Winifred Breines
- Published in print:
- 2006
- Published Online:
- September 2007
- ISBN:
- 9780195179040
- eISBN:
- 9780199788583
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195179040.001.0001
- Subject:
- History, American History: 20th Century
This book considers why a racially integrated feminist movement did not develop in the second wave of the feminist movement in the 1970s. It looks at radical white and black women in the civil rights ...
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This book considers why a racially integrated feminist movement did not develop in the second wave of the feminist movement in the 1970s. It looks at radical white and black women in the civil rights movement: black women in the Black Power movement and the Black Panther Party; Bread and Roses, a primarily white Boston socialist feminist organization, black feminism with a focus on the Combahee River Collective in Boston; and cross-racial work and conferences in the late 1970s and early 1980s. It asks why the primarily white radical feminist movement has been considered racist and whether white women's racism kept African Americans away from the white movement. White radical feminists were committed to racial equality and to building a racially integrated movement. But due to young white radical women's romanticism, unconscious racism, segregated upbringing, and class privileges, the radical feminist movement they built was not attractive to black women. Influenced by the Black Power movement, radical black women were wary of white women. They distrusted white women's privilege, their focus on sisterhood without clearly recognizing difference based on race and class, and white women's innocence. Further, African American women were uninterested in white feminism because they were politically engaged with black nationalism and racial pride. Radical black women came to believe that they had to develop their own feminism, one which recognized the centrality of race and class to gender difference. Eventually, through much work and pain, instances occurred in which white and black feminists worked together politically. Their learning curve about gender, race, and class was steep in these years. Youthful American radical feminists were racial pioneers in developing a social movement that demonstrated politically how gender, race, and class are central to understanding and struggling against social inequality.Less
This book considers why a racially integrated feminist movement did not develop in the second wave of the feminist movement in the 1970s. It looks at radical white and black women in the civil rights movement: black women in the Black Power movement and the Black Panther Party; Bread and Roses, a primarily white Boston socialist feminist organization, black feminism with a focus on the Combahee River Collective in Boston; and cross-racial work and conferences in the late 1970s and early 1980s. It asks why the primarily white radical feminist movement has been considered racist and whether white women's racism kept African Americans away from the white movement. White radical feminists were committed to racial equality and to building a racially integrated movement. But due to young white radical women's romanticism, unconscious racism, segregated upbringing, and class privileges, the radical feminist movement they built was not attractive to black women. Influenced by the Black Power movement, radical black women were wary of white women. They distrusted white women's privilege, their focus on sisterhood without clearly recognizing difference based on race and class, and white women's innocence. Further, African American women were uninterested in white feminism because they were politically engaged with black nationalism and racial pride. Radical black women came to believe that they had to develop their own feminism, one which recognized the centrality of race and class to gender difference. Eventually, through much work and pain, instances occurred in which white and black feminists worked together politically. Their learning curve about gender, race, and class was steep in these years. Youthful American radical feminists were racial pioneers in developing a social movement that demonstrated politically how gender, race, and class are central to understanding and struggling against social inequality.
Winifred Breines
- Published in print:
- 2006
- Published Online:
- September 2007
- ISBN:
- 9780195179040
- eISBN:
- 9780199788583
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195179040.003.0003
- Subject:
- History, American History: 20th Century
The Black Power movement of the 1960s developed out of anger about the way African Americans were treated in the United States. It emphasized black culture, history, pride, community, and rage. ...
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The Black Power movement of the 1960s developed out of anger about the way African Americans were treated in the United States. It emphasized black culture, history, pride, community, and rage. Spokesmen argued that black men were more damaged by racism than black women, that men should be the leaders, head of the household, and dominant. Black women were empowered and thrilled by the Black Power movement, including the Black Panther Party, but many had critiques of its male chauvinism, common to many nationalist movements. Female radical African American activists and Black Arts movement members sometimes did not find the intraracial cross-gender solidarity that they sought and were often disappointed.Less
The Black Power movement of the 1960s developed out of anger about the way African Americans were treated in the United States. It emphasized black culture, history, pride, community, and rage. Spokesmen argued that black men were more damaged by racism than black women, that men should be the leaders, head of the household, and dominant. Black women were empowered and thrilled by the Black Power movement, including the Black Panther Party, but many had critiques of its male chauvinism, common to many nationalist movements. Female radical African American activists and Black Arts movement members sometimes did not find the intraracial cross-gender solidarity that they sought and were often disappointed.
