Hawai'i and illuminates Hawai'i's importance in the global theory and literature about divine kingship, archaic states, and sociopolitical evolution.Less
This book addresses a central problem in anthropological archaeology—the emergence of “archaic states,” whose distinctive feature was divine kingship—taking as its focus the Hawaiian archipelago, commonly regarded as the archetype of a complex chiefdom. Integrating anthropology, linguistics, archaeology, traditional history, and theory, and drawing on significant contributions from four decades of research, it argues that Hawaiian polities had become states before the time of Captain Cook's voyage (1778–1779). The status of most archaic states is inferred from the archaeological record, but the book shows that because Hawai'i's kingdoms were established relatively recently, they could be observed and recorded by Cook and other European voyagers. The book contributes to the literature of precontact Hawai'i and illuminates Hawai'i's importance in the global theory and literature about divine kingship, archaic states, and sociopolitical evolution.
Carol Bonomo Jennngs and Christine Palamidessi Moore
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9780823231751
- eISBN:
- 9780823241286
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823231751.003.0013
- Subject:
- Literature, American, 20th Century Literature
Authors of commercial, community, and self-published cookbooks reflect on their decisions to write about immigrant kitchens and cooking. In getting to know the women and the lives of Madison, ...
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Authors of commercial, community, and self-published cookbooks reflect on their decisions to write about immigrant kitchens and cooking. In getting to know the women and the lives of Madison, Wisconsin's Greenbush neighborhood, Murray came to know her own grandmother, and she collect memories, pictures, and family memorabilia along with recipes. Cassandra Vivian tells the story of her decision to write and publish a cookbook, and she provides insight into the financial and creative choices that contribute equally to successful publication.Less
Authors of commercial, community, and self-published cookbooks reflect on their decisions to write about immigrant kitchens and cooking. In getting to know the women and the lives of Madison, Wisconsin's Greenbush neighborhood, Murray came to know her own grandmother, and she collect memories, pictures, and family memorabilia along with recipes. Cassandra Vivian tells the story of her decision to write and publish a cookbook, and she provides insight into the financial and creative choices that contribute equally to successful publication.
Kevin Korsyn
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195104547
- eISBN:
- 9780199868988
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195104547.003.0005
- Subject:
- Music, Theory, Analysis, Composition
This chapter explores how disciplinary identities emerge through so-called narratives of disciplinary legitimation. It focuses on six authors whose work seems to provide imaginative solutions to the ...
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This chapter explores how disciplinary identities emerge through so-called narratives of disciplinary legitimation. It focuses on six authors whose work seems to provide imaginative solutions to the problems of disciplinary identity: Lawrence Kramer, Kay Kaufman Shelemay, Manuel Peña, Nicholas Cook, Joseph Kerman, and Kofi Agawu. The cultural dilemmas to which they respond are examined. If the musicological subject is split, then its discourse is also divided; the narrative level may contradict the explicit assertions in the text. By exploding the narrative closure of these texts, we can open discourse to the strategic exclusions that make closure possible.Less
This chapter explores how disciplinary identities emerge through so-called narratives of disciplinary legitimation. It focuses on six authors whose work seems to provide imaginative solutions to the problems of disciplinary identity: Lawrence Kramer, Kay Kaufman Shelemay, Manuel Peña, Nicholas Cook, Joseph Kerman, and Kofi Agawu. The cultural dilemmas to which they respond are examined. If the musicological subject is split, then its discourse is also divided; the narrative level may contradict the explicit assertions in the text. By exploding the narrative closure of these texts, we can open discourse to the strategic exclusions that make closure possible.
Carol Bonomo Jennngs and Christine Palamidessi Moore
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9780823231751
- eISBN:
- 9780823241286
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823231751.003.0010
- Subject:
- Literature, American, 20th Century Literature
The linkages among food, culture, and identity have long occupied small numbers of folklorists and anthropologists. Among Italian Americans, food and cooking are powerful expressions of their ties to ...
