Mary Bucholtz
- Published in print:
- 2009
- Published Online:
- January 2009
- ISBN:
- 9780195327359
- eISBN:
- 9780199870639
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195327359.003.0002
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
The chapter considers the different ways in which Southeast Asian American youth may use local varieties of English to negotiate ideologies of race and Asianness in the production of identity. Based ...
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The chapter considers the different ways in which Southeast Asian American youth may use local varieties of English to negotiate ideologies of race and Asianness in the production of identity. Based on a year of ethnographic fieldwork in an ethnoracially diverse California high school, the chapter shows how two high school girls, both refugees from Laos, navigate conflicting ideologies of Asian immigrant youth as model minorities on the one hand and as dangerous gangsters on the other. Each girl's style was produced linguistically neither in their native language nor in an ethnically distinctive “Asian American English” but through a positive or negative orientation to the linguistic resources of African American Vernacular English and youth slang. The vast diversity of Asian Americans as a panethnic category and the complexity of their identity practices and performances demands richer and more contextually nuanced theorizing of the relationship between language and identity.Less
The chapter considers the different ways in which Southeast Asian American youth may use local varieties of English to negotiate ideologies of race and Asianness in the production of identity. Based on a year of ethnographic fieldwork in an ethnoracially diverse California high school, the chapter shows how two high school girls, both refugees from Laos, navigate conflicting ideologies of Asian immigrant youth as model minorities on the one hand and as dangerous gangsters on the other. Each girl's style was produced linguistically neither in their native language nor in an ethnically distinctive “Asian American English” but through a positive or negative orientation to the linguistic resources of African American Vernacular English and youth slang. The vast diversity of Asian Americans as a panethnic category and the complexity of their identity practices and performances demands richer and more contextually nuanced theorizing of the relationship between language and identity.
Yoel H. Kahn
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780195373295
- eISBN:
- 9780199893294
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195373295.003.0009
- Subject:
- Religion, Judaism
In order to enjoy emancipation from their historical disabilities, early modern Jews had to persuade the governments and citizenry of the states in which they lived to stop considering Jews as ...
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In order to enjoy emancipation from their historical disabilities, early modern Jews had to persuade the governments and citizenry of the states in which they lived to stop considering Jews as “others.” Convinced that their relationships with their neighbors had entered a new epoch, early modern Jews removed passages from the liturgy which they found incompatible with their new or desired status, or which, as Rabbis Jacob Tzvi Meklenburg and Aaron Worms explained in their prayer books, they feared might be misunderstood. While much of the debate in nineteenth-century European prayer books and commentaries about the correct language of the blessing “who did not make me a gentile” was ostensibly about grammar or lexical precision, deeper issues often motivated the debate. From Wolf Heidenheim’s best-selling Orthodox text to German Reform prayer books, the neutral “nokhri” (stranger/foreigner) replaced the more problematic “gentile.” Vernacular translations often employed yet other euphemisms.Less
In order to enjoy emancipation from their historical disabilities, early modern Jews had to persuade the governments and citizenry of the states in which they lived to stop considering Jews as “others.” Convinced that their relationships with their neighbors had entered a new epoch, early modern Jews removed passages from the liturgy which they found incompatible with their new or desired status, or which, as Rabbis Jacob Tzvi Meklenburg and Aaron Worms explained in their prayer books, they feared might be misunderstood. While much of the debate in nineteenth-century European prayer books and commentaries about the correct language of the blessing “who did not make me a gentile” was ostensibly about grammar or lexical precision, deeper issues often motivated the debate. From Wolf Heidenheim’s best-selling Orthodox text to German Reform prayer books, the neutral “nokhri” (stranger/foreigner) replaced the more problematic “gentile.” Vernacular translations often employed yet other euphemisms.
Roger W. Shuy
- Published in print:
- 2008
- Published Online:
- May 2008
- ISBN:
- 9780195328837
- eISBN:
- 9780199870165
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195328837.003.0014
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
A nonprofit organization created to eliminate unlawful, discriminatory housing routinely investigates complaints by black citizens who complain about being steered to all-black areas of housing. This ...
