Regina Galasso
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781786941121
- eISBN:
- 9781789629354
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941121.001.0001
- Subject:
- Literature, European Literature
The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the ...
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The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the Iberian Peninsula, writing in Spanish, Catalan, and English. In many cases, their New York City texts have marked their careers and the history of their national literatures. Drawing from a variety of genres, Translating New York recovers cultural narratives occluded by single linguistic or national literary histories, and proposes that reading these texts through the lens of translation unveils new pathways of cultural circulation and influence. Looking beyond representations of the city's physical space, Translating New York suggests that travel to the city and contact with New York's multilingual setting ignited a heightened sensitivity towards both the verbal and non-verbal languages of the city, garnering literary achievement and aesthetic innovation. Analyzing the novels, poetry, and travel narratives of Felipe Alfau, José Moreno Villa, Julio Camba, and Josep Pla, this book uncovers an international perspective of Iberian literatures. Translating New York aims to rethink Iberian literatures through the transatlantic travels of influential writers.Less
The cultural production of Spanish-speaking New York is closely linked to the Caribbean and to Latin America at large, but the city also plays a pivotal role in the work of a host of authors from the Iberian Peninsula, writing in Spanish, Catalan, and English. In many cases, their New York City texts have marked their careers and the history of their national literatures. Drawing from a variety of genres, Translating New York recovers cultural narratives occluded by single linguistic or national literary histories, and proposes that reading these texts through the lens of translation unveils new pathways of cultural circulation and influence. Looking beyond representations of the city's physical space, Translating New York suggests that travel to the city and contact with New York's multilingual setting ignited a heightened sensitivity towards both the verbal and non-verbal languages of the city, garnering literary achievement and aesthetic innovation. Analyzing the novels, poetry, and travel narratives of Felipe Alfau, José Moreno Villa, Julio Camba, and Josep Pla, this book uncovers an international perspective of Iberian literatures. Translating New York aims to rethink Iberian literatures through the transatlantic travels of influential writers.
Tom Woodin
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780719091117
- eISBN:
- 9781526139023
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091117.001.0001
- Subject:
- Society and Culture, Cultural Studies
This is a unique study of working class writing and community publishing. It evaluates the largely unexamined history of the emergence and development of working class writing and publishing ...
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This is a unique study of working class writing and community publishing. It evaluates the largely unexamined history of the emergence and development of working class writing and publishing workshops since the 1970s. The nature of working class writing is assessed in relation to the work of young people, older people, adult literacy students as well as writing workshops. Key themes and tensions in working class writing are explored in relation to historical and literary frameworks. This is the first in-depth study of this body of writing. In addition, a number of crucial debates are examined, for example, over class and identity, critical pedagogy and learning, the relationships with audiences, the role of mainstream cultural institutions in comparison with alternatives. The contradictions and tensions in all these areas are surveyed in coming to a historical understanding of this topic.Less
This is a unique study of working class writing and community publishing. It evaluates the largely unexamined history of the emergence and development of working class writing and publishing workshops since the 1970s. The nature of working class writing is assessed in relation to the work of young people, older people, adult literacy students as well as writing workshops. Key themes and tensions in working class writing are explored in relation to historical and literary frameworks. This is the first in-depth study of this body of writing. In addition, a number of crucial debates are examined, for example, over class and identity, critical pedagogy and learning, the relationships with audiences, the role of mainstream cultural institutions in comparison with alternatives. The contradictions and tensions in all these areas are surveyed in coming to a historical understanding of this topic.
Max Saunders
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199579761
- eISBN:
- 9780191722882
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199579761.003.0009
- Subject:
- Literature, 19th-century Literature and Romanticism, 20th-century Literature and Modernism
This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It ...
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This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It concludes the discussion of Joyce, and ends with an account of Stein's Autobiography of Alice B. Toklas as an indisputable example of a fictionally authored auto/biography.Less
This chapter discusses the taxonomy of imaginary literary works (supplementing the taxonomy of fictionalized life‐writings proposed in Chapter 5), and their scarcity during the nineteenth century. It concludes the discussion of Joyce, and ends with an account of Stein's Autobiography of Alice B. Toklas as an indisputable example of a fictionally authored auto/biography.