Maxine Craig
- Published in print:
- 2002
- Published Online:
- October 2011
- ISBN:
- 9780195152623
- eISBN:
- 9780199849345
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195152623.001.0001
- Subject:
- History, American History: 20th Century
This book is a study of black women as symbols, and as participants, in the reshaping of the meaning of black racial identity. The meanings and practices of racial identity are continually reshaped ...
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This book is a study of black women as symbols, and as participants, in the reshaping of the meaning of black racial identity. The meanings and practices of racial identity are continually reshaped as a result of the interplay of actions taken at the individual and institutional levels. In chapters that detail the history of pre-Civil Rights Movement black beauty pageants, later efforts to integrate beauty contests, and the transformation in beliefs and practices relating to black beauty in the 1960s, the book develops a model for understanding social processes of racial change. It places changing black hair practices and standards of beauty in historical context and shows the powerful role social movements have had in reshaping the texture of everyday life. The Civil Rights and Black Power Movements led a generation to question hair straightening and to establish a new standard of beauty that was summed up in the words “black is beautiful.” Through oral history interviews with Civil Rights and Black Power Movement activists and ordinary women, the book documents the meaning of these changes in black women's lives.Less
This book is a study of black women as symbols, and as participants, in the reshaping of the meaning of black racial identity. The meanings and practices of racial identity are continually reshaped as a result of the interplay of actions taken at the individual and institutional levels. In chapters that detail the history of pre-Civil Rights Movement black beauty pageants, later efforts to integrate beauty contests, and the transformation in beliefs and practices relating to black beauty in the 1960s, the book develops a model for understanding social processes of racial change. It places changing black hair practices and standards of beauty in historical context and shows the powerful role social movements have had in reshaping the texture of everyday life. The Civil Rights and Black Power Movements led a generation to question hair straightening and to establish a new standard of beauty that was summed up in the words “black is beautiful.” Through oral history interviews with Civil Rights and Black Power Movement activists and ordinary women, the book documents the meaning of these changes in black women's lives.
Vanessa Northington Gamble
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780195078893
- eISBN:
- 9780199853762
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195078893.001.0001
- Subject:
- History, American History: 20th Century
This book examines an important event that displays an intersection of African-American history and American medical history—the black hospital movement. Black physicians associated with the two ...
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This book examines an important event that displays an intersection of African-American history and American medical history—the black hospital movement. Black physicians associated with the two leading black medical societies, the National Medical Association (NMA) and the National Hospital Association (NHA), initiated the movement in the 1920s in order to upgrade the medical and educational programs at black hospitals. The history of the black hospital movement shows how black physicians made a place for themselves within the profession of medicine between 1920 and 1945, a time when few of them had options beyond the separate, but never equal, black and medical worlds. The book focuses on the attempts by various forces to maintain black hospitals—black physicians, community leaders, local and federal governments, and major health care organizations. The changes associated with the rise of the modern hospital and how it affected African-American physicians including their responses to these changes at a time when racial discrimination severely restricted their options are presented. This book analyzes the black hospital movement at both the national and local levels, and focuses on the movement in three communities—Tuskegee, Alabama; Chicago, Illinois; and Cleveland, Ohio.Less
This book examines an important event that displays an intersection of African-American history and American medical history—the black hospital movement. Black physicians associated with the two leading black medical societies, the National Medical Association (NMA) and the National Hospital Association (NHA), initiated the movement in the 1920s in order to upgrade the medical and educational programs at black hospitals. The history of the black hospital movement shows how black physicians made a place for themselves within the profession of medicine between 1920 and 1945, a time when few of them had options beyond the separate, but never equal, black and medical worlds. The book focuses on the attempts by various forces to maintain black hospitals—black physicians, community leaders, local and federal governments, and major health care organizations. The changes associated with the rise of the modern hospital and how it affected African-American physicians including their responses to these changes at a time when racial discrimination severely restricted their options are presented. This book analyzes the black hospital movement at both the national and local levels, and focuses on the movement in three communities—Tuskegee, Alabama; Chicago, Illinois; and Cleveland, Ohio.