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A nonprofit organization created to eliminate unlawful, discriminatory housing routinely investigates complaints by black citizens who complain about being steered to all-black areas of housing. This organization routinely uses “testers” of both races to determine the adequacy of the complaints in telephone inquiries about available apartments and houses. One instance of this procedure led to a discrimination suit against a real estate firm. The plaintiffs lost the case because the statute of limitations had run out relating to the specific incident. The appeals court then reversed the decision, noting that the realtors' practice was a pervasive, ongoing event rather than a single instance. The linguistic issue then became whether the race of Vernacular Black English speakers could be identified in telephone conversations. Nine sample phone calls made by both black and white speakers were used in a study made by the nonprofit group. The linguist was asked to identify the phonological, grammatical, and lexical features that were characteristic of the racially mixed speakers on tapes of these conversations. The linguist also called on the literature on this subject regarding both the linguistic feature of VBE and the subjective reaction research in Detroit that showed how both black and white listeners were able to identify race approximately 80 percent of the time.Less
A nonprofit organization created to eliminate unlawful, discriminatory housing routinely investigates complaints by black citizens who complain about being steered to all-black areas of housing. This organization routinely uses “testers” of both races to determine the adequacy of the complaints in telephone inquiries about available apartments and houses. One instance of this procedure led to a discrimination suit against a real estate firm. The plaintiffs lost the case because the statute of limitations had run out relating to the specific incident. The appeals court then reversed the decision, noting that the realtors' practice was a pervasive, ongoing event rather than a single instance. The linguistic issue then became whether the race of Vernacular Black English speakers could be identified in telephone conversations. Nine sample phone calls made by both black and white speakers were used in a study made by the nonprofit group. The linguist was asked to identify the phonological, grammatical, and lexical features that were characteristic of the racially mixed speakers on tapes of these conversations. The linguist also called on the literature on this subject regarding both the linguistic feature of VBE and the subjective reaction research in Detroit that showed how both black and white listeners were able to identify race approximately 80 percent of the time.
Jennifer Bann and John Corbett
- Published in print:
- 2015
- Published Online:
- May 2018
- ISBN:
- 9780748643059
- eISBN:
- 9781474416085
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748643059.001.0001
- Subject:
- Linguistics, English Language
This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in ...
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This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in pronunciation, and partly as a result of social and political change.
Spelling Scots acts not only as a wide-ranging reference book to the changing orthography of Scots, but also as an outline of the active interventions in the practices that have guided Scots spelling. The book shows how canonical writers of poetry and fiction in Scots from 1700 to the present day have blended convention and innovation in presenting Scots in literary texts, and it explores the influence of key writers such as Ramsay, Fergusson, Burns, Scott, Hogg and Stevenson. Introducing an innovative method of tracing the use of key spelling variants in a corpus of Scots writing, the book discusses the implication of this method for promoting wider literacy in Scots.
Spelling Scots should be a standard reference volume for all institutions where literature in Scots is studied. It draws on the authors' current research project, the Corpus of Modern Scottish Writing.Less
This volume provides a comprehensive survey of the spelling system of Older and Modern Scots, illustrating how this orthographic system has developed partly in response to historical shifts in pronunciation, and partly as a result of social and political change.
Spelling Scots acts not only as a wide-ranging reference book to the changing orthography of Scots, but also as an outline of the active interventions in the practices that have guided Scots spelling. The book shows how canonical writers of poetry and fiction in Scots from 1700 to the present day have blended convention and innovation in presenting Scots in literary texts, and it explores the influence of key writers such as Ramsay, Fergusson, Burns, Scott, Hogg and Stevenson. Introducing an innovative method of tracing the use of key spelling variants in a corpus of Scots writing, the book discusses the implication of this method for promoting wider literacy in Scots.
Spelling Scots should be a standard reference volume for all institutions where literature in Scots is studied. It draws on the authors' current research project, the Corpus of Modern Scottish Writing.
Thomas S. Davis
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231169424
- eISBN:
- 9780231537889
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231169424.003.0006
- Subject:
- Literature, Criticism/Theory
In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British ...
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In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British shores.Less
In this final chapter, late modernism’s outward turn captures the changes in political belonging wrought by the twin phenomena of decolonization and mass migration from the Caribbean to British shores.
Lee Jarvis and Michael Lister
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780719091599
- eISBN:
- 9781781708316
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091599.001.0001
- Subject:
- Political Science, Conflict Politics and Policy
This book explores how different publics make sense of and evaluate anti-terrorism powers within the UK, and the implications of this for citizenship and security. Since 9/11, the UK’s anti-terrorism ...
