Maximilian de Gaynesford
- Published in print:
- 2006
- Published Online:
- May 2006
- ISBN:
- 9780199287826
- eISBN:
- 9780191603570
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199287821.001.0001
- Subject:
- Philosophy, Philosophy of Language
The central claim of this book is that I is a deictic term, like the other singular personal pronouns You and He/She. This is true of the logical character, inferential role, referential function, ...
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The central claim of this book is that I is a deictic term, like the other singular personal pronouns You and He/She. This is true of the logical character, inferential role, referential function, expressive use, and communicative role of all and only expressions used to formulate first-personal reference in any language. The first part of the book shows why the standard account of I as a ‘pure indexical’ (‘purism’) should be rejected. Purism requires three mutually supportive doctrines which turn out to be myths: a) that a simple rule is sufficient to give the meaning of I (‘rule theory’); b) that one can use I to express thoughts without having to identify what is being referred to (‘independence’); and c) that as a matter of the meaning of I, any use of the term is logically guaranteed against failure to refer (‘the guarantee’). The second part of the book shows why the radically new account of I should be endorsed as a deictic term. Substitution instances and the behaviour of I in inference reveal that it has an obligatorily deictic logical character and inferential role. I fulfils its referential function in the deictic way, providing determinacy of reference by making an individual referentially salient in the extra-sentential context. The discriminability of the referent of an I-use depends on recognizing the referentially salient individual. This is true of its discriminability both to the reference-maker and to the audience. So I has the expressive use and communicative role of a deictic term. The conclusion of the book directs research towards the next step, showing how the meaning of I may be used to elucidate the thoughts expressed by the term, and from there questions relating to self-knowledge, practical reasoning, belief-acquisition, and belief-ascription.Less
The central claim of this book is that I is a deictic term, like the other singular personal pronouns You and He/She. This is true of the logical character, inferential role, referential function, expressive use, and communicative role of all and only expressions used to formulate first-personal reference in any language. The first part of the book shows why the standard account of I as a ‘pure indexical’ (‘purism’) should be rejected. Purism requires three mutually supportive doctrines which turn out to be myths: a) that a simple rule is sufficient to give the meaning of I (‘rule theory’); b) that one can use I to express thoughts without having to identify what is being referred to (‘independence’); and c) that as a matter of the meaning of I, any use of the term is logically guaranteed against failure to refer (‘the guarantee’). The second part of the book shows why the radically new account of I should be endorsed as a deictic term. Substitution instances and the behaviour of I in inference reveal that it has an obligatorily deictic logical character and inferential role. I fulfils its referential function in the deictic way, providing determinacy of reference by making an individual referentially salient in the extra-sentential context. The discriminability of the referent of an I-use depends on recognizing the referentially salient individual. This is true of its discriminability both to the reference-maker and to the audience. So I has the expressive use and communicative role of a deictic term. The conclusion of the book directs research towards the next step, showing how the meaning of I may be used to elucidate the thoughts expressed by the term, and from there questions relating to self-knowledge, practical reasoning, belief-acquisition, and belief-ascription.
George Sher
- Published in print:
- 2005
- Published Online:
- September 2006
- ISBN:
- 9780195187427
- eISBN:
- 9780199786596
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195187423.001.0001
- Subject:
- Philosophy, Moral Philosophy
Blame is an unpopular and neglected notion: it goes against the grain of a therapeutically oriented culture and has been far less discussed by philosophers than such related notions as responsibility ...