Vanessa Northington Gamble
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780195078893
- eISBN:
- 9780199853762
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195078893.003.0002
- Subject:
- History, American History: 20th Century
The National Medical Association (NMA) was one of the organizations actively involved in the campaign to open up hospitals to black staff. The establishment of the National Hospital Association ...
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The National Medical Association (NMA) was one of the organizations actively involved in the campaign to open up hospitals to black staff. The establishment of the National Hospital Association (NHA), to ensure proper standards of education and efficiency in black hospitals launched the black hospital movement. This chapter describes the work and strategies of the National Medical Association and the National Hospital Association to improve black hospitals. It also explores the controversy in Harlem on whether a black hospital should be built and how this demonstrated that not all black physicians supported the activities of these medical societies.Less
The National Medical Association (NMA) was one of the organizations actively involved in the campaign to open up hospitals to black staff. The establishment of the National Hospital Association (NHA), to ensure proper standards of education and efficiency in black hospitals launched the black hospital movement. This chapter describes the work and strategies of the National Medical Association and the National Hospital Association to improve black hospitals. It also explores the controversy in Harlem on whether a black hospital should be built and how this demonstrated that not all black physicians supported the activities of these medical societies.
Sherie M. Randolph
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469623917
- eISBN:
- 9781469625119
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469623917.003.0010
- Subject:
- History, African-American History
This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while ...
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This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while she was excited about the growth of the predominantly white feminist movement, she was also profoundly disappointed that the struggle still did not fully embrace a black feminist position and make challenging racism as well as sexism central to its political agenda. Thus, Kennedy worked to create interracial feminist organizations that emphasized a black feminist praxis. Her activism during this period was central to building a women’s movement that included women of all races as well as an independent black feminist movement. To Kennedy’s thinking, Shirley Chisholm’s quest for the presidential nomination was the perfect opportunity for white feminists to build an alliance and support a black feminist politics. In 1971 she created the Feminist Party in hopes of bringing together an inclusive group of feminists to support not simply the candidacy of the black congresswoman but black feminism more generally. Equally interested in advancing black feminist praxis, she worked to create the National Black Feminist Organization in 1973 and pushed black women to form their own autonomous black feminist movement.Less
This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while she was excited about the growth of the predominantly white feminist movement, she was also profoundly disappointed that the struggle still did not fully embrace a black feminist position and make challenging racism as well as sexism central to its political agenda. Thus, Kennedy worked to create interracial feminist organizations that emphasized a black feminist praxis. Her activism during this period was central to building a women’s movement that included women of all races as well as an independent black feminist movement. To Kennedy’s thinking, Shirley Chisholm’s quest for the presidential nomination was the perfect opportunity for white feminists to build an alliance and support a black feminist politics. In 1971 she created the Feminist Party in hopes of bringing together an inclusive group of feminists to support not simply the candidacy of the black congresswoman but black feminism more generally. Equally interested in advancing black feminist praxis, she worked to create the National Black Feminist Organization in 1973 and pushed black women to form their own autonomous black feminist movement.
Sherie M. Randolph
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469623917
- eISBN:
- 9781469625119
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469623917.003.0006
- Subject:
- History, African-American History
This chapter focuses on Flo Kennedy’s organizing in the Black Power Conference, the National Conference for New Politics and the National Organization for Women and establishes Kennedy’s significance ...