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This book explores how different publics make sense of and evaluate anti-terrorism powers within the UK, and the implications of this for citizenship and security. Since 9/11, the UK’s anti-terrorism framework has undergone dramatic changes, including with the introduction of numerous new pieces of legislation. Drawing on primary empirical research, this book examines the impact of these changes on security and citizenship, as perceived by citizens themselves. We examine such impacts on different communities within the UK, and find that generally, whilst white individuals were not unconcerned about the effects of anti-terrorism, ethnic minority citizens (and not Muslim communities alone) believe that anti-terrorism measures have had a direct, negative impact on various dimensions of their citizenship and security. This book thus offers the first systematic engagement with ‘vernacular’ or ‘everyday’ understandings of anti-terrorism policy, citizenship and security. Beyond an empirical analysis of citizen attitudes, it argues that while transformations in anti-terrorism frameworks impact on public experiences of security and citizenship, they do not do so in a uniform, homogeneous, or predictable manner. At the same time, public understandings and expectations of security and citizenship themselves shape how developments in anti-terrorism frameworks are discussed and evaluated. The relationships between these phenomenon, in other words, are both multiple and co-constitutive. By detailing these findings, this book adds depth and complexity to existing studies of the impact of anti-terrorism powers. The book will be of interest to a wide range of academic disciplines including Political Science, International Relations, Security Studies and Sociology.Less
This book explores how different publics make sense of and evaluate anti-terrorism powers within the UK, and the implications of this for citizenship and security. Since 9/11, the UK’s anti-terrorism framework has undergone dramatic changes, including with the introduction of numerous new pieces of legislation. Drawing on primary empirical research, this book examines the impact of these changes on security and citizenship, as perceived by citizens themselves. We examine such impacts on different communities within the UK, and find that generally, whilst white individuals were not unconcerned about the effects of anti-terrorism, ethnic minority citizens (and not Muslim communities alone) believe that anti-terrorism measures have had a direct, negative impact on various dimensions of their citizenship and security. This book thus offers the first systematic engagement with ‘vernacular’ or ‘everyday’ understandings of anti-terrorism policy, citizenship and security. Beyond an empirical analysis of citizen attitudes, it argues that while transformations in anti-terrorism frameworks impact on public experiences of security and citizenship, they do not do so in a uniform, homogeneous, or predictable manner. At the same time, public understandings and expectations of security and citizenship themselves shape how developments in anti-terrorism frameworks are discussed and evaluated. The relationships between these phenomenon, in other words, are both multiple and co-constitutive. By detailing these findings, this book adds depth and complexity to existing studies of the impact of anti-terrorism powers. The book will be of interest to a wide range of academic disciplines including Political Science, International Relations, Security Studies and Sociology.
Molly A. Warsh
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781469638973
- eISBN:
- 9781469638997
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469638973.001.0001
- Subject:
- History, American History: early to 18th Century
Patterns of pearl cultivation and circulation reveal vernacular practices that shaped emerging imperial ideas about value and wealth in the early modern world. Pearls’ variability and subjective ...
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Patterns of pearl cultivation and circulation reveal vernacular practices that shaped emerging imperial ideas about value and wealth in the early modern world. Pearls’ variability and subjective beauty posed a profound challenge to the imperial impulse to order and control, underscoring the complexity of governing subjects and objects in the early modern world. Qualitative, evaluative language would play a prominent role in crown officials’ attempts to contain and channel this complexity. The book’s title reflects the evolving significance of the term barrueca (which became “baroque” in English), a word initially employed in the Venezuelan fisheries to describe irregular pearls. Over time, this term lost its close association with the jewel but came to serve as a metaphor for irregular, unbounded expression. Pearls’ enduring importance lies less in the revenue they generated than in the conversations they prompted about the nature of value and the importance of individual skill and judgment, as well as the natural world, in its creation and husbandry. The stories generated by pearls—an unusual, organic jewel—range globally, crossing geographic and imperial boundaries as well as moving across scales, linking the bounded experiences of individuals to the expansion of imperial bureaucracies. These microhistories illuminate the connections between these small- and large-scale historical processes, revealing the connections between empire as envisioned by monarchs, enacted in law, and experienced at sea and on the ground by individuals.Less
Patterns of pearl cultivation and circulation reveal vernacular practices that shaped emerging imperial ideas about value and wealth in the early modern world. Pearls’ variability and subjective beauty posed a profound challenge to the imperial impulse to order and control, underscoring the complexity of governing subjects and objects in the early modern world. Qualitative, evaluative language would play a prominent role in crown officials’ attempts to contain and channel this complexity. The book’s title reflects the evolving significance of the term barrueca (which became “baroque” in English), a word initially employed in the Venezuelan fisheries to describe irregular pearls. Over time, this term lost its close association with the jewel but came to serve as a metaphor for irregular, unbounded expression. Pearls’ enduring importance lies less in the revenue they generated than in the conversations they prompted about the nature of value and the importance of individual skill and judgment, as well as the natural world, in its creation and husbandry. The stories generated by pearls—an unusual, organic jewel—range globally, crossing geographic and imperial boundaries as well as moving across scales, linking the bounded experiences of individuals to the expansion of imperial bureaucracies. These microhistories illuminate the connections between these small- and large-scale historical processes, revealing the connections between empire as envisioned by monarchs, enacted in law, and experienced at sea and on the ground by individuals.
Jacob M. Baum
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780252042195
- eISBN:
- 9780252050930
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042195.003.0004
- Subject:
- Religion, History of Christianity
This chapter utilizes fifteenth-century vernacular culture to challenge the notion that learned understandings detailed in chapter 2 fully determined the meaning of sensuous worship on the eve of the ...
