Ying Zhu, Michael Keane, and Ruoyun Bai (eds)
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099401
- eISBN:
- 9789882207646
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099401.001.0001
- Subject:
- Film, Television and Radio, Television
This collection of essays brings together the first study of TV drama in China. Examining the production, distribution, and consumption of TV drama, the team of contributors demonstrate why it ...
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This collection of essays brings together the first study of TV drama in China. Examining the production, distribution, and consumption of TV drama, the team of contributors demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, “pink” dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.Less
This collection of essays brings together the first study of TV drama in China. Examining the production, distribution, and consumption of TV drama, the team of contributors demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, “pink” dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
Karen Lury
- Published in print:
- 2001
- Published Online:
- October 2011
- ISBN:
- 9780198159704
- eISBN:
- 9780191673689
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198159704.001.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
This book examines the phenomenon of ‘yoof’ television programmes such as Network 7, The Word, The Big Breakfast, Snub TV, and Gamesmaster. Between 1987 and 1995 these and other related programmes ...
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This book examines the phenomenon of ‘yoof’ television programmes such as Network 7, The Word, The Big Breakfast, Snub TV, and Gamesmaster. Between 1987 and 1995 these and other related programmes formed part of a high-profile genre that in terms of both the personnel involved and their visual style continue to be influential in British television today. Examining these programmes the author reflects on the way in which the contemporary youth audience – Generation X – were being addressed. The author identifies an ambivalent viewing sensibility – ‘cynicism and enchantment’ – which encapsulates the attitude expressed by both the programmes and the audience. The distinctive aspect of the book is the way in which the author concentrates on the spatial and visual aspects of television. In particular her concern is to re-evaluate television as a specific experience, and one which has a central importance in young people's formation of identity and their sense of being in the world. Her central thesis also suggests that while television must necessarily be related to other visual media, it should be understood as having distinct aesthetic and phenomenological qualities of its own.Less
This book examines the phenomenon of ‘yoof’ television programmes such as Network 7, The Word, The Big Breakfast, Snub TV, and Gamesmaster. Between 1987 and 1995 these and other related programmes formed part of a high-profile genre that in terms of both the personnel involved and their visual style continue to be influential in British television today. Examining these programmes the author reflects on the way in which the contemporary youth audience – Generation X – were being addressed. The author identifies an ambivalent viewing sensibility – ‘cynicism and enchantment’ – which encapsulates the attitude expressed by both the programmes and the audience. The distinctive aspect of the book is the way in which the author concentrates on the spatial and visual aspects of television. In particular her concern is to re-evaluate television as a specific experience, and one which has a central importance in young people's formation of identity and their sense of being in the world. Her central thesis also suggests that while television must necessarily be related to other visual media, it should be understood as having distinct aesthetic and phenomenological qualities of its own.
Beng Huat Chua and Koichi Iwabuchi (eds)
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622098923
- eISBN:
- 9789882206885
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622098923.001.0001
- Subject:
- Society and Culture, Media Studies
In this book, an international group of contributors provide a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle. This collection of ...
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In this book, an international group of contributors provide a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle. This collection of essays is also the result of a workshop organized by the Cultural Studies in Asia Research Cluster at the Asia Research Institute, National University of Singapore. The aim of the Cluster is to promote collaborative research in contemporary cultural practices which are influenced by intensifying transnational exchanges across historical, linguistic and cultural boundaries in Asia.Less
In this book, an international group of contributors provide a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle. This collection of essays is also the result of a workshop organized by the Cultural Studies in Asia Research Cluster at the Asia Research Institute, National University of Singapore. The aim of the Cluster is to promote collaborative research in contemporary cultural practices which are influenced by intensifying transnational exchanges across historical, linguistic and cultural boundaries in Asia.
