Edward Brech, Andrew Thomson, and John F. Wilson
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199541966
- eISBN:
- 9780191715433
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199541966.003.0004
- Subject:
- Business and Management, Business History, Strategy
The International Management Institute (IMI) was a joint creation of the International Labour Organization (ILO) and the American Twentieth‐Century Fund, which had different goals and philosophies, ...
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The International Management Institute (IMI) was a joint creation of the International Labour Organization (ILO) and the American Twentieth‐Century Fund, which had different goals and philosophies, leading to tensions which had resulted in the removal of Urwick's predecessor and caused ongoing problems for Urwick. Nevertheless, Urwick made a considerable success of a challenging role, enlarging the membership, publishing an interesting bulletin, carrying out various research projects, setting up a significant number of Management Research Groups (MRGs), networking widely, and even finding time to do writing of his own. But the World Depression of the early 1930s magnified the internal tensions, while currency issues caused financial problems and political instability in Europe also created difficulties. Urwick and his staff essentially aligned themselves with the ILO perspective, leading to the Twentieth‐Century Fund withdrawing its financial contribution from the end of 1933.Less
The International Management Institute (IMI) was a joint creation of the International Labour Organization (ILO) and the American Twentieth‐Century Fund, which had different goals and philosophies, leading to tensions which had resulted in the removal of Urwick's predecessor and caused ongoing problems for Urwick. Nevertheless, Urwick made a considerable success of a challenging role, enlarging the membership, publishing an interesting bulletin, carrying out various research projects, setting up a significant number of Management Research Groups (MRGs), networking widely, and even finding time to do writing of his own. But the World Depression of the early 1930s magnified the internal tensions, while currency issues caused financial problems and political instability in Europe also created difficulties. Urwick and his staff essentially aligned themselves with the ILO perspective, leading to the Twentieth‐Century Fund withdrawing its financial contribution from the end of 1933.
John Franceschina
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199754298
- eISBN:
- 9780199949878
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199754298.003.0005
- Subject:
- Music, Dance, Popular
After leaving RKO Hermes Pan joins Fred Astaire at Paramount to choreograph Second Chorus and Danny Dare at Republic Pictures to choreograph Hit Parade of 1941 before signing with Twentieth ...
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After leaving RKO Hermes Pan joins Fred Astaire at Paramount to choreograph Second Chorus and Danny Dare at Republic Pictures to choreograph Hit Parade of 1941 before signing with Twentieth Century-Fox to choreograph That Night in Rio with Alice Faye, Don Ameche, and Carmen Miranda. While at Fox Hermes initiates weekly luncheon discussion groups on topics ranging from religion to philosophy, one of the core participants of which, Angela (“Angie”) Blue becomes Pan’s favorite assistant and “dance-in” for films starring Betty Grable. At Grable’s request, Hermes appears onscreen as her dancing partner in several films, including Moon Over Miami, Footlight Serenade, and Coney Island. In his early days at Fox, Pan also designs dances for Sonja Henie, Rita Hayworth, and George Murphy.Less
After leaving RKO Hermes Pan joins Fred Astaire at Paramount to choreograph Second Chorus and Danny Dare at Republic Pictures to choreograph Hit Parade of 1941 before signing with Twentieth Century-Fox to choreograph That Night in Rio with Alice Faye, Don Ameche, and Carmen Miranda. While at Fox Hermes initiates weekly luncheon discussion groups on topics ranging from religion to philosophy, one of the core participants of which, Angela (“Angie”) Blue becomes Pan’s favorite assistant and “dance-in” for films starring Betty Grable. At Grable’s request, Hermes appears onscreen as her dancing partner in several films, including Moon Over Miami, Footlight Serenade, and Coney Island. In his early days at Fox, Pan also designs dances for Sonja Henie, Rita Hayworth, and George Murphy.
Michael P. Roller
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780813056081
- eISBN:
- 9780813053875
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813056081.001.0001
- Subject:
- Archaeology, Historical Archaeology
Using evidence of historical changes in landscape, community life, and material culture from a coal mining company town in the Anthracite Coal Region of Northeast Pennsylvania, Michael Roller ...
