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The Films of Steven Soderbergh

Aaron Baker

in Steven Soderbergh

Published in print:
2011
Published Online:
April 2017
ISBN:
9780252036057
eISBN:
9780252093012
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252036057.003.0001
Subject:
Film, Television and Radio, Film

This chapter examines the films of Steven Soderbergh. Soderbergh's twenty feature films present a diverse range of subject matter and formal styles. They range from his 1989 breakthrough hit Sex, ... More


The Dialectical Signature: Soderbergh as Classical Auteur

Andrew deWaard and R. Colin Tait

in The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.003.0002
Subject:
Film, Television and Radio, Film

This chapter looks at the conflicting characteristics of Soderbergh's cinematography, narrative, editing, and performance. Soderbergh subscribes to a holistic approach in filmmaking, by experimenting ... More


Impresario of Indiewood: Soderbergh as Sellebrity Auteur

Andrew deWaard and R. Colin Tait

in The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.003.0003
Subject:
Film, Television and Radio, Film

This chapter considers extratextual factors of Soderbergh's filmmaking practice, outlining the issues of finance and fame that must be negotiated by the ‘sellebrity auteur’. The term sellebrity ... More


Corporate Revolutionary: Soderbergh as Guerrilla Auteur

Andrew deWaard and R. Colin Tait

in The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.003.0004
Subject:
Film, Television and Radio, Film

This chapter looks at the legacy of Third Cinema and find elements of ‘guerrilla’, ‘imperfect’, and ‘minor’ filmmaking within Soderbergh's vast body of work. The theory and practice of Third Cinema, ... More


Introduction

Andrew deWaard and R. Colin Tait

in The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.003.0001
Subject:
Film, Television and Radio, Film

This introductory chapter explores the difficulties of pinning down any single defining trait of director Steven Soderbergh's extensive oeuvre. Apart from the scope of Soderbergh's films, anyone ... More


Conclusion

Andrew deWaard and R. Colin Tait

in The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.003.0011
Subject:
Film, Television and Radio, Film

This concluding chapter acknowledges that there is no single analysis of Soderbergh's extensive oeuvre, as the prolific filmmaker has continued to make several more films at the time of this book's ... More


Steven Soderbergh

Aaron Baker

Published in print:
2011
Published Online:
April 2017
ISBN:
9780252036057
eISBN:
9780252093012
Item type:
book
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252036057.001.0001
Subject:
Film, Television and Radio, Film

Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem ... More


The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape

Andrew deWaard and R. Colin Tait

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231165518
eISBN:
9780231850391
Item type:
book
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231165518.001.0001
Subject:
Film, Television and Radio, Film

The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme D'Or and Academy ... More


That Oceanic Feeling: One Merger Too Many

J. D. Connor

in The Studios after the Studios: Neoclassical Hollywood (1970-2010)

Published in print:
2015
Published Online:
September 2015
ISBN:
9780804790772
eISBN:
9780804794749
Item type:
chapter
Publisher:
Stanford University Press
DOI:
10.11126/stanford/9780804790772.003.0008
Subject:
Literature, Film, Media, and Cultural Studies

This chapter looks at two colossal corporate meltdowns—the destruction of Vivendi Universal and the catastrophic corporate losses at AOL TimeWarner—in order to understand what happens to the movies ... More


Interviews with Steven Soderbergh

Aaron Baker

in Steven Soderbergh

Published in print:
2011
Published Online:
April 2017
ISBN:
9780252036057
eISBN:
9780252093012
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252036057.003.0002
Subject:
Film, Television and Radio, Film

This chapter presents the two interviews with Steven Soderbergh that offer insights into several of the most prominent aspects of his career as a filmmaker. The first interview, Geoff Andrew talking ... More


Embodiment Problems: Adapting Solaris to Film

Nicholas Ruddick

in Lemography: Stanislaw Lem in the Eyes of the World

Published in print:
2014
Published Online:
September 2015
ISBN:
9781781381205
eISBN:
9781781382141
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9781781381205.003.0004
Subject:
Literature, European Literature

This chapter discusses Solaris and its three film adaptations by Boris Nirenburg (1968), Andrei Tarkovsky (1972), and Steven Soderbergh (2002). Flawed as they are in different ways, each casts light ... More


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