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The linkages among food, culture, and identity have long occupied small numbers of folklorists and anthropologists. Among Italian Americans, food and cooking are powerful expressions of their ties to the past and their current identities. Many seem to believe that they are much, much more than what they eat, and that too many negative stereotypes link Italians and food. Cookbooks remain some of the most fascinating and ubiquitous texts that describe their eating habits. Italian Americans invite cooks, collectors, and scholars among Italian Americana readers to take cooking and eating seriously.Less
The linkages among food, culture, and identity have long occupied small numbers of folklorists and anthropologists. Among Italian Americans, food and cooking are powerful expressions of their ties to the past and their current identities. Many seem to believe that they are much, much more than what they eat, and that too many negative stereotypes link Italians and food. Cookbooks remain some of the most fascinating and ubiquitous texts that describe their eating habits. Italian Americans invite cooks, collectors, and scholars among Italian Americana readers to take cooking and eating seriously.
Vanessa Agnew
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195336665
- eISBN:
- 9780199868544
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195336665.003.0003
- Subject:
- Music, History, Western
In examining the status of music in the cross-cultural encounter, this chapter focuses on Captain Cook's second voyage (1772-5) and the role played by Burney's son James and the German naturalist ...
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In examining the status of music in the cross-cultural encounter, this chapter focuses on Captain Cook's second voyage (1772-5) and the role played by Burney's son James and the German naturalist Georg Forster in transcribing and commenting on Polynesian music. It shows that the discovery of part singing in New Zealand and Tonga conflicted with Rousseauvian assertions about polyphony as an exclusively European invention. Music scholars like Charles Burney, Johann Nicolaus Forkel, Eduard Hanslick, and August Wilhelm Ambros subsequently played down the polyphonic and affective character of Polynesian music so as to uphold theories about music's universal progress and its hierarchical ordering. The chapter argues that this move, and others like it, had lasting implications for the development of western musicology and ethnomusicology, which would come to be predicated on a series of radical distinctions between the European and non-European. Where Orpheus had once signified the harmonizing powers of music, he would now be transformed into a cautionary tale about musical difference and the dangers of music's instrumentality.Less
In examining the status of music in the cross-cultural encounter, this chapter focuses on Captain Cook's second voyage (1772-5) and the role played by Burney's son James and the German naturalist Georg Forster in transcribing and commenting on Polynesian music. It shows that the discovery of part singing in New Zealand and Tonga conflicted with Rousseauvian assertions about polyphony as an exclusively European invention. Music scholars like Charles Burney, Johann Nicolaus Forkel, Eduard Hanslick, and August Wilhelm Ambros subsequently played down the polyphonic and affective character of Polynesian music so as to uphold theories about music's universal progress and its hierarchical ordering. The chapter argues that this move, and others like it, had lasting implications for the development of western musicology and ethnomusicology, which would come to be predicated on a series of radical distinctions between the European and non-European. Where Orpheus had once signified the harmonizing powers of music, he would now be transformed into a cautionary tale about musical difference and the dangers of music's instrumentality.
John Boardman
- Published in print:
- 2003
- Published Online:
- January 2013
- ISBN:
- 9780197262788
- eISBN:
- 9780191754210
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197262788.003.0009
- Subject:
- History, Historiography
Robert Cook was Laurence Reader then Professor in Classical Archaeology at Cambridge University. His Greek Painted Pottery, first published in 1960, was a standard student text and his Greek Art ...
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Robert Cook was Laurence Reader then Professor in Classical Archaeology at Cambridge University. His Greek Painted Pottery, first published in 1960, was a standard student text and his Greek Art (1972) was aimed at a general readership. Cook wrote widely on Ancient Greek archaeology and was elected Fellow of the British Academy in 1974. Obituary by John Boardman FBA.Less
Robert Cook was Laurence Reader then Professor in Classical Archaeology at Cambridge University. His Greek Painted Pottery, first published in 1960, was a standard student text and his Greek Art (1972) was aimed at a general readership. Cook wrote widely on Ancient Greek archaeology and was elected Fellow of the British Academy in 1974. Obituary by John Boardman FBA.
Eric Rath
- Published in print:
- 2010
- Published Online:
- March 2012
- ISBN:
- 9780520262270
- eISBN:
- 9780520947658
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520262270.001.0001
- Subject:
- History, Asian History
How did one dine with a shogun? Or make solid gold soup, sculpt with a fish, or turn seaweed into a symbol of happiness? This look at Japanese culinary history delves into the writings of medieval ...