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This chapter utilizes fifteenth-century vernacular culture to challenge the notion that learned understandings detailed in chapter 2 fully determined the meaning of sensuous worship on the eve of the Reformation. Through analysis of the unusual diary of the Nuremberg widow Katherina Tucher (d. 1448) and a critical mass of personal vernacular prayer books, this chapter shows that people made use of some learned ideas about the senses promoted by learned culture but went well beyond them in many cases. Educated, urban lay men and women played games with sensory language in their personal devotional experiences and, in doing so, exercised limited agency as vernacular theologians in their own right. Following this analysis, this chapter shows how male intellectuals responded by increasingly identifying sensuous worship with femininity and non-Christians. It concludes with a summary of part 1.Less
This chapter utilizes fifteenth-century vernacular culture to challenge the notion that learned understandings detailed in chapter 2 fully determined the meaning of sensuous worship on the eve of the Reformation. Through analysis of the unusual diary of the Nuremberg widow Katherina Tucher (d. 1448) and a critical mass of personal vernacular prayer books, this chapter shows that people made use of some learned ideas about the senses promoted by learned culture but went well beyond them in many cases. Educated, urban lay men and women played games with sensory language in their personal devotional experiences and, in doing so, exercised limited agency as vernacular theologians in their own right. Following this analysis, this chapter shows how male intellectuals responded by increasingly identifying sensuous worship with femininity and non-Christians. It concludes with a summary of part 1.
Ankhi Mukherjee
- Published in print:
- 2013
- Published Online:
- September 2014
- ISBN:
- 9780804785211
- eISBN:
- 9780804788380
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804785211.003.0006
- Subject:
- Literature, Criticism/Theory
This chapter examines the emergence of English as a global and englobing vernacular with reference to Anglophone literature from South Asia, focusing on language rather than nation as its creative ...
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This chapter examines the emergence of English as a global and englobing vernacular with reference to Anglophone literature from South Asia, focusing on language rather than nation as its creative principle. The term ’vernacular’ refers here to both the singular idiom of South Asian literary production and the local histories and minority existence that it brings to bear on European universalities.Less
This chapter examines the emergence of English as a global and englobing vernacular with reference to Anglophone literature from South Asia, focusing on language rather than nation as its creative principle. The term ’vernacular’ refers here to both the singular idiom of South Asian literary production and the local histories and minority existence that it brings to bear on European universalities.
Marco Meniketti
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781683400912
- eISBN:
- 9781683401322
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400912.003.0003
- Subject:
- Archaeology, Historical Archaeology
The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on ...
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The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on other islands, of wattle-and-daub or masonry, the homes on Nevis for enslaved workers consisted mainly of wood-plank. They were single-room structures with thatched roofs, propped up on stacked dry-stone platforms. Plantation maps from the seventeenth through nineteenth centuries consistently portray such modest huts clustered in semi-orderly rows on estate property. Yet, as ephemeral as they were, they have not vanished entirely from the landscape. The archaeological footprints of these humble homes can be traced in the outlines of piled stone foundations, charcoal deposits, and scattered domestic artifacts. Furthermore, the style slowly transitioned into a vernacular form lasting post-emancipation into the early twentieth century, and it forms the basis of present vernacular architecture observable on the Nevisian landscape. This chapter will detail the archaeological evidence for traditional labor houses and trace how the architectural style likely evolved into a current vernacular form.Less
The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on other islands, of wattle-and-daub or masonry, the homes on Nevis for enslaved workers consisted mainly of wood-plank. They were single-room structures with thatched roofs, propped up on stacked dry-stone platforms. Plantation maps from the seventeenth through nineteenth centuries consistently portray such modest huts clustered in semi-orderly rows on estate property. Yet, as ephemeral as they were, they have not vanished entirely from the landscape. The archaeological footprints of these humble homes can be traced in the outlines of piled stone foundations, charcoal deposits, and scattered domestic artifacts. Furthermore, the style slowly transitioned into a vernacular form lasting post-emancipation into the early twentieth century, and it forms the basis of present vernacular architecture observable on the Nevisian landscape. This chapter will detail the archaeological evidence for traditional labor houses and trace how the architectural style likely evolved into a current vernacular form.
Ari J. Blatt
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781786941787
- eISBN:
- 9781789623239
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941787.003.0011
- Subject:
- Literature, Film, Media, and Cultural Studies
The history of French photography has been marked by the preponderance of photographic ‘missions’, whereby a collective of artists charged with documenting the nation’s shared common spaces traverse ...