Colin Crouch and Helmut Voelzkow (eds)
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780199551170
- eISBN:
- 9780191720802
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199551170.001.0001
- Subject:
- Business and Management, Political Economy, Innovation
The study of varieties of capitalism is moving on from the analysis of static national types to embrace local and sectoral diversity and the study of systems in the process of major change. This book ...
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The study of varieties of capitalism is moving on from the analysis of static national types to embrace local and sectoral diversity and the study of systems in the process of major change. This book addresses the issue by examining four localised sectors, comparing a German case with one in another European country. The general changes taking place in Germany itself and the other countries (Hungary, Sweden, and the UK) form the context of the studies. The case studies concern the following: furniture making in North-Rhine Westphalia and southern Sweden; automotive manufacture in east Germany and northern Hungary; biotechnology around Munich and Cambridge; and TV programme and film-making in Cologne and central London. The studies find a complex pattern of conformity with, and deviation from, national types, but only occasional examples of where divergence takes the form of a direct confrontation with a national model. This is partly because national models are themselves changing; partly because they are often capable of accommodating more diversity than is often assumed by national studies; and partly because firms are increasingly able to reach outside their national boundaries for institutional resources.Less
The study of varieties of capitalism is moving on from the analysis of static national types to embrace local and sectoral diversity and the study of systems in the process of major change. This book addresses the issue by examining four localised sectors, comparing a German case with one in another European country. The general changes taking place in Germany itself and the other countries (Hungary, Sweden, and the UK) form the context of the studies. The case studies concern the following: furniture making in North-Rhine Westphalia and southern Sweden; automotive manufacture in east Germany and northern Hungary; biotechnology around Munich and Cambridge; and TV programme and film-making in Cologne and central London. The studies find a complex pattern of conformity with, and deviation from, national types, but only occasional examples of where divergence takes the form of a direct confrontation with a national model. This is partly because national models are themselves changing; partly because they are often capable of accommodating more diversity than is often assumed by national studies; and partly because firms are increasingly able to reach outside their national boundaries for institutional resources.
James W. Cortada
- Published in print:
- 2005
- Published Online:
- September 2007
- ISBN:
- 9780195165876
- eISBN:
- 9780199789689
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195165876.003.0010
- Subject:
- Business and Management, Business History
This chapter describes the role of information technology in two electronic media industries over time: radio and TV. It describes their applications in business practices, recording and transmission ...
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This chapter describes the role of information technology in two electronic media industries over time: radio and TV. It describes their applications in business practices, recording and transmission of programs, role over the Internet, and the effects on firms in these industries, beginning with transistor radios to the Internet.Less
This chapter describes the role of information technology in two electronic media industries over time: radio and TV. It describes their applications in business practices, recording and transmission of programs, role over the Internet, and the effects on firms in these industries, beginning with transistor radios to the Internet.
Eric Kit-wai Ma
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9789888083459
- eISBN:
- 9789882209329
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083459.001.0001
- Subject:
- Society and Culture, Asian Studies
This book is a study of consumer desire and cultural production in China through the lived experience of ordinary people. It focuses on the complex and changing cultural patterns in Hong Kong's ...
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This book is a study of consumer desire and cultural production in China through the lived experience of ordinary people. It focuses on the complex and changing cultural patterns in Hong Kong's relationship with the neighbouring mainland. From interviews, TV dramas, media representations and other sources, the book traces the fading of Hong Kong's once-influential position as a role model for less-developed Mainland cities and explores changing perceptions as China grows in confidence. The first part examines the history of cross-border relations and movements from the 1970s, focusing on Hong Kong as an object of desire for people in South China. The second part moves to the turn of the century when, despite increased communications and a ‘disappearing border’, Hong Kong is no longer a powerful role model; it nevertheless continues to be an important link in the chain of global capitalism stretching across southern China.Less
This book is a study of consumer desire and cultural production in China through the lived experience of ordinary people. It focuses on the complex and changing cultural patterns in Hong Kong's relationship with the neighbouring mainland. From interviews, TV dramas, media representations and other sources, the book traces the fading of Hong Kong's once-influential position as a role model for less-developed Mainland cities and explores changing perceptions as China grows in confidence. The first part examines the history of cross-border relations and movements from the 1970s, focusing on Hong Kong as an object of desire for people in South China. The second part moves to the turn of the century when, despite increased communications and a ‘disappearing border’, Hong Kong is no longer a powerful role model; it nevertheless continues to be an important link in the chain of global capitalism stretching across southern China.