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Using evidence of historical changes in landscape, community life, and material culture from a coal mining company town in the Anthracite Coal Region of Northeast Pennsylvania, Michael Roller introduces an archaeological approach to the structural violence on workers, citizens, and consumers that developed across the twentieth century. The study begins with an analysis of a moment of explicit violence at the end of the nineteenth century, an event known as the Lattimer Massacre, in which as many as nineteen immigrant miners were shot by a posse of local businessmen. From this touchstone, material history and theoretical contexts across the twentieth century are documented in a manner both locally specific and broadly generalizable. Historical archaeology is used strategically, opportunistically, and dialectically, supported, amplified, and illuminated by archival and ethnographic research, spatial analysis, and social theory. In the process, attention is brought to contradictions, ironies, and absences in our understandings of this formative era in labor history. This study illuminates the development of systematized violence and soft forms of social control enacted by the collusion of state and capital through materialities such as infrastructure, urban redevelopment, mass consumerism, governmentality, biopolitics, and the shifting boundaries of sovereign power. Varied in its use of sources, the study returns again and again to the material life and the shifting landscapes of the company towns and shanty enclaves of the region, as well as the violence of the Massacre. This archaeology of the recent past shows us the unconscious material foundations for present social troubles.Less
Using evidence of historical changes in landscape, community life, and material culture from a coal mining company town in the Anthracite Coal Region of Northeast Pennsylvania, Michael Roller introduces an archaeological approach to the structural violence on workers, citizens, and consumers that developed across the twentieth century. The study begins with an analysis of a moment of explicit violence at the end of the nineteenth century, an event known as the Lattimer Massacre, in which as many as nineteen immigrant miners were shot by a posse of local businessmen. From this touchstone, material history and theoretical contexts across the twentieth century are documented in a manner both locally specific and broadly generalizable. Historical archaeology is used strategically, opportunistically, and dialectically, supported, amplified, and illuminated by archival and ethnographic research, spatial analysis, and social theory. In the process, attention is brought to contradictions, ironies, and absences in our understandings of this formative era in labor history. This study illuminates the development of systematized violence and soft forms of social control enacted by the collusion of state and capital through materialities such as infrastructure, urban redevelopment, mass consumerism, governmentality, biopolitics, and the shifting boundaries of sovereign power. Varied in its use of sources, the study returns again and again to the material life and the shifting landscapes of the company towns and shanty enclaves of the region, as well as the violence of the Massacre. This archaeology of the recent past shows us the unconscious material foundations for present social troubles.
Joseph McBride
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780813142623
- eISBN:
- 9780813145242
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813142623.003.0013
- Subject:
- Film, Television and Radio, Film
This chapter discusses Hawks’ film Twentieth Century, a film written with Ben Hecht and Charles MacAruthur. Hawks talks about working with John Barrymore and Carole Lombard, and describes the ...
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This chapter discusses Hawks’ film Twentieth Century, a film written with Ben Hecht and Charles MacAruthur. Hawks talks about working with John Barrymore and Carole Lombard, and describes the public’s reaction to the outlandish style of comedy featured in the film.Less
This chapter discusses Hawks’ film Twentieth Century, a film written with Ben Hecht and Charles MacAruthur. Hawks talks about working with John Barrymore and Carole Lombard, and describes the public’s reaction to the outlandish style of comedy featured in the film.
R. John Williams
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9780300194470
- eISBN:
- 9780300206579
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300194470.003.0006
- Subject:
- Philosophy, Aesthetics
This chapter examines the “Oriental Detective” genre in Hollywood cinema during the 1930s and 1940s. Whereas most discussions of the Oriental detective genre have tended to focus on whether or not ...
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This chapter examines the “Oriental Detective” genre in Hollywood cinema during the 1930s and 1940s. Whereas most discussions of the Oriental detective genre have tended to focus on whether or not the character reflects a positive or negative stereotype for Asian America, this chapter analyzes a discursive convergence of machine culture, corporate aesthetics, and ethnic and racial stereotyping, pausing to notice not only what the Oriental detective genre says about American racial attitudes during the 1930s and 1940s, but also what it says about the corporate production of film and film culture.Less
This chapter examines the “Oriental Detective” genre in Hollywood cinema during the 1930s and 1940s. Whereas most discussions of the Oriental detective genre have tended to focus on whether or not the character reflects a positive or negative stereotype for Asian America, this chapter analyzes a discursive convergence of machine culture, corporate aesthetics, and ethnic and racial stereotyping, pausing to notice not only what the Oriental detective genre says about American racial attitudes during the 1930s and 1940s, but also what it says about the corporate production of film and film culture.
