Kevin Korsyn
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195104547
- eISBN:
- 9780199868988
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195104547.003.0007
- Subject:
- Music, Theory, Analysis, Composition
This chapter examines the disciplinary objects of musical research from the side of context. This movement from two directions, however, questions rather than celebrates the text/context divide, by ...
More
This chapter examines the disciplinary objects of musical research from the side of context. This movement from two directions, however, questions rather than celebrates the text/context divide, by suggesting a certain Moebiusstrip logic through which inside and outside, content and frame, mutually determine each other. The books Noise: The Political Economy of Music by Jacques Attali and Feminine Endings: Music, Gender, and Sexuality by Susan McClary are analyzed. The correspondences noted between the patterns Attali and McClary find in history and the rhetorical models that pre-exist their work raise questions about the interplay between invention and discovery in the writing of history. By analyzing other works of musical scholarship in terms of their narrative and rhetorical strategies, readers can move toward answering these questions for themselves.Less
This chapter examines the disciplinary objects of musical research from the side of context. This movement from two directions, however, questions rather than celebrates the text/context divide, by suggesting a certain Moebiusstrip logic through which inside and outside, content and frame, mutually determine each other. The books Noise: The Political Economy of Music by Jacques Attali and Feminine Endings: Music, Gender, and Sexuality by Susan McClary are analyzed. The correspondences noted between the patterns Attali and McClary find in history and the rhetorical models that pre-exist their work raise questions about the interplay between invention and discovery in the writing of history. By analyzing other works of musical scholarship in terms of their narrative and rhetorical strategies, readers can move toward answering these questions for themselves.
Frida Beckman (ed.)
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780748642618
- eISBN:
- 9780748671755
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748642618.001.0001
- Subject:
- Philosophy, Political Philosophy
For Deleuze, sexuality is a force that can capture as well as liberate life. Its flows tend to be repressed and contained in specific forms while at the same time they retain revolutionary potential. ...
More
For Deleuze, sexuality is a force that can capture as well as liberate life. Its flows tend to be repressed and contained in specific forms while at the same time they retain revolutionary potential. There is immense power in the thousand sexes of desiring-machines, and sexuality is seen as a source of becoming. This book gathers prominent Deleuze scholars to explore the restricting and liberating forces of sexuality in relation to a spread of central themes in Deleuze's philosophy, including politics, psychoanalysis and friendship as well as specific topics such as the body-machine, disability, feminism and erotics.Less
For Deleuze, sexuality is a force that can capture as well as liberate life. Its flows tend to be repressed and contained in specific forms while at the same time they retain revolutionary potential. There is immense power in the thousand sexes of desiring-machines, and sexuality is seen as a source of becoming. This book gathers prominent Deleuze scholars to explore the restricting and liberating forces of sexuality in relation to a spread of central themes in Deleuze's philosophy, including politics, psychoanalysis and friendship as well as specific topics such as the body-machine, disability, feminism and erotics.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.001.0001
- Subject:
- Film, Television and Radio, Film
Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, ...
More
Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industrial histories and contexts. In doing so, the book argues that the struggles to contain and regulate pleasure represent a primary entry point for situating adult video’s place in a larger history, not just of pornography, but media history as a whole.Less
Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industrial histories and contexts. In doing so, the book argues that the struggles to contain and regulate pleasure represent a primary entry point for situating adult video’s place in a larger history, not just of pornography, but media history as a whole.
Patrick R. Mullen
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199746699
- eISBN:
- 9780199950270
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199746699.003.0000
- Subject:
- Literature, 20th-century Literature and Modernism, Film, Media, and Cultural Studies
The introduction elaborates the key concepts of the book: homosexuality, value, and labor. It contextualizes the importance of these concepts for modern Irish history and culture. Furthermore, it ...
More
The introduction elaborates the key concepts of the book: homosexuality, value, and labor. It contextualizes the importance of these concepts for modern Irish history and culture. Furthermore, it argues that the study brings together currently alienated critical discussions that both trace themselves to Foucault’s History of Sexuality: queer theory that has developed from Eve Kosofsky Sedgwick’s reading of Foucault and studies of empire engaged with the work of Antonio Negri and Michael Hardt. The chapter makes connections among queer theory, Irish studies, modernist studies, and theories of empire.Less
The introduction elaborates the key concepts of the book: homosexuality, value, and labor. It contextualizes the importance of these concepts for modern Irish history and culture. Furthermore, it argues that the study brings together currently alienated critical discussions that both trace themselves to Foucault’s History of Sexuality: queer theory that has developed from Eve Kosofsky Sedgwick’s reading of Foucault and studies of empire engaged with the work of Antonio Negri and Michael Hardt. The chapter makes connections among queer theory, Irish studies, modernist studies, and theories of empire.
