Emidio Campi
- Published in print:
- 2011
- Published Online:
- September 2011
- ISBN:
- 9780199751846
- eISBN:
- 9780199914562
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199751846.003.0007
- Subject:
- Religion, Religious Studies
The chapter explores the question of Calvin's relationship to the Swiss Reformed churches, which has been largely ignored by historians with one or two exceptions. Yet there is no ignoring the fact ...
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The chapter explores the question of Calvin's relationship to the Swiss Reformed churches, which has been largely ignored by historians with one or two exceptions. Yet there is no ignoring the fact that Calvin developed in the context of the Swiss Confederation before becoming a figure of international importance. The chapter then examines Calvin's delicate relationship with Bernese and Zurich theologians, taking predestination and the Eucharist as starting points. The final section is devoted to the European repercussions of Calvin's thought. The chapter concludes that the myth of the solitary leader as promulgated by many historical studies is not applicable to Calvin any more than it is to Luther.Less
The chapter explores the question of Calvin's relationship to the Swiss Reformed churches, which has been largely ignored by historians with one or two exceptions. Yet there is no ignoring the fact that Calvin developed in the context of the Swiss Confederation before becoming a figure of international importance. The chapter then examines Calvin's delicate relationship with Bernese and Zurich theologians, taking predestination and the Eucharist as starting points. The final section is devoted to the European repercussions of Calvin's thought. The chapter concludes that the myth of the solitary leader as promulgated by many historical studies is not applicable to Calvin any more than it is to Luther.
Joseph Herl
- Published in print:
- 2008
- Published Online:
- January 2010
- ISBN:
- 9780195365849
- eISBN:
- 9780199864263
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195365849.003.0007
- Subject:
- Music, History, Western
The style of music appropriate for church was a constant topic of debate. The 16th century saw Lutherans pitted against followers of the Swiss Reformation. Later in the century, an increase in ...
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The style of music appropriate for church was a constant topic of debate. The 16th century saw Lutherans pitted against followers of the Swiss Reformation. Later in the century, an increase in polyphonic choral music competed with congregational singing for supremacy. Attempts were made to use both by alternating stanzas within hymns or having the people sing a hymn melody while the choir sang in parts (the cantional style). In the 17th century, the new Italian style was imported into Germany and caused considerable controversy, which continued into the eighteenth century (the cantata debate). By 1750 the liturgy was truly congregational in virtually all of Germany, and the choir was less of a liturgical ensemble than a performing one. Important voices in the debate included Andreas Bodenstein von Karlstadt, Wolfgang Amling, Michael Praetorius, Theophilus Grossgebauer, Hector Mithobius, Christian Gerber, Georg Motz, and various representatives of Pietism, Lutheran Orthodoxy, and Rationalism.Less
The style of music appropriate for church was a constant topic of debate. The 16th century saw Lutherans pitted against followers of the Swiss Reformation. Later in the century, an increase in polyphonic choral music competed with congregational singing for supremacy. Attempts were made to use both by alternating stanzas within hymns or having the people sing a hymn melody while the choir sang in parts (the cantional style). In the 17th century, the new Italian style was imported into Germany and caused considerable controversy, which continued into the eighteenth century (the cantata debate). By 1750 the liturgy was truly congregational in virtually all of Germany, and the choir was less of a liturgical ensemble than a performing one. Important voices in the debate included Andreas Bodenstein von Karlstadt, Wolfgang Amling, Michael Praetorius, Theophilus Grossgebauer, Hector Mithobius, Christian Gerber, Georg Motz, and various representatives of Pietism, Lutheran Orthodoxy, and Rationalism.