Silvio Panciera
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780197265062
- eISBN:
- 9780191754173
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197265062.003.0012
- Subject:
- Classical Studies, European History: BCE to 500CE
This brief chapter stresses the difference between the revolutionary possibilities of applying Information Technology to the Greek and Roman epigraphic record and its limited effects to date. It ...
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This brief chapter stresses the difference between the revolutionary possibilities of applying Information Technology to the Greek and Roman epigraphic record and its limited effects to date. It traces the reasons partly to scholarly attitudes, partly to the lack of a list of prioritised objectives, partly to divergences in the very concepts of ‘inscription’ and of ‘data-base’ and partly to a lack of unity and collaboration.Less
This brief chapter stresses the difference between the revolutionary possibilities of applying Information Technology to the Greek and Roman epigraphic record and its limited effects to date. It traces the reasons partly to scholarly attitudes, partly to the lack of a list of prioritised objectives, partly to divergences in the very concepts of ‘inscription’ and of ‘data-base’ and partly to a lack of unity and collaboration.
Don Rose and Cam Patterson
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9781469625263
- eISBN:
- 9781469625287
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625263.003.0002
- Subject:
- Business and Management, Innovation
Universities are a rich source of scientific innovations. Translating these innovations into high-impact products and services involves commercialization of the innovation. The Bayh-Dole Act of 1980 ...
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Universities are a rich source of scientific innovations. Translating these innovations into high-impact products and services involves commercialization of the innovation. The Bayh-Dole Act of 1980 gave universities control over the commercialization process. As such, technology transfer offices (TTO) have been established at most universities. Their role is to both protect the innovation through patents and copyrights and license the innovation to an entity for commercialization. Heretofore, most of TTO’s have focused on licensing to large, established companies. Only in recent years have they turned to licensing to startups, many of which are founded by the inventor-faculty. Furthermore, many universities are going beyond licensing to develop programs supporting these faculty-founded startups, with the hope of achieving return on their investment, retaining and recruiting talented faculty, creating jobs, and fulfilling their mission by helping to solve significant problems such as un-met medical needs.Less
Universities are a rich source of scientific innovations. Translating these innovations into high-impact products and services involves commercialization of the innovation. The Bayh-Dole Act of 1980 gave universities control over the commercialization process. As such, technology transfer offices (TTO) have been established at most universities. Their role is to both protect the innovation through patents and copyrights and license the innovation to an entity for commercialization. Heretofore, most of TTO’s have focused on licensing to large, established companies. Only in recent years have they turned to licensing to startups, many of which are founded by the inventor-faculty. Furthermore, many universities are going beyond licensing to develop programs supporting these faculty-founded startups, with the hope of achieving return on their investment, retaining and recruiting talented faculty, creating jobs, and fulfilling their mission by helping to solve significant problems such as un-met medical needs.
Don Rose and Cam Patterson
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9781469625263
- eISBN:
- 9781469625287
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469625263.003.0003
- Subject:
- Business and Management, Innovation
A university startup has a number of characteristics, many of which are common to any startup. Central to the startup is the business model, the mechanism by which the company will create, market, ...
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A university startup has a number of characteristics, many of which are common to any startup. Central to the startup is the business model, the mechanism by which the company will create, market, and sell products and services in exchange for money from the customer. In addition, university startups involve many discrete operations including technology development, product development, sales and marketing, and manufacturing. The university startup is set in the context of an ecosystem composed of the university, people, and money. The university provides the innovation, usually in the form of intellectual property by way of a license, around which the startup is formed. People provide the expertise, management, judgement, decision-making, advice, and connections essential for launching and growing a startup. Money is the fuel to build the startup. It comes in two basic forms: dilutive and non-dilutive. The former involving a sharing of the company ownership and the latter not.Less
A university startup has a number of characteristics, many of which are common to any startup. Central to the startup is the business model, the mechanism by which the company will create, market, and sell products and services in exchange for money from the customer. In addition, university startups involve many discrete operations including technology development, product development, sales and marketing, and manufacturing. The university startup is set in the context of an ecosystem composed of the university, people, and money. The university provides the innovation, usually in the form of intellectual property by way of a license, around which the startup is formed. People provide the expertise, management, judgement, decision-making, advice, and connections essential for launching and growing a startup. Money is the fuel to build the startup. It comes in two basic forms: dilutive and non-dilutive. The former involving a sharing of the company ownership and the latter not.
Peter G. Kevan, Jean-Pierre Kapongo, Mohammad Al-mazra'awi, and Les Shipp
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780195316957
- eISBN:
- 9780199871575
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195316957.003.0005
- Subject:
- Biology, Animal Biology, Plant Sciences and Forestry
Pollinator Biocontrol Vector Technology is a novel application strategy using bees for the delivery of microbial control agents. This technology has been demonstrated for the control of seed set in ...