Benjamin A. Cowan
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9781469627502
- eISBN:
- 9781469627526
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469627502.001.0001
- Subject:
- History, Latin American History
This book argues that Cold War struggles against “subversion” must be understood in cultural terms, as a reaction to the consequences—both real and perceived—of modernization. Inscribing Brazil’s ...
More
This book argues that Cold War struggles against “subversion” must be understood in cultural terms, as a reaction to the consequences—both real and perceived—of modernization. Inscribing Brazil’s Cold War military rulers and their supporters into a decades-long trajectory of right-wing activism and ideology, and locating them in a transnational network of right-wing cultural warriors, the book demonstrates that anti-modern moral panic animated powerful, hard-line elements of Brazil’s countersubversive dictatorship (1964-1985). This moral panic conflated communist subversion with the accoutrement of modernity, and coalesced around the crucial nodes of gender and sexuality, particularly in relation to “modern” youth, women, and mass media. Transformations in these realms were anathema to the Right, who echoed the anxieties of generations past, pathologizing and sexualizing these phenomena, and identifying in them a “crisis of modernity” and of communist subversion. Hence the Cold War became more than a military struggle against rural guerrillas and urban terrorists; from the perspective of key activists and technocrats, the battle must be waged across sexual and bodily practice, clothing, music, art, mass media, and gender. Addressing historiographical neglect of the Right in Brazil and beyond, the book culturally historicizes the Western Cold War in a transnational sense by uncovering Atlantic networks of right-wing activism that validated anti-modern and anticommunist anxieties. These networks included Brazilian, European, and North Atlantic anticommunists, from the famous to those whose stars waned after the Cold War.Less
This book argues that Cold War struggles against “subversion” must be understood in cultural terms, as a reaction to the consequences—both real and perceived—of modernization. Inscribing Brazil’s Cold War military rulers and their supporters into a decades-long trajectory of right-wing activism and ideology, and locating them in a transnational network of right-wing cultural warriors, the book demonstrates that anti-modern moral panic animated powerful, hard-line elements of Brazil’s countersubversive dictatorship (1964-1985). This moral panic conflated communist subversion with the accoutrement of modernity, and coalesced around the crucial nodes of gender and sexuality, particularly in relation to “modern” youth, women, and mass media. Transformations in these realms were anathema to the Right, who echoed the anxieties of generations past, pathologizing and sexualizing these phenomena, and identifying in them a “crisis of modernity” and of communist subversion. Hence the Cold War became more than a military struggle against rural guerrillas and urban terrorists; from the perspective of key activists and technocrats, the battle must be waged across sexual and bodily practice, clothing, music, art, mass media, and gender. Addressing historiographical neglect of the Right in Brazil and beyond, the book culturally historicizes the Western Cold War in a transnational sense by uncovering Atlantic networks of right-wing activism that validated anti-modern and anticommunist anxieties. These networks included Brazilian, European, and North Atlantic anticommunists, from the famous to those whose stars waned after the Cold War.
Naïma Hachad
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620221
- eISBN:
- 9781789623710
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620221.001.0001
- Subject:
- Literature, Women's Literature
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond ...
More
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives produced and/or published in the late 1970s through the 2000s. Part Two moves to analyzing the ubiquity of auto/biography and testimony in the arts as well as contemporary sociopolitical activism. The focus throughout the various case studies is women’s engagement with patriarchal and (neo)imperial norms and practices as they relate to their experiences of political violence, activism, migration, and displacement. To understand why and how women collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary, the book employs a broad, transdisciplinary, montage approach that combines theories on gender and autobiography and takes into account postcolonial, postmodern, transnational, transglobal and translocal perspectives.Less
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives produced and/or published in the late 1970s through the 2000s. Part Two moves to analyzing the ubiquity of auto/biography and testimony in the arts as well as contemporary sociopolitical activism. The focus throughout the various case studies is women’s engagement with patriarchal and (neo)imperial norms and practices as they relate to their experiences of political violence, activism, migration, and displacement. To understand why and how women collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary, the book employs a broad, transdisciplinary, montage approach that combines theories on gender and autobiography and takes into account postcolonial, postmodern, transnational, transglobal and translocal perspectives.