Andrew O. Winckles
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620184
- eISBN:
- 9781789629651
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620184.001.0001
- Subject:
- Literature, Women's Literature
Eighteenth-Century Women’s Writing and the Methodist Media Revolution argues that Methodism in the eighteenth century was a media event that uniquely combined and utilized different types of media to ...
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Eighteenth-Century Women’s Writing and the Methodist Media Revolution argues that Methodism in the eighteenth century was a media event that uniquely combined and utilized different types of media to reach a vast and diverse audience. Specifically, it traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth-century, from the rise of the novel to the Revolution controversy of the 1790’s to the shifting ground for women writers leading up to the Reform era in the 1830’s. The book maps the religious discourse patterns of Methodism onto works by authors like Samuel Richardson, Mary Wollstonecraft, Hannah More, Elizabeth Hamilton, Mary Tighe, and Felicia Hemans. This not only provides a better sense of the religious nuances of these authors’ better-known works, but also provides a fuller consideration of the wide variety of genres women were writing in during the period, many of which continue to be read as ‘non-literary’. The scope of the book leads the reader from the establishment of evangelical forms of discourse in the 1730’s to the natural ends of these discourse structures during the era of reform, all the while pointing to ways in which women—Methodist and otherwise—modified these discourse patterns as acts of resistance or subversion.Less
Eighteenth-Century Women’s Writing and the Methodist Media Revolution argues that Methodism in the eighteenth century was a media event that uniquely combined and utilized different types of media to reach a vast and diverse audience. Specifically, it traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth-century, from the rise of the novel to the Revolution controversy of the 1790’s to the shifting ground for women writers leading up to the Reform era in the 1830’s. The book maps the religious discourse patterns of Methodism onto works by authors like Samuel Richardson, Mary Wollstonecraft, Hannah More, Elizabeth Hamilton, Mary Tighe, and Felicia Hemans. This not only provides a better sense of the religious nuances of these authors’ better-known works, but also provides a fuller consideration of the wide variety of genres women were writing in during the period, many of which continue to be read as ‘non-literary’. The scope of the book leads the reader from the establishment of evangelical forms of discourse in the 1730’s to the natural ends of these discourse structures during the era of reform, all the while pointing to ways in which women—Methodist and otherwise—modified these discourse patterns as acts of resistance or subversion.
Anna Cottrell
- Published in print:
- 2017
- Published Online:
- May 2020
- ISBN:
- 9781474425643
- eISBN:
- 9781474438704
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474425643.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and ...
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Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and Londoners, with a focus on the way in which London's lower-middle-class citizens became inseparable from central London’s leisure scene in the period’s imagination. In contrast with Modernism’s flâneurs and flâneuses, the key figures of 1930s London literature were shop girls, clerks, dance hostesses, and financially insecure journalists whose leisure hours were spent in London’s cinemas, bars, and glittering teashops. Writing about this type of Londoner and her milieus was at the heart of the decade’s experiments in revitalising the British novel, which to many of the period’s writers and intellectuals appeared to lack energy and authenticity. Meticulous description was central to this project of re-energising British writing, and it is in passages describing London milieus such as the teashop and the Soho nightclub that this book locates the decade’s most original and astute meditations on modernity, mass culture, and the value of ordinary lives.Less
Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and Londoners, with a focus on the way in which London's lower-middle-class citizens became inseparable from central London’s leisure scene in the period’s imagination. In contrast with Modernism’s flâneurs and flâneuses, the key figures of 1930s London literature were shop girls, clerks, dance hostesses, and financially insecure journalists whose leisure hours were spent in London’s cinemas, bars, and glittering teashops. Writing about this type of Londoner and her milieus was at the heart of the decade’s experiments in revitalising the British novel, which to many of the period’s writers and intellectuals appeared to lack energy and authenticity. Meticulous description was central to this project of re-energising British writing, and it is in passages describing London milieus such as the teashop and the Soho nightclub that this book locates the decade’s most original and astute meditations on modernity, mass culture, and the value of ordinary lives.
