Jamal Shahin
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199535026
- eISBN:
- 9780191715860
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199535026.003.0013
- Subject:
- Political Science, Comparative Politics, European Union
To overcome its reputation as a remote bureaucracy, the Commission has used the Internet to promote public and media understanding, citizen participation and support for the EU, as well as for ...
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To overcome its reputation as a remote bureaucracy, the Commission has used the Internet to promote public and media understanding, citizen participation and support for the EU, as well as for networking with national administrations, businesses, and civil society organizations. It has made both a top-down use of the Internet to increase openness, blaming the ‘democratic deficit’ on an information deficit, as well as advocating a bottom-up improvement of consultation processes to ensure better governance and interaction with decision-makers, e.g., through Your Voice in Europe. However, the Commission officials make little use of the feedback mechanisms. The use of an Intranet has helped increase Commission efficiency and interaction with other EU institutions. Citizen participation has taken second place to improving internal elite coordination.Less
To overcome its reputation as a remote bureaucracy, the Commission has used the Internet to promote public and media understanding, citizen participation and support for the EU, as well as for networking with national administrations, businesses, and civil society organizations. It has made both a top-down use of the Internet to increase openness, blaming the ‘democratic deficit’ on an information deficit, as well as advocating a bottom-up improvement of consultation processes to ensure better governance and interaction with decision-makers, e.g., through Your Voice in Europe. However, the Commission officials make little use of the feedback mechanisms. The use of an Intranet has helped increase Commission efficiency and interaction with other EU institutions. Citizen participation has taken second place to improving internal elite coordination.
Paul Giles
- Published in print:
- 2011
- Published Online:
- October 2017
- ISBN:
- 9780691136134
- eISBN:
- 9781400836512
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691136134.003.0005
- Subject:
- Literature, Criticism/Theory
This chapter examines how the landscape of American broadcasting in the second half of the twentieth century evolved from a situation in which values of liberal independence acted as a front for the ...
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This chapter examines how the landscape of American broadcasting in the second half of the twentieth century evolved from a situation in which values of liberal independence acted as a front for the sway of network corporations to one in which the incremental fragmentation of the increasingly global media market posed a challenge to the rhetoric of national space. It considers how the spatial dynamics inherent within American culture have been represented in American writers such as Toni Morrison, Philip Roth, and Don DeLillo, and contrasts this with the perspectives of a younger generation, in particular those of David Foster Wallace and Dave Eggers. It explains how the “Voice of America” (VOA), the official radio and television service of the U.S. federal government, became “the nation's ideological arm of anti-communism,” while the minds of supposedly free-thinking citizens at home were also shaped surreptitiously by the new power of electronic media.Less
This chapter examines how the landscape of American broadcasting in the second half of the twentieth century evolved from a situation in which values of liberal independence acted as a front for the sway of network corporations to one in which the incremental fragmentation of the increasingly global media market posed a challenge to the rhetoric of national space. It considers how the spatial dynamics inherent within American culture have been represented in American writers such as Toni Morrison, Philip Roth, and Don DeLillo, and contrasts this with the perspectives of a younger generation, in particular those of David Foster Wallace and Dave Eggers. It explains how the “Voice of America” (VOA), the official radio and television service of the U.S. federal government, became “the nation's ideological arm of anti-communism,” while the minds of supposedly free-thinking citizens at home were also shaped surreptitiously by the new power of electronic media.
Julian Johnson
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195372397
- eISBN:
- 9780199870844
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195372397.003.0008
- Subject:
- Music, History, Western, Opera
Contemporary criticism often likened Mahler's music to the performance of an actor. The final chapter draws out the tension between expression and irony, arguing that Mahler's music is characterized ...
