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American Art House

Rob Stone

in The Cinema of Richard Linklater: Walk, Don't Run

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165532
eISBN:
9780231850407
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165532.003.0004
Subject:
Film, Television and Radio, Film

This chapter studies the role of dialogue in Richard Linklater's cinema. Out of many themes that are common to Linklater's most emblematic films, including the impossibility of distinguishing between ... More


Rollerball

Andrew Nette

Published in print:
2018
Published Online:
February 2021
ISBN:
9781911325666
eISBN:
9781800342392
Item type:
book
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781911325666.001.0001
Subject:
Film, Television and Radio, Film

Rollerball, the Canadian-born director and producer Norman Jewison's 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and ... More


Film and the Imagined Image

Sarah Cooper

Published in print:
2019
Published Online:
May 2020
ISBN:
9781474452786
eISBN:
9781474476676
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474452786.001.0001
Subject:
Film, Television and Radio, Film

Film and the Imagined Image explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. From documentary to art house cinema, and from an ... More


Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China

Haomin Gong

Published in print:
2011
Published Online:
November 2016
ISBN:
9780824835316
eISBN:
9780824871185
Item type:
book
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824835316.001.0001
Subject:
Society and Culture, Asian Studies

Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexity. This book's study of these paradoxes, or “unevenness,” provides a unique and seminal approach ... More


Introduction: ‘History Really is Gone’

Andrew Nette

in Constellations

Published in print:
2018
Published Online:
February 2021
ISBN:
9781911325666
eISBN:
9781800342392
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781911325666.003.0001
Subject:
Film, Television and Radio, Film

This introductory chapter provides an overview of Rollerball, the 1975 dystopian science fiction film of Canadian-born director and producer Norman Jewison. Rollerball was based on a short story in ... More


Conclusion: Broadening Out

Sarah Cooper

in Film and the Imagined Image

Published in print:
2019
Published Online:
May 2020
ISBN:
9781474452786
eISBN:
9781474476676
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474452786.003.0010
Subject:
Film, Television and Radio, Film

The conclusion journeys back across the different processes explored in the preceding chapters in order to stress continuities in the procedures that prompt mental image composition in spite of the ... More


The Pleasure to End All Pleasures

Samm Deighan

in M

Published in print:
2019
Published Online:
February 2021
ISBN:
9781911325772
eISBN:
9781800342422
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781911325772.003.0006
Subject:
Film, Television and Radio, Film

This chapter looks into the legacy of Fritz Lang's M. It examines how Lang's portrayal of a serial killer as protagonist went on to influence subsequent horror films and serial killer thrillers. It ... More


Popular Culture, the Final Frontier: How Far Should We Boldly Go?

David Looseley

in French Studies in and for the Twenty-first Century

Published in print:
2011
Published Online:
June 2013
ISBN:
9781846316555
eISBN:
9781846316692
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/UPO9781846316692.017
Subject:
Society and Culture, Cultural Studies

This chapter examines the place of contemporary popular culture in French Studies. It considers the reasons behind UK French Studies's absence of engagement with popular culture, and cites a semantic ... More


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