Su Holmes
- Published in print:
- 2008
- Published Online:
- September 2012
- ISBN:
- 9780748627523
- eISBN:
- 9780748671212
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748627523.001.0001
- Subject:
- Film, Television and Radio, Television
The quiz show has often been marginalised in studies of popular television. This book seeks to redress this neglect, while revisiting, updating and expanding on existing scholarship. Moving across ...
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The quiz show has often been marginalised in studies of popular television. This book seeks to redress this neglect, while revisiting, updating and expanding on existing scholarship. Moving across programmes such as Double Your Money, Twenty-One, The Price is Right, Who Wants to be a Millionaire and The Weakest Link to the controversial ‘Call TV Quiz’ phenomenon, topics covered include the relationship between quiz shows and genre; the early broadcast history of the quiz show, questions of institutional regulation; quiz show form; ‘ordinary’ people as performers, and the relationship between the quiz show and its audience. The book primarily focuses on the British context, from the origins of the broadcast quiz show to the present day, but it also examines the relations with, and influence of, the American context.Less
The quiz show has often been marginalised in studies of popular television. This book seeks to redress this neglect, while revisiting, updating and expanding on existing scholarship. Moving across programmes such as Double Your Money, Twenty-One, The Price is Right, Who Wants to be a Millionaire and The Weakest Link to the controversial ‘Call TV Quiz’ phenomenon, topics covered include the relationship between quiz shows and genre; the early broadcast history of the quiz show, questions of institutional regulation; quiz show form; ‘ordinary’ people as performers, and the relationship between the quiz show and its audience. The book primarily focuses on the British context, from the origins of the broadcast quiz show to the present day, but it also examines the relations with, and influence of, the American context.
Robin Nelson
- Published in print:
- 2007
- Published Online:
- July 2012
- ISBN:
- 9780719073106
- eISBN:
- 9781781701119
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719073106.001.0001
- Subject:
- Film, Television and Radio, Television
This book updates and develops the arguments of TV drama in transition (1997). It sets its analysis of the aesthetics and compositional principles of texts within a broad conceptual framework ...
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This book updates and develops the arguments of TV drama in transition (1997). It sets its analysis of the aesthetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing ‘the great value shift from conduit to content’ (Todreas, 1999), the book's view is relatively optimistic about the future quality of TV drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, it recognises that certain types of ‘quality’ are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for ‘local’ resonances in television. The mix of arts and cultural studies methodologies makes for an unusual approach.Less
This book updates and develops the arguments of TV drama in transition (1997). It sets its analysis of the aesthetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing ‘the great value shift from conduit to content’ (Todreas, 1999), the book's view is relatively optimistic about the future quality of TV drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, it recognises that certain types of ‘quality’ are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for ‘local’ resonances in television. The mix of arts and cultural studies methodologies makes for an unusual approach.
Karen W. Tice
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199842780
- eISBN:
- 9780199933440
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199842780.003.0006
- Subject:
- Sociology, Gender and Sexuality
In this chapter, three case studies explore the micro-politics of class in campus beauty pageants and training of campus queens. It analyzes how class is reduced to a matter of self-production, not ...