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Contemporary criticism often likened Mahler's music to the performance of an actor. The final chapter draws out the tension between expression and irony, arguing that Mahler's music is characterized by a high degree of self‐consciousness about its own aesthetic statements. The music proposes an authentic expression but, at the same time, is self‐critical of music's ability to achieve this. To test Mahler's ambivalent play between expression and irony, this chapter examines the idea of an “Adagio voice,” as found in the Finale of the Ninth Symphony. This is discussed in terms of the aesthetic fiction, the “as if” of all art, but here raised to the level of historical self‐consciousness. Mahler's music thus marks a historical moment that binds together romantic irony, modernist expression, and postmodern deconstruction.Less
Contemporary criticism often likened Mahler's music to the performance of an actor. The final chapter draws out the tension between expression and irony, arguing that Mahler's music is characterized by a high degree of self‐consciousness about its own aesthetic statements. The music proposes an authentic expression but, at the same time, is self‐critical of music's ability to achieve this. To test Mahler's ambivalent play between expression and irony, this chapter examines the idea of an “Adagio voice,” as found in the Finale of the Ninth Symphony. This is discussed in terms of the aesthetic fiction, the “as if” of all art, but here raised to the level of historical self‐consciousness. Mahler's music thus marks a historical moment that binds together romantic irony, modernist expression, and postmodern deconstruction.
Peter Slade
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195372625
- eISBN:
- 9780199871728
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195372625.003.0003
- Subject:
- Religion, Religion and Society
With both a theology of open friendship in place and an understanding of Mississippi's history as the Closed Society, the third chapter lays out the short history of Mission Mississippi. Started in ...
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With both a theology of open friendship in place and an understanding of Mississippi's history as the Closed Society, the third chapter lays out the short history of Mission Mississippi. Started in Jackson, Mississippi, in 1992, this extraordinary organization owes its existence to an alliance of white businessmen, African American ministers, and a pioneering community development and reconciliation ministry called Voice of Calvary. The second half of the chapter constructs and considers Mission Mississippi's theology of racial reconciliation paying close attention to the preaching of its director Dolphus Weary. Mission Mississippi, through its call for Christians to form intentional relationships outside their social, denominational, and economic circles, has at its heart a theology of open friendship.Less
With both a theology of open friendship in place and an understanding of Mississippi's history as the Closed Society, the third chapter lays out the short history of Mission Mississippi. Started in Jackson, Mississippi, in 1992, this extraordinary organization owes its existence to an alliance of white businessmen, African American ministers, and a pioneering community development and reconciliation ministry called Voice of Calvary. The second half of the chapter constructs and considers Mission Mississippi's theology of racial reconciliation paying close attention to the preaching of its director Dolphus Weary. Mission Mississippi, through its call for Christians to form intentional relationships outside their social, denominational, and economic circles, has at its heart a theology of open friendship.
D. Gary Miller
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199583430
- eISBN:
- 9780191595288
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199583430.003.0007
- Subject:
- Linguistics, Historical Linguistics, Theoretical Linguistics
This chapter introduces the theoretical points and verb classes presupposed in other chapters. It can be ignored by those familiar with generative theory. Lexical and functional structure are ...
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This chapter introduces the theoretical points and verb classes presupposed in other chapters. It can be ignored by those familiar with generative theory. Lexical and functional structure are discussed, along with movement and the roles of νP. The problem of Cause and Voice is addressed in connection with the derivation of the ergative (causative : anticausative) alternation. Tests for the unergative vs unaccusative contrast are introduced and distinguished from structures like passive, middle, and impersonal. Formal derivations are offered for the ergative alternation and for passive and middle structures.Less
This chapter introduces the theoretical points and verb classes presupposed in other chapters. It can be ignored by those familiar with generative theory. Lexical and functional structure are discussed, along with movement and the roles of νP. The problem of Cause and Voice is addressed in connection with the derivation of the ergative (causative : anticausative) alternation. Tests for the unergative vs unaccusative contrast are introduced and distinguished from structures like passive, middle, and impersonal. Formal derivations are offered for the ergative alternation and for passive and middle structures.
Norie Neumark
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780262036139
- eISBN:
- 9780262339834
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262036139.001.0001
- Subject:
- Music, Theory, Analysis, Composition
Moved by Aboriginal or Indigenous understandings of tracks, Norie Neumark’s Voicetracks seeks to deepen understandings of voice through listening to a variety of media and contemporary art works from ...