J.E. Smyth
- Published in print:
- 2006
- Published Online:
- September 2011
- ISBN:
- 9780813124063
- eISBN:
- 9780813134765
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813124063.003.0009
- Subject:
- Film, Television and Radio, Film
This chapter examines the production of historical films in the U.S. about World War 1 which were made during the period from 1938 to 1941. Some of the most notable films during this period include ...
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This chapter examines the production of historical films in the U.S. about World War 1 which were made during the period from 1938 to 1941. Some of the most notable films during this period include The Fighting 69th and Sergeant York. This chapter discusses the increasing competition for film rights and the competition between Warner Bros. and Twentieth Century Fox. It also suggests that despite of the production of prestige World War 1 films, America's unusual and even remote relationship to the war restricted the purely American forays to elliptical examinations of wartime America and the post-war veteran's anonymous struggle for survival.Less
This chapter examines the production of historical films in the U.S. about World War 1 which were made during the period from 1938 to 1941. Some of the most notable films during this period include The Fighting 69th and Sergeant York. This chapter discusses the increasing competition for film rights and the competition between Warner Bros. and Twentieth Century Fox. It also suggests that despite of the production of prestige World War 1 films, America's unusual and even remote relationship to the war restricted the purely American forays to elliptical examinations of wartime America and the post-war veteran's anonymous struggle for survival.
William Rothman
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9781474411394
- eISBN:
- 9781474438445
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474411394.003.0015
- Subject:
- Film, Television and Radio, Film
In Twentieth Century (1934), John Barrymore as Oscar Jaffe gives a performance so stupendous in its theatricality and wit that it ranks as one of the most brilliant – and most profound – in the ...
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In Twentieth Century (1934), John Barrymore as Oscar Jaffe gives a performance so stupendous in its theatricality and wit that it ranks as one of the most brilliant – and most profound – in the history of cinema. This chapter argues that in its utterly ironic yet utterly honest way, Barrymore’s performance (to phrase Oscar himself) sums up everything this great actor knew about talent, about the theater, and about genius.Less
In Twentieth Century (1934), John Barrymore as Oscar Jaffe gives a performance so stupendous in its theatricality and wit that it ranks as one of the most brilliant – and most profound – in the history of cinema. This chapter argues that in its utterly ironic yet utterly honest way, Barrymore’s performance (to phrase Oscar himself) sums up everything this great actor knew about talent, about the theater, and about genius.
Barry Langford
- Published in print:
- 2009
- Published Online:
- September 2012
- ISBN:
- 9780748638574
- eISBN:
- 9780748671076
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638574.003.0001
- Subject:
- Film, Television and Radio, Film
In August 1946, the first peacetime summer in five years draws to a close and the long Labour Day holiday weekend beckons. Filmgoers strolling through downtown Columbus, Ohio, faced a wide range of ...
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In August 1946, the first peacetime summer in five years draws to a close and the long Labour Day holiday weekend beckons. Filmgoers strolling through downtown Columbus, Ohio, faced a wide range of moviegoing choices typical of the nation as a whole. Columbus boasted four major first-run theatres, ornate ‘picture palaces’ constructed in the silent era, each capable of holding some 2,000 spectators, in a city with a population of just over 300,000. As in all the principal urban markets in North America, these showcase cinemas were owned by one or other of the so-called ‘Big Five’ vertically integrated producer-distributor-exhibitors: Loew's (parent company of MGM), Radio-Keith-Orpheum (RKO), Paramount, Warner Bros. and Twentieth Century-Fox. This profusion of picturegoing options testified to two unchallengeable facts: that ‘going to the movies’ remained in 1946, as it had been for the previous quarter-century and more, by far Americans' favourite leisure pastime; and that 1946 itself was the highpoint — as reflected in attendances, box office receipts and the major studios' corporate profits alike — of Hollywood's fortunes to date.Less
In August 1946, the first peacetime summer in five years draws to a close and the long Labour Day holiday weekend beckons. Filmgoers strolling through downtown Columbus, Ohio, faced a wide range of moviegoing choices typical of the nation as a whole. Columbus boasted four major first-run theatres, ornate ‘picture palaces’ constructed in the silent era, each capable of holding some 2,000 spectators, in a city with a population of just over 300,000. As in all the principal urban markets in North America, these showcase cinemas were owned by one or other of the so-called ‘Big Five’ vertically integrated producer-distributor-exhibitors: Loew's (parent company of MGM), Radio-Keith-Orpheum (RKO), Paramount, Warner Bros. and Twentieth Century-Fox. This profusion of picturegoing options testified to two unchallengeable facts: that ‘going to the movies’ remained in 1946, as it had been for the previous quarter-century and more, by far Americans' favourite leisure pastime; and that 1946 itself was the highpoint — as reflected in attendances, box office receipts and the major studios' corporate profits alike — of Hollywood's fortunes to date.
