Nancy Yunhwa Rao
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780252040566
- eISBN:
- 9780252099007
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040566.001.0001
- Subject:
- Music, Opera
In this expansive project, Nancy Yunhwa Rao examines the world of Chinatown theaters, focusing on iconic theaters in San Francisco and New York but also tracing the transnational networks and ...
More
In this expansive project, Nancy Yunhwa Rao examines the world of Chinatown theaters, focusing on iconic theaters in San Francisco and New York but also tracing the transnational networks and migration routes connecting theaters and performers in China, Canada, and even Cuba. Drawing on a wealth of physical, documentary, and anecdotal evidence, Rao brings together the threads of an enormously complex story: on one hand, the elements outside the theaters, including U.S. government policies regulating Chinese immigration, dissemination through recordings and print materials of the music performed in the theaters, impresarios competing with each other for performers and audiences, and the role of Chinese American business organizations in facilitating the functioning of the theaters; and on the other hand, the world inside the theaters, encompassing the personalities and careers of individual performers, audiences, repertoire, and the adaptation of Chinese performance practices to the American immigrant context. The study also documents the important influence of the theaters on the Chinatown community's sense of its cultural self. Presenting Chinese American music as American music, Rao's work significantly revises understandings of American music by placing the musical activities of an important immigrant group firmly within the bounds of music identified as "American," liberating it from the ghetto of exoticism. Firmly grounded in both Chinese and English language sources, this study offers critical insight into both historical and contemporary questions of cultural identity in the American context.Less
In this expansive project, Nancy Yunhwa Rao examines the world of Chinatown theaters, focusing on iconic theaters in San Francisco and New York but also tracing the transnational networks and migration routes connecting theaters and performers in China, Canada, and even Cuba. Drawing on a wealth of physical, documentary, and anecdotal evidence, Rao brings together the threads of an enormously complex story: on one hand, the elements outside the theaters, including U.S. government policies regulating Chinese immigration, dissemination through recordings and print materials of the music performed in the theaters, impresarios competing with each other for performers and audiences, and the role of Chinese American business organizations in facilitating the functioning of the theaters; and on the other hand, the world inside the theaters, encompassing the personalities and careers of individual performers, audiences, repertoire, and the adaptation of Chinese performance practices to the American immigrant context. The study also documents the important influence of the theaters on the Chinatown community's sense of its cultural self. Presenting Chinese American music as American music, Rao's work significantly revises understandings of American music by placing the musical activities of an important immigrant group firmly within the bounds of music identified as "American," liberating it from the ghetto of exoticism. Firmly grounded in both Chinese and English language sources, this study offers critical insight into both historical and contemporary questions of cultural identity in the American context.
Xu Guoqi
- Published in print:
- 2016
- Published Online:
- December 2016
- ISBN:
- 9780199658190
- eISBN:
- 9780191830860
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199658190.003.0008
- Subject:
- History, World Modern History, Military History
This chapter follows the handling of Japan’s racial equality provision as it unfolded at the Paris Peace Conference. It argues that the Japanese greeted their victories in Paris with mixed feelings. ...
More
This chapter follows the handling of Japan’s racial equality provision as it unfolded at the Paris Peace Conference. It argues that the Japanese greeted their victories in Paris with mixed feelings. Despite being one of the top five Powers at the peace conference, Japan’s proposal for legal racial equality in the postwar world order was rejected. When the delegation returned home, crowds protested their failure. Still, the Japanese saw no contradiction in treating Koreans as inferior people both in Japan and in Korea. The race issue is a painful shared history among the Japanese and their fellow Asians; all of them faced discrimination during their time in Europe, never mind dealing with colonials at home. When Japan faced a choice between promoting international racial equality and making territorial gains, it went with the latter, since the former had proved difficult for Japanese elites to accept, much less achieve.Less
This chapter follows the handling of Japan’s racial equality provision as it unfolded at the Paris Peace Conference. It argues that the Japanese greeted their victories in Paris with mixed feelings. Despite being one of the top five Powers at the peace conference, Japan’s proposal for legal racial equality in the postwar world order was rejected. When the delegation returned home, crowds protested their failure. Still, the Japanese saw no contradiction in treating Koreans as inferior people both in Japan and in Korea. The race issue is a painful shared history among the Japanese and their fellow Asians; all of them faced discrimination during their time in Europe, never mind dealing with colonials at home. When Japan faced a choice between promoting international racial equality and making territorial gains, it went with the latter, since the former had proved difficult for Japanese elites to accept, much less achieve.