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In this chapter, three case studies explore the micro-politics of class in campus beauty pageants and training of campus queens. It analyzes how class is reduced to a matter of self-production, not social location, and inequality is seen as a result of improper subjectivities. It dissects the class-coded meanings and performances of poise, image, etiquette, social savvy, and body regulation within pageants. It also considers the diffusion of neo-liberal makeover technologies. Discourses of self-improvement, makeover, and class mobility in popular culture, especially the diffusion of reality TV to campuses, are emphasized. One case study analyzes the instruction in etiquette, style, and personal packaging designed to erase stigmatizing markers of class disadvantage that is championed at an annual national training conference for black college queens. Two other case studies analyze the performance of class proficiencies at two state-wide, predominantly white collegiate pageants, the Kentucky Derby Princess Festival and the Kentucky Mountain Laurel Festival.Less
In this chapter, three case studies explore the micro-politics of class in campus beauty pageants and training of campus queens. It analyzes how class is reduced to a matter of self-production, not social location, and inequality is seen as a result of improper subjectivities. It dissects the class-coded meanings and performances of poise, image, etiquette, social savvy, and body regulation within pageants. It also considers the diffusion of neo-liberal makeover technologies. Discourses of self-improvement, makeover, and class mobility in popular culture, especially the diffusion of reality TV to campuses, are emphasized. One case study analyzes the instruction in etiquette, style, and personal packaging designed to erase stigmatizing markers of class disadvantage that is championed at an annual national training conference for black college queens. Two other case studies analyze the performance of class proficiencies at two state-wide, predominantly white collegiate pageants, the Kentucky Derby Princess Festival and the Kentucky Mountain Laurel Festival.
Su Holmes
- Published in print:
- 2008
- Published Online:
- September 2012
- ISBN:
- 9780748627523
- eISBN:
- 9780748671212
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748627523.003.0008
- Subject:
- Film, Television and Radio, Television
The Conclusion surveys the aims of the book: to offer an introduction to the study of the quiz show, while also contributing to the scholarly visibility of the genre. It argues that with regard to ...
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The Conclusion surveys the aims of the book: to offer an introduction to the study of the quiz show, while also contributing to the scholarly visibility of the genre. It argues that with regard to television history, issues of institutional regulation, television aesthetics, the circulation of programme formats or fan research, the quiz show has much to tell us about television as an object of study. The Conclusion returns to questions of the low cultural value, and academic marginalisation of the genre, and points to avenues for future research. It also cautions against seeing the quiz show as a homogenous genre with ‘simple’ ideological messages.Less
The Conclusion surveys the aims of the book: to offer an introduction to the study of the quiz show, while also contributing to the scholarly visibility of the genre. It argues that with regard to television history, issues of institutional regulation, television aesthetics, the circulation of programme formats or fan research, the quiz show has much to tell us about television as an object of study. The Conclusion returns to questions of the low cultural value, and academic marginalisation of the genre, and points to avenues for future research. It also cautions against seeing the quiz show as a homogenous genre with ‘simple’ ideological messages.
Paul Julian Smith
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9781781383247
- eISBN:
- 9781786944054
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383247.003.0010
- Subject:
- Film, Television and Radio, Television
The Conclusion explores the relation between the quality TV treated in this book and the so-called “ordinary television” of Spain and Mexico (telebasura, telenovela). It argues, finally and against ...
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The Conclusion explores the relation between the quality TV treated in this book and the so-called “ordinary television” of Spain and Mexico (telebasura, telenovela). It argues, finally and against canon-formation, that both genres take up their respective places within a common cultural field in which they are inextricable from one another.Less
The Conclusion explores the relation between the quality TV treated in this book and the so-called “ordinary television” of Spain and Mexico (telebasura, telenovela). It argues, finally and against canon-formation, that both genres take up their respective places within a common cultural field in which they are inextricable from one another.
Paul Julian Smith
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9781781383247
- eISBN:
- 9781786944054
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383247.001.0001
- Subject:
- Film, Television and Radio, Television
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production ...