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How did one dine with a shogun? Or make solid gold soup, sculpt with a fish, or turn seaweed into a symbol of happiness? This look at Japanese culinary history delves into the writings of medieval and early modern Japanese chefs to answer these and other questions, and to trace the development of Japanese cuisine from 1400 to 1868. The book shows how medieval “fantasy food” rituals—where food was revered as symbol rather than consumed—were continued by early modern writers. It offers the first extensive introduction to Japanese cookbooks, recipe collections, and gastronomic writings of the period and traces the origins of dishes such as tempura, sushi, and sashimi while documenting Japanese cooking styles and dining customs.Less
How did one dine with a shogun? Or make solid gold soup, sculpt with a fish, or turn seaweed into a symbol of happiness? This look at Japanese culinary history delves into the writings of medieval and early modern Japanese chefs to answer these and other questions, and to trace the development of Japanese cuisine from 1400 to 1868. The book shows how medieval “fantasy food” rituals—where food was revered as symbol rather than consumed—were continued by early modern writers. It offers the first extensive introduction to Japanese cookbooks, recipe collections, and gastronomic writings of the period and traces the origins of dishes such as tempura, sushi, and sashimi while documenting Japanese cooking styles and dining customs.
Maurice Peress
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195098228
- eISBN:
- 9780199869817
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195098228.003.0012
- Subject:
- Music, History, Western
This chapter presents the detailed story of another historic recreation, this time on the stage of Carnegie Hall where in 1912 the Clef Club concert took place. New challenges were met: an unusual ...
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This chapter presents the detailed story of another historic recreation, this time on the stage of Carnegie Hall where in 1912 the Clef Club concert took place. New challenges were met: an unusual mix, the forming of a new Clef Club orchestra that included thirty strummers — ten each of mandolins, guitars and a rare harp guitar, and banjos — all of whom read complicated music very well; a boys' and men's choir; and a concert orchestra including eight pianists and various soloists. Will Marion Cook's dialect song, “Swing Along” for chorus and orchestra stopped the show as it did sixty seven years earlier.Less
This chapter presents the detailed story of another historic recreation, this time on the stage of Carnegie Hall where in 1912 the Clef Club concert took place. New challenges were met: an unusual mix, the forming of a new Clef Club orchestra that included thirty strummers — ten each of mandolins, guitars and a rare harp guitar, and banjos — all of whom read complicated music very well; a boys' and men's choir; and a concert orchestra including eight pianists and various soloists. Will Marion Cook's dialect song, “Swing Along” for chorus and orchestra stopped the show as it did sixty seven years earlier.
Maurice Peress
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195098228
- eISBN:
- 9780199869817
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195098228.003.0013
- Subject:
- Music, History, Western
This chapter describes various highlights in the life of Dvor'k's student, Will Marion Cook, composer, conductor, and violinist. “Doc” Cook, was mentor, guide, and/or adviser to countless American ...
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This chapter describes various highlights in the life of Dvor'k's student, Will Marion Cook, composer, conductor, and violinist. “Doc” Cook, was mentor, guide, and/or adviser to countless American artists. Among them were Ellington, “ ... things he used to tell me I never got a chance to use until ... I wrote the tone poem Black, Brown and Beige”; Eva Jessye, music educator and original choir mistress for Porgy and Bess and Four Saints in Three Acts; the composer, Harold Arlen; and the jazz saxophonist Sidney Bechet whom Cook discovered in Chicago. Cook is the central character in Josef Skvorecky's historical novel Dvořák in Love, and articles and radio broadcasts spring up every time he is rediscovered.Less
This chapter describes various highlights in the life of Dvor'k's student, Will Marion Cook, composer, conductor, and violinist. “Doc” Cook, was mentor, guide, and/or adviser to countless American artists. Among them were Ellington, “ ... things he used to tell me I never got a chance to use until ... I wrote the tone poem Black, Brown and Beige”; Eva Jessye, music educator and original choir mistress for Porgy and Bess and Four Saints in Three Acts; the composer, Harold Arlen; and the jazz saxophonist Sidney Bechet whom Cook discovered in Chicago. Cook is the central character in Josef Skvorecky's historical novel Dvořák in Love, and articles and radio broadcasts spring up every time he is rediscovered.
Maurice Peress
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195098228
- eISBN:
- 9780199869817
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195098228.003.0019
- Subject:
- Music, History, Western
This final chapter takes a walk through what once was Dvorák's New York neighborhood. It discusses the unsuccessful battle to save the Dvorák House where Dvorák lived from 1892-5. The heightened ...