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Moved by Aboriginal or Indigenous understandings of tracks, Norie Neumark’s Voicetracks seeks to deepen understandings of voice through listening to a variety of media and contemporary art works from Australia, Europe, and the United States. The author aims to bring voice studies into conversation with new materialism to broaden thinking within both. Through a methodology based in listening, she brings theories of affect and carnal and situated knowledge into conversation with her examples and the theories she works with. Through her examples, Neumark engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. Neumark evokes both the literal—the actual voices within the works with which she engages—and the metaphorical—in a new materialist exploration of voice encompassing humans, animals, things, and assemblages. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories from sound, animal, and posthuman studies in order to change the ways we think about and act with and within the assemblages of living creatures, things, places and histories around us. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.Less
Moved by Aboriginal or Indigenous understandings of tracks, Norie Neumark’s Voicetracks seeks to deepen understandings of voice through listening to a variety of media and contemporary art works from Australia, Europe, and the United States. The author aims to bring voice studies into conversation with new materialism to broaden thinking within both. Through a methodology based in listening, she brings theories of affect and carnal and situated knowledge into conversation with her examples and the theories she works with. Through her examples, Neumark engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. Neumark evokes both the literal—the actual voices within the works with which she engages—and the metaphorical—in a new materialist exploration of voice encompassing humans, animals, things, and assemblages. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories from sound, animal, and posthuman studies in order to change the ways we think about and act with and within the assemblages of living creatures, things, places and histories around us. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
Artemis Alexiadou, Elena Anagnostopoulou, and Florian Schäfer
- Published in print:
- 2015
- Published Online:
- March 2015
- ISBN:
- 9780199571949
- eISBN:
- 9780191757433
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199571949.001.0001
- Subject:
- Linguistics, Syntax and Morphology, Theoretical Linguistics
This book is an exploration of the syntax of external arguments in transitivity alternations from a cross-linguistic perspective. The empirical focus is the causative/anticausative alternation and ...
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This book is an exploration of the syntax of external arguments in transitivity alternations from a cross-linguistic perspective. The empirical focus is the causative/anticausative alternation and the formation of (adjectival) Passives. The bulk of the discussion, couched within Distributed Morphology, is devoted to the properties of the (anti-)causative alternation, which the text takes to be a Voice alternation. It offers a detailed discussion of the morphological realization of anticausatives across languages, and argues that marked anticausatives involve expletive Voice and are not reflexive predicates. In the discussion of Passives, the book argues that the fact that Passives in German and English—unlike their counterparts in Greek, where Passives are syncretic with anticausatives—are morphologically unique reflects the fact that they are also structurally unique. Passives in English and German involve Passive Voice, while they involve Middle Voice in Greek. The text furthermore shows that the distinction between target and resultant state participles is an important one in order to understand the contribution of Voice in adjectival Passives. Importantly, the study provided tools to probe into the morpho-syntactic structure of verbs and participles, and to identify the properties of verbal alternations across languages.Less
This book is an exploration of the syntax of external arguments in transitivity alternations from a cross-linguistic perspective. The empirical focus is the causative/anticausative alternation and the formation of (adjectival) Passives. The bulk of the discussion, couched within Distributed Morphology, is devoted to the properties of the (anti-)causative alternation, which the text takes to be a Voice alternation. It offers a detailed discussion of the morphological realization of anticausatives across languages, and argues that marked anticausatives involve expletive Voice and are not reflexive predicates. In the discussion of Passives, the book argues that the fact that Passives in German and English—unlike their counterparts in Greek, where Passives are syncretic with anticausatives—are morphologically unique reflects the fact that they are also structurally unique. Passives in English and German involve Passive Voice, while they involve Middle Voice in Greek. The text furthermore shows that the distinction between target and resultant state participles is an important one in order to understand the contribution of Voice in adjectival Passives. Importantly, the study provided tools to probe into the morpho-syntactic structure of verbs and participles, and to identify the properties of verbal alternations across languages.
John M. Picker
- Published in print:
- 2003
- Published Online:
- September 2007
- ISBN:
- 9780195151916
- eISBN:
- 9780199787944
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195151916.003.0005
- Subject:
- Literature, 19th-century and Victorian Literature
This chapter argues that while moderns used the gramophone to represent their concerns over the disintegration of artistic “aura” in an age of mechanical reproduction, Victorians used the phonograph ...