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Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production values (easily the equal of cinema), intricately plotted narratives, and compellingly ambivalent characters. They are thus clearly worthy of the close textual analysis they have not yet received. Drawing on both national practices of production and reception (based on archival research in Madrid and Mexico City) and international theories of textual analysis, this book offers the first study of contemporary quality TV drama in two countries where, unlike elsewhere, it is not yet recognized that television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen. Social issues treated include historical memory, youth, drugs, race, and gender.Less
Over the last decade Spain and Mexico have both produced an extraordinary wealth of television drama and are among the leaders in their respective continents. The new dramas have high production values (easily the equal of cinema), intricately plotted narratives, and compellingly ambivalent characters. They are thus clearly worthy of the close textual analysis they have not yet received. Drawing on both national practices of production and reception (based on archival research in Madrid and Mexico City) and international theories of textual analysis, this book offers the first study of contemporary quality TV drama in two countries where, unlike elsewhere, it is not yet recognized that television has displaced cinema as the creative medium that shapes the national narrative. As dramatized societies, Spain and Mexico are thus at once reflected and refracted by the new series on the small screen. Social issues treated include historical memory, youth, drugs, race, and gender.
Joanna Thornborrow
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195306897
- eISBN:
- 9780199867943
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195306897.003.0013
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This chapter, written by Joanna Thornborrow, examines question‐answer sequences in TV talk shows and radio call‐in programs. While these genres tend to be more conversational than other media genres ...
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This chapter, written by Joanna Thornborrow, examines question‐answer sequences in TV talk shows and radio call‐in programs. While these genres tend to be more conversational than other media genres such as broadcast news interviews, Thornborrow argues that they are nonetheless highly structured in terms of the organization of turn taking and the distribution of turn types. Thornborrow's primary argument is that institutional roles in these contexts are constituted through the asymmetrical distribution not only of turn types (e.g., questions versus answers) but also of question types and answer types. For example, in TV talk shows, the hosts ask questions that elicit narratives and/or opinions from lay participants, all the while maintaining their neutrality vis‐à‐vis the issues discussed. By contrast, lay participants' questions express opinions in relation to the issues being discussed.Less
This chapter, written by Joanna Thornborrow, examines question‐answer sequences in TV talk shows and radio call‐in programs. While these genres tend to be more conversational than other media genres such as broadcast news interviews, Thornborrow argues that they are nonetheless highly structured in terms of the organization of turn taking and the distribution of turn types. Thornborrow's primary argument is that institutional roles in these contexts are constituted through the asymmetrical distribution not only of turn types (e.g., questions versus answers) but also of question types and answer types. For example, in TV talk shows, the hosts ask questions that elicit narratives and/or opinions from lay participants, all the while maintaining their neutrality vis‐à‐vis the issues discussed. By contrast, lay participants' questions express opinions in relation to the issues being discussed.
Chua Beng Huat and Koichi Iwabuchi
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622098923
- eISBN:
- 9789882206885
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622098923.003.0001
- Subject:
- Society and Culture, Media Studies
It is the arrival of the Japanese and Korean TV dramas that provides the material basis for a discursive conceptualization of an “East Asian pop culture” sphere with an integrated cultural economy. ...
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It is the arrival of the Japanese and Korean TV dramas that provides the material basis for a discursive conceptualization of an “East Asian pop culture” sphere with an integrated cultural economy. The flows and exchanges within this East Asian pop culture sphere are reviewed. The penetration of Korean TV dramas into East Asian markets in the late 1990s is the consequence of felicitous timing. Section I of this book explores the political economy and current state of play in the television industry in East Asia. The essays in Section II are then concerned with transnational-crosscultural receptions of TV dramas in different locations across East Asia. Section III outlines the nationalistic reactions and negative “backlash”, which are at once political and ideological, that might be generated by massive cultural cross-border regional flows, of the Korean Wave. It is hoped that it offers to readers further empirical and conceptual insights into cultural globalization, which cannot be ascertained in existing US-centric analyses.Less
It is the arrival of the Japanese and Korean TV dramas that provides the material basis for a discursive conceptualization of an “East Asian pop culture” sphere with an integrated cultural economy. The flows and exchanges within this East Asian pop culture sphere are reviewed. The penetration of Korean TV dramas into East Asian markets in the late 1990s is the consequence of felicitous timing. Section I of this book explores the political economy and current state of play in the television industry in East Asia. The essays in Section II are then concerned with transnational-crosscultural receptions of TV dramas in different locations across East Asia. Section III outlines the nationalistic reactions and negative “backlash”, which are at once political and ideological, that might be generated by massive cultural cross-border regional flows, of the Korean Wave. It is hoped that it offers to readers further empirical and conceptual insights into cultural globalization, which cannot be ascertained in existing US-centric analyses.