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Blame is an unpopular and neglected notion: it goes against the grain of a therapeutically oriented culture and has been far less discussed by philosophers than such related notions as responsibility and punishment. This book seeks to show that neither the opposition nor the neglect is justified. The book’s most important conclusion is that blame is inseparable from morality itself — that any considerations that justify us in accepting a set of moral principles must also call for the condemnation of those who violate the principles. Because blame has not received much sustained attention, the book works its way toward its conclusions by first raising, and then seeking to resolve, a series of conceptual and normative questions. These questions include: How are blameworthy acts related to the characters of the agents who perform them? Can agents deserve blame for their bad traits as well as their bad acts? Is blame best understood as a kind of action, a kind of belief, a kind of feeling, a combination of these elements, or something entirely different? What sort of moral concept is blameworthiness? How do blame and blameworthiness — correlative concepts — fit together? Although the book draws both on Hume’s treatment of the relation between character and blame and Strawson’s landmark discussion of the “reactive attitudes”, the theory that emerges is neither Humean nor Strawsonian. It is a new theory that seeks to do more justice than its predecessors to the indispensable role that blame plays in our moral lives.Less
Blame is an unpopular and neglected notion: it goes against the grain of a therapeutically oriented culture and has been far less discussed by philosophers than such related notions as responsibility and punishment. This book seeks to show that neither the opposition nor the neglect is justified. The book’s most important conclusion is that blame is inseparable from morality itself — that any considerations that justify us in accepting a set of moral principles must also call for the condemnation of those who violate the principles. Because blame has not received much sustained attention, the book works its way toward its conclusions by first raising, and then seeking to resolve, a series of conceptual and normative questions. These questions include: How are blameworthy acts related to the characters of the agents who perform them? Can agents deserve blame for their bad traits as well as their bad acts? Is blame best understood as a kind of action, a kind of belief, a kind of feeling, a combination of these elements, or something entirely different? What sort of moral concept is blameworthiness? How do blame and blameworthiness — correlative concepts — fit together? Although the book draws both on Hume’s treatment of the relation between character and blame and Strawson’s landmark discussion of the “reactive attitudes”, the theory that emerges is neither Humean nor Strawsonian. It is a new theory that seeks to do more justice than its predecessors to the indispensable role that blame plays in our moral lives.
Paul Woodruff
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195332001
- eISBN:
- 9780199868186
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195332001.001.0001
- Subject:
- Philosophy, Aesthetics
The Necessity of Theater examines the whole art of theater, which teaches us how best to watch and be watched, and is as necessary to human life as language. We practice the art of ...
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The Necessity of Theater examines the whole art of theater, which teaches us how best to watch and be watched, and is as necessary to human life as language. We practice the art of theater on the formal stage, but also in sports events, weddings, and ceremonies of all kinds. The book begins by defining the art in a broad way, so as to include as many kinds of theater as possible across world cultures. After defining theater, The Necessity of Theater examines in turn each of the main elements of its two main components: the art of watching and that of being watched. Performers practice the art of making their actions worth watching. This means that they should pay attention to such elements as action, choice, plot, character, mimesis, and the sacredness of performance space. All of these are covered in the book. Audiences practice the art of paying attention to the actions before them. To do that they need to know how to find events worth watching. A good audience is emotionally engaged through one of the many forms of empathy that are distinguished in this book, one of which leads to human wisdom. Plato's ancient attack on theater is right in that theater cannot teach us transcendent truths, but theater does each us about ourselves.Less
The Necessity of Theater examines the whole art of theater, which teaches us how best to watch and be watched, and is as necessary to human life as language. We practice the art of theater on the formal stage, but also in sports events, weddings, and ceremonies of all kinds. The book begins by defining the art in a broad way, so as to include as many kinds of theater as possible across world cultures. After defining theater, The Necessity of Theater examines in turn each of the main elements of its two main components: the art of watching and that of being watched. Performers practice the art of making their actions worth watching. This means that they should pay attention to such elements as action, choice, plot, character, mimesis, and the sacredness of performance space. All of these are covered in the book. Audiences practice the art of paying attention to the actions before them. To do that they need to know how to find events worth watching. A good audience is emotionally engaged through one of the many forms of empathy that are distinguished in this book, one of which leads to human wisdom. Plato's ancient attack on theater is right in that theater cannot teach us transcendent truths, but theater does each us about ourselves.
Gregory Currie
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199282609
- eISBN:
- 9780191712432
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199282609.001.0001
- Subject:
- Philosophy, Aesthetics, Philosophy of Mind
Narratives are artefacts of a special kind: they are devices which function to tell stories, and do so by conveying the storytelling intentions of their makers. But, narrative itself is too inclusive ...