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This chapter argues that while moderns used the gramophone to represent their concerns over the disintegration of artistic “aura” in an age of mechanical reproduction, Victorians used the phonograph in ways that spoke to their own concerns over issues ranging from the domestic to the imperial. It presents a cultural study attentive to the varied, often contradictory later Victorian manifestations of the phonograph, in the publicity-related activities of Thomas Edison's London agent George Gouraud, who arranged for recordings to be made of Robert Browning and Alfred Tennyson, as well as in works such as Arthur Conan Doyle's “The Voice of Science” and “The Japanned Box”, Bram Stoker's Dracula, and Joseph Conrad's Heart of Darkness. The phonograph, with the power to record and replay, promised a special kind of communal integrity even as it extended a troubling sense of fragmentation. Through its mechanical reproduction of voice, it offered forms of control and interaction that late Victorians initially found not impersonal and fearful as moderns later did, but in a period of diminishing mastery over empire and the self, individualized, reassuring, and even desirable.Less
This chapter argues that while moderns used the gramophone to represent their concerns over the disintegration of artistic “aura” in an age of mechanical reproduction, Victorians used the phonograph in ways that spoke to their own concerns over issues ranging from the domestic to the imperial. It presents a cultural study attentive to the varied, often contradictory later Victorian manifestations of the phonograph, in the publicity-related activities of Thomas Edison's London agent George Gouraud, who arranged for recordings to be made of Robert Browning and Alfred Tennyson, as well as in works such as Arthur Conan Doyle's “The Voice of Science” and “The Japanned Box”, Bram Stoker's Dracula, and Joseph Conrad's Heart of Darkness. The phonograph, with the power to record and replay, promised a special kind of communal integrity even as it extended a troubling sense of fragmentation. Through its mechanical reproduction of voice, it offered forms of control and interaction that late Victorians initially found not impersonal and fearful as moderns later did, but in a period of diminishing mastery over empire and the self, individualized, reassuring, and even desirable.
Julie Anne Legate
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780262028141
- eISBN:
- 9780262320559
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262028141.001.0001
- Subject:
- Linguistics, Syntax and Morphology
Voice and v investigates the syntactic structure of voice, using Acehnese as the empirical starting point. A central claim is that voice is encoded in a functional projection, VoiceP, which is ...
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Voice and v investigates the syntactic structure of voice, using Acehnese as the empirical starting point. A central claim is that voice is encoded in a functional projection, VoiceP, which is distinct from, and higher than, vP. The book further claims that VoiceP may be associated with phi-features that semantically restrict the external argument position but do not saturate it. Through minor variations in the properties of VoiceP, a wide range of non-canonical voice constructions are explained, including: agent-agreeing passives, grammatical object passives, impersonals, object voice constructions, and applicative voice in causatives. The analysis draws on data from a typologically diverse set of languages, not only Malayo-Polynesian, but also Celtic, Scandinavian, and Slavic. Voice and v provides a detailed investigation into the syntactic structure of an understudied Malayo-Polynesian language, and thereby reveals important insights for the theoretical analysis of voice and the verb phrase. Moreover, the work applies and broadens these insights to a range of related passive-like constructions crosslinguistically. Voice and v thus joins a handful of model volumes that enlist typological depth and breadth to further our development of modern linguistic theory.Less
Voice and v investigates the syntactic structure of voice, using Acehnese as the empirical starting point. A central claim is that voice is encoded in a functional projection, VoiceP, which is distinct from, and higher than, vP. The book further claims that VoiceP may be associated with phi-features that semantically restrict the external argument position but do not saturate it. Through minor variations in the properties of VoiceP, a wide range of non-canonical voice constructions are explained, including: agent-agreeing passives, grammatical object passives, impersonals, object voice constructions, and applicative voice in causatives. The analysis draws on data from a typologically diverse set of languages, not only Malayo-Polynesian, but also Celtic, Scandinavian, and Slavic. Voice and v provides a detailed investigation into the syntactic structure of an understudied Malayo-Polynesian language, and thereby reveals important insights for the theoretical analysis of voice and the verb phrase. Moreover, the work applies and broadens these insights to a range of related passive-like constructions crosslinguistically. Voice and v thus joins a handful of model volumes that enlist typological depth and breadth to further our development of modern linguistic theory.