Chong Chon-Smith
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628462050
- eISBN:
- 9781626745292
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462050.003.0002
- Subject:
- Sociology, Race and Ethnicity
This chapter explores Aiiieeeee! An Anthology of Asian-American Writers and Yardbird Reader 3 and shows how the editors utilize the rhetoric of Black radicalism as a means to conceptualize the racial ...
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This chapter explores Aiiieeeee! An Anthology of Asian-American Writers and Yardbird Reader 3 and shows how the editors utilize the rhetoric of Black radicalism as a means to conceptualize the racial emasculation of Asian American men from cultural manhood. During the post-civil rights moment of racial realignment, Black radical thought is the counterpoint to forced Asian ethnic assimilation; this Asian-Black sensibility challenges an uncritical complicity with the parable of racial magnetism that suppresses Black revolution. In Aiiieeeee!, the editors employ the vernacular languages, performance styles, and oppositional consciousness of Black masculinity during the formation of the Asian American Writing movement. In Yardbird Reader 3, the personal and professional bonds between Frank Chin and Ishmael Reed are important moments of Afro-Asian bonds in alternative multiethnic publishing. Both anthologies showcase the centrality of Blackness as a conceptual and material basis for Asian American writing to emerge in the post-civil rights era.Less
This chapter explores Aiiieeeee! An Anthology of Asian-American Writers and Yardbird Reader 3 and shows how the editors utilize the rhetoric of Black radicalism as a means to conceptualize the racial emasculation of Asian American men from cultural manhood. During the post-civil rights moment of racial realignment, Black radical thought is the counterpoint to forced Asian ethnic assimilation; this Asian-Black sensibility challenges an uncritical complicity with the parable of racial magnetism that suppresses Black revolution. In Aiiieeeee!, the editors employ the vernacular languages, performance styles, and oppositional consciousness of Black masculinity during the formation of the Asian American Writing movement. In Yardbird Reader 3, the personal and professional bonds between Frank Chin and Ishmael Reed are important moments of Afro-Asian bonds in alternative multiethnic publishing. Both anthologies showcase the centrality of Blackness as a conceptual and material basis for Asian American writing to emerge in the post-civil rights era.
Christine E. Hallett
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9781784992521
- eISBN:
- 9781526104342
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784992521.001.0001
- Subject:
- History, History of Science, Technology, and Medicine
The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men, and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Others ...
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The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men, and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Others suffered from massive, life-threatening injuries; wound infections such as gas gangrene and tetanus; exposure to extremes of temperature; emotional trauma; and systemic disease. Tens of thousands of women volunteered to serve as nurses to alleviate their suffering. Some were fully-trained professionals; others had minimal preparation, and served as volunteer-nurses. Their motivations were a combination of compassion, patriotism, professional pride and a desire for engagement in the ‘great enterprise’ of war. The war led to an outpouring of war-memoirs, produced mostly by soldier-writers whose works came to be seen as a ‘literary canon’ of war-writing. But nurses had offered immediate and long-term care, life-saving expertise, and comfort to the war’s wounded, and their experiences had given them a perspective on industrial warfare which was unique. Until recently, their contributions, both to the saving of lives and to our understanding of warfare have remained largely hidden from view. ‘Nurse Writers of the Great War’ examines these nurses’ memoirs and explores the insights they offer into the nature of nursing and the impact of warfare. The book combines close biographical research with textual analysis, in order to offer an understanding of both nurses’ wartime experiences and the ways in which their lives and backgrounds contributed to the style and content of their writing.Less
The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men, and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Others suffered from massive, life-threatening injuries; wound infections such as gas gangrene and tetanus; exposure to extremes of temperature; emotional trauma; and systemic disease. Tens of thousands of women volunteered to serve as nurses to alleviate their suffering. Some were fully-trained professionals; others had minimal preparation, and served as volunteer-nurses. Their motivations were a combination of compassion, patriotism, professional pride and a desire for engagement in the ‘great enterprise’ of war. The war led to an outpouring of war-memoirs, produced mostly by soldier-writers whose works came to be seen as a ‘literary canon’ of war-writing. But nurses had offered immediate and long-term care, life-saving expertise, and comfort to the war’s wounded, and their experiences had given them a perspective on industrial warfare which was unique. Until recently, their contributions, both to the saving of lives and to our understanding of warfare have remained largely hidden from view. ‘Nurse Writers of the Great War’ examines these nurses’ memoirs and explores the insights they offer into the nature of nursing and the impact of warfare. The book combines close biographical research with textual analysis, in order to offer an understanding of both nurses’ wartime experiences and the ways in which their lives and backgrounds contributed to the style and content of their writing.