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Pollinator Biocontrol Vector Technology is a novel application strategy using bees for the delivery of microbial control agents. This technology has been demonstrated for the control of seed set in weeds, suppression of plant diseases and control of insect pests. For this multi-disciplinary approach to be successful, many factors must be considered such as efficacy against the target pests, vector safety, formulation of the inoculum, inoculum dispenser design, and environmental and human safety. Pollinator Biocontrol Vector Technology is a new, reduced risk pest management tool that reduces pesticide use and improves crop pollination resulting in increased yield and crop quality.Less
Pollinator Biocontrol Vector Technology is a novel application strategy using bees for the delivery of microbial control agents. This technology has been demonstrated for the control of seed set in weeds, suppression of plant diseases and control of insect pests. For this multi-disciplinary approach to be successful, many factors must be considered such as efficacy against the target pests, vector safety, formulation of the inoculum, inoculum dispenser design, and environmental and human safety. Pollinator Biocontrol Vector Technology is a new, reduced risk pest management tool that reduces pesticide use and improves crop pollination resulting in increased yield and crop quality.
Kieran Tranter
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474420891
- eISBN:
- 9781474453707
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474420891.001.0001
- Subject:
- Law, Philosophy of Law
Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity ...
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Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity within modern law has flourished. There has often been identified a mechanistic essence to modern law in its domination of human life. Usually this has been considered an ‘end’ and a loss, the human swallowed by the machine. However, this innovative book sets out to re-address this tendency
By examining science fiction as the culture of our total technological world, Living in Technical Legality journeys with the partially consumed human into the belly of the machine. What it finds is unexpected: rather than a cold uniformity of exchangeable productive units, there is warmth, diversity and ‘life’ for the nodes in the networks. Through its science fiction focus, it argues that this life generates a very different law of responsibility that can guide living well in technical legality.Less
Successive transformations have resulted in the emergence of a total technological world where old separations about ‘nature’ and ‘culture’ have declined. With this, the tendency towards technicity within modern law has flourished. There has often been identified a mechanistic essence to modern law in its domination of human life. Usually this has been considered an ‘end’ and a loss, the human swallowed by the machine. However, this innovative book sets out to re-address this tendency
By examining science fiction as the culture of our total technological world, Living in Technical Legality journeys with the partially consumed human into the belly of the machine. What it finds is unexpected: rather than a cold uniformity of exchangeable productive units, there is warmth, diversity and ‘life’ for the nodes in the networks. Through its science fiction focus, it argues that this life generates a very different law of responsibility that can guide living well in technical legality.
David B. Audretsch
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780195183504
- eISBN:
- 9780199783885
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195183504.003.0008
- Subject:
- Economics and Finance, Development, Growth, and Environmental
The view regarding the role of universities has changed dramatically in the entrepreneurial society. There are several reasons for the emergence of the university as an engine of economic growth. The ...
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The view regarding the role of universities has changed dramatically in the entrepreneurial society. There are several reasons for the emergence of the university as an engine of economic growth. The first is the shift away from the managed economy. A consequence of globalization in the most developed countries has been to shift the comparative advantage away from traditional manufacturing industries and towards new knowledge-based economic activity. But where is this knowledge to come from? The university serves as a vital source of new economic knowledge. As research and knowledge become perhaps the most crucial component to generating economic growth and competitive jobs in globally-linked markets, universities emerge as a key factor in determining the future well-being of the United States.Less
The view regarding the role of universities has changed dramatically in the entrepreneurial society. There are several reasons for the emergence of the university as an engine of economic growth. The first is the shift away from the managed economy. A consequence of globalization in the most developed countries has been to shift the comparative advantage away from traditional manufacturing industries and towards new knowledge-based economic activity. But where is this knowledge to come from? The university serves as a vital source of new economic knowledge. As research and knowledge become perhaps the most crucial component to generating economic growth and competitive jobs in globally-linked markets, universities emerge as a key factor in determining the future well-being of the United States.
James Herbert
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264294
- eISBN:
- 9780191734335
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264294.003.0001
- Subject:
- Sociology, Education
In general, modern governments invest only a small portion of the national income to the generation of new knowledge. In the United Kingdom, the Department of Science and Industrial Research carried ...
