Jerrilyn McGregory
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737820
- eISBN:
- 9781604737837
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737820.001.0001
- Subject:
- Music, History, American
This book explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. It examines African American sacred music ...
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This book explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. It examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which African Americans sing include present-day observations such as the Twentieth of May (Emancipation Day), Burial League Turnouts, and Fifth Sunday. Rather than tracing the evolution of African American sacred music, this ethnographic study focuses on contemporary cultural performances, almost all by women, which embrace all forms. These women promote a female-centered theology to ensure the survival of their communities and personal networks, and function in leadership roles that withstand the test of time. Their spiritual activism presents itself as a way of life. In Wiregrass Country, “You don’t have to sing like an angel” is a frequently expressed sentiment. To these women, “good” music is God’s music regardless of the manner delivered.Less
This book explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. It examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which African Americans sing include present-day observations such as the Twentieth of May (Emancipation Day), Burial League Turnouts, and Fifth Sunday. Rather than tracing the evolution of African American sacred music, this ethnographic study focuses on contemporary cultural performances, almost all by women, which embrace all forms. These women promote a female-centered theology to ensure the survival of their communities and personal networks, and function in leadership roles that withstand the test of time. Their spiritual activism presents itself as a way of life. In Wiregrass Country, “You don’t have to sing like an angel” is a frequently expressed sentiment. To these women, “good” music is God’s music regardless of the manner delivered.
Glenn W. LaFantasie
- Published in print:
- 2007
- Published Online:
- October 2011
- ISBN:
- 9780195331318
- eISBN:
- 9780199851515
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195331318.001.0001
- Subject:
- History, American History: 19th Century
William C. Oates is best remembered as the Confederate officer defeated at Gettysburg's Little Round Top, losing a golden opportunity to turn the Union's flank and win the battle — and perhaps the ...
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William C. Oates is best remembered as the Confederate officer defeated at Gettysburg's Little Round Top, losing a golden opportunity to turn the Union's flank and win the battle — and perhaps the war. Oates was no moonlight-and-magnolias Southerner, as this book shows. Raised in the hard-scrabble Wiregrass Country of Alabama, he ran away from home as a teenager, roamed through Louisiana and Texas — where he took up card sharking — and finally returned to Alabama, to pull himself up by his bootstraps and become a respected attorney. During the war, he rose to the rank of colonel, served under Stonewall Jackson and Lee, was wounded six times, and lost an arm. Returning home, he launched a successful political career, becoming a seven-term congressman and ultimately governor. The author shows how, for Oates, the war never really ended — he remained devoted to the Lost Cause, and spent the rest of his life waging the political battles of Reconstruction. This is the story of Southern life before, during, and after the Civil War, based on family papers and archives.Less
William C. Oates is best remembered as the Confederate officer defeated at Gettysburg's Little Round Top, losing a golden opportunity to turn the Union's flank and win the battle — and perhaps the war. Oates was no moonlight-and-magnolias Southerner, as this book shows. Raised in the hard-scrabble Wiregrass Country of Alabama, he ran away from home as a teenager, roamed through Louisiana and Texas — where he took up card sharking — and finally returned to Alabama, to pull himself up by his bootstraps and become a respected attorney. During the war, he rose to the rank of colonel, served under Stonewall Jackson and Lee, was wounded six times, and lost an arm. Returning home, he launched a successful political career, becoming a seven-term congressman and ultimately governor. The author shows how, for Oates, the war never really ended — he remained devoted to the Lost Cause, and spent the rest of his life waging the political battles of Reconstruction. This is the story of Southern life before, during, and after the Civil War, based on family papers and archives.