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Narratives are artefacts of a special kind: they are devices which function to tell stories, and do so by conveying the storytelling intentions of their makers. But, narrative itself is too inclusive a category for much more to be said about it than this; we should focus attention instead on the vaguely defined but interesting category of things rich in narrative structure. Such devices offer significant possibilities, not merely for the representation of stories, but for the expression of point of view; they have also played an important role in the evolution of reliable channels of information, an issue pursued in three chapter appendices. This book argues that much of the pleasure of narrative depends on early developing tendencies in human beings to imitation and to joint attention, and imitation turns out to be the key to understanding such important literary techniques as free indirect discourse and character‐focused narration. The book also examines irony in narrative, with an emphasis on the idea of the expression of ironic points of view; a case study of this phenomenon is offered. Finally, the book examines the idea of Character, as evidenced in robust, situation‐independent ways of acting and thinking, and its important role in many narratives. It is asked whether scepticism about the notion of Character should have us reassess the dramatic and literary tradition which places such emphasis on Character.Less
Narratives are artefacts of a special kind: they are devices which function to tell stories, and do so by conveying the storytelling intentions of their makers. But, narrative itself is too inclusive a category for much more to be said about it than this; we should focus attention instead on the vaguely defined but interesting category of things rich in narrative structure. Such devices offer significant possibilities, not merely for the representation of stories, but for the expression of point of view; they have also played an important role in the evolution of reliable channels of information, an issue pursued in three chapter appendices. This book argues that much of the pleasure of narrative depends on early developing tendencies in human beings to imitation and to joint attention, and imitation turns out to be the key to understanding such important literary techniques as free indirect discourse and character‐focused narration. The book also examines irony in narrative, with an emphasis on the idea of the expression of ironic points of view; a case study of this phenomenon is offered. Finally, the book examines the idea of Character, as evidenced in robust, situation‐independent ways of acting and thinking, and its important role in many narratives. It is asked whether scepticism about the notion of Character should have us reassess the dramatic and literary tradition which places such emphasis on Character.
Wesley A. Kort
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195143423
- eISBN:
- 9780199834389
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195143426.001.0001
- Subject:
- Religion, Religion and Literature
The argument of this book is that a primary goal in the work of C. S. Lewis is to articulate a Christian worldview. Lewis based this project on his positive view of culture, nature, and human ...
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The argument of this book is that a primary goal in the work of C. S. Lewis is to articulate a Christian worldview. Lewis based this project on his positive view of culture, nature, and human relations. He addresses deficiencies in modern culture and the largely distorted relations of modernity to nature in order to restore culture as a supportive base for a Christian worldview. The book offers discussions of seven interests in Lewis's work: retrieval, reenchantment, houses, culture, character, pleasure, and celebration. The topics provide not only an analysis of Lewis's work but also a basis upon which readers who want to construct a worldview here and now can draw inspiration and direction from him.Less
The argument of this book is that a primary goal in the work of C. S. Lewis is to articulate a Christian worldview. Lewis based this project on his positive view of culture, nature, and human relations. He addresses deficiencies in modern culture and the largely distorted relations of modernity to nature in order to restore culture as a supportive base for a Christian worldview. The book offers discussions of seven interests in Lewis's work: retrieval, reenchantment, houses, culture, character, pleasure, and celebration. The topics provide not only an analysis of Lewis's work but also a basis upon which readers who want to construct a worldview here and now can draw inspiration and direction from him.
Sophie Ratcliffe
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199239870
- eISBN:
- 9780191716799
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199239870.001.0001
- Subject:
- Literature, Poetry
What happens when we engage with fictional characters? What sort of cognitive activity and affective response does reading about imaginary figures involve? How do our imaginative engagements bear on ...
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What happens when we engage with fictional characters? What sort of cognitive activity and affective response does reading about imaginary figures involve? How do our imaginative engagements bear on our actions in the wider world? Moving between literary and philosophical analysis, this book considers the ways in which readers feel when they read, and how they understand ideas of feeling. By using poetic rewritings of The Tempest as its focus, this book broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification. It questions whether this activity is necessarily central to our reading practices, and scrutinises why identification has been seen as so important to some liberal humanist theories of literary engagement. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare's late play, offer new readings of some major works, while the book's epilogue tackles questions of contemporary sympathy.Less
What happens when we engage with fictional characters? What sort of cognitive activity and affective response does reading about imaginary figures involve? How do our imaginative engagements bear on our actions in the wider world? Moving between literary and philosophical analysis, this book considers the ways in which readers feel when they read, and how they understand ideas of feeling. By using poetic rewritings of The Tempest as its focus, this book broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification. It questions whether this activity is necessarily central to our reading practices, and scrutinises why identification has been seen as so important to some liberal humanist theories of literary engagement. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare's late play, offer new readings of some major works, while the book's epilogue tackles questions of contemporary sympathy.
John Gibson
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780199299522
- eISBN:
- 9780191714900
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199299522.001.0001
- Subject:
- Philosophy, Aesthetics
Literature is a source of understanding and insight into the human condition. Yet ever since Aristotle, philosophers have struggled to provide a plausible account of how this can be the case. For ...