Susan Potter
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780252042461
- eISBN:
- 9780252051302
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042461.001.0001
- Subject:
- Film, Television and Radio, Film
This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to ...
More
This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to lesbian representation, initially by reframing the emergence of lesbian figures in cinema in the late 1920s and early 1930s as only the most visible and belated signs of an array of strategies of sexuality. The emergence of lesbian representation and spectatorship in early cinema is not a linear progression and consolidation but rather arises across multiple sites in dispersed forms that are modern and backward-looking, recursive and anachronistic. In this tumultuous period, new but not always coherent sexual knowledges and categories emerge, even as older modalities of homoeroticism persist. The book articulates some of the discursive and institutional processes by which women’s same-sex desires and identities have been reorganized as impossible, marginal or—perhaps not so surprisingly—central to new forms of cinematic representation and spectatorship. Complicating the critical consensus of feminist film theory and history, the book foregrounds the centrality of women’s same-sex desire to historically distinct cinematic discourses of both homo- and heterosexuality. It articulates across its chapters the emergence of lesbian sexuality—and that of its intimate “other,” heterosexuality—as the effect of diverse discursive operations of early cinema, considered as a complex assemblage of film texts, exhibition practices, modes of female spectatorship, and reception.Less
This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to lesbian representation, initially by reframing the emergence of lesbian figures in cinema in the late 1920s and early 1930s as only the most visible and belated signs of an array of strategies of sexuality. The emergence of lesbian representation and spectatorship in early cinema is not a linear progression and consolidation but rather arises across multiple sites in dispersed forms that are modern and backward-looking, recursive and anachronistic. In this tumultuous period, new but not always coherent sexual knowledges and categories emerge, even as older modalities of homoeroticism persist. The book articulates some of the discursive and institutional processes by which women’s same-sex desires and identities have been reorganized as impossible, marginal or—perhaps not so surprisingly—central to new forms of cinematic representation and spectatorship. Complicating the critical consensus of feminist film theory and history, the book foregrounds the centrality of women’s same-sex desire to historically distinct cinematic discourses of both homo- and heterosexuality. It articulates across its chapters the emergence of lesbian sexuality—and that of its intimate “other,” heterosexuality—as the effect of diverse discursive operations of early cinema, considered as a complex assemblage of film texts, exhibition practices, modes of female spectatorship, and reception.
Yetta Howard
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780252041884
- eISBN:
- 9780252050572
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041884.001.0001
- Subject:
- Society and Culture, Gender Studies
Ugly Differences explores queer female sexuality’s symbiotic relationship with ugliness and offers a way to see worth in ugliness as a generative category for reimagining the inhabitation of gender, ...
More
Ugly Differences explores queer female sexuality’s symbiotic relationship with ugliness and offers a way to see worth in ugliness as a generative category for reimagining the inhabitation of gender, sexual, and ethnic differences. Ugliness, in this book, is a multipronged concept: it equates with the disagreeable and pejorative traits that are attributed to queerness; it aligns itself with nonwhite, nonmale, and nonheterosexual physicality and experience; and it refers to anti-aesthetic textual practices, which are located in/as underground culture. This study shows how late-twentieth- and twenty-first-century contexts of ugliness register discontent with culturally normative models of queerness and why the underground is necessary for articulating difference. Locating ugliness at the intersections of the physical, experiential, and textual, the book’s central claim is that queer female sexuality needs to be understood as ugliness and the repertoire of underground cultural practices becomes its obligatory archive. In Ugly Differences, accounting for a minoritarian queerness associated with gender, sexual, and ethnic differences requires turning to marginal forms and, as reflecting ugliness, these forms provide options outside heteronormative modes of being that open up possibilities for envisioning deeply counterintuitive domains of queer world-making.Less
Ugly Differences explores queer female sexuality’s symbiotic relationship with ugliness and offers a way to see worth in ugliness as a generative category for reimagining the inhabitation of gender, sexual, and ethnic differences. Ugliness, in this book, is a multipronged concept: it equates with the disagreeable and pejorative traits that are attributed to queerness; it aligns itself with nonwhite, nonmale, and nonheterosexual physicality and experience; and it refers to anti-aesthetic textual practices, which are located in/as underground culture. This study shows how late-twentieth- and twenty-first-century contexts of ugliness register discontent with culturally normative models of queerness and why the underground is necessary for articulating difference. Locating ugliness at the intersections of the physical, experiential, and textual, the book’s central claim is that queer female sexuality needs to be understood as ugliness and the repertoire of underground cultural practices becomes its obligatory archive. In Ugly Differences, accounting for a minoritarian queerness associated with gender, sexual, and ethnic differences requires turning to marginal forms and, as reflecting ugliness, these forms provide options outside heteronormative modes of being that open up possibilities for envisioning deeply counterintuitive domains of queer world-making.