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This chapter focuses on Flo Kennedy’s organizing in the Black Power Conference, the National Conference for New Politics and the National Organization for Women and establishes Kennedy’s significance as a leader who bridges movements and translates ideas and strategies from one struggle to another. She brought the ideas of the Black Power movement to the emerging women’s movement and made Black Power into a pivotal ideological influence on the radical feminist politics that was developing among predominantly white women.Less
This chapter focuses on Flo Kennedy’s organizing in the Black Power Conference, the National Conference for New Politics and the National Organization for Women and establishes Kennedy’s significance as a leader who bridges movements and translates ideas and strategies from one struggle to another. She brought the ideas of the Black Power movement to the emerging women’s movement and made Black Power into a pivotal ideological influence on the radical feminist politics that was developing among predominantly white women.
Maxine Leeds Craig
- Published in print:
- 2002
- Published Online:
- October 2011
- ISBN:
- 9780195152623
- eISBN:
- 9780199849345
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195152623.003.0008
- Subject:
- History, American History: 20th Century
This chapter follows the use of women as symbols in the fractured politics of the Black Power Movement. As the movement for black liberation fragmented, images of the beautiful black woman and calls ...
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This chapter follows the use of women as symbols in the fractured politics of the Black Power Movement. As the movement for black liberation fragmented, images of the beautiful black woman and calls for stylistic conformity were frequently employed in attempts to forge a unified black identity and to maintain solidarity within black political organizations.Less
This chapter follows the use of women as symbols in the fractured politics of the Black Power Movement. As the movement for black liberation fragmented, images of the beautiful black woman and calls for stylistic conformity were frequently employed in attempts to forge a unified black identity and to maintain solidarity within black political organizations.
Bernard Gendron
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195336641
- eISBN:
- 9780199868551
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195336641.003.0011
- Subject:
- Music, History, Western, Popular
This chapter analyses the resurgence of the jazz avant‐garde in New York in the mid‐1960s, focusing in particular upon musicians' negotiation of competing aesthetic, social, and economic imperatives. ...
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This chapter analyses the resurgence of the jazz avant‐garde in New York in the mid‐1960s, focusing in particular upon musicians' negotiation of competing aesthetic, social, and economic imperatives. Through a detailed investigation of shifting patterns of reception in the jazz press, attention is drawn to a complex of factors that lifted the jazz avant‐garde from near obscurity in the early years of the decade, to a canonised status by 1965. Prominent amongst these factors was the politically radical discourse promoted by figures associated with the Black Arts Movement such as Amiri Baraka and Larry Neal, which conceived black avant‐garde musicians as shaping the spiritual foundation for revolutionary change. The articulation of a radical social purpose thus assisted the process of canonisation, although this canonisation brought no parallel economic success.Less
This chapter analyses the resurgence of the jazz avant‐garde in New York in the mid‐1960s, focusing in particular upon musicians' negotiation of competing aesthetic, social, and economic imperatives. Through a detailed investigation of shifting patterns of reception in the jazz press, attention is drawn to a complex of factors that lifted the jazz avant‐garde from near obscurity in the early years of the decade, to a canonised status by 1965. Prominent amongst these factors was the politically radical discourse promoted by figures associated with the Black Arts Movement such as Amiri Baraka and Larry Neal, which conceived black avant‐garde musicians as shaping the spiritual foundation for revolutionary change. The articulation of a radical social purpose thus assisted the process of canonisation, although this canonisation brought no parallel economic success.
Tanisha Ford
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625157
- eISBN:
- 9781469625171
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625157.001.0001
- Subject:
- History, African-American History
This book explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. From the civil rights ...
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This book explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. Focusing on the emergence of the “soul style” movement—represented in clothing, jewelry, hairstyles, and more—the book shows that black women’s fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, the book offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, it narrates the intertwining histories of Black Freedom and fashion.Less
This book explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. Focusing on the emergence of the “soul style” movement—represented in clothing, jewelry, hairstyles, and more—the book shows that black women’s fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, the book offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, it narrates the intertwining histories of Black Freedom and fashion.
Barbara Goff and Michael Simpson
- Published in print:
- 2007
- Published Online:
- January 2008
- ISBN:
- 9780199217182
- eISBN:
- 9780191712388
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199217182.003.0004
- Subject:
- Classical Studies, Literary Studies: Classical, Early, and Medieval
Rita Dove's The Darker Face of the Earth examines the process of building ‘America’ out of partly African materials. Incest becomes a sign for the forced amalgamation of cultures that characterized ...