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The history of French photography has been marked by the preponderance of photographic ‘missions’, whereby a collective of artists charged with documenting the nation’s shared common spaces traverse the territory with cameras in tow. From the Mission héliographique (1851) to the Mission photographique de la DATAR (1983-89), these projects have much to tell us about the place that landscape occupies in the national imaginary. This chapter surveys two of the most recent and most compelling photographic missions that set out to render the contours of the nation intelligible. While the Observatoire photographique du paysage, inaugurated in 1991, mobilizes a rigorously implemented procedure of rephotography to sensitize the public to the evolution of the French landscape, the group of photographers united since 2011 under the moniker France(s) territoire liquide has produced a decidedly more personal and subjective view of a territory in flux. Though they differ greatly in the way they envision space, this chapter suggests that both groups privilege the lesser seen, the interstitial, and the vernacular to provide a nuanced vision of France that challenges the most dominant conceptions and clichés—in the rhetorical and graphic sense of the word—of the nation as a whole.Less
The history of French photography has been marked by the preponderance of photographic ‘missions’, whereby a collective of artists charged with documenting the nation’s shared common spaces traverse the territory with cameras in tow. From the Mission héliographique (1851) to the Mission photographique de la DATAR (1983-89), these projects have much to tell us about the place that landscape occupies in the national imaginary. This chapter surveys two of the most recent and most compelling photographic missions that set out to render the contours of the nation intelligible. While the Observatoire photographique du paysage, inaugurated in 1991, mobilizes a rigorously implemented procedure of rephotography to sensitize the public to the evolution of the French landscape, the group of photographers united since 2011 under the moniker France(s) territoire liquide has produced a decidedly more personal and subjective view of a territory in flux. Though they differ greatly in the way they envision space, this chapter suggests that both groups privilege the lesser seen, the interstitial, and the vernacular to provide a nuanced vision of France that challenges the most dominant conceptions and clichés—in the rhetorical and graphic sense of the word—of the nation as a whole.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.003.0002
- Subject:
- Literature, World Literature
As a complement to the in-depth literary analyses that follow, Chapter 1 begins by examining a bona fide architectural structure, the Haitian gingerbread house, as a literal—i.e. ...
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As a complement to the in-depth literary analyses that follow, Chapter 1 begins by examining a bona fide architectural structure, the Haitian gingerbread house, as a literal—i.e. physical—manifestation of authentic French-Caribbean construction. Drawing from both (past) traditional techniques and present-day technologies and innovations, the Gingerbreads’ vernacular architecture is described as a fundamentally localized, transformative building process that, for the purposes of this book, equate with what can be understood as the vernacular architexture of the French Caribbean. Hence, the recent “spatial turn” (Conley) in literary criticism should encompass not only natural but human landscapes in so far as their integral role as characters in the telling and creating of the region’s identifying narratives. Consequently, three brief textual analyses of French-Caribbean works serve to illustrate how the construction of individual and collective identities is informed by the architectural and architextual structures found within literature. The chapter concludes with an overview of relevant literary criticism, in particular as pertaining to the role of literary form in the evolving fields of spatial and postcolonial theory.Less
As a complement to the in-depth literary analyses that follow, Chapter 1 begins by examining a bona fide architectural structure, the Haitian gingerbread house, as a literal—i.e. physical—manifestation of authentic French-Caribbean construction. Drawing from both (past) traditional techniques and present-day technologies and innovations, the Gingerbreads’ vernacular architecture is described as a fundamentally localized, transformative building process that, for the purposes of this book, equate with what can be understood as the vernacular architexture of the French Caribbean. Hence, the recent “spatial turn” (Conley) in literary criticism should encompass not only natural but human landscapes in so far as their integral role as characters in the telling and creating of the region’s identifying narratives. Consequently, three brief textual analyses of French-Caribbean works serve to illustrate how the construction of individual and collective identities is informed by the architectural and architextual structures found within literature. The chapter concludes with an overview of relevant literary criticism, in particular as pertaining to the role of literary form in the evolving fields of spatial and postcolonial theory.
Edwin Hirschmann
- Published in print:
- 2008
- Published Online:
- October 2012
- ISBN:
- 9780195696226
- eISBN:
- 9780199080557
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195696226.003.0005
- Subject:
- Literature, Film, Media, and Cultural Studies
This chapter discusses Knight's views on imperial issues. Despite his liberal background, Knight had not been dogmatically anti-Tory in 1876. He even wrote that he thought the Conservatives better ...
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This chapter discusses Knight's views on imperial issues. Despite his liberal background, Knight had not been dogmatically anti-Tory in 1876. He even wrote that he thought the Conservatives better for India than the Liberals. However, as the Salisbury-Lytton programme unfolded, Knight perceived, on issue after issue, that theirs was not the path to India's progress, prosperity, or self-rule. The heavy-handed rule from Westminster was evident in the Baroda verdict and the repeal of the cotton tariffs; in their contempt for the rising middle class (‘Bengali Baboos’), which fuelled the Vernacular Press Act as well as the reduced civil service opportunities; in the obsessive vendetta against Salar Jung, and in the costly campaign against an imaginary Russian threat. He would vent it all in his London paper in 1879. He realized that the Raj could no more be benevolent than the men running it.Less
This chapter discusses Knight's views on imperial issues. Despite his liberal background, Knight had not been dogmatically anti-Tory in 1876. He even wrote that he thought the Conservatives better for India than the Liberals. However, as the Salisbury-Lytton programme unfolded, Knight perceived, on issue after issue, that theirs was not the path to India's progress, prosperity, or self-rule. The heavy-handed rule from Westminster was evident in the Baroda verdict and the repeal of the cotton tariffs; in their contempt for the rising middle class (‘Bengali Baboos’), which fuelled the Vernacular Press Act as well as the reduced civil service opportunities; in the obsessive vendetta against Salar Jung, and in the costly campaign against an imaginary Russian threat. He would vent it all in his London paper in 1879. He realized that the Raj could no more be benevolent than the men running it.