Shannon Winnubst
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231172950
- eISBN:
- 9780231539883
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231172950.003.0006
- Subject:
- Philosophy, Moral Philosophy
This chapter turns directly to race to argue that it functions as the Lacanian Real and jams the neoliberal machine. It develops this argument through several cultural examples: “the ghetto tax,” the ...
More
This chapter turns directly to race to argue that it functions as the Lacanian Real and jams the neoliberal machine. It develops this argument through several cultural examples: “the ghetto tax,” the racialized wealth gap, the two speeches on race by Barack Obama, and the contrast between the political movement to legalize same-sex marriage and the burgeoning carceral state.Less
This chapter turns directly to race to argue that it functions as the Lacanian Real and jams the neoliberal machine. It develops this argument through several cultural examples: “the ghetto tax,” the racialized wealth gap, the two speeches on race by Barack Obama, and the contrast between the political movement to legalize same-sex marriage and the burgeoning carceral state.
Petula Sik Ying Ho and A. Ka Tat Tsang
- Published in print:
- 2012
- Published Online:
- May 2013
- ISBN:
- 9789888139156
- eISBN:
- 9789882209756
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139156.001.0001
- Subject:
- Society and Culture, Asian Studies
The anthology provides an exemplary methodological model of community-based research through the authors’ studies on sexual and erotic attitudes and practices of gay men and middle-aged women in Hong ...
More
The anthology provides an exemplary methodological model of community-based research through the authors’ studies on sexual and erotic attitudes and practices of gay men and middle-aged women in Hong Kong over the last fifteen years. This collection focuses on issues that have major scholastic contribution to the field, namely, the voices of women on issues of sex and desire, and the investigation of multiple sex relationships among Hong Kong men and women. It also addresses clinical psychological issues and sex education topics that serve to enrich the current state of sexuality studies. The book reveals the social changes, trends, movements, and processes in Hong Kong and across China, thereby highlighting the reality of coloniality and how our experience of desire/sexuality is conditioned by broad, global and socio-political forces.Less
The anthology provides an exemplary methodological model of community-based research through the authors’ studies on sexual and erotic attitudes and practices of gay men and middle-aged women in Hong Kong over the last fifteen years. This collection focuses on issues that have major scholastic contribution to the field, namely, the voices of women on issues of sex and desire, and the investigation of multiple sex relationships among Hong Kong men and women. It also addresses clinical psychological issues and sex education topics that serve to enrich the current state of sexuality studies. The book reveals the social changes, trends, movements, and processes in Hong Kong and across China, thereby highlighting the reality of coloniality and how our experience of desire/sexuality is conditioned by broad, global and socio-political forces.
Angela Ki Che Leung and Izumi Nakayama (eds)
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9789888390908
- eISBN:
- 9789888455096
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390908.001.0001
- Subject:
- History, Asian History
This volume explores gender and health in the East Asian region during the long twentieth century. The nine chapters represent cases studies from China, Hong Kong, Japan, Korea, and Taiwan, with ...