Edward Orozco Flores
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781479884148
- eISBN:
- 9781479854561
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479884148.001.0001
- Subject:
- Religion, Religion and Society
This book presents two cases of faith-based community organizing for and among the formerly incarcerated. It examines how the Community Renewal Society, a protestant-founded group, and LA Voice, an ...
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This book presents two cases of faith-based community organizing for and among the formerly incarcerated. It examines how the Community Renewal Society, a protestant-founded group, and LA Voice, an affiliate of the Catholic-Jesuit-founded PICO National Network, foster faith-based community organizing for the formerly incarcerated. It conceptualizes the expanding boundaries of democratic inclusion—in order to facilitate the social integration of the formerly incarcerated—as prophetic redemption. It draws from participant observation and semistructured interviews to examine how the Community Renewal Society offered support for the Fighting to Overcome Records and Create Equality (FORCE) project, while LA Voice offered support for the Homeboy Industries–affiliated Homeboys Local Organizing Committee (LOC), both as forms of prophetic redemption. Both FORCE and the Homeboys LOC were led by formerly incarcerated persons, and drew from their parent organizations’ respective religious traditions and community organizing strategies. At the same time, FORCE and Homeboys LOC members drew from displays learned in recovery to participate in community organizing. The result was that prophetic redemption led to an empowering form of social integration, “returning citizenship.”Less
This book presents two cases of faith-based community organizing for and among the formerly incarcerated. It examines how the Community Renewal Society, a protestant-founded group, and LA Voice, an affiliate of the Catholic-Jesuit-founded PICO National Network, foster faith-based community organizing for the formerly incarcerated. It conceptualizes the expanding boundaries of democratic inclusion—in order to facilitate the social integration of the formerly incarcerated—as prophetic redemption. It draws from participant observation and semistructured interviews to examine how the Community Renewal Society offered support for the Fighting to Overcome Records and Create Equality (FORCE) project, while LA Voice offered support for the Homeboy Industries–affiliated Homeboys Local Organizing Committee (LOC), both as forms of prophetic redemption. Both FORCE and the Homeboys LOC were led by formerly incarcerated persons, and drew from their parent organizations’ respective religious traditions and community organizing strategies. At the same time, FORCE and Homeboys LOC members drew from displays learned in recovery to participate in community organizing. The result was that prophetic redemption led to an empowering form of social integration, “returning citizenship.”
Jason Camlot
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9781503605213
- eISBN:
- 9781503609716
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9781503605213.001.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
Phonopoetics tells the neglected story of early “talking records” and their significance for literature from the 1877 invention of the phonograph to some of the first recorded performances of ...
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Phonopoetics tells the neglected story of early “talking records” and their significance for literature from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker, and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot’s experimental readings of “The Wasteland” and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to Modern periods and sheds new light on our own digitally mediated relationship to the past.Less
Phonopoetics tells the neglected story of early “talking records” and their significance for literature from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker, and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot’s experimental readings of “The Wasteland” and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to Modern periods and sheds new light on our own digitally mediated relationship to the past.
Gian Maria Annovi
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231180306
- eISBN:
- 9780231542708
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231180306.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of ...
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Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.Less
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Tricia C. Bruce
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780195385847
- eISBN:
- 9780199873371
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195385847.001.0001
- Subject:
- Religion, Religion and Society
In January 2002, investigative reporting at the Boston Globe set off a wave of revelations regarding child sexual abuse by Catholic clergy and the transferring of abusive priests from parish to ...