Lisa Leung
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622098923
- eISBN:
- 9789882206885
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622098923.003.0004
- Subject:
- Society and Culture, Media Studies
This chapter shows how Hunan Satellite TV, a regional station in the People Republic of China (PRC), succeeds in using Korean media as a vehicle to establish its footprint in the competitive national ...
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This chapter shows how Hunan Satellite TV, a regional station in the People Republic of China (PRC), succeeds in using Korean media as a vehicle to establish its footprint in the competitive national TV media space. The case of Hunan Satellite TV throws light on the dynamics that mediate the local with the national via the transnational, in an increasingly intensified “globality” where the development of communication technologies and the rise of East Asian media flows enable “local” or “regional” players to escape subordination to the national center. It then investigates how the local media plays a role in the transnationalization of the Korean wave, in the process of struggling for survival and success in a complex national and geo-political context where multiple political, economic and cultural forces converge. The case of importing Korean dramas revealed the process of how the local “transnationalizes” foreign media products to enhance its local national status: exploiting the indigenous, negotiating the political and the national, and fabricating the modern.Less
This chapter shows how Hunan Satellite TV, a regional station in the People Republic of China (PRC), succeeds in using Korean media as a vehicle to establish its footprint in the competitive national TV media space. The case of Hunan Satellite TV throws light on the dynamics that mediate the local with the national via the transnational, in an increasingly intensified “globality” where the development of communication technologies and the rise of East Asian media flows enable “local” or “regional” players to escape subordination to the national center. It then investigates how the local media plays a role in the transnationalization of the Korean wave, in the process of struggling for survival and success in a complex national and geo-political context where multiple political, economic and cultural forces converge. The case of importing Korean dramas revealed the process of how the local “transnationalizes” foreign media products to enhance its local national status: exploiting the indigenous, negotiating the political and the national, and fabricating the modern.
Joshua A. Braun
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780300197501
- eISBN:
- 9780300216240
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300197501.003.0010
- Subject:
- Society and Culture, Media Studies
This chapter examines how the blog of The Rachel Maddow Show (TRMS) was born. Rachel Maddow reportedly disliked the appearance of the blogs generated by MSNBC's obsolete Community Server software. ...
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This chapter examines how the blog of The Rachel Maddow Show (TRMS) was born. Rachel Maddow reportedly disliked the appearance of the blogs generated by MSNBC's obsolete Community Server software. Furthermore, Microsoft's branding and visual identity guidelines, mandated for all MSN-affiliated sites, put limits on what a new Newsvine-powered blog design could look like. This chapter comments on the hiring of Laura Conaway as a TRMS web producer and the level of integration among the show's various products that she promised. It also considers MSNBC.com's launch of a Newsvine blog, the weblog for NBC News's Elkhart Project, along with the creation of the Maddow Blog and the extensive heterogeneous engineering that turned it into a complete website. Finally, it describes the major changes in the digital distribution strategy for MSNBC.com and MSNBC TV after TRMS launched its own blog.Less
This chapter examines how the blog of The Rachel Maddow Show (TRMS) was born. Rachel Maddow reportedly disliked the appearance of the blogs generated by MSNBC's obsolete Community Server software. Furthermore, Microsoft's branding and visual identity guidelines, mandated for all MSN-affiliated sites, put limits on what a new Newsvine-powered blog design could look like. This chapter comments on the hiring of Laura Conaway as a TRMS web producer and the level of integration among the show's various products that she promised. It also considers MSNBC.com's launch of a Newsvine blog, the weblog for NBC News's Elkhart Project, along with the creation of the Maddow Blog and the extensive heterogeneous engineering that turned it into a complete website. Finally, it describes the major changes in the digital distribution strategy for MSNBC.com and MSNBC TV after TRMS launched its own blog.