Kimberly Lamm
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781526121264
- eISBN:
- 9781526136176
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526121264.001.0001
- Subject:
- Art, Art History
This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing ...
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This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of ‘the other woman,’ a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork’s aspirations more concrete, it places the artists in correspondence with three writers – Angela Davis, Valerie Solanas, and Laura Mulvey – who also addressed the limited range of images through which women are allowed to become visible.Less
This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of ‘the other woman,’ a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork’s aspirations more concrete, it places the artists in correspondence with three writers – Angela Davis, Valerie Solanas, and Laura Mulvey – who also addressed the limited range of images through which women are allowed to become visible.
Leigh Gilmore
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231177146
- eISBN:
- 9780231543446
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231177146.001.0001
- Subject:
- Society and Culture, Gender Studies
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed ...
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In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.Less
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.
JULIA BRIGGS
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780198182894
- eISBN:
- 9780191673917
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198182894.003.0017
- Subject:
- Literature, Criticism/Theory
Virginia Stephen confided that she would like to write a very subtle work on the proper writing of lives. Many years later, she would fulfil her ambition, writing subtle essays. That the young ...
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Virginia Stephen confided that she would like to write a very subtle work on the proper writing of lives. Many years later, she would fulfil her ambition, writing subtle essays. That the young Virginia Stephen should equate the possibilities of and constraints upon writing with the writing of biography is scarcely surprising given her status as ‘daughter of the DNB’. Leslie Stephen had accepted the editorship of the DNB in 1882, the year Virginia was born. Its purpose was to keep a national record of the lives of great men. Later, both of Woolf's essays on biography, in which Lytton Strachey played a key role, analyse the nature of biography. Woolf's friends and family provided her with subjects and a strictly limited but familiar audience for her earliest experiments in biography. In terms of Woolf's own development, she had reached the point where she would abandon conventional form altogether.Less
Virginia Stephen confided that she would like to write a very subtle work on the proper writing of lives. Many years later, she would fulfil her ambition, writing subtle essays. That the young Virginia Stephen should equate the possibilities of and constraints upon writing with the writing of biography is scarcely surprising given her status as ‘daughter of the DNB’. Leslie Stephen had accepted the editorship of the DNB in 1882, the year Virginia was born. Its purpose was to keep a national record of the lives of great men. Later, both of Woolf's essays on biography, in which Lytton Strachey played a key role, analyse the nature of biography. Woolf's friends and family provided her with subjects and a strictly limited but familiar audience for her earliest experiments in biography. In terms of Woolf's own development, she had reached the point where she would abandon conventional form altogether.
Jennifer Bann and John Corbett
- Published in print:
- 2015
- Published Online:
- May 2018
- ISBN:
- 9780748643059
- eISBN:
- 9781474416085
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748643059.001.0001
- Subject:
- Linguistics, English Language
This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in ...
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This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in pronunciation, and partly as a result of social and political change.
Spelling Scots acts not only as a wide-ranging reference book to the changing orthography of Scots, but also as an outline of the active interventions in the practices that have guided Scots spelling. The book shows how canonical writers of poetry and fiction in Scots from 1700 to the present day have blended convention and innovation in presenting Scots in literary texts, and it explores the influence of key writers such as Ramsay, Fergusson, Burns, Scott, Hogg and Stevenson. Introducing an innovative method of tracing the use of key spelling variants in a corpus of Scots writing, the book discusses the implication of this method for promoting wider literacy in Scots.