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In general, modern governments invest only a small portion of the national income to the generation of new knowledge. In the United Kingdom, the Department of Science and Industrial Research carried out this task until 1965. Then the Science and Technology Act changed responsibility for the curiosity-driven research to five Research Councils which are funded through the Department of Education and Science. In 1993, a White Paper, Realizing Our Potential called for the reorganization of the Research Councils. This chapter discusses the struggles of the establishment and recognition of the need for Council for Research in the Humanities. In 1961, the British Academy suggested for the creation of Council for Research in the Humanities, however it was not granted in the legislation made in 1965. Instead, a separate Research Council for social science was established, which opened up the possibility of creating a separate Research Council for Humanities. In 1990s, discussions on the reorganization of UK research funding reopened the question of how the government funds and supports research in humanities. It also opened talks for the establishment of a freestanding Humanities Research Council. Sometime in 1992, after deliberate considerations of the possible contributions of a separate research council on humanities, a recommendation for the establishment of Humanities Research Council was made. However, on the same year, the government decided not to set up an agency that would support humanities, and, in 1993, the government made a firm decision not to include humanities in any form to the circle of Research Councils — a decision which irked humanities scholars and academy members.Less
In general, modern governments invest only a small portion of the national income to the generation of new knowledge. In the United Kingdom, the Department of Science and Industrial Research carried out this task until 1965. Then the Science and Technology Act changed responsibility for the curiosity-driven research to five Research Councils which are funded through the Department of Education and Science. In 1993, a White Paper, Realizing Our Potential called for the reorganization of the Research Councils. This chapter discusses the struggles of the establishment and recognition of the need for Council for Research in the Humanities. In 1961, the British Academy suggested for the creation of Council for Research in the Humanities, however it was not granted in the legislation made in 1965. Instead, a separate Research Council for social science was established, which opened up the possibility of creating a separate Research Council for Humanities. In 1990s, discussions on the reorganization of UK research funding reopened the question of how the government funds and supports research in humanities. It also opened talks for the establishment of a freestanding Humanities Research Council. Sometime in 1992, after deliberate considerations of the possible contributions of a separate research council on humanities, a recommendation for the establishment of Humanities Research Council was made. However, on the same year, the government decided not to set up an agency that would support humanities, and, in 1993, the government made a firm decision not to include humanities in any form to the circle of Research Councils — a decision which irked humanities scholars and academy members.
James Herbert
- Published in print:
- 2008
- Published Online:
- January 2012
- ISBN:
- 9780197264294
- eISBN:
- 9780191734335
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264294.003.0005
- Subject:
- Sociology, Education
This chapter discusses the emergence of new partners and alliances of the AHRB. In 2000, Brian Follet was appointed as the Chairman of the Arts and Humanities Research Board (AHRB). As the appointed ...
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This chapter discusses the emergence of new partners and alliances of the AHRB. In 2000, Brian Follet was appointed as the Chairman of the Arts and Humanities Research Board (AHRB). As the appointed Chairman, Follet made a commitment to create new partners and allies of AHRB. Its ultimate goal was to bring together all areas which systematically create and shape knowledge or a ‘Wissenschaft’. During 2000–2001, the Council for Science and Technology (CST) led by Cambridge historian Emma Rothschild considered what bearing the arts and humanities might have on the strategies of sciences. In July 2001, the CST presented a report to the Prime Minister and other government leaders. This report, Imagination and Understanding: A Report on the Arts and Humanities in relation to Science and Technology found out that arts and humanities are an outstanding part of UK research, contributing in several ways to the nation's prosperity and well-being. In February 2001, the CST formed the first Quinquennial Review and in December 2001, the Quinquennial Review recommended the creation of the Research Councils UK (RCUK) Strategy Group which required Research Councils to work in partnership with other Councils including stakeholders. With this new policy, the AHRB worked and forged partnerships with Arts and Humanities Data Service (AHDS), Economic and Social Research Council (ESRC), Foundation for Science and Technology (FST), European Science Foundation (ESF).Less
This chapter discusses the emergence of new partners and alliances of the AHRB. In 2000, Brian Follet was appointed as the Chairman of the Arts and Humanities Research Board (AHRB). As the appointed Chairman, Follet made a commitment to create new partners and allies of AHRB. Its ultimate goal was to bring together all areas which systematically create and shape knowledge or a ‘Wissenschaft’. During 2000–2001, the Council for Science and Technology (CST) led by Cambridge historian Emma Rothschild considered what bearing the arts and humanities might have on the strategies of sciences. In July 2001, the CST presented a report to the Prime Minister and other government leaders. This report, Imagination and Understanding: A Report on the Arts and Humanities in relation to Science and Technology found out that arts and humanities are an outstanding part of UK research, contributing in several ways to the nation's prosperity and well-being. In February 2001, the CST formed the first Quinquennial Review and in December 2001, the Quinquennial Review recommended the creation of the Research Councils UK (RCUK) Strategy Group which required Research Councils to work in partnership with other Councils including stakeholders. With this new policy, the AHRB worked and forged partnerships with Arts and Humanities Data Service (AHDS), Economic and Social Research Council (ESRC), Foundation for Science and Technology (FST), European Science Foundation (ESF).
William A. Richards and G. William Barnard
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231174060
- eISBN:
- 9780231540919
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231174060.003.0019
- Subject:
- Psychology, Psychopharmacology
The Taboo of Knowing who you Are and the future of psychedelic studies.
The Taboo of Knowing who you Are and the future of psychedelic studies.
