Michael Maizels
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780816694686
- eISBN:
- 9781452952314
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816694686.003.0006
- Subject:
- Art, Visual Culture
The Epilogue addresses Le Va's historical position, examining the way in which a kind of “minor status” has been ascribed to him since almost the beginning of his career. It suggests that while a ...
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The Epilogue addresses Le Va's historical position, examining the way in which a kind of “minor status” has been ascribed to him since almost the beginning of his career. It suggests that while a number of factors likely contributed to Le Va’s comparative lack of renown the best explanation is Le Va’s own demonstrated reticence to pursue a higher artistic profile. This must be understood not only as an expression of an individual’s understandable desire to work outside of the limelight but also as a part of a critique of the mechanisms of art world fame. By not seeking a place in the pantheon of great artists, Le Va insists on a kind of art history—multiple, fragmented and temporary—that echoes his own work.Less
The Epilogue addresses Le Va's historical position, examining the way in which a kind of “minor status” has been ascribed to him since almost the beginning of his career. It suggests that while a number of factors likely contributed to Le Va’s comparative lack of renown the best explanation is Le Va’s own demonstrated reticence to pursue a higher artistic profile. This must be understood not only as an expression of an individual’s understandable desire to work outside of the limelight but also as a part of a critique of the mechanisms of art world fame. By not seeking a place in the pantheon of great artists, Le Va insists on a kind of art history—multiple, fragmented and temporary—that echoes his own work.