William D. Romanowski
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780195387841
- eISBN:
- 9780199950188
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195387841.003.0012
- Subject:
- Religion, Religion and Society
This chapter probes dynamics and conflicts between the church film agencies and movie industry over the effectiveness of the rating system during the 1970s. Amidst public outrage over several ...
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This chapter probes dynamics and conflicts between the church film agencies and movie industry over the effectiveness of the rating system during the 1970s. Amidst public outrage over several controversial ratings, the National Council of Churches commissioned a two-year study of violence and sexual violence in the media that also addressed deregulation, the emergence of vast entertainment conglomerates, and the viability of rating movies that were delivered now by videocassette, satellite and cable TV. This chapter also describes the rise of evangelicalism in the wake of the social and political upheaval of the 1960s. Aligned with a growing political conservatism, evangelicals assumed the role of the nation’s moral custodian and pressured the entertainment industry to reflect biblical principles and evangelical values.Less
This chapter probes dynamics and conflicts between the church film agencies and movie industry over the effectiveness of the rating system during the 1970s. Amidst public outrage over several controversial ratings, the National Council of Churches commissioned a two-year study of violence and sexual violence in the media that also addressed deregulation, the emergence of vast entertainment conglomerates, and the viability of rating movies that were delivered now by videocassette, satellite and cable TV. This chapter also describes the rise of evangelicalism in the wake of the social and political upheaval of the 1960s. Aligned with a growing political conservatism, evangelicals assumed the role of the nation’s moral custodian and pressured the entertainment industry to reflect biblical principles and evangelical values.
Lesley Henderson
- Published in print:
- 2007
- Published Online:
- March 2012
- ISBN:
- 9780748625314
- eISBN:
- 9780748651177
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748625314.001.0001
- Subject:
- Film, Television and Radio, Television
Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made ‘behind the scenes’? How do programme makers push boundaries without losing viewers? ...
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Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made ‘behind the scenes’? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understanding than TV news? This book draws on unique empirical data to examine the relationship between popular television fiction and wider society. It gives insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence, the book comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. It addresses production and reception processes across a range of programmes and demonstrates the ways in which television fiction plays a vital and powerful role in reflecting and shaping socio-cultural attitudes.Less
Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made ‘behind the scenes’? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understanding than TV news? This book draws on unique empirical data to examine the relationship between popular television fiction and wider society. It gives insights into how and why socially sensitive story lines were taken up by different TV programmes from the late 1980s to the 2000s. Drawing on a series of case studies of medicine, health, illness and social problems including breast cancer, mental distress, sexual abuse and violence, the book comprehensively traces the path of storylines from initial conception through to audience reception and uses contemporary examples to link practice to theory. It addresses production and reception processes across a range of programmes and demonstrates the ways in which television fiction plays a vital and powerful role in reflecting and shaping socio-cultural attitudes.
Varadharajan Sridhar
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780198075530
- eISBN:
- 9780199081042
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198075530.003.0008
- Subject:
- Economics and Finance, Development, Growth, and Environmental
This chapter describes the unique market structure of cable TV services and the success or otherwise of the Conditional Access System (CAS) to bring in transparency in cable provisioning. The ...
