Ellen Lockhart
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780520284432
- eISBN:
- 9780520960060
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520284432.003.0001
- Subject:
- Music, History, Western
This book considers the history of aesthetics by taking into account not only theories of the arts but also the rich fabric of practices relating to the world of performing bodies onstage and the ...
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This book considers the history of aesthetics by taking into account not only theories of the arts but also the rich fabric of practices relating to the world of performing bodies onstage and the music that sounded alongside them and was made by them—the works of art, music, and theater that were conspicuously about art-objecthood. The introduction sketches the broader fashion for animated statues described in the book, asking what readers can hope to gain from a detailed account of this historical phenomenon that was situated at (or near) the emergence of modern aesthetic thought, as well as the birth of a musical canon.Less
This book considers the history of aesthetics by taking into account not only theories of the arts but also the rich fabric of practices relating to the world of performing bodies onstage and the music that sounded alongside them and was made by them—the works of art, music, and theater that were conspicuously about art-objecthood. The introduction sketches the broader fashion for animated statues described in the book, asking what readers can hope to gain from a detailed account of this historical phenomenon that was situated at (or near) the emergence of modern aesthetic thought, as well as the birth of a musical canon.
Ellen Lockhart
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780520284432
- eISBN:
- 9780520960060
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520284432.001.0001
- Subject:
- Music, History, Western
This path-breaking study of Italian stage works reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows ...
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This path-breaking study of Italian stage works reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years from 1770 to 1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from the period around 1800, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.Less
This path-breaking study of Italian stage works reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years from 1770 to 1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from the period around 1800, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.
Paul Stephenson
- Published in print:
- 2016
- Published Online:
- August 2016
- ISBN:
- 9780190209063
- eISBN:
- 9780190209087
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780190209063.003.0005
- Subject:
- Classical Studies, History of Art: pre-history, BCE to 500CE, ancient and classical, Byzantine, Archaeology: Classical
Identifies an early depiction of the Serpent Column on a silver ink-pot now in Padua. Considers several themes in Medieval Byzantine thought, notably the role of animate statues, the Particular ...
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Identifies an early depiction of the Serpent Column on a silver ink-pot now in Padua. Considers several themes in Medieval Byzantine thought, notably the role of animate statues, the Particular Judgment, snakes and ladders in art and thought, and the Last Judgment. Notes when and why many bronze statues were destroyed, although the Serpent Column was not. Considers the image of the serpent in temptation, and how this may allow us to identify a medieval name for the Serpent Column. Discusses accounts by Russian travelers to Constantinople who describe the hippodrome and Serpent Column in the fourteenth and fifteenth centuries.Less
Identifies an early depiction of the Serpent Column on a silver ink-pot now in Padua. Considers several themes in Medieval Byzantine thought, notably the role of animate statues, the Particular Judgment, snakes and ladders in art and thought, and the Last Judgment. Notes when and why many bronze statues were destroyed, although the Serpent Column was not. Considers the image of the serpent in temptation, and how this may allow us to identify a medieval name for the Serpent Column. Discusses accounts by Russian travelers to Constantinople who describe the hippodrome and Serpent Column in the fourteenth and fifteenth centuries.
Julia V. Douthwaite
- Published in print:
- 2002
- Published Online:
- March 2013
- ISBN:
- 9780226160559
- eISBN:
- 9780226160573
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226160573.001.0001
- Subject:
- History, British and Irish Early Modern History
This study looks at the lives of the most famous “wild children” of eighteenth-century Europe, showing how they open a window onto European ideas about the potential and perfectibility of mankind. ...
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This study looks at the lives of the most famous “wild children” of eighteenth-century Europe, showing how they open a window onto European ideas about the potential and perfectibility of mankind. The book recounts reports of feral children such as the wild girl of Champagne (captured in 1731 and baptized as Marie-Angélique Leblanc), offering a fascinating glimpse into beliefs about the difference between man and beast and the means once used to civilize the uncivilized. A variety of educational experiments failed to tame these feral children by the standards of the day. After telling their stories, the book turns to literature that reflects on similar experiments to perfect human subjects. The examples range from utopian schemes for progressive childrearing to philosophical tales of animated statues, from revolutionary theories of regenerated men to Gothic tales of scientists run amok. Encompassing thinkers such as Rousseau, Sade, Defoe, and Mary Shelley, the book shows how the Enlightenment conceived of mankind as an infinitely malleable entity, first with optimism, then with apprehension. Exposing the darker side of eighteenth-century thought, this book demonstrates how advances in science gave rise to troubling ethical concerns, as parents, scientists, and politicians tried to perfect mankind with disastrous results.Less
This study looks at the lives of the most famous “wild children” of eighteenth-century Europe, showing how they open a window onto European ideas about the potential and perfectibility of mankind. The book recounts reports of feral children such as the wild girl of Champagne (captured in 1731 and baptized as Marie-Angélique Leblanc), offering a fascinating glimpse into beliefs about the difference between man and beast and the means once used to civilize the uncivilized. A variety of educational experiments failed to tame these feral children by the standards of the day. After telling their stories, the book turns to literature that reflects on similar experiments to perfect human subjects. The examples range from utopian schemes for progressive childrearing to philosophical tales of animated statues, from revolutionary theories of regenerated men to Gothic tales of scientists run amok. Encompassing thinkers such as Rousseau, Sade, Defoe, and Mary Shelley, the book shows how the Enlightenment conceived of mankind as an infinitely malleable entity, first with optimism, then with apprehension. Exposing the darker side of eighteenth-century thought, this book demonstrates how advances in science gave rise to troubling ethical concerns, as parents, scientists, and politicians tried to perfect mankind with disastrous results.