Simone Tosoni and Trevor Pinch
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780262035279
- eISBN:
- 9780262336550
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035279.001.0001
- Subject:
- Society and Culture, Technology and Society
Based on several rounds of academic interview and conversations with Trevor Pinch, the book introduces the reader to the field of Science and Technology Studies (STS), and in particular to the social ...
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Based on several rounds of academic interview and conversations with Trevor Pinch, the book introduces the reader to the field of Science and Technology Studies (STS), and in particular to the social constructionist approach to science, technology and sound. Through the lenses of Pinch’s lifetime work, STS students, and scholars in fields dealing with technological mediation, are provided with an in-depth overview, and with suggestions for further reading, on the most relevant past and ongoing debates in the field. The book starts presenting the approach launched by the Bath School in the early sociology of scientific knowledge (SSK), and follows the development of the field up to the so called “Science wars” of the ‘90s, and to the popularization of the main acquisitions of the field by Trevor Pinch and Harry Collins’ Golem trilogy. Then, it deals with the sociology of technology, and presents the Social Construction of Technology (SCOT) approach, launched by Trevor Pinch and Wiebe Bijker in 1984 and developed in more than 30 years of research, comparing it with alternative approaches like Bruno Latour’s Actor-Network theory. Five issues are addressed in depth: relevant social groups in the social construction of technology; the intertwining of social representations and practices; the importance of tacit knowledge in SCOT’s approach to the nonrepresentational; the controversy over nonhuman agency; and the political implications of SCOT. Finally, it presents the main current debates in STS, in particular in the study of materiality and ontology, and presents Pinch’s more recent work in sound studies.Less
Based on several rounds of academic interview and conversations with Trevor Pinch, the book introduces the reader to the field of Science and Technology Studies (STS), and in particular to the social constructionist approach to science, technology and sound. Through the lenses of Pinch’s lifetime work, STS students, and scholars in fields dealing with technological mediation, are provided with an in-depth overview, and with suggestions for further reading, on the most relevant past and ongoing debates in the field. The book starts presenting the approach launched by the Bath School in the early sociology of scientific knowledge (SSK), and follows the development of the field up to the so called “Science wars” of the ‘90s, and to the popularization of the main acquisitions of the field by Trevor Pinch and Harry Collins’ Golem trilogy. Then, it deals with the sociology of technology, and presents the Social Construction of Technology (SCOT) approach, launched by Trevor Pinch and Wiebe Bijker in 1984 and developed in more than 30 years of research, comparing it with alternative approaches like Bruno Latour’s Actor-Network theory. Five issues are addressed in depth: relevant social groups in the social construction of technology; the intertwining of social representations and practices; the importance of tacit knowledge in SCOT’s approach to the nonrepresentational; the controversy over nonhuman agency; and the political implications of SCOT. Finally, it presents the main current debates in STS, in particular in the study of materiality and ontology, and presents Pinch’s more recent work in sound studies.
Bill Maurer and Lana Swartz (eds)
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780262035750
- eISBN:
- 9780262338332
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035750.001.0001
- Subject:
- Economics and Finance, Macro- and Monetary Economics
For over a hundred years, many have envisioned a cashless society, whether utopian or dystopian. Now, in an era of mobile money and Bitcoin, it seems that cashlessness might not be far off. In recent ...
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For over a hundred years, many have envisioned a cashless society, whether utopian or dystopian. Now, in an era of mobile money and Bitcoin, it seems that cashlessness might not be far off. In recent years, there has been a flurry of payment innovation. Many of these new technologies offer a dream of money as pure information: seamless andinstantaneous. But instead of becoming dematerialized, new money technologies rely on as much, if not more, stuff than cash ever did. This book investigates the material of money past, present, and future. It is a collection of essays by scholars across fields, including anthropology, archaeology, media, technology, history, as well as journalists and industry professionals. Each essay focuses on one transactional object, including cash, checks, cards, and cryptocurrencies. Some of these items are valuable (such as bits of silver traded by libertarians), some are obsolete (such as first generation ATMs), and some are trash (such as receipts carefully collected in a cigar box). By attending to the stuff of money, these scholars investigate questions of value, authority, community, identity, and materiality.Contributors: Bernardo Bátiz-Lazo, Maria Bezaitis, Finn Brunton, Lynn H. Gamble, David Graeber, Jane I. Guyer, Keith Hart, Sarah Jeong, Alexandra Lippman, Julien Mailland, Scott Mainwaring, Bill Baurer, Taylor C. Nelms, Rachel O’Dwyer, Michael Palm, Lisa Servon, David L. Stearns, Bruce Sterling, Lana Swartz, Whitney Anne Trettien, Gary UrtonLess
For over a hundred years, many have envisioned a cashless society, whether utopian or dystopian. Now, in an era of mobile money and Bitcoin, it seems that cashlessness might not be far off. In recent years, there has been a flurry of payment innovation. Many of these new technologies offer a dream of money as pure information: seamless andinstantaneous. But instead of becoming dematerialized, new money technologies rely on as much, if not more, stuff than cash ever did. This book investigates the material of money past, present, and future. It is a collection of essays by scholars across fields, including anthropology, archaeology, media, technology, history, as well as journalists and industry professionals. Each essay focuses on one transactional object, including cash, checks, cards, and cryptocurrencies. Some of these items are valuable (such as bits of silver traded by libertarians), some are obsolete (such as first generation ATMs), and some are trash (such as receipts carefully collected in a cigar box). By attending to the stuff of money, these scholars investigate questions of value, authority, community, identity, and materiality.Contributors: Bernardo Bátiz-Lazo, Maria Bezaitis, Finn Brunton, Lynn H. Gamble, David Graeber, Jane I. Guyer, Keith Hart, Sarah Jeong, Alexandra Lippman, Julien Mailland, Scott Mainwaring, Bill Baurer, Taylor C. Nelms, Rachel O’Dwyer, Michael Palm, Lisa Servon, David L. Stearns, Bruce Sterling, Lana Swartz, Whitney Anne Trettien, Gary Urton
Martine Beugnet
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748620425
- eISBN:
- 9780748670840
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620425.001.0001
- Subject:
- Film, Television and Radio, Film
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the ...