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This final chapter takes a walk through what once was Dvorák's New York neighborhood. It discusses the unsuccessful battle to save the Dvorák House where Dvorák lived from 1892-5. The heightened awareness he brought to the bountiful riches of African American music that helped inspire the Composer-Collector generation — James Weldon Johnson, James Rosamond Johnson, W. C. Handy, Ernest Hogan, and Will Marion Cook — are detailed. It discusses the search for and emergence of a “New African-American Orchestra”, Ford Dabney's theater “roof-top” bands, Hogan and Cook's “Memphis Students Band”, Europe's “Clef Club”, and Cook's “Southern Synchopaters” orchestra, preparing the way for Duke Ellington, “a world-class composer, who stands alone as the foremost American genius who remained loyal to the improvisational, tonal, and rhythmic endowments of African American music”. His universe was an “orchestra” of brilliant jazz artists, one he never found wanting. With a light but firm tether, he drew and followed them along a trail of discovery, leaving glorious artifacts in his path.Less
This final chapter takes a walk through what once was Dvorák's New York neighborhood. It discusses the unsuccessful battle to save the Dvorák House where Dvorák lived from 1892-5. The heightened awareness he brought to the bountiful riches of African American music that helped inspire the Composer-Collector generation — James Weldon Johnson, James Rosamond Johnson, W. C. Handy, Ernest Hogan, and Will Marion Cook — are detailed. It discusses the search for and emergence of a “New African-American Orchestra”, Ford Dabney's theater “roof-top” bands, Hogan and Cook's “Memphis Students Band”, Europe's “Clef Club”, and Cook's “Southern Synchopaters” orchestra, preparing the way for Duke Ellington, “a world-class composer, who stands alone as the foremost American genius who remained loyal to the improvisational, tonal, and rhythmic endowments of African American music”. His universe was an “orchestra” of brilliant jazz artists, one he never found wanting. With a light but firm tether, he drew and followed them along a trail of discovery, leaving glorious artifacts in his path.
Maurice Peress
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195098228
- eISBN:
- 9780199869817
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195098228.003.0005
- Subject:
- Music, History, Western
The Chicago World Columbian Exposition of 1893 (“The Fair”) celebrated America, its industry, and its people. It was among the first events of its kind to honor the achievements of women. Almost ...
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The Chicago World Columbian Exposition of 1893 (“The Fair”) celebrated America, its industry, and its people. It was among the first events of its kind to honor the achievements of women. Almost overnight, the Fair and Chicago became a gathering place for the nation's gifted and talented from every scientific and artistic discipline. There was a significant Negro presence at the Fair; Dahomey Village from Africa's Gold Coast, the Haitian Pavillion was a gathering place for black intelligentsia — hootchie cootchies doing the belly dance, piano professors exchanging licks and forms — these were soon were to emerge as the new national musical rage, ragtime. On Colored Person's Honor Day, Will Marion Cook, the future mentor of Duke Ellington, meets Dvorák. He is invited to attend the National Conservatory that fall; after that the Dvorák family returns to New York.Less
The Chicago World Columbian Exposition of 1893 (“The Fair”) celebrated America, its industry, and its people. It was among the first events of its kind to honor the achievements of women. Almost overnight, the Fair and Chicago became a gathering place for the nation's gifted and talented from every scientific and artistic discipline. There was a significant Negro presence at the Fair; Dahomey Village from Africa's Gold Coast, the Haitian Pavillion was a gathering place for black intelligentsia — hootchie cootchies doing the belly dance, piano professors exchanging licks and forms — these were soon were to emerge as the new national musical rage, ragtime. On Colored Person's Honor Day, Will Marion Cook, the future mentor of Duke Ellington, meets Dvorák. He is invited to attend the National Conservatory that fall; after that the Dvorák family returns to New York.
Marie‐Louise Coolahan
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199567652
- eISBN:
- 9780191722011
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199567652.003.0007
- Subject:
- Literature, Early and Medieval Literature, Women's Literature
This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin ...
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This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin congregation — express a range of religious and political perspectives. They demonstrate the diversity of New English attitudes, and offer divergent views from those of male colonial administrators. Their adoption of a conversion paradigm for their life‐writing unites these texts. Irish experience is fitted to the teleology of conversion as a signifier of catholicism. The discussion argues that these texts are also political. Deeply concerned with worldly reputation, the chapter shows how the projection of female exemplarity often functions to camouflage the more worldly claims these writers made.Less
This final chapter is concerned with biography and autobiography. The texts discussed — by Lucy Cary, Frances Cook, Mary Rich, Alice Thornton, Ann Fanshawe, and the women of John Rogers's Dublin congregation — express a range of religious and political perspectives. They demonstrate the diversity of New English attitudes, and offer divergent views from those of male colonial administrators. Their adoption of a conversion paradigm for their life‐writing unites these texts. Irish experience is fitted to the teleology of conversion as a signifier of catholicism. The discussion argues that these texts are also political. Deeply concerned with worldly reputation, the chapter shows how the projection of female exemplarity often functions to camouflage the more worldly claims these writers made.