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This chapter describes the unique market structure of cable TV services and the success or otherwise of the Conditional Access System (CAS) to bring in transparency in cable provisioning. The alternatives to cable TV services, namely, direct-to-home (DTH) and the recent advancements in other digital cable distribution services along with their regulatory implications are also reported. The CAS introduced addressability in the cable TV network along with providing signals in digital format. Provisioning of interoperable Set-Top Boxes (STBs) has not been successful in India. Its radio coverage is available in amplitude modulation (AM), and frequency modulation (FM) modes. With the guidelines for DTH and Head-end in the Sky (HITS) allowed, the industry is all set to witness a revolution in digital broadcasting services in the years to come.Less
This chapter describes the unique market structure of cable TV services and the success or otherwise of the Conditional Access System (CAS) to bring in transparency in cable provisioning. The alternatives to cable TV services, namely, direct-to-home (DTH) and the recent advancements in other digital cable distribution services along with their regulatory implications are also reported. The CAS introduced addressability in the cable TV network along with providing signals in digital format. Provisioning of interoperable Set-Top Boxes (STBs) has not been successful in India. Its radio coverage is available in amplitude modulation (AM), and frequency modulation (FM) modes. With the guidelines for DTH and Head-end in the Sky (HITS) allowed, the industry is all set to witness a revolution in digital broadcasting services in the years to come.
Robert Miklitsch
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780252040689
- eISBN:
- 9780252099120
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040689.001.0001
- Subject:
- Film, Television and Radio, Film
Given that 1955, the dead center of “the Fifties,” was the year in which RKO, the “house of noir,” was sold to Desilu Studios, the home of I Love Lucy, it would appear on the face of things that ...
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Given that 1955, the dead center of “the Fifties,” was the year in which RKO, the “house of noir,” was sold to Desilu Studios, the home of I Love Lucy, it would appear on the face of things that classic American film noir was good and dead by midcentury. But despite the received critical wisdom about the genre, The Red and the Black proposes that the grand, rise-and-fall narrative about classic noir misprizes the way in which, via various subgenres (melodrama, semi-documentary, etc.), it dramatizes complex notions about gender and sexuality, race and family, nation and homosexuality. The clichés about 1950s noir also misrecognize the way in which, via new media and technologies (color, television, 3-D, widescreen), it effects a dynamic segue between 1940s expressionist noir and early, “modernist” neo-noir. Since the negative, stereotypical determination of Cold War noir tends to be a function of generalities about the genre and the period, The Red and the Black focuses less on “the Fifties” than on the performative contradictions of particular films and the representative cultural-political formations—anticommunism, the atomic bomb, and new media/technologies--of which they are singular “examples.” In fine, in “the Fifties,” in the age of TV and three-dimension, the femme fatale and the nuclear family, Cinemascope and Technicolor, the A-bomb and McCarthyism, the blacklist and “reds under the beds,” ‘50s noir not only existed but flourished.Less
Given that 1955, the dead center of “the Fifties,” was the year in which RKO, the “house of noir,” was sold to Desilu Studios, the home of I Love Lucy, it would appear on the face of things that classic American film noir was good and dead by midcentury. But despite the received critical wisdom about the genre, The Red and the Black proposes that the grand, rise-and-fall narrative about classic noir misprizes the way in which, via various subgenres (melodrama, semi-documentary, etc.), it dramatizes complex notions about gender and sexuality, race and family, nation and homosexuality. The clichés about 1950s noir also misrecognize the way in which, via new media and technologies (color, television, 3-D, widescreen), it effects a dynamic segue between 1940s expressionist noir and early, “modernist” neo-noir. Since the negative, stereotypical determination of Cold War noir tends to be a function of generalities about the genre and the period, The Red and the Black focuses less on “the Fifties” than on the performative contradictions of particular films and the representative cultural-political formations—anticommunism, the atomic bomb, and new media/technologies--of which they are singular “examples.” In fine, in “the Fifties,” in the age of TV and three-dimension, the femme fatale and the nuclear family, Cinemascope and Technicolor, the A-bomb and McCarthyism, the blacklist and “reds under the beds,” ‘50s noir not only existed but flourished.