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Rita Dove's The Darker Face of the Earth examines the process of building ‘America’ out of partly African materials. Incest becomes a sign for the forced amalgamation of cultures that characterized plantation slavery, and the oedipal tropes of knowledge, parentage, desire, and narrative are made newly relevant by the particular racialized history of the United States. The politics of the Greek drama, whereby the hero is pitted against the community, are also interrogated by the various choices made by figures such as Augustus, the chorus and the conspirators. The issue of oedipally competing traditions is scrutinised via African-American tropes such as Esu, the talking book, and the tragic mulatto/a. Also examined is the cultural position of the dramatist herself, as a black woman writer and a member of the generation immediately after the Black Arts Movement.Less
Rita Dove's The Darker Face of the Earth examines the process of building ‘America’ out of partly African materials. Incest becomes a sign for the forced amalgamation of cultures that characterized plantation slavery, and the oedipal tropes of knowledge, parentage, desire, and narrative are made newly relevant by the particular racialized history of the United States. The politics of the Greek drama, whereby the hero is pitted against the community, are also interrogated by the various choices made by figures such as Augustus, the chorus and the conspirators. The issue of oedipally competing traditions is scrutinised via African-American tropes such as Esu, the talking book, and the tragic mulatto/a. Also examined is the cultural position of the dramatist herself, as a black woman writer and a member of the generation immediately after the Black Arts Movement.
Sarah Azaransky
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780199744817
- eISBN:
- 9780199897308
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199744817.003.0004
- Subject:
- Religion, Religion and Society
This chapter describes landmark legal arguments Murray made about equal protection in the 1960s. Using the category of “Jane Crow,” she demanded that the law be responsive to the synthetic nature of ...
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This chapter describes landmark legal arguments Murray made about equal protection in the 1960s. Using the category of “Jane Crow,” she demanded that the law be responsive to the synthetic nature of identity. In so doing, Murray placed African American women's experiences at the center of democratic consideration. Despite her attempts to build coalitions, she found herself increasingly at odds with leaders of the feminist and Black Freedom movements.Less
This chapter describes landmark legal arguments Murray made about equal protection in the 1960s. Using the category of “Jane Crow,” she demanded that the law be responsive to the synthetic nature of identity. In so doing, Murray placed African American women's experiences at the center of democratic consideration. Despite her attempts to build coalitions, she found herself increasingly at odds with leaders of the feminist and Black Freedom movements.
Sara Rzeszutek Haviland
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780813166254
- eISBN:
- 9780813166735
- Item type:
- book
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813166254.001.0001
- Subject:
- History, African-American History
This collective biography of James and Esther Cooper Jackson argues that, in the face of major political transformations, activists responded to new political contexts and drew on their own personal ...
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This collective biography of James and Esther Cooper Jackson argues that, in the face of major political transformations, activists responded to new political contexts and drew on their own personal needs, demands, and relationships to craft their contributions to the black freedom movement. A black Communist couple, Esther and Jack navigated through difficult circumstances, including the Great Depression, World War II, and the Cold War, and continued to influence the trajectory of black freedom in the twentieth-century United States. But their approaches changed as politics shifted, as their family grew, and as their relationship evolved. By following one couple over the course of a sixty-five-year, gender-egalitarian marriage, this work offers a new look at the history of social movements as it illustrates how individuals and families responded to change and revised their ideas about participation in movements as they matured. As activists during the Popular Front, McCarthy, civil rights, and post–civil rights years, Esther and Jack held on to their core ideals while adapting to the dominant trends. Their lives also illuminate the relationship between mainstream civil rights organizations and the Left by illustrating that the political spectrum in the black freedom movement was consistently more fluid, complex, and informed by earlier activist trends than the traditional narrative suggests.Less
This collective biography of James and Esther Cooper Jackson argues that, in the face of major political transformations, activists responded to new political contexts and drew on their own personal needs, demands, and relationships to craft their contributions to the black freedom movement. A black Communist couple, Esther and Jack navigated through difficult circumstances, including the Great Depression, World War II, and the Cold War, and continued to influence the trajectory of black freedom in the twentieth-century United States. But their approaches changed as politics shifted, as their family grew, and as their relationship evolved. By following one couple over the course of a sixty-five-year, gender-egalitarian marriage, this work offers a new look at the history of social movements as it illustrates how individuals and families responded to change and revised their ideas about participation in movements as they matured. As activists during the Popular Front, McCarthy, civil rights, and post–civil rights years, Esther and Jack held on to their core ideals while adapting to the dominant trends. Their lives also illuminate the relationship between mainstream civil rights organizations and the Left by illustrating that the political spectrum in the black freedom movement was consistently more fluid, complex, and informed by earlier activist trends than the traditional narrative suggests.