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This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the medium of sensation. France offers an intriguing case in point here. A specific sense of momentum comes from the work of a group of filmmakers bent on exploring cinema's unique capacity to move us both viscerally and intellectually. Though extremely diverse, the films of Olivier Assayas, Catherine Breillat, Claire Denis, Vincent Dieutre, Bruno Dumont, Bertrand Bonello, Philippe Grandrieux, Pascal Ferrand and Nicolas Klotz, to name but a few, demonstrate a characteristic awareness of cinema's sensory impact and transgressive nature. In effect, with its interweaving of theoretical enquiry and film analysis, and its emphasis on the materiality of film, Cinema and Sensation's approach could also apply to the work of comparable filmmakers like David Lynch, Abel Ferrara or Wong Kar-Wai. Cinema and Sensation draws on the writings of Antonin Artaud, George Bataille and Gilles Deleuze, whilst also responding to the continuing interest in theories of haptic visuality (Laura Marks) and embodied spectatorship (Vivian Sobchack) inspired by Maurice Merleau-Ponty's phenomenology.Explored as forms of embodied thought, the films are shown to offer alternative ways of approaching key existential and socio-cultural questions: desire, violence and abjection as well as the growing supremacy of technology, globalisation, exile and exclusion – these are the themes and issues that appear embedded here in the very texture of images and sounds.Less
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the medium of sensation. France offers an intriguing case in point here. A specific sense of momentum comes from the work of a group of filmmakers bent on exploring cinema's unique capacity to move us both viscerally and intellectually. Though extremely diverse, the films of Olivier Assayas, Catherine Breillat, Claire Denis, Vincent Dieutre, Bruno Dumont, Bertrand Bonello, Philippe Grandrieux, Pascal Ferrand and Nicolas Klotz, to name but a few, demonstrate a characteristic awareness of cinema's sensory impact and transgressive nature. In effect, with its interweaving of theoretical enquiry and film analysis, and its emphasis on the materiality of film, Cinema and Sensation's approach could also apply to the work of comparable filmmakers like David Lynch, Abel Ferrara or Wong Kar-Wai. Cinema and Sensation draws on the writings of Antonin Artaud, George Bataille and Gilles Deleuze, whilst also responding to the continuing interest in theories of haptic visuality (Laura Marks) and embodied spectatorship (Vivian Sobchack) inspired by Maurice Merleau-Ponty's phenomenology.Explored as forms of embodied thought, the films are shown to offer alternative ways of approaching key existential and socio-cultural questions: desire, violence and abjection as well as the growing supremacy of technology, globalisation, exile and exclusion – these are the themes and issues that appear embedded here in the very texture of images and sounds.
Michael Fisch
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780226558417
- eISBN:
- 9780226558691
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226558691.001.0001
- Subject:
- Society and Culture, Technology and Society
Anthropology of the Machine: Tokyo’s Commuter Train Network is an exploration of collective life formed at the interstices of human and machine operation within one of the most complex and ...
