Jinah Kim
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780520273863
- eISBN:
- 9780520954885
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520273863.003.0005
- Subject:
- Anthropology, Asian Cultural Anthropology
This chapter examines possible ritual uses of manuscripts. I argue that the illustrated Buddhist manuscripts could have been used for meditation, much like patapaintings discussed in the ...
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This chapter examines possible ritual uses of manuscripts. I argue that the illustrated Buddhist manuscripts could have been used for meditation, much like patapaintings discussed in the Mañjuśrīmūlakalpa, with the images serving as a mnemonic device. I also analyze how a Buddhist book was constructed as a three-dimensional mandala, transforming a manuscript of the Prajnāpāramitā sūtrainto a powerful cultic object.Less
This chapter examines possible ritual uses of manuscripts. I argue that the illustrated Buddhist manuscripts could have been used for meditation, much like patapaintings discussed in the Mañjuśrīmūlakalpa, with the images serving as a mnemonic device. I also analyze how a Buddhist book was constructed as a three-dimensional mandala, transforming a manuscript of the Prajnāpāramitā sūtrainto a powerful cultic object.
Anton Eberhard
- Published in print:
- 2014
- Published Online:
- March 2015
- ISBN:
- 9780199689248
- eISBN:
- 9780191789731
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199689248.003.0028
- Subject:
- Economics and Finance, Development, Growth, and Environmental
The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to ...
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The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to have single-handedly brought the tradition of Vajray›na Buddhism to late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for monastic robes are all attributed to his genius. He also introduced the artistic forms of Buddhist deities to Mongolia, such as the Five Tath›gatas, Maitreya, Twenty-One T›r›s, Vajradhara, Vajrasattva, and others. His careful selection of these deities, their particular forms, and the way in which they are represented demonstrate his unique artistic conventions. Zanabazar is also credited with building his main Buddhist settlement Urga (known later as Ikh Khüree, and today Ulaanbaatar), a mobile camp that was to reach out to the nomadic communities in various areas of Mongolia and spread Buddhism among them.Less
The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to have single-handedly brought the tradition of Vajray›na Buddhism to late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for monastic robes are all attributed to his genius. He also introduced the artistic forms of Buddhist deities to Mongolia, such as the Five Tath›gatas, Maitreya, Twenty-One T›r›s, Vajradhara, Vajrasattva, and others. His careful selection of these deities, their particular forms, and the way in which they are represented demonstrate his unique artistic conventions. Zanabazar is also credited with building his main Buddhist settlement Urga (known later as Ikh Khüree, and today Ulaanbaatar), a mobile camp that was to reach out to the nomadic communities in various areas of Mongolia and spread Buddhism among them.
Uranchimeg Tsultemin
- Published in print:
- 2015
- Published Online:
- January 2015
- ISBN:
- 9780199958641
- eISBN:
- 9780190206819
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199958641.003.0007
- Subject:
- Religion, Buddhism
The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to ...
More
The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to have single-handedly brought the tradition of Vajrayāna Buddhism to late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for monastic robes are all attributed to his genius. He also introduced the artistic forms of Buddhist deities to Mongolia, such as the Five Tathāgatas, Maitreya, Twenty-One Tārās, Vajradhara, Vajrasattva, and others. His careful selection of these deities, their particular forms, and the way in which they are represented demonstrate his unique artistic conventions. Zanabazar is also credited with building his main Buddhist settlement Urga (known later as Ikh Khüree, and today Ulaanbaatar), a mobile camp that was to reach out to the nomadic communities in various areas of Mongolia and spread Buddhism among them.Less
The chapter focuses on the Buddhist artistic expression of the First Jebtsundamba Khutugtu (1635–1723), one of the most celebrated persons in the history of Mongolian Buddhism, who is believed to have single-handedly brought the tradition of Vajrayāna Buddhism to late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for monastic robes are all attributed to his genius. He also introduced the artistic forms of Buddhist deities to Mongolia, such as the Five Tathāgatas, Maitreya, Twenty-One Tārās, Vajradhara, Vajrasattva, and others. His careful selection of these deities, their particular forms, and the way in which they are represented demonstrate his unique artistic conventions. Zanabazar is also credited with building his main Buddhist settlement Urga (known later as Ikh Khüree, and today Ulaanbaatar), a mobile camp that was to reach out to the nomadic communities in various areas of Mongolia and spread Buddhism among them.