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Literature is a source of understanding and insight into the human condition. Yet ever since Aristotle, philosophers have struggled to provide a plausible account of how this can be the case. For surely the fictionality, the sheer invented character, of the literary work means that literature concerns itself not with the real world but with other worlds — what are commonly called fictional worlds. How is it, then, that fictions can tell us something of consequence about reality? This book offers a novel and intriguing account of the relationship between literature and life, and shows that literature's great cultural and cognitive value is inseparable from its fictionality and inventiveness.Less
Literature is a source of understanding and insight into the human condition. Yet ever since Aristotle, philosophers have struggled to provide a plausible account of how this can be the case. For surely the fictionality, the sheer invented character, of the literary work means that literature concerns itself not with the real world but with other worlds — what are commonly called fictional worlds. How is it, then, that fictions can tell us something of consequence about reality? This book offers a novel and intriguing account of the relationship between literature and life, and shows that literature's great cultural and cognitive value is inseparable from its fictionality and inventiveness.
Amanda Bittner
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780199595365
- eISBN:
- 9780191725593
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199595365.001.0001
- Subject:
- Political Science, Comparative Politics
Campaign organizers and the media appear to agree that voters' perceptions of party leaders have an important impact in elections: considerable effort is made to ensure that leaders look good, speak ...
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Campaign organizers and the media appear to agree that voters' perceptions of party leaders have an important impact in elections: considerable effort is made to ensure that leaders look good, speak well, and that they are up in the polls. In contrast, the academic literature is much more divided. Some suggest that leaders play an important role in the vote calculus, while others argue that in comparison to other factors, perceptions of leaders have only a minimal impact. This study incorporates data from thirty-five election studies across seven countries with varying institutional environments, and takes both a broad and in-depth look at the role of leaders. A few noteworthy conclusions emerge. First, voters evaluate leaders' traits in terms of two main dimensions: character and competence. Second, voters perceive leaders within the framework of a partisan stereotype in which the party label of the leader imbues meaning; more specifically, leaders of Conservative parties are seen to be more competent while Left leaders are seen to have more character. Third, and most importantly, leaders matter: they affect voters' decisions and have a discernible effect on the distribution of votes in an election. Fourth, there are consistent differences in the perception of party leaders according to voters' level of political sophistication. While all voters evaluate party leaders and consider leaders in their vote calculus, the more sophisticated do so the most. This book argues that personality plays an important role in elections, and that in a healthy democracy, so it should.Less
Campaign organizers and the media appear to agree that voters' perceptions of party leaders have an important impact in elections: considerable effort is made to ensure that leaders look good, speak well, and that they are up in the polls. In contrast, the academic literature is much more divided. Some suggest that leaders play an important role in the vote calculus, while others argue that in comparison to other factors, perceptions of leaders have only a minimal impact. This study incorporates data from thirty-five election studies across seven countries with varying institutional environments, and takes both a broad and in-depth look at the role of leaders. A few noteworthy conclusions emerge. First, voters evaluate leaders' traits in terms of two main dimensions: character and competence. Second, voters perceive leaders within the framework of a partisan stereotype in which the party label of the leader imbues meaning; more specifically, leaders of Conservative parties are seen to be more competent while Left leaders are seen to have more character. Third, and most importantly, leaders matter: they affect voters' decisions and have a discernible effect on the distribution of votes in an election. Fourth, there are consistent differences in the perception of party leaders according to voters' level of political sophistication. While all voters evaluate party leaders and consider leaders in their vote calculus, the more sophisticated do so the most. This book argues that personality plays an important role in elections, and that in a healthy democracy, so it should.
Uriah Kriegel
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199570355
- eISBN:
- 9780191721625
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199570355.001.0001
- Subject:
- Philosophy, Philosophy of Mind, Philosophy of Science
Some mental events are conscious, some are unconscious. What is the difference between the two? This book offers an answer. It attempts to develop a comprehensive theory of the feature that all and ...
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Some mental events are conscious, some are unconscious. What is the difference between the two? This book offers an answer. It attempts to develop a comprehensive theory of the feature that all and only conscious mental events have. According to the theory, conscious mental events differ from unconscious ones in that, whatever else they may represent, they always also represent themselves, and do so in a very specific way. The book fleshed out this idea and argues for it.Less
Some mental events are conscious, some are unconscious. What is the difference between the two? This book offers an answer. It attempts to develop a comprehensive theory of the feature that all and only conscious mental events have. According to the theory, conscious mental events differ from unconscious ones in that, whatever else they may represent, they always also represent themselves, and do so in a very specific way. The book fleshed out this idea and argues for it.