Joseph D. Witt
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780813168128
- eISBN:
- 9780813168753
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813168128.003.0005
- Subject:
- Religion, Religion and Society
This chapter examines a third thread of religious resistance to mountaintop removal, a set of perspectives broadly listed under the category of nature-venerating spiritualities. Most basically, these ...
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This chapter examines a third thread of religious resistance to mountaintop removal, a set of perspectives broadly listed under the category of nature-venerating spiritualities. Most basically, these forms of religious responses posit some sort of intrinsic, spiritual value in natural ecosystems. They often share similarities with biocentric arguments, particularly those associated with Deep Ecology and radical environmental movements. Nature-venerating spiritualities take many forms in the Appalachian movement, including the many types of dark green religion as described by Bron Taylor. Nature-venerating spiritualities are also expressed through a vernacular nature religion, or a localized expression of care for place based out of experience and work in Appalachia. The chapter describes several points where nature-venerating spiritualities entered the anti-mountaintop removal movement.Less
This chapter examines a third thread of religious resistance to mountaintop removal, a set of perspectives broadly listed under the category of nature-venerating spiritualities. Most basically, these forms of religious responses posit some sort of intrinsic, spiritual value in natural ecosystems. They often share similarities with biocentric arguments, particularly those associated with Deep Ecology and radical environmental movements. Nature-venerating spiritualities take many forms in the Appalachian movement, including the many types of dark green religion as described by Bron Taylor. Nature-venerating spiritualities are also expressed through a vernacular nature religion, or a localized expression of care for place based out of experience and work in Appalachia. The chapter describes several points where nature-venerating spiritualities entered the anti-mountaintop removal movement.
Alexandra Green
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9789888390885
- eISBN:
- 9789882204850
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390885.003.0005
- Subject:
- Art, Art History
As Chapter Four demonstrates, the murals were part of the efflorescence of Nyaungyan and Konbaung dynasty literary activity, visual counterparts to vernacular, Pāli, and dramatic productions. The ...
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As Chapter Four demonstrates, the murals were part of the efflorescence of Nyaungyan and Konbaung dynasty literary activity, visual counterparts to vernacular, Pāli, and dramatic productions. The narratives in the Burmese wall paintings were new tellings of old stories, drawing on Pāli texts and oral traditions, that were shaped to serve the purposes of the temples that housed the murals, reflecting the established repertoire, the desires and goals of donors, and the roles of the artists and monk producers. This chapter explores the various ways in which Burmese wall paintings connected with and related to “words,” both of the written and spoken variety. Textually and visually, Burmese wall paintings incorporated literary concepts in three main ways. First, the prose captions of the murals functioned as glosses to the visual narrative. Secondly, the popularization of drama and narration in Burmese society connected with a focus on an extended narrative format in the murals. Thirdly, the embellishments of descriptive prose and poetry paralleled the illustration of elaborate settings in the murals. The wall paintings formed a nexus of oral, visual, and textual traditions, linking them together through biographical memorialization.Less
As Chapter Four demonstrates, the murals were part of the efflorescence of Nyaungyan and Konbaung dynasty literary activity, visual counterparts to vernacular, Pāli, and dramatic productions. The narratives in the Burmese wall paintings were new tellings of old stories, drawing on Pāli texts and oral traditions, that were shaped to serve the purposes of the temples that housed the murals, reflecting the established repertoire, the desires and goals of donors, and the roles of the artists and monk producers. This chapter explores the various ways in which Burmese wall paintings connected with and related to “words,” both of the written and spoken variety. Textually and visually, Burmese wall paintings incorporated literary concepts in three main ways. First, the prose captions of the murals functioned as glosses to the visual narrative. Secondly, the popularization of drama and narration in Burmese society connected with a focus on an extended narrative format in the murals. Thirdly, the embellishments of descriptive prose and poetry paralleled the illustration of elaborate settings in the murals. The wall paintings formed a nexus of oral, visual, and textual traditions, linking them together through biographical memorialization.
Kate Parker Horigan
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496817884
- eISBN:
- 9781496817921
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496817884.003.0006
- Subject:
- Society and Culture, Cultural Studies
This chapter focuses on material and customary responses to Katrina, and examines how they tend to oversimplify complex narratives of suffering and recovery. Specifically, the author reflects on ...