John Burdick
- Published in print:
- 2004
- Published Online:
- April 2005
- ISBN:
- 9780195149180
- eISBN:
- 9780199835386
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195149181.003.0005
- Subject:
- Religion, Religion and Society
Since the late 1970s, the progressive wing of the Catholic Church in Brazil has worked in solidarity with that country's black movement to formulate practices to advance the cause of anti-racism. In ...
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Since the late 1970s, the progressive wing of the Catholic Church in Brazil has worked in solidarity with that country's black movement to formulate practices to advance the cause of anti-racism. In particular, the Church has sought to dismantle white supremacy and Eurocentrism by creating an inculturated liturgy, known as the “Afro-Mass,”inspired by the Afro-Brazilian religion of candomble. This chapter assesses this effort at cultural politics and concludes that it unwittingly reproduces the very structures of Eurocentrism it seeks to destabilize. The essay thus contributes to the literature that evaluates the outcomes of social movements.Less
Since the late 1970s, the progressive wing of the Catholic Church in Brazil has worked in solidarity with that country's black movement to formulate practices to advance the cause of anti-racism. In particular, the Church has sought to dismantle white supremacy and Eurocentrism by creating an inculturated liturgy, known as the “Afro-Mass,”inspired by the Afro-Brazilian religion of candomble. This chapter assesses this effort at cultural politics and concludes that it unwittingly reproduces the very structures of Eurocentrism it seeks to destabilize. The essay thus contributes to the literature that evaluates the outcomes of social movements.
Vanessa Northington Gamble
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780195078893
- eISBN:
- 9780199853762
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195078893.003.0007
- Subject:
- History, American History: 20th Century
This chapter assesses the impact of the black hospital movement and discusses the status of the contemporary black hospital using the historical perspective developed throughout the book. Due to the ...
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This chapter assesses the impact of the black hospital movement and discusses the status of the contemporary black hospital using the historical perspective developed throughout the book. Due to the predominance of integrationism as the major strategy for racial advancement in the years following World War II, the establishments of separate black institutions were increasingly renounced. This chapter looks at how the energies of black medical organizations, even the previously separatist National Medical Association (NMA), shifted from the creation of black hospitals to the dismantlement of the “Negro medical ghetto” of which black hospitals were a major component. This, in turn, posed new challenges for black hospitals and their need for existence.Less
This chapter assesses the impact of the black hospital movement and discusses the status of the contemporary black hospital using the historical perspective developed throughout the book. Due to the predominance of integrationism as the major strategy for racial advancement in the years following World War II, the establishments of separate black institutions were increasingly renounced. This chapter looks at how the energies of black medical organizations, even the previously separatist National Medical Association (NMA), shifted from the creation of black hospitals to the dismantlement of the “Negro medical ghetto” of which black hospitals were a major component. This, in turn, posed new challenges for black hospitals and their need for existence.
Tanisha C. Ford
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469625157
- eISBN:
- 9781469625171
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625157.003.0006
- Subject:
- History, African-American History
This chapter explores how Afro-Caribbean activists in London adapted the raw material of U.S. soul style to combat racial discrimination and sexism in England. Members of the Black Panther Movement ...