Andy Propst
- Published in print:
- 2019
- Published Online:
- March 2019
- ISBN:
- 9780190630935
- eISBN:
- 9780190630966
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190630935.003.0017
- Subject:
- Music, Popular
Betty Comden and Adolph Green found themselves in the early and mid-1970s returning to their earliest days artistically, when they formed the Revuers. They penned lyrics for a pair of songs heard in ...
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Betty Comden and Adolph Green found themselves in the early and mid-1970s returning to their earliest days artistically, when they formed the Revuers. They penned lyrics for a pair of songs heard in one revue, Straws in the Wind, and wrote the book for a second, By Bernstein. Their collaborator on the former was composer Cy Coleman, and with him they continued their 1930s-inspired artistry with their next show, On the Twentieth Century, which was a musical version of Ben Hecht and Charles MacArthur’s hit 1932 farce, Twentieth Century.Less
Betty Comden and Adolph Green found themselves in the early and mid-1970s returning to their earliest days artistically, when they formed the Revuers. They penned lyrics for a pair of songs heard in one revue, Straws in the Wind, and wrote the book for a second, By Bernstein. Their collaborator on the former was composer Cy Coleman, and with him they continued their 1930s-inspired artistry with their next show, On the Twentieth Century, which was a musical version of Ben Hecht and Charles MacArthur’s hit 1932 farce, Twentieth Century.
David J Starkey and Gelina Harlaftis (eds)
- Published in print:
- 1998
- Published Online:
- September 2018
- ISBN:
- 9780968128848
- eISBN:
- 9781786944801
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780968128848.001.0001
- Subject:
- History, Maritime History
This book is concerned with the role played by the sea transport industries in the development of global markets. It claims that the sea transport industry in fundamentally intrinsic to the political ...
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This book is concerned with the role played by the sea transport industries in the development of global markets. It claims that the sea transport industry in fundamentally intrinsic to the political and economic interactions between nations. It seeks to demonstrate that the elements of shipping, internationalisation, and globalisation are intertwined. The purpose of this journal is to trace the development and examine the consequences of globalisation as it relates to maritime history. The four main issues under consideration are:- information networks and cooperation in transoceanic shipping; the expansion of markets; technological change; and the adaptability of entrepreneurs, institutions, and nation states to changing business environments. Geographically, the focus of the contributing essays splits between Europe and Japan.Less
This book is concerned with the role played by the sea transport industries in the development of global markets. It claims that the sea transport industry in fundamentally intrinsic to the political and economic interactions between nations. It seeks to demonstrate that the elements of shipping, internationalisation, and globalisation are intertwined. The purpose of this journal is to trace the development and examine the consequences of globalisation as it relates to maritime history. The four main issues under consideration are:- information networks and cooperation in transoceanic shipping; the expansion of markets; technological change; and the adaptability of entrepreneurs, institutions, and nation states to changing business environments. Geographically, the focus of the contributing essays splits between Europe and Japan.
Steven Seegel
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780226438498
- eISBN:
- 9780226438528
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226438528.001.0001
- Subject:
- Earth Sciences and Geography, Cultural and Historical Geography
The book narrates the lives of five cartographers active in the early 20th century and uses records of their correspondence along historical research about the period to substantiate an analysis of ...
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The book narrates the lives of five cartographers active in the early 20th century and uses records of their correspondence along historical research about the period to substantiate an analysis of the political and personal considerations that shaped the science of mapmaking. The cartographers worked with and made maps of East Central Europe before, throughout, and after World War I, driven onward to solidify their status and worth in strange frontiers after the tumultuous precursors and events of the Great War scattered them across national boundaries. Their projects were informed by nationalism, classic desires for romance and power, anti-Semitism, a thirst for recognition as rational and proper, and many other complex considerations, all of which are immortalized through the maps and letters of the five men.Less
The book narrates the lives of five cartographers active in the early 20th century and uses records of their correspondence along historical research about the period to substantiate an analysis of the political and personal considerations that shaped the science of mapmaking. The cartographers worked with and made maps of East Central Europe before, throughout, and after World War I, driven onward to solidify their status and worth in strange frontiers after the tumultuous precursors and events of the Great War scattered them across national boundaries. Their projects were informed by nationalism, classic desires for romance and power, anti-Semitism, a thirst for recognition as rational and proper, and many other complex considerations, all of which are immortalized through the maps and letters of the five men.