More
This volume explores gender and health in the East Asian region during the long twentieth century. The nine chapters represent cases studies from China, Hong Kong, Japan, Korea, and Taiwan, with complex interactions of biology, body, gender, and modernity from the 1870s to the present. The book is organized into three sections. The first series of chapters highlight processes that standardize gendered bodies in theories of physical development and reproductive technologies in modern and postcolonial East Asia in face of changing political and demographic needs and realities. The second section focuses on women producing and consuming health knowledge, facilitated by growing consumer and media cultures, where the marketing of health and medical products and knowledge not only competed with the state over the formation of gender and body norms and roles, but allowed for selective production and consumption by women themselves. The final section of three chapters examine how labor requirements, military cultures, and demographic policies shaped and were shaped by competing visions of masculinity, influenced by changing medical authorities and legitimacy of colonial powers and postcolonial nation-states. By illuminating these flows of knowledge, influences, and reactions, this volume highlights the prominent role that biopolitics of health and gender has played in knitting and shaping the East Asian region as we know it today.Less
This volume explores gender and health in the East Asian region during the long twentieth century. The nine chapters represent cases studies from China, Hong Kong, Japan, Korea, and Taiwan, with complex interactions of biology, body, gender, and modernity from the 1870s to the present. The book is organized into three sections. The first series of chapters highlight processes that standardize gendered bodies in theories of physical development and reproductive technologies in modern and postcolonial East Asia in face of changing political and demographic needs and realities. The second section focuses on women producing and consuming health knowledge, facilitated by growing consumer and media cultures, where the marketing of health and medical products and knowledge not only competed with the state over the formation of gender and body norms and roles, but allowed for selective production and consumption by women themselves. The final section of three chapters examine how labor requirements, military cultures, and demographic policies shaped and were shaped by competing visions of masculinity, influenced by changing medical authorities and legitimacy of colonial powers and postcolonial nation-states. By illuminating these flows of knowledge, influences, and reactions, this volume highlights the prominent role that biopolitics of health and gender has played in knitting and shaping the East Asian region as we know it today.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0001
- Subject:
- Film, Television and Radio, Film
In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the ...
More
In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the rest of the book.Less
In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the rest of the book.
Penelope Deutscher
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231176415
- eISBN:
- 9780231544559
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231176415.001.0001
- Subject:
- Philosophy, Feminist Philosophy
In Foucault's Futures, Penelope Deutscher reconsiders the role of procreation in Foucault's thought, especially its proximity to risk, mortality, and death. She brings together his work on sexuality ...
More
In Foucault's Futures, Penelope Deutscher reconsiders the role of procreation in Foucault's thought, especially its proximity to risk, mortality, and death. She brings together his work on sexuality and biopolitics to challenge our understanding of the politicization of reproduction. By analyzing Foucault's contribution to the politics of maternity and its influence on the work of thinkers such as Roberto Esposito, Giorgio Agamben, and Judith Butler, Deutscher provides new insights into the conflicted political status of reproductive conduct and what it means for feminism and critical theory.Less
In Foucault's Futures, Penelope Deutscher reconsiders the role of procreation in Foucault's thought, especially its proximity to risk, mortality, and death. She brings together his work on sexuality and biopolitics to challenge our understanding of the politicization of reproduction. By analyzing Foucault's contribution to the politics of maternity and its influence on the work of thinkers such as Roberto Esposito, Giorgio Agamben, and Judith Butler, Deutscher provides new insights into the conflicted political status of reproductive conduct and what it means for feminism and critical theory.
Adrian Daub
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780226082134
- eISBN:
- 9780226082271
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226082271.001.0001
- Subject:
- Music, Opera
In the late nineteenth century, Richard Wagner dominated the German opera stage not just aesthetically, in terms of the way opera was written and performed, but also philosophically, providing the ...
More
In the late nineteenth century, Richard Wagner dominated the German opera stage not just aesthetically, in terms of the way opera was written and performed, but also philosophically, providing the historical, political and metaphysical framework by which to judge what opera could accomplish and needed to accomplish. Tristan’s Shadow provides a history of German opera written in the fifty years after Wagner’s death, with a view not just to Wagner’s legacy as a composer, but his legacy as a theoretician. Specifically, Tristan’s Shadow investigates the way in which the Wagnerian philosophy of sex (judged by Wagner himself to be his most innovative set of ideas) provided a way for his heirs to articulate responses and critiques of Wagner’s broader aesthetic, philosophical and political project. In different ways, these composers interrogated the way Wagner brought sexuality onto the opera stage as a means of interrogating a far broader range of aesthetic issues in Wagner’s oeuvre.Less
In the late nineteenth century, Richard Wagner dominated the German opera stage not just aesthetically, in terms of the way opera was written and performed, but also philosophically, providing the historical, political and metaphysical framework by which to judge what opera could accomplish and needed to accomplish. Tristan’s Shadow provides a history of German opera written in the fifty years after Wagner’s death, with a view not just to Wagner’s legacy as a composer, but his legacy as a theoretician. Specifically, Tristan’s Shadow investigates the way in which the Wagnerian philosophy of sex (judged by Wagner himself to be his most innovative set of ideas) provided a way for his heirs to articulate responses and critiques of Wagner’s broader aesthetic, philosophical and political project. In different ways, these composers interrogated the way Wagner brought sexuality onto the opera stage as a means of interrogating a far broader range of aesthetic issues in Wagner’s oeuvre.