Michelle Madden Dempsey
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780199562169
- eISBN:
- 9780191705298
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199562169.001.1
- Subject:
- Law, Philosophy of Law, Criminal Law and Criminology
What should public prosecutors do when victims withdraw support for domestic violence prosecutions? This book defends the claim that (within the realm of justified/permissible action) prosecutors ...
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What should public prosecutors do when victims withdraw support for domestic violence prosecutions? This book defends the claim that (within the realm of justified/permissible action) prosecutors should respond effectively; which is to say that ceteris paribus domestic-violence prosecutors should respond as feminists. This claim is intended as a provocative formulation of the proposition that domestic violence prosecutors should act for reasons generated by the value of reconstituting their states (and communities) as less patriarchal. In defending this claim, the book first sets out a general theory of prosecutorial practical reasoning and then considers the prosecution of domestic-violence offences in particular. Along the way, it provides an original account of the nature of prosecutorial action, the values that can be realized through such action, and the relationship between these values and the practical reasoning of criminal prosecutors. Moreover, it provides analyses of two key concepts — domestic violence and patriarchy — and explains the relevance of the latter to a proper understanding of the former. Putting these insights to work in answering the question stated above, this book provides an account of what prosecutors would be justified in doing in such cases and what prosecutors should do in order to be effective as domestic violence prosecutors. Later chapters apply this general framework in addressing the rights and duties of domestic violence victims to participate in criminal prosecutions and responding to some general objections that might be raised against envisioning the role of domestic-violence-prosecutor-as-feminist.Less
What should public prosecutors do when victims withdraw support for domestic violence prosecutions? This book defends the claim that (within the realm of justified/permissible action) prosecutors should respond effectively; which is to say that ceteris paribus domestic-violence prosecutors should respond as feminists. This claim is intended as a provocative formulation of the proposition that domestic violence prosecutors should act for reasons generated by the value of reconstituting their states (and communities) as less patriarchal. In defending this claim, the book first sets out a general theory of prosecutorial practical reasoning and then considers the prosecution of domestic-violence offences in particular. Along the way, it provides an original account of the nature of prosecutorial action, the values that can be realized through such action, and the relationship between these values and the practical reasoning of criminal prosecutors. Moreover, it provides analyses of two key concepts — domestic violence and patriarchy — and explains the relevance of the latter to a proper understanding of the former. Putting these insights to work in answering the question stated above, this book provides an account of what prosecutors would be justified in doing in such cases and what prosecutors should do in order to be effective as domestic violence prosecutors. Later chapters apply this general framework in addressing the rights and duties of domestic violence victims to participate in criminal prosecutions and responding to some general objections that might be raised against envisioning the role of domestic-violence-prosecutor-as-feminist.
Virginia Yans-McLaughlin (ed.)
- Published in print:
- 1991
- Published Online:
- October 2011
- ISBN:
- 9780195055108
- eISBN:
- 9780199854219
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195055108.001.0001
- Subject:
- History, Historiography
Providing an interdisciplinary and global perspective on immigration to the United States, this book represents an important step forward in the development of immigration studies. The book aims to ...
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Providing an interdisciplinary and global perspective on immigration to the United States, this book represents an important step forward in the development of immigration studies. The book aims to help redirect thinking on the subject of immigration by giving a summary of the current state of immigration studies and a coherent new perspective that emphasizes the international dimensions of the immigrant experience from the time of the slave trade to present-day movements of Asian and Latin American peoples. This book challenges ethnocentric American or European perspectives on immigration, disputes the classical assimilation model of a linear progression of immigrant cultures toward a dominant American national character, questions human capital theory as an explanation of ethnic group achievement, reveals conflicting ethnic and racial attitudes toward immigration restriction, and examines the revival of interest in oral history, immigrant autobiographies, and other subjective documents.Less
Providing an interdisciplinary and global perspective on immigration to the United States, this book represents an important step forward in the development of immigration studies. The book aims to help redirect thinking on the subject of immigration by giving a summary of the current state of immigration studies and a coherent new perspective that emphasizes the international dimensions of the immigrant experience from the time of the slave trade to present-day movements of Asian and Latin American peoples. This book challenges ethnocentric American or European perspectives on immigration, disputes the classical assimilation model of a linear progression of immigrant cultures toward a dominant American national character, questions human capital theory as an explanation of ethnic group achievement, reveals conflicting ethnic and racial attitudes toward immigration restriction, and examines the revival of interest in oral history, immigrant autobiographies, and other subjective documents.