Spelling Scots should be a standard reference volume for all institutions where literature in Scots is studied. It draws on the authors' current research project, the Corpus of Modern Scottish Writing.Less
This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in pronunciation, and partly as a result of social and political change.
Spelling Scots acts not only as a wide-ranging reference book to the changing orthography of Scots, but also as an outline of the active interventions in the practices that have guided Scots spelling. The book shows how canonical writers of poetry and fiction in Scots from 1700 to the present day have blended convention and innovation in presenting Scots in literary texts, and it explores the influence of key writers such as Ramsay, Fergusson, Burns, Scott, Hogg and Stevenson. Introducing an innovative method of tracing the use of key spelling variants in a corpus of Scots writing, the book discusses the implication of this method for promoting wider literacy in Scots.
Spelling Scots should be a standard reference volume for all institutions where literature in Scots is studied. It draws on the authors' current research project, the Corpus of Modern Scottish Writing.
Konrad Hirschler
- Published in print:
- 2016
- Published Online:
- September 2018
- ISBN:
- 9781474408776
- eISBN:
- 9781474418812
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474408776.001.0001
- Subject:
- History, Middle East History
The written text was a pervasive feature of cultural practices in the medieval Middle East. At the heart of book circulation stood libraries that experienced a rapid expansion from the twelfth ...
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The written text was a pervasive feature of cultural practices in the medieval Middle East. At the heart of book circulation stood libraries that experienced a rapid expansion from the twelfth century onwards. While the existence of these libraries is well known our knowledge of their content and structure has been very limited as hardly any medieval Arabic catalogues have been preserved. This book discusses the largest and earliest medieval library of the Middle East for which we have documentation – the Ashrafiya library in the very centre of Damascus – and edits its catalogue. This catalogue shows that even book collections attached to Sunni religious institutions could hold rather unexpected titles, such as stories from the 1001 Nights, manuals for traders, medical handbooks, Shiite prayers, love poetry and texts extolling wine consumption. At the same time this library catalogue decisively expands our knowledge of how the books were spatially organised on the bookshelves of such a large medieval library. With over 2,000 entries this catalogue is essential reading for anybody interested in the cultural and intellectual history of Arabic societies. Setting the Ashrafiya catalogue into a comparative perspective with contemporaneous libraries on the British Isles this book opens new perspectives for the study of medieval libraries.Less
The written text was a pervasive feature of cultural practices in the medieval Middle East. At the heart of book circulation stood libraries that experienced a rapid expansion from the twelfth century onwards. While the existence of these libraries is well known our knowledge of their content and structure has been very limited as hardly any medieval Arabic catalogues have been preserved. This book discusses the largest and earliest medieval library of the Middle East for which we have documentation – the Ashrafiya library in the very centre of Damascus – and edits its catalogue. This catalogue shows that even book collections attached to Sunni religious institutions could hold rather unexpected titles, such as stories from the 1001 Nights, manuals for traders, medical handbooks, Shiite prayers, love poetry and texts extolling wine consumption. At the same time this library catalogue decisively expands our knowledge of how the books were spatially organised on the bookshelves of such a large medieval library. With over 2,000 entries this catalogue is essential reading for anybody interested in the cultural and intellectual history of Arabic societies. Setting the Ashrafiya catalogue into a comparative perspective with contemporaneous libraries on the British Isles this book opens new perspectives for the study of medieval libraries.
Tom Woodin
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780719091117
- eISBN:
- 9781526139023
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091117.003.0007
- Subject:
- Society and Culture, Cultural Studies
The learning trajectories of working class writers reveals the importance of informal opportunities to write in workshops within a spirit of solidarity and equality. Many aspects of working class ...