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Anthropology of the Machine: Tokyo’s Commuter Train Network is an exploration of collective life formed at the interstices of human and machine operation within one of the most complex and large-scale technical infrastructures in the world. Adopting a simultaneous critical and optimistic approach, it is an attempt to think with the specific quality of relations formed within Tokyo’s commuter rail infrastructure in order to develop a mode of analysis adequate to the technological complexity of contemporary society and to explore emergent ontologies of human and machine co-constitution. In so doing, it draws attention not only to Tokyo’s commuter train network’s infamously packed trains and precision schedule but more importantly its operation at the extreme edge of sustainability beyond its structural capacity. Such a system, it posits, embodies the contradictory and unsustainable logic defining our contemporary relationship with technology. At the same time, through a theoretically novel approach that emphasizes the generative gaps within the network’s immersive mediation, Anthropology of the Machine advances Tokyo’s commuter train network as a unique setting through which to question received discourses on technology and to re-conceptualize the human relationship with machines toward a more sustainable future.Less
Anthropology of the Machine: Tokyo’s Commuter Train Network is an exploration of collective life formed at the interstices of human and machine operation within one of the most complex and large-scale technical infrastructures in the world. Adopting a simultaneous critical and optimistic approach, it is an attempt to think with the specific quality of relations formed within Tokyo’s commuter rail infrastructure in order to develop a mode of analysis adequate to the technological complexity of contemporary society and to explore emergent ontologies of human and machine co-constitution. In so doing, it draws attention not only to Tokyo’s commuter train network’s infamously packed trains and precision schedule but more importantly its operation at the extreme edge of sustainability beyond its structural capacity. Such a system, it posits, embodies the contradictory and unsustainable logic defining our contemporary relationship with technology. At the same time, through a theoretically novel approach that emphasizes the generative gaps within the network’s immersive mediation, Anthropology of the Machine advances Tokyo’s commuter train network as a unique setting through which to question received discourses on technology and to re-conceptualize the human relationship with machines toward a more sustainable future.
Mark Coeckelbergh
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780262035460
- eISBN:
- 9780262343084
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035460.001.0001
- Subject:
- Philosophy, Philosophy of Science
Most people assume that technology and romanticism are opposed. They share this assumption with many contemporary philosophers of technology, who tend to reduce romanticism to nostalgia. This book ...
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Most people assume that technology and romanticism are opposed. They share this assumption with many contemporary philosophers of technology, who tend to reduce romanticism to nostalgia. This book questions these assumptions and shows that the relation between romanticism and technology is much more complex.
For this purpose it delves into the history of technology and thinking about technology, from the early Romantics to hippie computing and today’s romantic cyborgs. The book updates the literature on technoromanticism, but also raises a new question: it seems that as machines become more human-like and informational, they disappear from view or merge with the human. Do we witness the end of the machine?
The author then discusses criticisms of romanticism and of “the end of the machine” vision he constructed. Yet the author avoids a simplistic rejection or defence of technoromantic visions; when it comes to understanding technology, the romantic tradition is more ambiguous and also more resourceful that we might suppose.
The book ends with the question if and how we could ever move beyond romanticism and beyond machine thinking. It turns out that, given the persistence of our modern-romantic form of life including language and technologies, the end of the machine is not even in sight. In the meantime, we have to live with our romantic machines, with our new cyborgs. That is, we have to live with ourselves as cyborgs: living meetings, mergers, and hybrids of romanticism and technology.Less
Most people assume that technology and romanticism are opposed. They share this assumption with many contemporary philosophers of technology, who tend to reduce romanticism to nostalgia. This book questions these assumptions and shows that the relation between romanticism and technology is much more complex.
For this purpose it delves into the history of technology and thinking about technology, from the early Romantics to hippie computing and today’s romantic cyborgs. The book updates the literature on technoromanticism, but also raises a new question: it seems that as machines become more human-like and informational, they disappear from view or merge with the human. Do we witness the end of the machine?
The author then discusses criticisms of romanticism and of “the end of the machine” vision he constructed. Yet the author avoids a simplistic rejection or defence of technoromantic visions; when it comes to understanding technology, the romantic tradition is more ambiguous and also more resourceful that we might suppose.
The book ends with the question if and how we could ever move beyond romanticism and beyond machine thinking. It turns out that, given the persistence of our modern-romantic form of life including language and technologies, the end of the machine is not even in sight. In the meantime, we have to live with our romantic machines, with our new cyborgs. That is, we have to live with ourselves as cyborgs: living meetings, mergers, and hybrids of romanticism and technology.
Jeremy Stolow (ed.)
- Published in print:
- 2012
- Published Online:
- May 2013
- ISBN:
- 9780823249800
- eISBN:
- 9780823252480
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823249800.001.0001
- Subject:
- Religion, Religion and Society
Drawing upon a wide range of historical and ethnographic examples, this book approaches the study of religion and technology from an interdisciplinary perspective, synthesizing recent work in the ...