Richard McCarty
- Published in print:
- 2009
- Published Online:
- September 2009
- ISBN:
- 9780199567720
- eISBN:
- 9780191721465
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199567720.001.0001
- Subject:
- Philosophy, Philosophy of Mind, History of Philosophy
The theory of action underlying Immanuel Kant's moral theory is the subject of this book. What “maxims” are, and how we act on maxims, are explained here in light of both the historical context of ...
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The theory of action underlying Immanuel Kant's moral theory is the subject of this book. What “maxims” are, and how we act on maxims, are explained here in light of both the historical context of Kant's thought, and his classroom lectures on psychology and ethics. Arguing against the current of much recent scholarship, a strong case is made for interpreting Kant as having embraced psychological determinism, a version of the “belief-desire model” of human motivation, and a literal, “two-worlds” metaphysics. On this interpretation, actions in the familiar, sensible world are always effects of prior psychological causes. Their explaining causal laws are the maxims of agents' characters. And agents act freely if, acting in an intelligible world, what they do there results in their having the characters they have here, in the sensible world. In this way Kant's theory of action coordinates thoroughgoing causal determinism in the natural world with human freedom and moral responsibility. This line of interpretation is fruitful also for addressing some familiar problems in Kant's moral psychology. It allows explaining actions caused by admirable inclinations as “virtuous”, without requiring the motive of duty behind every morally praiseworthy action.Less
The theory of action underlying Immanuel Kant's moral theory is the subject of this book. What “maxims” are, and how we act on maxims, are explained here in light of both the historical context of Kant's thought, and his classroom lectures on psychology and ethics. Arguing against the current of much recent scholarship, a strong case is made for interpreting Kant as having embraced psychological determinism, a version of the “belief-desire model” of human motivation, and a literal, “two-worlds” metaphysics. On this interpretation, actions in the familiar, sensible world are always effects of prior psychological causes. Their explaining causal laws are the maxims of agents' characters. And agents act freely if, acting in an intelligible world, what they do there results in their having the characters they have here, in the sensible world. In this way Kant's theory of action coordinates thoroughgoing causal determinism in the natural world with human freedom and moral responsibility. This line of interpretation is fruitful also for addressing some familiar problems in Kant's moral psychology. It allows explaining actions caused by admirable inclinations as “virtuous”, without requiring the motive of duty behind every morally praiseworthy action.
Jennifer Radden and John Sadler
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195389371
- eISBN:
- 9780199866328
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195389371.001.0001
- Subject:
- Philosophy, Moral Philosophy, General
Drawing on the role morality developed in previous applications of virtue ethics to professional practice, The Virtuous Psychiatrist shows that the ethical practice of psychiatry depends on the ...
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Drawing on the role morality developed in previous applications of virtue ethics to professional practice, The Virtuous Psychiatrist shows that the ethical practice of psychiatry depends on the character of the practitioner. The book is built upon three key tenets: ethics is important to any professional practice, including psychiatry; the settings within which psychiatry is practiced impose ethical demands on its practitioners that are distinctive enough to warrant a separate analysis; and an emphasis on character and moral psychology in a virtue theory significantly augments our understanding of the ethical demands of psychiatric practice. In addition to the ethical guidelines imposed on every biomedical practice, the ethical practitioner should cultivate additional traits of character or virtues. These include gender sensitive virtues. Implicated in the normative presuppositions of psychiatric practice and lore, gender stands in for other such categories including race, class and ethnicity; it is also a factor at once unremittingly controversial, and inescapably tied to the self identity often at the heart of the therapeutic project. Virtues can and should be taught – that is, instilled, deepened and augmented. The setting where trainees are learning the ideals and responses of their particular professional role, it is emphasized, is where such virtues can be habituated, using pedagogical techniques associated with moral education, such as training in empathic emotions. Psychiatric training should address trainee's character alongside practice skills.Less
Drawing on the role morality developed in previous applications of virtue ethics to professional practice, The Virtuous Psychiatrist shows that the ethical practice of psychiatry depends on the character of the practitioner. The book is built upon three key tenets: ethics is important to any professional practice, including psychiatry; the settings within which psychiatry is practiced impose ethical demands on its practitioners that are distinctive enough to warrant a separate analysis; and an emphasis on character and moral psychology in a virtue theory significantly augments our understanding of the ethical demands of psychiatric practice. In addition to the ethical guidelines imposed on every biomedical practice, the ethical practitioner should cultivate additional traits of character or virtues. These include gender sensitive virtues. Implicated in the normative presuppositions of psychiatric practice and lore, gender stands in for other such categories including race, class and ethnicity; it is also a factor at once unremittingly controversial, and inescapably tied to the self identity often at the heart of the therapeutic project. Virtues can and should be taught – that is, instilled, deepened and augmented. The setting where trainees are learning the ideals and responses of their particular professional role, it is emphasized, is where such virtues can be habituated, using pedagogical techniques associated with moral education, such as training in empathic emotions. Psychiatric training should address trainee's character alongside practice skills.