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In January 2002, investigative reporting at the Boston Globe set off a wave of revelations regarding child sexual abuse by Catholic clergy and the transferring of abusive priests from parish to parish. Public allegations against clergy reached unprecedented levels; one Bishop would later refer to the period as “our 9/11.” Reeling from a growing awareness of abuse within their Church, a small group of Catholics gathered after Mass in the basement of a parish in Wellesley, Massachusetts to mourn and react. They began to mobilize around supporting victims of abuse, supporting non-abusive priests, and advocating for structural change in the Catholic Church so that abuse would no longer occur. Voice of the Faithful (VOTF) built a movement by harnessing the faith and fury of a nation of Catholics shocked by reports of abuse and institutional complicity. Some 30,000 around the United States formally joined the VOTF movement to reform the Catholic Church. this book offers an in-depth look at the development of VOTF and their struggle to challenge Church leaders, advocate for internal change, and be accepted as legitimately Catholic while doing so. In a study based on three years of field observation and interviews with VOTF founders, leaders, and participants in settings throughout the U.S., The book shows the contested nature of a religious movement operating within a bounded institutional space. Guided by the stories of individual participants, this book brings to light the intense identity negotiations that accompany a challenge to one’s own religion. This book offers a meaningful and accessible way to learn about Catholic identity, intra-institutional social movements, and the complexity of institutional structures.Less
In January 2002, investigative reporting at the Boston Globe set off a wave of revelations regarding child sexual abuse by Catholic clergy and the transferring of abusive priests from parish to parish. Public allegations against clergy reached unprecedented levels; one Bishop would later refer to the period as “our 9/11.” Reeling from a growing awareness of abuse within their Church, a small group of Catholics gathered after Mass in the basement of a parish in Wellesley, Massachusetts to mourn and react. They began to mobilize around supporting victims of abuse, supporting non-abusive priests, and advocating for structural change in the Catholic Church so that abuse would no longer occur. Voice of the Faithful (VOTF) built a movement by harnessing the faith and fury of a nation of Catholics shocked by reports of abuse and institutional complicity. Some 30,000 around the United States formally joined the VOTF movement to reform the Catholic Church. this book offers an in-depth look at the development of VOTF and their struggle to challenge Church leaders, advocate for internal change, and be accepted as legitimately Catholic while doing so. In a study based on three years of field observation and interviews with VOTF founders, leaders, and participants in settings throughout the U.S., The book shows the contested nature of a religious movement operating within a bounded institutional space. Guided by the stories of individual participants, this book brings to light the intense identity negotiations that accompany a challenge to one’s own religion. This book offers a meaningful and accessible way to learn about Catholic identity, intra-institutional social movements, and the complexity of institutional structures.
Julie Anne Legate
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780262028141
- eISBN:
- 9780262320559
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262028141.003.0006
- Subject:
- Linguistics, Syntax and Morphology
This chapter summarizes and concludes the book.
This chapter summarizes and concludes the book.
Gillian Beer
- Published in print:
- 2005
- Published Online:
- January 2012
- ISBN:
- 9780197263242
- eISBN:
- 9780191734014
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197263242.003.0008
- Subject:
- History, Cultural History
This lecture discusses how far during the twentieth-century writers have trusted memory as good. It compares the longing mistrust of Hardy's poem ‘The Voice’ with the serene re-embodiment of Mrs. ...
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This lecture discusses how far during the twentieth-century writers have trusted memory as good. It compares the longing mistrust of Hardy's poem ‘The Voice’ with the serene re-embodiment of Mrs. Ramsey appearing to the artist Lily in To the Lighthouse. The lecture also discusses the concept of revenants and tries to answer the question of what will happen when migration becomes a common experience, without the likelihood of return.Less
This lecture discusses how far during the twentieth-century writers have trusted memory as good. It compares the longing mistrust of Hardy's poem ‘The Voice’ with the serene re-embodiment of Mrs. Ramsey appearing to the artist Lily in To the Lighthouse. The lecture also discusses the concept of revenants and tries to answer the question of what will happen when migration becomes a common experience, without the likelihood of return.
Katharina Pistor and Olivier De Schutter (eds)
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231172783
- eISBN:
- 9780231540766
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231172783.001.0001
- Subject:
- Economics and Finance, Development, Growth, and Environmental
Essential resources do more than satisfy people’s needs. They ensure a dignified existence. Since the competition for essential resources, particularly fresh water and arable land, is increasing and ...