Gregory W. Dobrov
- Published in print:
- 2002
- Published Online:
- September 2007
- ISBN:
- 9780199245475
- eISBN:
- 9780191714993
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199245475.003.0008
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
This chapter examines the riddling and dithyrambic language of the cook in Middle Comedy. It shows that Aristophanic paratragedy is not simply turned into paradithyramb. As a genre, dithyramb has no ...
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This chapter examines the riddling and dithyrambic language of the cook in Middle Comedy. It shows that Aristophanic paratragedy is not simply turned into paradithyramb. As a genre, dithyramb has no importance for comedy, so that it becomes difficult to speak of parody or even intertextuality. It is only the verbal art of dithyramb which is transferred into comedy and becomes a new ‘special effect’. Whereas in Old Comedy virtually every character can have a paratragic line or two, in Middle Comedy dithyrambic style becomes a prerogative of one particular type of speaker: cooks and servants. By speaking in riddles, the cook appropriates a verbal genre that ‘belongs’ to the upper classes who meet at symposia, and by using a dithyrambic medium in the formulation of these riddles he gives his social pretension or λαζονεία expression also on a linguistic level.Less
This chapter examines the riddling and dithyrambic language of the cook in Middle Comedy. It shows that Aristophanic paratragedy is not simply turned into paradithyramb. As a genre, dithyramb has no importance for comedy, so that it becomes difficult to speak of parody or even intertextuality. It is only the verbal art of dithyramb which is transferred into comedy and becomes a new ‘special effect’. Whereas in Old Comedy virtually every character can have a paratragic line or two, in Middle Comedy dithyrambic style becomes a prerogative of one particular type of speaker: cooks and servants. By speaking in riddles, the cook appropriates a verbal genre that ‘belongs’ to the upper classes who meet at symposia, and by using a dithyrambic medium in the formulation of these riddles he gives his social pretension or λαζονεία expression also on a linguistic level.
Robert J Miller, Jacinta Ruru, Larissa Behrendt, and Tracey Lindberg
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199579815
- eISBN:
- 9780191594465
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199579815.003.0001
- Subject:
- Law, Human Rights and Immigration, Public International Law
This book shines new light on the mostly ignored historical and legal evidence of the use of the Doctrine of Discovery in Australia, Canada, New Zealand, and the United States. In these countries, ...
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This book shines new light on the mostly ignored historical and legal evidence of the use of the Doctrine of Discovery in Australia, Canada, New Zealand, and the United States. In these countries, Christian Europeans assumed that they held sovereign, property, and commercial rights over the indigenous peoples under the ‘legal authority’ of the Doctrine. This chapter examines the development of Discovery in Europe, focusing on England's role in that development and its use of the Doctrine in these four English colonies. It also sets out the elements of Discovery to explain its underpinnings and definition and to explain how it was used in these four countries to acquire the rights of indigenous peoples. These four countries still struggle to deal with indigenous peoples and, in fact, they were the only countries to vote against the U.N. Declaration on the Rights of Indigenous Peoples.Less
This book shines new light on the mostly ignored historical and legal evidence of the use of the Doctrine of Discovery in Australia, Canada, New Zealand, and the United States. In these countries, Christian Europeans assumed that they held sovereign, property, and commercial rights over the indigenous peoples under the ‘legal authority’ of the Doctrine. This chapter examines the development of Discovery in Europe, focusing on England's role in that development and its use of the Doctrine in these four English colonies. It also sets out the elements of Discovery to explain its underpinnings and definition and to explain how it was used in these four countries to acquire the rights of indigenous peoples. These four countries still struggle to deal with indigenous peoples and, in fact, they were the only countries to vote against the U.N. Declaration on the Rights of Indigenous Peoples.
Charles Travis
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199230334
- eISBN:
- 9780191710605
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199230334.003.0014
- Subject:
- Philosophy, Philosophy of Language
This chapter explores the views of John Cook Wilson, J. L. Austin, and John McDowell. Some stances aim at the world: if all goes well, stance and world match. Some stances contain the world: for one ...