Roger Warren
- Published in print:
- 1990
- Published Online:
- October 2011
- ISBN:
- 9780198128779
- eISBN:
- 9780191671692
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198128779.003.0007
- Subject:
- Literature, Shakespeare Studies
For the author, the most significant feature that is evident in the recent portrayals of Shakespeare's late plays, and probably in other staging attempts, involves the central characters' sense of ...
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For the author, the most significant feature that is evident in the recent portrayals of Shakespeare's late plays, and probably in other staging attempts, involves the central characters' sense of embarking on voyages of discovery, undergoing spiritual journeys, and how these characters have discovered themselves. All the major characters in Shakespeare's late plays (although probably demonstrated differently by Pericles) undergo fundamental psychological journeys. Peter Hall's stagings were able to illustrate an overt style that resembled the technique used in Shakespeare's preceding comedies.Less
For the author, the most significant feature that is evident in the recent portrayals of Shakespeare's late plays, and probably in other staging attempts, involves the central characters' sense of embarking on voyages of discovery, undergoing spiritual journeys, and how these characters have discovered themselves. All the major characters in Shakespeare's late plays (although probably demonstrated differently by Pericles) undergo fundamental psychological journeys. Peter Hall's stagings were able to illustrate an overt style that resembled the technique used in Shakespeare's preceding comedies.
Robert Merrihew Adams
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199207510
- eISBN:
- 9780191708824
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199207510.003.0001
- Subject:
- Philosophy, Philosophy of Mind
What is a theory of virtue about? It is about what constitutes a good moral character, or a good quality of character. It is not about what makes an action right or wrong, though virtuous people ...
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What is a theory of virtue about? It is about what constitutes a good moral character, or a good quality of character. It is not about what makes an action right or wrong, though virtuous people generally act rightly. The evaluation of character as good or bad and the evaluation of actions as right or wrong are different departments of ethical theory. Neither can be reduced to the other, and there is reason to care about both of them. This chapter explains and defends these theses, and the remaining chapters of the book are sketched in outline.Less
What is a theory of virtue about? It is about what constitutes a good moral character, or a good quality of character. It is not about what makes an action right or wrong, though virtuous people generally act rightly. The evaluation of character as good or bad and the evaluation of actions as right or wrong are different departments of ethical theory. Neither can be reduced to the other, and there is reason to care about both of them. This chapter explains and defends these theses, and the remaining chapters of the book are sketched in outline.
Robert Merrihew Adams
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199207510
- eISBN:
- 9780191708824
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199207510.003.0002
- Subject:
- Philosophy, Philosophy of Mind
Virtue, comprehensively considered, is intrinsic excellence of persisting moral character, and excellence of moral character must be excellence in being for what is good. This chapter elaborates the ...
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Virtue, comprehensively considered, is intrinsic excellence of persisting moral character, and excellence of moral character must be excellence in being for what is good. This chapter elaborates the concepts of being forsomething, of the good that virtue is for, and of excellence. The concept of a particular virtue or excellent trait of moral character is distinguished from, and related to, the more comprehensive concept of virtue.Less
Virtue, comprehensively considered, is intrinsic excellence of persisting moral character, and excellence of moral character must be excellence in being for what is good. This chapter elaborates the concepts of being forsomething, of the good that virtue is for, and of excellence. The concept of a particular virtue or excellent trait of moral character is distinguished from, and related to, the more comprehensive concept of virtue.
Robert Merrihew Adams
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780199207510
- eISBN:
- 9780191708824
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199207510.003.0003
- Subject:
- Philosophy, Philosophy of Mind
This chapter rejects the notion of absolute evil and argues that even Satanic wickedness cannot be understood as unqualified opposition to all goods. Badness of character is found in the way one ...