Gordon Boyce and Richard Gorski (eds)
- Published in print:
- 2002
- Published Online:
- January 2019
- ISBN:
- 9780973007329
- eISBN:
- 9781786944726
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780973007329.001.0001
- Subject:
- History, Maritime History
This book provides a study of both the physical and intangible frameworks that enabled maritime resources to flow and infrastructures to operate. The aim is to demonstrate the complexity and ...
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This book provides a study of both the physical and intangible frameworks that enabled maritime resources to flow and infrastructures to operate. The aim is to demonstrate the complexity and diversity of the legal, social, cultural, and institutional forces at work within maritime economics. Port development, planning, and policy-making constitute the physical frameworks, while agency structures and consular networks make up the non-physical factors under discussion. Both land and sea commodities are examined, including capital mobilised from other sectors, and a particularly pertinent maritime commodity, fish. Through case studies, theory-driven analysis, evidence from statistical data, and regional and national comparisons, it successfully illustrates the structure of resource flow and the shape of maritime economic activity on an international scale spanning the eighteenth, nineteenth, and twentieth centuries. Nations examined include Scotland, England, New Zealand, Italy, Denmark, plus several Nordic and Mediterranean states. The book consists of three sections: the first exploring intangible infrastructures and their components; the second, resource flow and economic development; and, finally, the physical infrastructures of the ports themselves.Less
This book provides a study of both the physical and intangible frameworks that enabled maritime resources to flow and infrastructures to operate. The aim is to demonstrate the complexity and diversity of the legal, social, cultural, and institutional forces at work within maritime economics. Port development, planning, and policy-making constitute the physical frameworks, while agency structures and consular networks make up the non-physical factors under discussion. Both land and sea commodities are examined, including capital mobilised from other sectors, and a particularly pertinent maritime commodity, fish. Through case studies, theory-driven analysis, evidence from statistical data, and regional and national comparisons, it successfully illustrates the structure of resource flow and the shape of maritime economic activity on an international scale spanning the eighteenth, nineteenth, and twentieth centuries. Nations examined include Scotland, England, New Zealand, Italy, Denmark, plus several Nordic and Mediterranean states. The book consists of three sections: the first exploring intangible infrastructures and their components; the second, resource flow and economic development; and, finally, the physical infrastructures of the ports themselves.
Ronny Regev
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781469636504
- eISBN:
- 9781469636771
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469636504.003.0001
- Subject:
- History, American History: 20th Century
This chapter provides an overview of the main themes of the book. It explains Working in Hollywood’s main objective: to redraw the glamorous image of Hollywood and demonstrate that the film ...
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This chapter provides an overview of the main themes of the book. It explains Working in Hollywood’s main objective: to redraw the glamorous image of Hollywood and demonstrate that the film industry’s golden age (1920-1950) was not only defined by film content and celebrities but also by the people employed in the studio system, their work practices, and interactions on the job. It suggests there is much to learn by shifting our gaze from the pictures to the people who made them. In addition, the chapter offers a short timeline of the studio system, from the formation of Paramount, MGM, Twentieth Century-Fox, and RKO – the five vertically integrated major companies, in the 1920s, to the system’s disintegration in the 1950s.Less
This chapter provides an overview of the main themes of the book. It explains Working in Hollywood’s main objective: to redraw the glamorous image of Hollywood and demonstrate that the film industry’s golden age (1920-1950) was not only defined by film content and celebrities but also by the people employed in the studio system, their work practices, and interactions on the job. It suggests there is much to learn by shifting our gaze from the pictures to the people who made them. In addition, the chapter offers a short timeline of the studio system, from the formation of Paramount, MGM, Twentieth Century-Fox, and RKO – the five vertically integrated major companies, in the 1920s, to the system’s disintegration in the 1950s.
Barry Langford
- Published in print:
- 2009
- Published Online:
- September 2012
- ISBN:
- 9780748638574
- eISBN:
- 9780748671076
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748638574.003.0010
- Subject:
- Film, Television and Radio, Film
The year 1982 marked the end of an era for the film industry in the United States, in more ways than one. Coca-Cola acquired Columbia Pictures, one year after oil tycoon Marvin Davis purchased ...
