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Sonata Form

Floyd Grave and Margaret Grave

in The String Quartets of Joseph Haydn

Published in print:
2006
Published Online:
May 2008
ISBN:
9780195173574
eISBN:
9780199872152
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195173574.003.0005
Subject:
Music, History, Western

Centrally important to Haydn's concept of the genre, sonata form's polarities, fluctuating energies, and tensional relationships between themes and sections offered countless opportunities for ... More


The Continuous Exposition

James Hepokoski and Warren Darcy

in Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195146400
eISBN:
9780199850983
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195146400.003.0004
Subject:
Music, Theory, Analysis, Composition

In 1963, Peter Larsen referred to continuous exposition as the “three-part division of the exposition,” but the designation of this is misleading because it refers to the surface features of only one ... More


Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions: The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and Rhenish Symphony

Peter H. Smith

in Rethinking Schumann

Published in print:
2011
Published Online:
May 2011
ISBN:
9780195393859
eISBN:
9780199894406
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195393859.003.0012
Subject:
Music, History, Western

Scholars and critics historically have disparaged the function of tonal pairing in Schumann's sonata forms, even as the technique has met with critical approval in the context of the composer's piano ... More


The Medial Caesura and the Two-Part Exposition

James Hepokoski and Warren Darcy

in Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195146400
eISBN:
9780199850983
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195146400.003.0003
Subject:
Music, Theory, Analysis, Composition

An exposition has both a tonal and a rhetorical function; the tonal form is generally the same in all sonatas, which worked out in different sonatas in individualized ways according to localized ... More


Haydn, String Quartet in G, op. 76 no. 1/i (Allegro con spirito)

James Hepokoski

in A Sonata Theory Handbook

Published in print:
2021
Published Online:
January 2021
ISBN:
9780197536810
eISBN:
9780197536858
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780197536810.003.0006
Subject:
Music, Theory, Analysis, Composition

Not all classical expositions are “two-part expositions,” that is, one divided in half by a medial caesura. Another, less common option was that of the “continuous exposition,” lacking a medial ... More


Modern Terminology

L. Poundie Burstein

in Journeys Through Galant Expositions

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190083991
eISBN:
9780190084028
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190083991.003.0006
Subject:
Music, Theory, Analysis, Composition

In many expositions, the shaping of the resting points and the passages that lead to them give rise to the impression of distinct theme groups such as are described by modern sonata-form terminology. ... More


Standard Punctuation Form

L. Poundie Burstein

in Journeys Through Galant Expositions

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190083991
eISBN:
9780190084028
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190083991.003.0007
Subject:
Music, Theory, Analysis, Composition

It is quite common for a Galant exposition to be articulated by a standard punctuation sequence without suggesting distinct theme sections (such as a transition or secondary theme group) and without ... More


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