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This chapter rejects the notion of absolute evil and argues that even Satanic wickedness cannot be understood as unqualified opposition to all goods. Badness of character is found in the way one relates to particular goods — in deficiency or excess in being for them, or in being indifferent or even opposed to certain goods. Which goods is it a serious deficiency of character not to be for? This question is explored as a key to the mapping of both virtues and vices.Less
This chapter rejects the notion of absolute evil and argues that even Satanic wickedness cannot be understood as unqualified opposition to all goods. Badness of character is found in the way one relates to particular goods — in deficiency or excess in being for them, or in being indifferent or even opposed to certain goods. Which goods is it a serious deficiency of character not to be for? This question is explored as a key to the mapping of both virtues and vices.
Daniel Stoljar
- Published in print:
- 2006
- Published Online:
- September 2006
- ISBN:
- 9780195306583
- eISBN:
- 9780199786619
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195306589.003.0007
- Subject:
- Philosophy, Metaphysics/Epistemology
This chapter proceeds by pointing out that the epistemic view is known to be correct for older philosophical problems that are structurally analogous to the logical problem, problems which concern ...
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This chapter proceeds by pointing out that the epistemic view is known to be correct for older philosophical problems that are structurally analogous to the logical problem, problems which concern not the phenomenal character of experience but the intellectual character of thought and the chemical features of physical objects. The suggestion of the chapter is that these historical cases should be viewed as a guide to our present situation.Less
This chapter proceeds by pointing out that the epistemic view is known to be correct for older philosophical problems that are structurally analogous to the logical problem, problems which concern not the phenomenal character of experience but the intellectual character of thought and the chemical features of physical objects. The suggestion of the chapter is that these historical cases should be viewed as a guide to our present situation.
Susan Jones
- Published in print:
- 1999
- Published Online:
- October 2011
- ISBN:
- 9780198184485
- eISBN:
- 9780191674273
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198184485.003.0001
- Subject:
- Literature, European Literature, 20th-century Literature and Modernism
Joseph Conrad is widely recognised as a writer of sea stories with predominantly masculine themes. This book argues that despite this established reputation, Conrad did not neglect women's themes in ...
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Joseph Conrad is widely recognised as a writer of sea stories with predominantly masculine themes. This book argues that despite this established reputation, Conrad did not neglect women's themes in all his works. The evidence of his biography, correspondence, and fiction indicates a complex and intriguing relationship between Conrad, the women in his life, his female characters, and readers of his work. He began in the Malay fiction by producing prominent female figures whose position offered an important critique of imperialism, a role that women continued to fulfill in the political works of the middle years, such as Nostromo, The Secret Agent, and Under Western Eyes. He increasingly turned to the issue of gender, female identity, and in relation to romance, how women are invited to conform to its conventionalised gestures and plots.Less
Joseph Conrad is widely recognised as a writer of sea stories with predominantly masculine themes. This book argues that despite this established reputation, Conrad did not neglect women's themes in all his works. The evidence of his biography, correspondence, and fiction indicates a complex and intriguing relationship between Conrad, the women in his life, his female characters, and readers of his work. He began in the Malay fiction by producing prominent female figures whose position offered an important critique of imperialism, a role that women continued to fulfill in the political works of the middle years, such as Nostromo, The Secret Agent, and Under Western Eyes. He increasingly turned to the issue of gender, female identity, and in relation to romance, how women are invited to conform to its conventionalised gestures and plots.
Derek Matravers
- Published in print:
- 2001
- Published Online:
- October 2011
- ISBN:
- 9780199243167
- eISBN:
- 9780191697227
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199243167.001.0001
- Subject:
- Philosophy, Aesthetics, Philosophy of Mind
This book examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; we may also ...
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This book examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; we may also experience emotions towards, or on behalf of, a particular fictional character. These experiences are philosophically puzzling, for their causes seem quite different from the causes of emotion in the rest of our lives. Using many literary, visual and musical examples, this book shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. It surveys various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music expresses the emotions it causes its listeners to feel. Whilst this book engages with the work of contemporary theorists, it remains accessible to readers without philosophical training.Less
This book examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; we may also experience emotions towards, or on behalf of, a particular fictional character. These experiences are philosophically puzzling, for their causes seem quite different from the causes of emotion in the rest of our lives. Using many literary, visual and musical examples, this book shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. It surveys various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music expresses the emotions it causes its listeners to feel. Whilst this book engages with the work of contemporary theorists, it remains accessible to readers without philosophical training.