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This chapter explores how Afro-Caribbean activists in London adapted the raw material of U.S. soul style to combat racial discrimination and sexism in England. Members of the Black Panther Movement Youth League in Brixton appropriated the language and imagery of U.S. soul to frame their own version of Soul Power that drew upon their Afro-Caribbean musical, culinary, aesthetic, and political traditions and responded to the discrimination and violence they encountered in their daily lives. Focusing on the brutal beating of young Afro-British Black Panther Olive Morris at the hands of the London police, this chapter shows how soul style was read as a sign of black criminality and civil disobedience—especially when worn by gender nonconforming women—by agents of the state.Less
This chapter explores how Afro-Caribbean activists in London adapted the raw material of U.S. soul style to combat racial discrimination and sexism in England. Members of the Black Panther Movement Youth League in Brixton appropriated the language and imagery of U.S. soul to frame their own version of Soul Power that drew upon their Afro-Caribbean musical, culinary, aesthetic, and political traditions and responded to the discrimination and violence they encountered in their daily lives. Focusing on the brutal beating of young Afro-British Black Panther Olive Morris at the hands of the London police, this chapter shows how soul style was read as a sign of black criminality and civil disobedience—especially when worn by gender nonconforming women—by agents of the state.
LeRoi Jones and Amiri Baraka
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199609291
- eISBN:
- 9780191731723
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199609291.003.0003
- Subject:
- Literature, American, 20th Century Literature
This chapter examines a range of Baraka's writings (poems, plays, and essays) from 1960 to 1979, during which time he changed from being a Beat‐affiliated writer (named LeRoi Jones) to a Black ...
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This chapter examines a range of Baraka's writings (poems, plays, and essays) from 1960 to 1979, during which time he changed from being a Beat‐affiliated writer (named LeRoi Jones) to a Black Cultural‐Nationalist, then a Pan‐Afrikanist, and finally a Third‐World Socialist. The opening discussion is of how Baraka in poetry collections like Black Magic (1969) and It's Nation Time (1970) developed a Black Arts potentialism that contrasts with Ginsberg's. Various plays that Baraka wrote in the 1960s are also examined—notably, A Black Mass (1966), Slave Ship (1967), and Great Goodness of Life: A Coon Show (1967). Drawing on Howard University's Amiri Baraka Archive (which includes FBI reports on his plays and speeches), the chapter presents new scholarship on his drama and his cultural activism with groups like the Republic of New Afrika. After examining how Baraka's potentialism reaches a spiritual apogee with his poetry collection Spirit Reach (1972), the concluding discussion contrasts such spiritualism with the didacticism of his Third‐World Socialist writings such as the poetry volume Hard Facts (1975).Less
This chapter examines a range of Baraka's writings (poems, plays, and essays) from 1960 to 1979, during which time he changed from being a Beat‐affiliated writer (named LeRoi Jones) to a Black Cultural‐Nationalist, then a Pan‐Afrikanist, and finally a Third‐World Socialist. The opening discussion is of how Baraka in poetry collections like Black Magic (1969) and It's Nation Time (1970) developed a Black Arts potentialism that contrasts with Ginsberg's. Various plays that Baraka wrote in the 1960s are also examined—notably, A Black Mass (1966), Slave Ship (1967), and Great Goodness of Life: A Coon Show (1967). Drawing on Howard University's Amiri Baraka Archive (which includes FBI reports on his plays and speeches), the chapter presents new scholarship on his drama and his cultural activism with groups like the Republic of New Afrika. After examining how Baraka's potentialism reaches a spiritual apogee with his poetry collection Spirit Reach (1972), the concluding discussion contrasts such spiritualism with the didacticism of his Third‐World Socialist writings such as the poetry volume Hard Facts (1975).
Molly Geidel
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780816692217
- eISBN:
- 9781452952468
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816692217.003.0004
- Subject:
- Sociology, Politics, Social Movements and Social Change
Following the paths of development workers and discourses as they returned home, the fourth and fifth chapters argue that the Peace Corps and modernization theory guided the vision and strategy of ...