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Drawing upon a wide range of historical and ethnographic examples, this book approaches the study of religion and technology from an interdisciplinary perspective, synthesizing recent work in the anthropology and history of religion, media studies, and science and technology studies. The book comprises eleven original case studies plus an introduction that critically assesses the existing literature on religion and technology, and suggests future paths of scholarly inquiry. Discussions range across different religious traditions (including Christianity, Islam, Judaism, Spiritualism, Buddhism, and Vodou) in different regions of the world (including Western Europe, United States, Ghana, Brazil, and Japan), and with regard to an array of technologies and technological procedures (including clocks and other timekeeping devices, magically empowered cables, belts, and talismans, kidney dialysis machines, and Internet-mediated commercial transactions). The fundamental operating premise of the book is that religion and technology do not refer to two mutually exclusive realms of knowledge, practice, and experience, but rather to a continuum of relationships between and among diverse material and immaterial entities, forces, and actors. Each chapter offers a concrete case study, attending to the things that lie “in between” religion and technology as they are commonly divided, and on that basis provides new analytical insight into the very construction of these categories in scholarly as well as non-academic discourses.Less
Drawing upon a wide range of historical and ethnographic examples, this book approaches the study of religion and technology from an interdisciplinary perspective, synthesizing recent work in the anthropology and history of religion, media studies, and science and technology studies. The book comprises eleven original case studies plus an introduction that critically assesses the existing literature on religion and technology, and suggests future paths of scholarly inquiry. Discussions range across different religious traditions (including Christianity, Islam, Judaism, Spiritualism, Buddhism, and Vodou) in different regions of the world (including Western Europe, United States, Ghana, Brazil, and Japan), and with regard to an array of technologies and technological procedures (including clocks and other timekeeping devices, magically empowered cables, belts, and talismans, kidney dialysis machines, and Internet-mediated commercial transactions). The fundamental operating premise of the book is that religion and technology do not refer to two mutually exclusive realms of knowledge, practice, and experience, but rather to a continuum of relationships between and among diverse material and immaterial entities, forces, and actors. Each chapter offers a concrete case study, attending to the things that lie “in between” religion and technology as they are commonly divided, and on that basis provides new analytical insight into the very construction of these categories in scholarly as well as non-academic discourses.
Barry M. Katz
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780262029636
- eISBN:
- 9780262330923
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262029636.001.0001
- Subject:
- Business and Management, Business History
Make it New studies the formation of a professional design practice in California’s Silicon Valley and its role in the region’s “ecosystem of innovation.” In 1980, about midpoint in the story, the ...
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Make it New studies the formation of a professional design practice in California’s Silicon Valley and its role in the region’s “ecosystem of innovation.” In 1980, about midpoint in the story, the San Francisco Bay Area was at best a marginal presence in the design world. Today there are, arguably, more designers working in Northern California than anywhere else in the world. Specifically, the book has three principal objectives: First, to show how design, no less that the region’s iconic technology companies, its legal and financial institutions, and its universities, became an integral component in the growth of the economic engine of the United States; Second, to trace the formation of a design community in the San Francisco Bay Area and describe the evolution of design practice; Third, to document the extension of design into a progressively larger field of industries and organizations and explain the dramatic rise in acceptance of design as an element of organizational strategy. Drawing upon corporate records, private collections, university and museum archives, and approximately 200 interviews with key figures from the 1950 to the present, Make it New is the first book to explore the role of design in the formation of the most powerful economic engine in the world.Less
Make it New studies the formation of a professional design practice in California’s Silicon Valley and its role in the region’s “ecosystem of innovation.” In 1980, about midpoint in the story, the San Francisco Bay Area was at best a marginal presence in the design world. Today there are, arguably, more designers working in Northern California than anywhere else in the world. Specifically, the book has three principal objectives: First, to show how design, no less that the region’s iconic technology companies, its legal and financial institutions, and its universities, became an integral component in the growth of the economic engine of the United States; Second, to trace the formation of a design community in the San Francisco Bay Area and describe the evolution of design practice; Third, to document the extension of design into a progressively larger field of industries and organizations and explain the dramatic rise in acceptance of design as an element of organizational strategy. Drawing upon corporate records, private collections, university and museum archives, and approximately 200 interviews with key figures from the 1950 to the present, Make it New is the first book to explore the role of design in the formation of the most powerful economic engine in the world.
Norman Wirzba
- Published in print:
- 2003
- Published Online:
- January 2005
- ISBN:
- 9780195157161
- eISBN:
- 9780199835270
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195157168.003.0003
- Subject:
- Religion, History of Christianity
The new science, as well as modern developments in culture such as urbanization, industrialization, technology, consumerism, and the philosophical “turn to the self,” have made it much more difficult ...
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The new science, as well as modern developments in culture such as urbanization, industrialization, technology, consumerism, and the philosophical “turn to the self,” have made it much more difficult for us to appreciate and live out the moral significance of creaturely life. The result is an imbalanced society and an abstract culture in which human ambitions are paramount and the existence of God, though not necessarily denied, is irrelevant.Less
The new science, as well as modern developments in culture such as urbanization, industrialization, technology, consumerism, and the philosophical “turn to the self,” have made it much more difficult for us to appreciate and live out the moral significance of creaturely life. The result is an imbalanced society and an abstract culture in which human ambitions are paramount and the existence of God, though not necessarily denied, is irrelevant.
