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Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view

John Orr

in Romantics and Modernists in British Cinema

Published in print:
2010
Published Online:
September 2012
ISBN:
9780748640140
eISBN:
9780748671090
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748640140.003.0007
Subject:
Film, Television and Radio, Film

The 1960s was the start of a new cinema in Britain, a neo-modern remake of 1920s modernism for the sound era: 1963 with the release of The Servant was as momentous as 1929, and the expatriate eye was ... More


Introduction

in The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.003.0001
Subject:
Philosophy, Aesthetics

This introductory chapter discusses the theme of this volume which is about crime in Italian films in the early 1960s and late 1970s. It explores the phenomenology and provides a psychoanalysis of ... More


The Scene of the Crime

in The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film

Published in print:
2008
Published Online:
June 2013
ISBN:
9780804758024
eISBN:
9780804786775
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804758024.003.0002
Subject:
Philosophy, Aesthetics

This chapter examines the depiction of the crime scene in Michelangelo Antonioni's films Blow-Up and The Passenger. It explains that the subversive use of perspective in these films lead the ... More


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