Thomas S. Davis
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231169424
- eISBN:
- 9780231537889
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231169424.003.0006
- Subject:
- Literature, Criticism/Theory
In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British ...
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In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British shores.Less
In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British shores.
Sara Upstone
- Published in print:
- 2010
- Published Online:
- July 2012
- ISBN:
- 9780719078323
- eISBN:
- 9781781703229
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719078323.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
This text focuses solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates ...
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This text focuses solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this ‘new’ generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book deals with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.Less
This text focuses solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this ‘new’ generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book deals with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.
Abigail Ward
- Published in print:
- 2011
- Published Online:
- July 2012
- ISBN:
- 9780719082757
- eISBN:
- 9781781703250
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719082757.003.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
This chapter discusses slavery in the context of the works of Caryl Phillips, David Dabydeen and Fred D'Aguiar. It considers these writers' differing representation of Britain's involvement in the ...
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This chapter discusses slavery in the context of the works of Caryl Phillips, David Dabydeen and Fred D'Aguiar. It considers these writers' differing representation of Britain's involvement in the transatlantic slave trade, and studies the ways where their return to this past may illuminate current issues in Britain today. This chapter also looks at the history of racism in Britain, introduces the term ‘black British literature’, and discusses each of the authors in detail.Less
This chapter discusses slavery in the context of the works of Caryl Phillips, David Dabydeen and Fred D'Aguiar. It considers these writers' differing representation of Britain's involvement in the transatlantic slave trade, and studies the ways where their return to this past may illuminate current issues in Britain today. This chapter also looks at the history of racism in Britain, introduces the term ‘black British literature’, and discusses each of the authors in detail.
Samantha Pinto
- Published in print:
- 2013
- Published Online:
- March 2016
- ISBN:
- 9780814759486
- eISBN:
- 9780814789360
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814759486.001.0001
- Subject:
- Society and Culture, Cultural Studies
This book demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, ...
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This book demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, it brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African diaspora. Drawing on postcolonial and feminist scholarship the book argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, the book fully engages the unique possibilities of literature and culture to redefine race and gender studies.Less
This book demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, it brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African diaspora. Drawing on postcolonial and feminist scholarship the book argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, the book fully engages the unique possibilities of literature and culture to redefine race and gender studies.
J. Dillon Brown and Leah Reade Rosenberg (eds)
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781628464757
- eISBN:
- 9781628464801
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628464757.001.0001
- Subject:
- Literature, World Literature
The first book to critically redefine and reexamine West Indian literature of the 1950s, Beyond Windrush challenges the myth that an elite cohort of male novelists based in postwar London ...
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The first book to critically redefine and reexamine West Indian literature of the 1950s, Beyond Windrush challenges the myth that an elite cohort of male novelists based in postwar London single-handedly produced Anglophone Caribbean literature and broadens our understanding of Caribbean and Black British literary history. Writers of this cohort, often reduced to George Lamming, V.S. Naipaul, and Sam Sevlon, are referred to “the Windrush writers,” in tribute to the S.S. Empire Windrush, whose 1948 voyage from Jamaica inaugurated the large-scale Caribbean migration to London. They have been properly celebrated for producing a complex, anti-colonial, nationalist literary tradition, but, as this collection demonstrates, their uncritical canonization has obscured the diversity of postwar Caribbean writers and produced a narrow definition of West Indian literature. The fourteen original essays in this collection here make clear that already in the 1950s a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean and white-creole—were writing, publishing (and even painting)—and that many were in the Caribbean, Canada, and the United States, rather than London. Moreover, they addressed subjects omitted from the masculinist canon, such as queer sexuality and the environment. The collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (such as Ismith Khan, Elma Napier, and John Hearne); commonly ignored genres (such as the memoir, short stories, and journalism); as well as alternative units of cultural and political unity, such as the Pan-Caribbean as well as potentially trans-hemispheric, trans-island conceptions of political identity.Less
The first book to critically redefine and reexamine West Indian literature of the 1950s, Beyond Windrush challenges the myth that an elite cohort of male novelists based in postwar London single-handedly produced Anglophone Caribbean literature and broadens our understanding of Caribbean and Black British literary history. Writers of this cohort, often reduced to George Lamming, V.S. Naipaul, and Sam Sevlon, are referred to “the Windrush writers,” in tribute to the S.S. Empire Windrush, whose 1948 voyage from Jamaica inaugurated the large-scale Caribbean migration to London. They have been properly celebrated for producing a complex, anti-colonial, nationalist literary tradition, but, as this collection demonstrates, their uncritical canonization has obscured the diversity of postwar Caribbean writers and produced a narrow definition of West Indian literature. The fourteen original essays in this collection here make clear that already in the 1950s a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean and white-creole—were writing, publishing (and even painting)—and that many were in the Caribbean, Canada, and the United States, rather than London. Moreover, they addressed subjects omitted from the masculinist canon, such as queer sexuality and the environment. The collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (such as Ismith Khan, Elma Napier, and John Hearne); commonly ignored genres (such as the memoir, short stories, and journalism); as well as alternative units of cultural and political unity, such as the Pan-Caribbean as well as potentially trans-hemispheric, trans-island conceptions of political identity.