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Following the paths of development workers and discourses as they returned home, the fourth and fifth chapters argue that the Peace Corps and modernization theory guided the vision and strategy of 1960s U.S. social movements, particularly in the later sixties as those movements attempted to become more internationalist and explicitly ideological. Tracing the connections between the War on Poverty, of which Sargent Shriver was the founding director, and the black liberation movement as it transformed from civil rights to Black Power, chapter 4 investigates how the civil rights and Black Power movements were influenced by liberal modernization theory and the ideal of heroic development work.Less
Following the paths of development workers and discourses as they returned home, the fourth and fifth chapters argue that the Peace Corps and modernization theory guided the vision and strategy of 1960s U.S. social movements, particularly in the later sixties as those movements attempted to become more internationalist and explicitly ideological. Tracing the connections between the War on Poverty, of which Sargent Shriver was the founding director, and the black liberation movement as it transformed from civil rights to Black Power, chapter 4 investigates how the civil rights and Black Power movements were influenced by liberal modernization theory and the ideal of heroic development work.
Nadine M. Knight
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780252042775
- eISBN:
- 9780252051630
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042775.003.0006
- Subject:
- Sociology, Social Movements and Social Change
Black women’s cultural production in the 1970s gained popular audience and critical acclaim for its frank disclosure of violence and inequity within black communities and by championing black ...
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Black women’s cultural production in the 1970s gained popular audience and critical acclaim for its frank disclosure of violence and inequity within black communities and by championing black feminist agency. This chapter situates black women’s literature and art in response to three intersecting sociopolitical movements roiling the nation: Black Power and Black Arts Movements, the emergence of second-wave feminism, and American involvement in Vietnam. The works in this chapter overturned long-standing expectations and stereotypes of respectability politics in depicting graphic, militarized violence; sexual openness; and skepticism about motherhood. In doing so, these works explored the attractions and shortcomings of militancy as a defense against domestic and national violence and promoted mutual respect between genders, sexual freedom, and the possibility of collaborative protest.Less
Black women’s cultural production in the 1970s gained popular audience and critical acclaim for its frank disclosure of violence and inequity within black communities and by championing black feminist agency. This chapter situates black women’s literature and art in response to three intersecting sociopolitical movements roiling the nation: Black Power and Black Arts Movements, the emergence of second-wave feminism, and American involvement in Vietnam. The works in this chapter overturned long-standing expectations and stereotypes of respectability politics in depicting graphic, militarized violence; sexual openness; and skepticism about motherhood. In doing so, these works explored the attractions and shortcomings of militancy as a defense against domestic and national violence and promoted mutual respect between genders, sexual freedom, and the possibility of collaborative protest.
Michael Hanchard
- Published in print:
- 2006
- Published Online:
- October 2011
- ISBN:
- 9780195176247
- eISBN:
- 9780199851003
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195176247.003.0001
- Subject:
- Political Science, American Politics
This book is a product of the series of conversations with the late Vanderlei José Mariá, a member of the Worker's Party (PT) in Brazil and one of the founding members of its black nucleus (Nucleo ...
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This book is a product of the series of conversations with the late Vanderlei José Mariá, a member of the Worker's Party (PT) in Brazil and one of the founding members of its black nucleus (Nucleo Negro), in 1988. Vanderlei was considered one of the Workers' Party's most promising young intellectuals during the mid-1980s, expressing an unusual hope and vision for the melding of the interests of the black movement with those of the (PT), helping to transform the PT into a party in both senses of the term—party as an expression of festivity and party as a form of political mobilization, organization, and discipline. His insights asserted his perspectives of Afro-Brazilian politics for a comunidadenegra which had wider implications for black politics and life–worlds in various nation–states.Less
This book is a product of the series of conversations with the late Vanderlei José Mariá, a member of the Worker's Party (PT) in Brazil and one of the founding members of its black nucleus (Nucleo Negro), in 1988. Vanderlei was considered one of the Workers' Party's most promising young intellectuals during the mid-1980s, expressing an unusual hope and vision for the melding of the interests of the black movement with those of the (PT), helping to transform the PT into a party in both senses of the term—party as an expression of festivity and party as a form of political mobilization, organization, and discipline. His insights asserted his perspectives of Afro-Brazilian politics for a comunidadenegra which had wider implications for black politics and life–worlds in various nation–states.