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This chapter focuses on material and customary responses to Katrina, and examines how they tend to oversimplify complex narratives of suffering and recovery. Specifically, the author reflects on ethnographic fieldwork conducted during the 10th anniversary of Katrina (in 2015), and observes how memorials, commemorative events, and everyday activities express multiple modes of remembering Katrina. This multiplicity was not exhibited in official discourse regarding the 10th anniversary, which stuck with a single campaign message of “Resilient New Orleans.” Vernacular commemoration illustrates that people affected by disaster are already engaged in negotiating how that disaster gets remembered, and it is important to listen to those negotiations and not erase them from public representations and discourse.Less
This chapter focuses on material and customary responses to Katrina, and examines how they tend to oversimplify complex narratives of suffering and recovery. Specifically, the author reflects on ethnographic fieldwork conducted during the 10th anniversary of Katrina (in 2015), and observes how memorials, commemorative events, and everyday activities express multiple modes of remembering Katrina. This multiplicity was not exhibited in official discourse regarding the 10th anniversary, which stuck with a single campaign message of “Resilient New Orleans.” Vernacular commemoration illustrates that people affected by disaster are already engaged in negotiating how that disaster gets remembered, and it is important to listen to those negotiations and not erase them from public representations and discourse.
María Rosón
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780252042898
- eISBN:
- 9780252051753
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042898.003.0007
- Subject:
- History, Cultural History
Through an analysis of the fanzine Yolanda (Ignacio Navas, 2014), this chapter unpacks the subaltern memories of the last youth generation to experience the transition from the Franco dictatorship to ...
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Through an analysis of the fanzine Yolanda (Ignacio Navas, 2014), this chapter unpacks the subaltern memories of the last youth generation to experience the transition from the Franco dictatorship to democracy in Spain, whose lives were directly affected by drug consumption and the spread of HIV. Taken at the end of the 1980s and 1990s, Yolanda and Gabriel’s photographs are both the raw material used to construct Navas’s fanzine and a resistant legacy. They illustrate the other effects of Spain’s entrance into neoliberal structures, effects often left out of hegemonic historical narratives about the transition. This photographic corpus performs a way of being young that intersects with disenchantment, or desencanto, and the impossibility of imagining the self politically in a collective way.Less
Through an analysis of the fanzine Yolanda (Ignacio Navas, 2014), this chapter unpacks the subaltern memories of the last youth generation to experience the transition from the Franco dictatorship to democracy in Spain, whose lives were directly affected by drug consumption and the spread of HIV. Taken at the end of the 1980s and 1990s, Yolanda and Gabriel’s photographs are both the raw material used to construct Navas’s fanzine and a resistant legacy. They illustrate the other effects of Spain’s entrance into neoliberal structures, effects often left out of hegemonic historical narratives about the transition. This photographic corpus performs a way of being young that intersects with disenchantment, or desencanto, and the impossibility of imagining the self politically in a collective way.
Jing Jing Chang
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9789888455768
- eISBN:
- 9789888455621
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888455768.003.0004
- Subject:
- Film, Television and Radio, Film
Chapter 3 examines the legacy of the May Fourth Movement in the context of postwar Hong Kong’s golden age of cinema. It argues that the May Fourth project was an unfinished one and was carried ...
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Chapter 3 examines the legacy of the May Fourth Movement in the context of postwar Hong Kong’s golden age of cinema. It argues that the May Fourth project was an unfinished one and was carried forward by progressive Cantonese filmmakers who were the torchbearers of its ideology. This chapter focuses on the careers of left-leaning filmmakers such as Ng Cho-fan, one of the founders of the Union Film Enterprise Ltd., and their emergence as postwar Hong Kong’s new cultural elites. Through a close reading of Union’s film adaptations of the Ba Jin trilogy, Family (Jia, dir. Ng Wu, 1953), Spring (Chun, dir. Lee Sun-fung, 1953), and Autumn (Qiu, dir. Chun Kim, 1954), this chapter demonstrates the transformative nature of the moral message of postwar Hong Kong’s cultural elites. Not only did left-leaning film talent repurpose core tenets of May Fourth, they also sought to reinterpret the spirit of vernacular modernism for the colony’s audiences through their film productions. Although May Fourth precepts were brought to Hong Kong by China’s nanlai cultural elites and leftwing film talents, the May Fourth spirit underwent a creative translingual appropriation during the 1950s as local Hong Kong leftwing companies such as the Union and Xinlian emerged.Less
Chapter 3 examines the legacy of the May Fourth Movement in the context of postwar Hong Kong’s golden age of cinema. It argues that the May Fourth project was an unfinished one and was carried forward by progressive Cantonese filmmakers who were the torchbearers of its ideology. This chapter focuses on the careers of left-leaning filmmakers such as Ng Cho-fan, one of the founders of the Union Film Enterprise Ltd., and their emergence as postwar Hong Kong’s new cultural elites. Through a close reading of Union’s film adaptations of the Ba Jin trilogy, Family (Jia, dir. Ng Wu, 1953), Spring (Chun, dir. Lee Sun-fung, 1953), and Autumn (Qiu, dir. Chun Kim, 1954), this chapter demonstrates the transformative nature of the moral message of postwar Hong Kong’s cultural elites. Not only did left-leaning film talent repurpose core tenets of May Fourth, they also sought to reinterpret the spirit of vernacular modernism for the colony’s audiences through their film productions. Although May Fourth precepts were brought to Hong Kong by China’s nanlai cultural elites and leftwing film talents, the May Fourth spirit underwent a creative translingual appropriation during the 1950s as local Hong Kong leftwing companies such as the Union and Xinlian emerged.
