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“Dark, Like Me”: Archeology and Erfahrung in Wilkie Collins’s Armadale and The Moonstone

Lauren M. E. Goodlad

in The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience

Published in print:
2015
Published Online:
March 2015
ISBN:
9780198728276
eISBN:
9780191794490
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198728276.003.0005
Subject:
Literature, 19th-century and Victorian Literature, Prose (inc. letters, diaries)

The form and tone of Wilkie Collins’s fiction are strikingly different from Trollope’s. Instead of naturalism, the perception of breached heirloom sovereignty gives rise to multi-perspectival ... More


Sensing Bodies: Negotiating the Body and Identity in Mary Elizabeth Braddon’s Aurora Floyd and Wilkie Collins’s The Moonstone

Kylee-Anne Hingston

in Articulating Bodies: The Narrative Form of Disability and Illness in Victorian Fiction

Published in print:
2019
Published Online:
May 2020
ISBN:
9781789620757
eISBN:
9781789629491
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.3828/liverpool/9781789620757.003.0004
Subject:
Literature, 19th-century Literature and Romanticism

This chapter illustrates how mid-Victorian sensation fiction responds to anxieties exacerbated by nascent Victorian psychology’s attempt to map the self on the corporeal body. Examining the form and ... More


Half a Gypsy: The Case of Ezra Jennings in Wilkie Collins's The Moonstone (1868)

Nicholas Saul (ed.)

in The Role of the Romanies: Images and Counter-Images of ‘Gypsies’/Romanies in European Cultures

Published in print:
2004
Published Online:
June 2013
ISBN:
9780853236795
eISBN:
9781846313950
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9780853236795.003.0009
Subject:
Society and Culture, Cultural Studies

This chapter examines an aspect of the phenomenology of the Gypsies in European cultural history through an analysis of the European side of the encounter, in a novel by nineteenth-century English ... More


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