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The year 1982 marked the end of an era for the film industry in the United States, in more ways than one. Coca-Cola acquired Columbia Pictures, one year after oil tycoon Marvin Davis purchased Twentieth Century Fox. In 1985, Davis sold Fox to Rupert Murdoch's NewsCorp for $575 million, and Japanese electronics manufacturer Sony bought Columbia from Coke for $3.4 billion in 1989. Most eye-catching, perhaps, was the 1989 merger of Warner Communications with Time, Inc., which like the NewsCorp/Fox deal allied print and filmed entertainment interests. Of all the major companies at the start of the 1980s, Warner Communications' diversified media holdings made them best placed to exploit the synergistic dimensions of a blockbuster property such as Superman. The industrial logic of the new Hollywood was relentlessly expansionist: as their new corporate parents brought Fox and Columbia to the top table, so the existing media conglomerates looked to protect their own positions by further acquisitions and mergers.Less
The year 1982 marked the end of an era for the film industry in the United States, in more ways than one. Coca-Cola acquired Columbia Pictures, one year after oil tycoon Marvin Davis purchased Twentieth Century Fox. In 1985, Davis sold Fox to Rupert Murdoch's NewsCorp for $575 million, and Japanese electronics manufacturer Sony bought Columbia from Coke for $3.4 billion in 1989. Most eye-catching, perhaps, was the 1989 merger of Warner Communications with Time, Inc., which like the NewsCorp/Fox deal allied print and filmed entertainment interests. Of all the major companies at the start of the 1980s, Warner Communications' diversified media holdings made them best placed to exploit the synergistic dimensions of a blockbuster property such as Superman. The industrial logic of the new Hollywood was relentlessly expansionist: as their new corporate parents brought Fox and Columbia to the top table, so the existing media conglomerates looked to protect their own positions by further acquisitions and mergers.
Luis G. Martínez del Campo
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382752
- eISBN:
- 9781786945266
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382752.001.0001
- Subject:
- History, Social History
In this book, I explore the history of the British-Spanish Society, which played a key role in the cultural relations between Spain and the UK during the 20th Century. I argue that this association ...
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In this book, I explore the history of the British-Spanish Society, which played a key role in the cultural relations between Spain and the UK during the 20th Century. I argue that this association is an early example of those cultural institutions involved in foreign policy. Although its aims were usually political and economic, its strategies were based on the advocacy of cultural understanding between Britons and Spaniards. In fact, the British-Spanish Society’ biggest achievement was its important contribution to the development of the Spanish language education in the UK in the 20th Century. In the beginning, the association was basically a British soft power tool, but it also served the Spanish diplomatic strategy after the World War II. This book offers the first overview of its history, paying special attention to both its role in British-Spanish relations, and its contribution to Spanish language education in the UK.Less
In this book, I explore the history of the British-Spanish Society, which played a key role in the cultural relations between Spain and the UK during the 20th Century. I argue that this association is an early example of those cultural institutions involved in foreign policy. Although its aims were usually political and economic, its strategies were based on the advocacy of cultural understanding between Britons and Spaniards. In fact, the British-Spanish Society’ biggest achievement was its important contribution to the development of the Spanish language education in the UK in the 20th Century. In the beginning, the association was basically a British soft power tool, but it also served the Spanish diplomatic strategy after the World War II. This book offers the first overview of its history, paying special attention to both its role in British-Spanish relations, and its contribution to Spanish language education in the UK.
Kathleen Ossip
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780813062204
- eISBN:
- 9780813051895
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813062204.003.0008
- Subject:
- Literature, 20th-century Literature and Modernism
With a mixture of talent, naiveté, and marketing smarts, Anne Sexton created lasting images of glamour, genius, insouciance, and self-destruction that defined the late-twentieth century woman, poet, ...
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With a mixture of talent, naiveté, and marketing smarts, Anne Sexton created lasting images of glamour, genius, insouciance, and self-destruction that defined the late-twentieth century woman, poet, and woman-poet. These images contributed to her success, but also made it difficult to assess her poetry, as shown by contemporary reviews of her work. “Are We Fake? Images of Anne Sexton, Twentieth-Century Woman/Poet” looks at how the images evolved and what pleasure and enlightenment we can gain from them now.Less
With a mixture of talent, naiveté, and marketing smarts, Anne Sexton created lasting images of glamour, genius, insouciance, and self-destruction that defined the late-twentieth century woman, poet, and woman-poet. These images contributed to her success, but also made it difficult to assess her poetry, as shown by contemporary reviews of her work. “Are We Fake? Images of Anne Sexton, Twentieth-Century Woman/Poet” looks at how the images evolved and what pleasure and enlightenment we can gain from them now.