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The learning trajectories of working class writers reveals the importance of informal opportunities to write in workshops within a spirit of solidarity and equality. Many aspects of working class life supported writing. Workshops provided a vital means of stimulating and supporting the aspiring writer, including domestic life, sympathetic individuals as well as participation in labour movement struggles. Writers started to read critically and share their work with a view to making significant improvements. Some writers received structured support from cultural organisations and went on to achieve considerable success. Personal changes could be both gradual and climactic although the obstacles, both internal and external, were ever-present.Less
The learning trajectories of working class writers reveals the importance of informal opportunities to write in workshops within a spirit of solidarity and equality. Many aspects of working class life supported writing. Workshops provided a vital means of stimulating and supporting the aspiring writer, including domestic life, sympathetic individuals as well as participation in labour movement struggles. Writers started to read critically and share their work with a view to making significant improvements. Some writers received structured support from cultural organisations and went on to achieve considerable success. Personal changes could be both gradual and climactic although the obstacles, both internal and external, were ever-present.
Bonnie Thomas
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496810557
- eISBN:
- 9781496810595
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496810557.003.0007
- Subject:
- Literature, World Literature
The image of a rhizomatic network provides a visual framework for the present book. Connecting Histories: Francophone Caribbean Writers Interrogating Their Past reveals the way in which everything is ...
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The image of a rhizomatic network provides a visual framework for the present book. Connecting Histories: Francophone Caribbean Writers Interrogating Their Past reveals the way in which everything is connected in the intertwining of histories and History and the personal narratives of each author examined highlights the interlocking threads of their personal lives and shared history. The writers engage with different aspects of their individual and collective pasts through their diverse autobiographical narratives, covering such areas as the individual and political, the linguistic, the literary and the traumatic. While their style and emphasis vary, they all demonstrate that the writing space is a sheltering and challenging place with the power to transform their own lives as well as those of their readers.Less
The image of a rhizomatic network provides a visual framework for the present book. Connecting Histories: Francophone Caribbean Writers Interrogating Their Past reveals the way in which everything is connected in the intertwining of histories and History and the personal narratives of each author examined highlights the interlocking threads of their personal lives and shared history. The writers engage with different aspects of their individual and collective pasts through their diverse autobiographical narratives, covering such areas as the individual and political, the linguistic, the literary and the traumatic. While their style and emphasis vary, they all demonstrate that the writing space is a sheltering and challenging place with the power to transform their own lives as well as those of their readers.
Matthew L. Reznicek
- Published in print:
- 2018
- Published Online:
- January 2018
- ISBN:
- 9781942954323
- eISBN:
- 9781786944320
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781942954323.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
This is the first book to explore Irish women’s novels and the representation of Paris, which draws these writers into a recognizably European literary tradition. By reasserting the centrality of ...
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This is the first book to explore Irish women’s novels and the representation of Paris, which draws these writers into a recognizably European literary tradition. By reasserting the centrality of Paris, this book draws connections between Irish women writers and European writers, forging new points of contact between Irish literature and canonical figures like Goethe, Balzac, and Zola through the shared interest in the socio-economic development of modernity. The European Metropolis not only expands the map of Irish Studies, but also to expand the canon of and the critical framework in which scholars situate these novels. Moreover, this book expands our critical understanding of the urban and female spheres of the modern metropolis.Less
This is the first book to explore Irish women’s novels and the representation of Paris, which draws these writers into a recognizably European literary tradition. By reasserting the centrality of Paris, this book draws connections between Irish women writers and European writers, forging new points of contact between Irish literature and canonical figures like Goethe, Balzac, and Zola through the shared interest in the socio-economic development of modernity. The European Metropolis not only expands the map of Irish Studies, but also to expand the canon of and the critical framework in which scholars situate these novels. Moreover, this book expands our critical understanding of the urban and female spheres of the modern metropolis.
- Published in print:
- 2002
- Published Online:
- February 2013
- ISBN:
- 9780226305554
- eISBN:
- 9780226305264
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226305264.003.0011
- Subject:
- Literature, Women's Literature
This chapter discusses Marie le Jars de Gournay's “The Apology for the Woman Writing.” The “Apology” is, in essence, a profuse autobiographical self-justification, with “apology” meaning “defense,” ...
