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Love and Friendship in the Balance: The Case of Jules et Jim

Karen Hanson

in Ethics at the Cinema

Published in print:
2011
Published Online:
January 2011
ISBN:
9780195320398
eISBN:
9780199869534
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195320398.003.0010
Subject:
Philosophy, Moral Philosophy, General

Focusing on Truffaut’s Jules et Jim, this paper considers the way in which film can provoke or contribute to philosophical reflection on the conduct of life. The themes of friendship, love, and ... More


Conclusion

Christopher Lloyd

in Henri-Georges Clouzot

Published in print:
2007
Published Online:
July 2012
ISBN:
9780719070143
eISBN:
9781781701065
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719070143.003.0037
Subject:
Film, Television and Radio, Film

This chapter deals with the overall contribution of Clouzot as a filmmaker. All of Clouzot's feature films offer painstaking reconstructions of a recognisable social world, ranging from Paris and ... More


The Mise-en-Scène of Modernity: The French New Wave, Paris, and the Global 1960s

James Tweedie

in The Age of New Waves: Art Cinema and the Staging of Globalization

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199858286
eISBN:
9780199367665
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199858286.003.0002
Subject:
Literature, Film, Media, and Cultural Studies

This chapter introduces the concept of as it developed in the film criticism of the early French new wave, especially in the pages of Cahiers du cinéma. Critics like Truffaut, Godard, Rivette, and ... More


François Truffaut: An Auteur’s Representation of Childhood

Isabelle Vanderschelden

in Studying French Cinema

Published in print:
2013
Published Online:
February 2021
ISBN:
9781906733162
eISBN:
9781800342002
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781906733162.003.0002
Subject:
Film, Television and Radio, Film

This chapter discusses François Truffaut, who occupies a major place in French film history and its tradition of auteur cinema. He is remembered by many as the ring-leader of the New Wave, a man who ... More


Riding with Bonnie and Clyde

Thomas Goldsmith

in Earl Scruggs and Foggy Mountain Breakdown: The Making of an American Classic

Published in print:
2019
Published Online:
September 2020
ISBN:
9780252042966
eISBN:
9780252051821
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5622/illinois/9780252042966.003.0012
Subject:
Music, Popular

The banjo tune “Foggy Mountain Breakdown” took a roundabout path to become the voice of the genre-changing film Bonnie and Clyde, first released in 1967. The movie’s eventual star, Warren Beatty, was ... More


The Early Films:: The Age of Daydreaming (Álmodozások kora); Father (Apa – egy hit naplója); Lovefilm (Szerelmesfilm)

John Cunningham

in The Cinema of István Szabó: Visions of Europe

Published in print:
2014
Published Online:
November 2015
ISBN:
9780231171991
eISBN:
9780231850704
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231171991.003.0004
Subject:
Film, Television and Radio, Film

This chapter focuses on Hungarian director István Szabó's early films: The Age of Daydreaming (Álmodozások kora, 1967), Father (Apa—egy hit naplója, 1966), and Lovefilm (Szerelmesfilm, 1970). Given ... More


Hitchcock and Lang

Reidar Due

in Love in Motion: Erotic Relationships in Film

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231167338
eISBN:
9780231850513
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231167338.003.0009
Subject:
Film, Television and Radio, Film

This chapter discusses fantasy spectacle and the narrative trajectories of love, by comparing the works of directors Alfred Hitchcock, Fritz Lang, Luis Buñuel, and François Truffaut. Fantasy ... More


Self-Projection: The Director's Image in Art Cinema

Linda Haverty Rugg

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
book
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.001.0001
Subject:
Film, Television and Radio, Film

This book is formed as a response to the question of whether narrative films can perform as autobiographies. This is a subject that has been treated only in a couple of essays as a theoretical field ... More


The Sino-French as Métissage: Cheng Yu-chieh’s Yang Yang

Michelle E. Bloom

in Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons

Published in print:
2016
Published Online:
November 2016
ISBN:
9780824851583
eISBN:
9780824868291
Item type:
chapter
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824851583.003.0002
Subject:
Society and Culture, Asian Studies

Métissage, French for racial mixing, characterizes Cheng Yu-chieh’s feature Yang Yang, (2009) and its Franco-Taiwanese actress Sandrine Pinna, playing the same. The eponymous protagonist embodies ... More


Intertextuality as Métissage in Tsai Ming-liang’s Sino-French Films: What Time Is It There? and Face

Michelle E. Bloom

in Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons

Published in print:
2016
Published Online:
November 2016
ISBN:
9780824851583
eISBN:
9780824868291
Item type:
chapter
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824851583.003.0003
Subject:
Society and Culture, Asian Studies

Intertertextuality constitutes a form of métissage since it facilitates connections by mixing two texts, creating hybrid forms. Auteur Tsai Ming-liang, culturally, linguistically and nationally ... More


Without a You, No I: Cinematic Self-Projection

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0001
Subject:
Film, Television and Radio, Film

A look at the historical and theoretical underpinnings of art cinema, examining how viewers are conditioned to recognize an author’s presence in fictional cinematic narrative. Discussion of ... More


The Director’s Body

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0002
Subject:
Film, Television and Radio, Film

Analysis of the appearance of cinematic authors within their own fictional narratives and how this relates to self-projection. Theories of embodied spectatorship related to a discussion of embodied ... More


The Director Plays Director

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0003
Subject:
Film, Television and Radio, Film

Examination of directorial self-representation in two related genres: documentaries on the making of films and narrative films about directing, in which the director plays a fictional film director. ... More


Actor, Avatar

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0004
Subject:
Film, Television and Radio, Film

The director’s relationship to his actors, and how that collaboration works within the framework of self-projection. Attention is paid to personal relationships between actors and directors ... More


Self-Projection and the Cinematic Apparatus

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0005
Subject:
Film, Television and Radio, Film

Here the appearance of various attributes of the cinematic apparatus (projector, screen, photographic film frames) are linked to various parts of the filmmaker’s body and sensory apparatus, making ... More


The Eye/I of the Auteur

Linda Haverty Rugg

in Self-Projection: The Director's Image in Art Cinema

Published in print:
2014
Published Online:
August 2015
ISBN:
9780816691234
eISBN:
9781452949505
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816691234.003.0006
Subject:
Film, Television and Radio, Film

A brief conclusion that goes back over the major points of the study’s discussions and thinks about the implications of digital filmmaking. In the end, the imagined relationship between the spectator ... More


Introduction: The Myth of Pure Cinema

Bruce Isaacs

in The Art of Pure Cinema: Hitchcock and His Imitators

Published in print:
2020
Published Online:
April 2020
ISBN:
9780190889951
eISBN:
9780190889999
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190889951.003.0001
Subject:
Literature, Film, Media, and Cultural Studies

Hitchcock’s clearest articulation of a pure cinema method appears in a lengthy discussion with François Truffaut in 1962. Discussing landmark works such as Rear Window and Vertigo, Hitchcock frames ... More


Woman Does Not Become Her

Janine Jones

in On ne naît pas femme: on le devient: The Life of a Sentence

Published in print:
2017
Published Online:
August 2017
ISBN:
9780190608811
eISBN:
9780190608835
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190608811.003.0012
Subject:
Philosophy, Feminist Philosophy, Metaphysics/Epistemology

In this chapter, the author argues that the Borde and Malovany-Chevallier’s translation of “On ne naît pas femme: on le devient” as “One is not born, but rather, becomes woman” is neither a standard ... More


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