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Essential resources do more than satisfy people’s needs. They ensure a dignified existence. Since the competition for essential resources, particularly fresh water and arable land, is increasing and standard legal institutions, such as property rights and national border controls, are strangling access to resources for some while delivering prosperity to others, many are searching for ways to ensure their fair distribution. This book argues that the division of essential resources ought to be governed by a combination of Voice and Reflexivity. Voice is the ability of social groups to choose the rules by which they are governed. Reflexivity is the opportunity to question one’s own preferences in light of competing claims and to accommodate them in a collective learning process. Having investigated the allocation of essential resources in places as varied as Cambodia, China, India, Kenya, Laos, Morocco, Nepal, the arid American West, and peri-urban areas in West Africa, the contributors to this volume largely concur with the viability of this policy and normative framework. Drawing on their expertise in law, environmental studies, anthropology, history, political science, and economics, they weigh the potential of Voice and Reflexivity against such alternatives as pricing mechanisms, property rights, common resource management, political might, or brute force.Less
Essential resources do more than satisfy people’s needs. They ensure a dignified existence. Since the competition for essential resources, particularly fresh water and arable land, is increasing and standard legal institutions, such as property rights and national border controls, are strangling access to resources for some while delivering prosperity to others, many are searching for ways to ensure their fair distribution. This book argues that the division of essential resources ought to be governed by a combination of Voice and Reflexivity. Voice is the ability of social groups to choose the rules by which they are governed. Reflexivity is the opportunity to question one’s own preferences in light of competing claims and to accommodate them in a collective learning process. Having investigated the allocation of essential resources in places as varied as Cambodia, China, India, Kenya, Laos, Morocco, Nepal, the arid American West, and peri-urban areas in West Africa, the contributors to this volume largely concur with the viability of this policy and normative framework. Drawing on their expertise in law, environmental studies, anthropology, history, political science, and economics, they weigh the potential of Voice and Reflexivity against such alternatives as pricing mechanisms, property rights, common resource management, political might, or brute force.
Tricia Colleen Bruce
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780195385847
- eISBN:
- 9780199873371
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195385847.003.0010
- Subject:
- Religion, Religion and Society
This chapter describes the second major gathering of VOTF, where the movement asserts its place as a voice for Catholic laity in the absence of existing structures for participation in church ...
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This chapter describes the second major gathering of VOTF, where the movement asserts its place as a voice for Catholic laity in the absence of existing structures for participation in church decision making. It reflects on the crisis of child sexual abuse by clergy made public in 2002, noting the institutional changes and movement successes that have occurred since that time due in part to the work of VOTF. Also considered are cultural changes occurring along individual, discursive, and larger cultural levels, as well as movement-related changes in the very meaning of a Catholic identity.Less
This chapter describes the second major gathering of VOTF, where the movement asserts its place as a voice for Catholic laity in the absence of existing structures for participation in church decision making. It reflects on the crisis of child sexual abuse by clergy made public in 2002, noting the institutional changes and movement successes that have occurred since that time due in part to the work of VOTF. Also considered are cultural changes occurring along individual, discursive, and larger cultural levels, as well as movement-related changes in the very meaning of a Catholic identity.
Patricia Ewick and Marc W. Steinberg
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780226644127
- eISBN:
- 9780226644431
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226644431.001.0001
- Subject:
- Sociology, Social Psychology and Interaction
On January 6, 2002 the Boston Globe published a reports on the Catholic Church cover up of sexual abuse by priests. The banner headline told a tragic story that would, in its basic plot, be repeated ...