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This chapter discusses Marie le Jars de Gournay's “The Apology for the Woman Writing.” The “Apology” is, in essence, a profuse autobiographical self-justification, with “apology” meaning “defense,” on the model—invoked self-consciously and rather grandiosely—of Plato's Apology of Socrates. In defending herself, like the persecuted Greek philosopher, against slanders that menaced her reputation and, if not her life, her livelihood (by thwarting her prospects for patronage), Gournay composed what is undoubtedly the most revealing, on several levels, of her three major autobiographical pieces. It takes the readers to her very origins as a writer in the Promenade of Monsieur de Montaigne, where her quasi-mystical ideal of communion among grands esprits—those of antiquity joining with Michel de Montaigne himself—was already at loggerheads with the imperatives of histoire tragique.Less
This chapter discusses Marie le Jars de Gournay's “The Apology for the Woman Writing.” The “Apology” is, in essence, a profuse autobiographical self-justification, with “apology” meaning “defense,” on the model—invoked self-consciously and rather grandiosely—of Plato's Apology of Socrates. In defending herself, like the persecuted Greek philosopher, against slanders that menaced her reputation and, if not her life, her livelihood (by thwarting her prospects for patronage), Gournay composed what is undoubtedly the most revealing, on several levels, of her three major autobiographical pieces. It takes the readers to her very origins as a writer in the Promenade of Monsieur de Montaigne, where her quasi-mystical ideal of communion among grands esprits—those of antiquity joining with Michel de Montaigne himself—was already at loggerheads with the imperatives of histoire tragique.
Andrew Smith
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780719088414
- eISBN:
- 9781526115256
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719088414.001.0001
- Subject:
- Literature, Criticism/Theory
The focus in this book is on how the dead and dying were represented in Gothic texts between 1740 and 1914-between Graveyard poetry and the mass death occasioned by the First World War. The corpse ...
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The focus in this book is on how the dead and dying were represented in Gothic texts between 1740 and 1914-between Graveyard poetry and the mass death occasioned by the First World War. The corpse might seem to have an obvious place in the Gothic imaginary but, as we shall see, the corpse so often refuses to function as a formal Gothic prop and in order to understand why this occurs we need to explore what the corpse figuratively represented in the Gothic during the long nineteenth century. Representations of death often provide a vehicle for other contemplations than just death. A central aim of this study is to explore how images of death and dying were closely linked to models of creativity, which argues for a new way of looking at aesthetics during the period. Writers explored include Edward Young, Ann Radcliffe, Mary Shelley, James Boaden, Edgar Allan Poe, Emily Brontë, George Eliot, Henry Rider Haggard, Bram Stoker and Arthur Machen.Less
The focus in this book is on how the dead and dying were represented in Gothic texts between 1740 and 1914-between Graveyard poetry and the mass death occasioned by the First World War. The corpse might seem to have an obvious place in the Gothic imaginary but, as we shall see, the corpse so often refuses to function as a formal Gothic prop and in order to understand why this occurs we need to explore what the corpse figuratively represented in the Gothic during the long nineteenth century. Representations of death often provide a vehicle for other contemplations than just death. A central aim of this study is to explore how images of death and dying were closely linked to models of creativity, which argues for a new way of looking at aesthetics during the period. Writers explored include Edward Young, Ann Radcliffe, Mary Shelley, James Boaden, Edgar Allan Poe, Emily Brontë, George Eliot, Henry Rider Haggard, Bram Stoker and Arthur Machen.
Suzie Attiwill, Terri Bird, Andrea Eckersley, and Antonia Pont
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781474429344
- eISBN:
- 9781474438568
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474429344.001.0001
- Subject:
- Philosophy, Aesthetics
Practising with Deleuze offers the first systematic reading of Gilles Deleuze’s mature philosophy from the perspective of contemporary creative practitioners, including fine artists, a dancer, a ...