Amy Johnson Frykholm
- Published in print:
- 2004
- Published Online:
- July 2005
- ISBN:
- 9780195159837
- eISBN:
- 9780199835614
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195159837.003.0002
- Subject:
- Religion, Religion and Society
Examines the history of the idea of the rapture in American Protestantism and argues that belief in the rapture, although it has fundamentalist origins, needs to be understood as a much broader ...
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Examines the history of the idea of the rapture in American Protestantism and argues that belief in the rapture, although it has fundamentalist origins, needs to be understood as a much broader social movement and a much more integrated part of American culture. Looks briefly at the apocalyptic context of American culture and then at the more specific history of rapture belief and dispensationalism in the United States. Argues that readers of the Left Behind series no longer see themselves as intimately connected to fundamentalist belief but instead seek to integrate the rapture into a broader religious context. Similarly, the texts of the novels themselves do not so much condemn and dismiss contemporary culture as they seek negotiation with it, particularly in the roles of technology, consumer culture, and gender in society. The formulation of evangelicalism represented in the books is a significant departure from previous religious apocalyptic fiction.Less
Examines the history of the idea of the rapture in American Protestantism and argues that belief in the rapture, although it has fundamentalist origins, needs to be understood as a much broader social movement and a much more integrated part of American culture. Looks briefly at the apocalyptic context of American culture and then at the more specific history of rapture belief and dispensationalism in the United States. Argues that readers of the Left Behind series no longer see themselves as intimately connected to fundamentalist belief but instead seek to integrate the rapture into a broader religious context. Similarly, the texts of the novels themselves do not so much condemn and dismiss contemporary culture as they seek negotiation with it, particularly in the roles of technology, consumer culture, and gender in society. The formulation of evangelicalism represented in the books is a significant departure from previous religious apocalyptic fiction.
Amy Johnson Frykholm
- Published in print:
- 2004
- Published Online:
- July 2005
- ISBN:
- 9780195159837
- eISBN:
- 9780199835614
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195159837.003.0006
- Subject:
- Religion, Religion and Society
This chapter describes the way that readers use the Left Behind series to “read” and understand contemporary culture and the signs of the end of the world. Drawing on a wide range of beliefs and ...
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This chapter describes the way that readers use the Left Behind series to “read” and understand contemporary culture and the signs of the end of the world. Drawing on a wide range of beliefs and expectations about how the world will end, readers examine culture for signals that their understanding of the world is true. This chapter focuses specifically on technology and consumer culture as significant elements within end-times reasoning. When taken together, these cultural readings suggest that evangelical dispensationalism is taking on increasingly world-engaged forms and dispensing with its more escapist elements.Less
This chapter describes the way that readers use the Left Behind series to “read” and understand contemporary culture and the signs of the end of the world. Drawing on a wide range of beliefs and expectations about how the world will end, readers examine culture for signals that their understanding of the world is true. This chapter focuses specifically on technology and consumer culture as significant elements within end-times reasoning. When taken together, these cultural readings suggest that evangelical dispensationalism is taking on increasingly world-engaged forms and dispensing with its more escapist elements.
Stuart Murray
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621648
- eISBN:
- 9781800341159
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789621648.001.0001
- Subject:
- Sociology, Culture
Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working ...
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Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working across a wide range of texts, many new to critical enquiry, in contemporary writing, film and cultural practice from North America, Europe, the Middle East and Japan, it covers a diverse range of topics, including: contemporary cultural theory and aesthetics; design, engineering and gender; the visualisation of prosthetic technologies in the representation of war and conflict; and depictions of work, time and sleep. While noting the potential limitations of posthumanist assessments of the technologized body, the study argues that there are exciting, productive possibilities and subversive potentials in the dialogue between disability and posthumanism as they generate dissident crossings of cultural spaces. Such intersections cover both fictional/imagined and material/grounded examples of disability and look to a future in which the development of technology and complex embodiment of disability presence align to produce sustainable yet radical creative and critical voices.Less
Disability and the Posthuman is the first study to analyse cultural representations and deployments of disability as they interact with posthumanist theories of technology and embodiment. Working across a wide range of texts, many new to critical enquiry, in contemporary writing, film and cultural practice from North America, Europe, the Middle East and Japan, it covers a diverse range of topics, including: contemporary cultural theory and aesthetics; design, engineering and gender; the visualisation of prosthetic technologies in the representation of war and conflict; and depictions of work, time and sleep. While noting the potential limitations of posthumanist assessments of the technologized body, the study argues that there are exciting, productive possibilities and subversive potentials in the dialogue between disability and posthumanism as they generate dissident crossings of cultural spaces. Such intersections cover both fictional/imagined and material/grounded examples of disability and look to a future in which the development of technology and complex embodiment of disability presence align to produce sustainable yet radical creative and critical voices.