Bernard L. Herman
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9781469626826
- eISBN:
- 9781469628066
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469626826.003.0011
- Subject:
- History, American History: early to 18th Century
The borderland mapped in this chapter focuses on the changing architectural landscape and mentalité of London in the decades following the Great Fire and the relationship between the capitol of the ...
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The borderland mapped in this chapter focuses on the changing architectural landscape and mentalité of London in the decades following the Great Fire and the relationship between the capitol of the British Empire and the colonial cities of North America through that period with a particular emphasis on the location of parlors and kitchens in houses. A prevailing notion of Georgian London derives from Summerson’s influential work that offers a compelling master narrative that links the rise of the post-Fire metropolis to the phoenix-like appearance of a great conurbation (the city and its suburbs) marked by values of regularity, taste, and economy. Even as Londoners, especially those building and living on its eighteenth-century edges in suburbs exemplified by Deptford, Hackney, and Spitfalfields, engaged the new architectural values of the Georgian moment, they erected countless small houses that reflected sensibilities that had little to do with bookish taste. The smaller houses of London were not some sort of minor anomaly, but instead the architectural sinew that filled the minor streets, courts and alleys, and even lined major thoroughfares such as Kingsland Road. What unites these histories and many more investigations into the architectural course of London in the decades following the Great Fire through the eighteenth century is an understated sense of process.Less
The borderland mapped in this chapter focuses on the changing architectural landscape and mentalité of London in the decades following the Great Fire and the relationship between the capitol of the British Empire and the colonial cities of North America through that period with a particular emphasis on the location of parlors and kitchens in houses. A prevailing notion of Georgian London derives from Summerson’s influential work that offers a compelling master narrative that links the rise of the post-Fire metropolis to the phoenix-like appearance of a great conurbation (the city and its suburbs) marked by values of regularity, taste, and economy. Even as Londoners, especially those building and living on its eighteenth-century edges in suburbs exemplified by Deptford, Hackney, and Spitfalfields, engaged the new architectural values of the Georgian moment, they erected countless small houses that reflected sensibilities that had little to do with bookish taste. The smaller houses of London were not some sort of minor anomaly, but instead the architectural sinew that filled the minor streets, courts and alleys, and even lined major thoroughfares such as Kingsland Road. What unites these histories and many more investigations into the architectural course of London in the decades following the Great Fire through the eighteenth century is an understated sense of process.
Lindsay Guarino and Wendy Oliver
- Published in print:
- 2014
- Published Online:
- May 2014
- ISBN:
- 9780813049298
- eISBN:
- 9780813050119
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813049298.003.0005
- Subject:
- Music, Dance
This chapter offers a brief overview of jazz dance styles. Styles that are defined include authentic jazz dance, tap dance, club jazz dance, jazz-influenced dance, rhythm-generated jazz dance, ...
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This chapter offers a brief overview of jazz dance styles. Styles that are defined include authentic jazz dance, tap dance, club jazz dance, jazz-influenced dance, rhythm-generated jazz dance, theatrical jazz dance, Afro-Carribean jazz dance, Broadway jazz dance, classical jazz dance, commercial jazz dance, concert jazz dance, contemporary jazz dance, Latin jazz dance, lyrical jazz dance, pop jazz dance, West-coast jazz dance, vernacular jazz dance, hip-hop dance, funk, and street jazz dance. Styles are grouped in a way that suggests shared roots and aesthetic principals. Readers are encouraged to refer to this section as a glossary but to keep in mind that many of the styles fall into more than one category and can even overlap with other styles in its group.Less
This chapter offers a brief overview of jazz dance styles. Styles that are defined include authentic jazz dance, tap dance, club jazz dance, jazz-influenced dance, rhythm-generated jazz dance, theatrical jazz dance, Afro-Carribean jazz dance, Broadway jazz dance, classical jazz dance, commercial jazz dance, concert jazz dance, contemporary jazz dance, Latin jazz dance, lyrical jazz dance, pop jazz dance, West-coast jazz dance, vernacular jazz dance, hip-hop dance, funk, and street jazz dance. Styles are grouped in a way that suggests shared roots and aesthetic principals. Readers are encouraged to refer to this section as a glossary but to keep in mind that many of the styles fall into more than one category and can even overlap with other styles in its group.