Steven Earnshaw
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780719099618
- eISBN:
- 9781526141934
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099618.001.0001
- Subject:
- Literature, Criticism/Theory
Drinking to excess has been a striking problem for industrial and post-industrial societies – who is responsible when a ‘free’ individual opts for a slow suicide? The causes of such drinking have ...
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Drinking to excess has been a striking problem for industrial and post-industrial societies – who is responsible when a ‘free’ individual opts for a slow suicide? The causes of such drinking have often been blamed on heredity, moral weakness, ‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another reason which may be more fundamental and which has been overlooked or dismissed, and it is that the drinker may act with sincere philosophical intent. The Existential drinker looks at the convergence of a new kind of excessive, habitual drinking, beginning in the nineteenth century, and a new way of thinking about the self which in the twentieth century comes to be labelled ‘Existential’. A substantial introduction covers questions of self, will, consciousness, authenticity and ethics in relation to drinking, while introducing aspects of Existential thought pertinent to the discussion. The Existential-drinker canon is anchored in Jack London’s ‘alcoholic memoir’ John Barleycorn (1913) where London claims he can get at the truth of existence only through the insights afforded by excessive and repeated alcohol use. The book then covers drinker-texts such as Jean Rhys’s interwar novels, Malcolm Lowry’s Under the volcano, Charles Jackson’s The lost weekend and John O’Brien’s Leaving Las Vegas, along with less well-known works such as Frederick Exley’s A fan’s notes, Venedikt Yerofeev’s Moscow-Petushki, and A. L. Kennedy’s Paradise. The book will appeal to anybody with an interest in drinking and literature, as well as those with more specialised concerns in drinking studies, Existentialism, twentieth-century literature, and medical humanities.Less
Drinking to excess has been a striking problem for industrial and post-industrial societies – who is responsible when a ‘free’ individual opts for a slow suicide? The causes of such drinking have often been blamed on heredity, moral weakness, ‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another reason which may be more fundamental and which has been overlooked or dismissed, and it is that the drinker may act with sincere philosophical intent. The Existential drinker looks at the convergence of a new kind of excessive, habitual drinking, beginning in the nineteenth century, and a new way of thinking about the self which in the twentieth century comes to be labelled ‘Existential’. A substantial introduction covers questions of self, will, consciousness, authenticity and ethics in relation to drinking, while introducing aspects of Existential thought pertinent to the discussion. The Existential-drinker canon is anchored in Jack London’s ‘alcoholic memoir’ John Barleycorn (1913) where London claims he can get at the truth of existence only through the insights afforded by excessive and repeated alcohol use. The book then covers drinker-texts such as Jean Rhys’s interwar novels, Malcolm Lowry’s Under the volcano, Charles Jackson’s The lost weekend and John O’Brien’s Leaving Las Vegas, along with less well-known works such as Frederick Exley’s A fan’s notes, Venedikt Yerofeev’s Moscow-Petushki, and A. L. Kennedy’s Paradise. The book will appeal to anybody with an interest in drinking and literature, as well as those with more specialised concerns in drinking studies, Existentialism, twentieth-century literature, and medical humanities.
Katherine Davies and Toby Garfitt (eds)
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823262373
- eISBN:
- 9780823266425
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823262373.001.0001
- Subject:
- Religion, Religion and Society
God’s Mirror explores how French Catholic intellectual culture in the mid-twentieth century was caught up in the process of transition from a closed, defensive and conceptual theological structure of ...