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Practising with Deleuze offers the first systematic reading of Gilles Deleuze’s mature philosophy from the perspective of contemporary creative practitioners, including fine artists, a dancer, a creative writer, designer and philosopher. It offers a way of rethinking notions of aesthetics, art, and creativity within the field of practice. Unconventional in presentation, this book is reflective of the engagement of contemporary creative practices with the generative philosophy of Deleuze. Each chapter focuses on a key aspect of production - practising, forming, framing, experiencing, and encountering - and is accompanied by short summary texts outlining the context of Deleuze’s contributions to each of these aspects. These discussions contextualise Deleuzian thought within a range of practices. In so doing, they enable the reader to approach these philosophical concepts within the milieu of creative practice.Less
Practising with Deleuze offers the first systematic reading of Gilles Deleuze’s mature philosophy from the perspective of contemporary creative practitioners, including fine artists, a dancer, a creative writer, designer and philosopher. It offers a way of rethinking notions of aesthetics, art, and creativity within the field of practice. Unconventional in presentation, this book is reflective of the engagement of contemporary creative practices with the generative philosophy of Deleuze. Each chapter focuses on a key aspect of production - practising, forming, framing, experiencing, and encountering - and is accompanied by short summary texts outlining the context of Deleuze’s contributions to each of these aspects. These discussions contextualise Deleuzian thought within a range of practices. In so doing, they enable the reader to approach these philosophical concepts within the milieu of creative practice.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.001.0001
- Subject:
- Literature, Criticism/Theory
Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, ...
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Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, Fiction and Reality’, and ‘The Reviews’.
The book looks at 20th century science fiction through a feminist lens and explores the evolution of science fiction and fantasy writing during an era of scientific and technological development. From a feminist point of view, Jones discusses the relationships between men and women in science fiction and unpacks the significance of the power imbalances that come out of those relationships. Jones also addresses the increasing closeness in the barriers between science fiction and reality and offers insightful predictions towards the future.Less
Gwyneth Jones’s Deconstructing the Starships: Science Fiction and Reality is a collection of critical essays, speeches and reviews, split into three sections: ‘All Science is Description’, ‘Science, Fiction and Reality’, and ‘The Reviews’.
The book looks at 20th century science fiction through a feminist lens and explores the evolution of science fiction and fantasy writing during an era of scientific and technological development. From a feminist point of view, Jones discusses the relationships between men and women in science fiction and unpacks the significance of the power imbalances that come out of those relationships. Jones also addresses the increasing closeness in the barriers between science fiction and reality and offers insightful predictions towards the future.
Katie Brown
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781786942197
- eISBN:
- 9781789623932
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786942197.001.0001
- Subject:
- Literature, American, 19th Century Literature
In contrast to recent theories of the ‘global’ or ‘post-national’ Latin American novel, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the ...
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In contrast to recent theories of the ‘global’ or ‘post-national’ Latin American novel, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela’s literary isolation. The latter results from factors including the legacy of the Boom and historically low levels of emigration from Venezuela. Grounded in theories of metafiction and intertextuality, the book provides a close reading of eight novels published between 2004 (the year in which the first Minister for Culture was appointed) and 2012 (the last full year of President Chávez’s life), relating these novels to the context of their production. Each chapter explores a way in which these novels reflect on writing, from the protagonists as readers and writers in different contexts, through appearances from real life writers, to experiments with style and popular culture, and finally questioning the boundaries between fiction and reality. This literary analysis complements overarching studies of the Bolivarian Revolution by offering an insight into how Bolivarian policies and practices affect people on an individual, emotional and creative level. In this context, self-reflexive narratives afford their writers a form of political agency.Less
In contrast to recent theories of the ‘global’ or ‘post-national’ Latin American novel, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela’s literary isolation. The latter results from factors including the legacy of the Boom and historically low levels of emigration from Venezuela. Grounded in theories of metafiction and intertextuality, the book provides a close reading of eight novels published between 2004 (the year in which the first Minister for Culture was appointed) and 2012 (the last full year of President Chávez’s life), relating these novels to the context of their production. Each chapter explores a way in which these novels reflect on writing, from the protagonists as readers and writers in different contexts, through appearances from real life writers, to experiments with style and popular culture, and finally questioning the boundaries between fiction and reality. This literary analysis complements overarching studies of the Bolivarian Revolution by offering an insight into how Bolivarian policies and practices affect people on an individual, emotional and creative level. In this context, self-reflexive narratives afford their writers a form of political agency.