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On January 6, 2002 the Boston Globe published a reports on the Catholic Church cover up of sexual abuse by priests. The banner headline told a tragic story that would, in its basic plot, be repeated with disturbing regularity over the course of the next decade. As a result of these revelations many Catholics would leave the Church; many would remain staunchly faithful. Some Catholics would decide to keep their faith, but also to change the Church. Based on years of ethnographic research, Ewick and Steinberg studied one group of such Catholics—a chapter of Voice of the Faithful. In standing up to the Church, their project parallels that of many change seekers whose efforts face obstacles by the economic and cultural resources and organizational power they seek to change. In the case of the Church crisis, expectations of obedience, deference to hierarchy, and presumption of ecclesiastic immunity collided with individual conscience, liberty and democracy. Caught between their loyalty to the Church and their sense of justice, these Catholics reimagined the Church and their role in it. Over more than a decade they engaged in an ongoing process of collective identity through which they reimagined their place within the institutional order and the meaning of being faithful Catholics. Theirs is an all-too-familiar story about identities under stress and their reconfiguration as collective challengers; about institutional betrayal and the restoration of trust; and, about commitment and the meaning of justice.Less
On January 6, 2002 the Boston Globe published a reports on the Catholic Church cover up of sexual abuse by priests. The banner headline told a tragic story that would, in its basic plot, be repeated with disturbing regularity over the course of the next decade. As a result of these revelations many Catholics would leave the Church; many would remain staunchly faithful. Some Catholics would decide to keep their faith, but also to change the Church. Based on years of ethnographic research, Ewick and Steinberg studied one group of such Catholics—a chapter of Voice of the Faithful. In standing up to the Church, their project parallels that of many change seekers whose efforts face obstacles by the economic and cultural resources and organizational power they seek to change. In the case of the Church crisis, expectations of obedience, deference to hierarchy, and presumption of ecclesiastic immunity collided with individual conscience, liberty and democracy. Caught between their loyalty to the Church and their sense of justice, these Catholics reimagined the Church and their role in it. Over more than a decade they engaged in an ongoing process of collective identity through which they reimagined their place within the institutional order and the meaning of being faithful Catholics. Theirs is an all-too-familiar story about identities under stress and their reconfiguration as collective challengers; about institutional betrayal and the restoration of trust; and, about commitment and the meaning of justice.
Tricia Colleen Bruce
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780195385847
- eISBN:
- 9780199873371
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195385847.003.0000
- Subject:
- Religion, Religion and Society
This chapter introduces the VOTF movement as a reaction to revelations of child sexual abuse in the U.S. Catholic Church. It contextualizes the movement’s emergence with an overview of the scope and ...
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This chapter introduces the VOTF movement as a reaction to revelations of child sexual abuse in the U.S. Catholic Church. It contextualizes the movement’s emergence with an overview of the scope and historical prevalence of abuse by clergy and its media coverage in the United States. The term “intrainstitutional social movement” (IISM) is defined, emphasizing the book’s focus on movements acting from within bounded institutional spaces.Less
This chapter introduces the VOTF movement as a reaction to revelations of child sexual abuse in the U.S. Catholic Church. It contextualizes the movement’s emergence with an overview of the scope and historical prevalence of abuse by clergy and its media coverage in the United States. The term “intrainstitutional social movement” (IISM) is defined, emphasizing the book’s focus on movements acting from within bounded institutional spaces.
Tricia Colleen Bruce
- Published in print:
- 2011
- Published Online:
- May 2011
- ISBN:
- 9780195385847
- eISBN:
- 9780199873371
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195385847.003.0001
- Subject:
- Religion, Religion and Society
This chapter traces the emergence and development of VOTF from a small gathering of Catholics at St. John the Evangelist parish in Wellesley Hills, Massachusetts. It describes how the movement came ...
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This chapter traces the emergence and development of VOTF from a small gathering of Catholics at St. John the Evangelist parish in Wellesley Hills, Massachusetts. It describes how the movement came to identify and mobilize around its three primary goals of supporting victims of abuse, supporting priests of integrity, and advocating for structural change in the Catholic Church. The chapter concludes with a description of the first VOTF convention, held in Boston, accompanied by a historic street demonstration of lay Catholics. Also coming into focus is early evidence of VOTF’s encounter with institutional authorities and the resources and boundaries posed by the movement’s positioning in the church.Less
This chapter traces the emergence and development of VOTF from a small gathering of Catholics at St. John the Evangelist parish in Wellesley Hills, Massachusetts. It describes how the movement came to identify and mobilize around its three primary goals of supporting victims of abuse, supporting priests of integrity, and advocating for structural change in the Catholic Church. The chapter concludes with a description of the first VOTF convention, held in Boston, accompanied by a historic street demonstration of lay Catholics. Also coming into focus is early evidence of VOTF’s encounter with institutional authorities and the resources and boundaries posed by the movement’s positioning in the church.