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God’s Mirror explores how French Catholic intellectual culture in the mid-twentieth century was caught up in the process of transition from a closed, defensive and conceptual theological structure of the late-nineteenth century to an open, “authentic” and “experientially” committed faith. The volume offers different stories of renewal and engagement in Catholicism, which address the nature of this transition and the tensions therein. What unites these stories is their illumination of a Catholicism that is increasingly concerned with the human being and the concrete, lived reality of faith. These renewals and engagements are examined against the backdrop of the cultural and political crises of the interwar years through to the post-war reconstruction period in France and Francophone Canada. This periodization brings into focus the continuity between the 1930s and the nouvelle théologie movement that preceded Vatican II. God’s Mirror sheds new light on the historiographical narrative of reconciliation between the Catholic Church and the modern world by exploring the shifting cultural, theological and philosophical contours of faith and its political and social commitments. Richly interdisciplinary in scope, contributions range across literature, philosophy, theology, politics and music, including amongst them discussions of Jacques and Raïssa Maritain, Emmanuel Mounier, Gabriel Marcel, Paul Valéry, Jean Grenier, Charles Du Bos, Olivier Messiaen, Simone Weil, Georges Bernanos, Marie-Madeleine Davy, Robert Charbonneau, Paul Beaulieu, and Louis Massignon. These figures were all engaged in the task of revitalizing or reconfiguring Catholicism, from within or on the margins, and contributed to sketching the possibilities and parameters of modern Catholicism and Catholic identity.Less
God’s Mirror explores how French Catholic intellectual culture in the mid-twentieth century was caught up in the process of transition from a closed, defensive and conceptual theological structure of the late-nineteenth century to an open, “authentic” and “experientially” committed faith. The volume offers different stories of renewal and engagement in Catholicism, which address the nature of this transition and the tensions therein. What unites these stories is their illumination of a Catholicism that is increasingly concerned with the human being and the concrete, lived reality of faith. These renewals and engagements are examined against the backdrop of the cultural and political crises of the interwar years through to the post-war reconstruction period in France and Francophone Canada. This periodization brings into focus the continuity between the 1930s and the nouvelle théologie movement that preceded Vatican II. God’s Mirror sheds new light on the historiographical narrative of reconciliation between the Catholic Church and the modern world by exploring the shifting cultural, theological and philosophical contours of faith and its political and social commitments. Richly interdisciplinary in scope, contributions range across literature, philosophy, theology, politics and music, including amongst them discussions of Jacques and Raïssa Maritain, Emmanuel Mounier, Gabriel Marcel, Paul Valéry, Jean Grenier, Charles Du Bos, Olivier Messiaen, Simone Weil, Georges Bernanos, Marie-Madeleine Davy, Robert Charbonneau, Paul Beaulieu, and Louis Massignon. These figures were all engaged in the task of revitalizing or reconfiguring Catholicism, from within or on the margins, and contributed to sketching the possibilities and parameters of modern Catholicism and Catholic identity.
Ruth Craggs and Claire Wintle (eds)
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.001.0001
- Subject:
- History, Imperialism and Colonialism
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of ...
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What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.Less
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.
Tom Ryall
- Published in print:
- 2011
- Published Online:
- July 2012
- ISBN:
- 9780719064524
- eISBN:
- 9781781703007
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719064524.003.0021
- Subject:
- Film, Television and Radio, Film
This chapter scrutinizes the final phase of Anthony Asquith's career and the internationalising of the scope of his films. Since the late 1940s, the major Hollywood companies and the new breed of ...
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This chapter scrutinizes the final phase of Anthony Asquith's career and the internationalising of the scope of his films. Since the late 1940s, the major Hollywood companies and the new breed of independent American producers had been making films in Britain and other European countries, generating a more international approach to the business of film making. Asquith's third Shaw adaptation, The Millionairess (1960), was also made under American auspices, as a contribution to an expanded British-based schedule of ‘runaway’ productions planned by Twentieth Century Fox. His next film Two Living, One Dead was shot entirely in a Swedish studio and on location in Stockholm. Guns of Darkness had a foreign setting, a story of revolution in a Latin America republic, and much of the film was shot on location in Spain. Both films indicated the ‘international trend’ in some respects – non-British settings, filmed wholly or partly overseas, ‘international Hollywood stars’ and United States distribution links in the case of Guns of Darkness. However, it was Asquith's two final films that embodied what most critics thought of as the vices of ‘international’ film production in the 1960s.Less
This chapter scrutinizes the final phase of Anthony Asquith's career and the internationalising of the scope of his films. Since the late 1940s, the major Hollywood companies and the new breed of independent American producers had been making films in Britain and other European countries, generating a more international approach to the business of film making. Asquith's third Shaw adaptation, The Millionairess (1960), was also made under American auspices, as a contribution to an expanded British-based schedule of ‘runaway’ productions planned by Twentieth Century Fox. His next film Two Living, One Dead was shot entirely in a Swedish studio and on location in Stockholm. Guns of Darkness had a foreign setting, a story of revolution in a Latin America republic, and much of the film was shot on location in Spain. Both films indicated the ‘international trend’ in some respects – non-British settings, filmed wholly or partly overseas, ‘international Hollywood stars’ and United States distribution links in the case of Guns of Darkness. However, it was Asquith's two final films that embodied what most critics thought of as the vices of ‘international’ film production in the 1960s.