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This chapter explores the views of John Cook Wilson, J. L. Austin, and John McDowell. Some stances aim at the world: if all goes well, stance and world match. Some stances contain the world: for one to have that stance towards something is for that thing to be so (or there). Some of these simply contain their object: taking them is not aiming at their object (which then, happily, is there to hit). John Cook Wilson saw knowledge as a stance of this last sort. John McDowell showed why knowledge needs to be like that. But it was J. L. Austin who made the idea viable. He did it by showing how a sense of occasion is required for proper ascription of epistemic notions.Less
This chapter explores the views of John Cook Wilson, J. L. Austin, and John McDowell. Some stances aim at the world: if all goes well, stance and world match. Some stances contain the world: for one to have that stance towards something is for that thing to be so (or there). Some of these simply contain their object: taking them is not aiming at their object (which then, happily, is there to hit). John Cook Wilson saw knowledge as a stance of this last sort. John McDowell showed why knowledge needs to be like that. But it was J. L. Austin who made the idea viable. He did it by showing how a sense of occasion is required for proper ascription of epistemic notions.
David Howell
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780198203049
- eISBN:
- 9780191719530
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198203049.003.0009
- Subject:
- History, British and Irish Modern History
By the mid-1920s, a pattern of factionalism had developed within the Miners' Federation of Great Britain which would characterize the union for many years. The Right included most District Officials ...
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By the mid-1920s, a pattern of factionalism had developed within the Miners' Federation of Great Britain which would characterize the union for many years. The Right included most District Officials who emphasized a realistic defence of miners' interests backed by thorough expression of loyalty to the Labour Party. The character of the Left was sharpened by the formation of the Miners' Minority Movement in 1924. Its initial strategy of an alliance between Communists and other left-wingers reflected current Communist concerns to achieve a broad left alliance within the trade unions and the Trades Union Congress. This factional alignment crystallized slowly. In 1924, the ‘proper’ relationship between the Communist Party and the Labour Party remained unclear. The unions still jealously protected their power to select their delegates to Labour Party meetings without outside interference. This chapter also looks at Arthur Cook and his politics and industrial leadership compared with Labour leader Ramsay MacDonald.Less
By the mid-1920s, a pattern of factionalism had developed within the Miners' Federation of Great Britain which would characterize the union for many years. The Right included most District Officials who emphasized a realistic defence of miners' interests backed by thorough expression of loyalty to the Labour Party. The character of the Left was sharpened by the formation of the Miners' Minority Movement in 1924. Its initial strategy of an alliance between Communists and other left-wingers reflected current Communist concerns to achieve a broad left alliance within the trade unions and the Trades Union Congress. This factional alignment crystallized slowly. In 1924, the ‘proper’ relationship between the Communist Party and the Labour Party remained unclear. The unions still jealously protected their power to select their delegates to Labour Party meetings without outside interference. This chapter also looks at Arthur Cook and his politics and industrial leadership compared with Labour leader Ramsay MacDonald.
Marva Griffin Carter
- Published in print:
- 2008
- Published Online:
- January 2010
- ISBN:
- 9780195108910
- eISBN:
- 9780199865796
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195108910.003.0002
- Subject:
- Music, History, American
This chapter discusses William Mercer Cook as he grew from child to adolescent. It explains several important points in his life, from the death of his father, his journey with his mother, and the ...
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This chapter discusses William Mercer Cook as he grew from child to adolescent. It explains several important points in his life, from the death of his father, his journey with his mother, and the life that he had when he stayed with his relatives. It also narrates Will’s decision to pursue his latent desire to study music at Oberlin College. It adds that his artistic ability was undoubtedly inherited from his paternal grandfather, who once organized an orchestra in Detroit, wherein he played the violin and clarinet. It then explains that the violin was to become the instrument upon which Will would choose to express his musicality.Less
This chapter discusses William Mercer Cook as he grew from child to adolescent. It explains several important points in his life, from the death of his father, his journey with his mother, and the life that he had when he stayed with his relatives. It also narrates Will’s decision to pursue his latent desire to study music at Oberlin College. It adds that his artistic ability was undoubtedly inherited from his paternal grandfather, who once organized an orchestra in Detroit, wherein he played the violin and clarinet. It then explains that the violin was to become the instrument upon which Will would choose to express his musicality.