Frida Beckman
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780748645923
- eISBN:
- 9780748689170
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748645923.001.0001
- Subject:
- Philosophy, General
Mapping both historical and contemporary configurations of the sexual body along with its functions and sensations, this book identifies disabling conceptions and constructions of pleasure while also ...
More
Mapping both historical and contemporary configurations of the sexual body along with its functions and sensations, this book identifies disabling conceptions and constructions of pleasure while also searching for the possibility of claiming sexual pleasure as a constructive and politically enabling notion today. In the face of the way in which Deleuze’s theory of desire builds on a rejection of the usefulness of pleasure, this book works to construct a Deleuzian theory of sexuality that is inclusive of pleasure. Intervening into contemporary fields of research including posthumanist-, disability-, animal-, and feminist studies as well as into current critiques of capitalism and consumerism, Between Desire and Pleasure works to contribute to cultural, conceptual, and political debates about sexuality.Less
Mapping both historical and contemporary configurations of the sexual body along with its functions and sensations, this book identifies disabling conceptions and constructions of pleasure while also searching for the possibility of claiming sexual pleasure as a constructive and politically enabling notion today. In the face of the way in which Deleuze’s theory of desire builds on a rejection of the usefulness of pleasure, this book works to construct a Deleuzian theory of sexuality that is inclusive of pleasure. Intervening into contemporary fields of research including posthumanist-, disability-, animal-, and feminist studies as well as into current critiques of capitalism and consumerism, Between Desire and Pleasure works to contribute to cultural, conceptual, and political debates about sexuality.
Jonathan Fenderson
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780252042430
- eISBN:
- 9780252051272
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042430.001.0001
- Subject:
- Sociology, Social Movements and Social Change
This book is the first to document and analyze Hoyt Fuller’s profound influence on the Black Arts movement. Using historical snapshots of Fuller’s life and activism as a means to rethink the period, ...
More
This book is the first to document and analyze Hoyt Fuller’s profound influence on the Black Arts movement. Using historical snapshots of Fuller’s life and activism as a means to rethink the period, Building the Black Arts Movement provides a fresh take on the general trajectory of African American literary (and cultural) studies as the field developed over the course of two explosive decades in the mid-twentieth century. The book argues that the Black Arts movement can be understood as a pivotal and volatile moment in the long history of America’s culture wars. Moreover, by shifting our focus from creative artists and repositioning Fuller at the center of the movement--as one of its most underappreciated architects--the book grants new insights into the critical role of editorial work, the international dimensions of the movement, the complexities of sexuality, and the challenges of Black institution building during the 1960s and ’70s.Less
This book is the first to document and analyze Hoyt Fuller’s profound influence on the Black Arts movement. Using historical snapshots of Fuller’s life and activism as a means to rethink the period, Building the Black Arts Movement provides a fresh take on the general trajectory of African American literary (and cultural) studies as the field developed over the course of two explosive decades in the mid-twentieth century. The book argues that the Black Arts movement can be understood as a pivotal and volatile moment in the long history of America’s culture wars. Moreover, by shifting our focus from creative artists and repositioning Fuller at the center of the movement--as one of its most underappreciated architects--the book grants new insights into the critical role of editorial work, the international dimensions of the movement, the complexities of sexuality, and the challenges of Black institution building during the 1960s and ’70s.
Ariane Cruz
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781479809288
- eISBN:
- 9781479899425
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479809288.001.0001
- Subject:
- Society and Culture, Cultural Studies
The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the ...
More
The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality, pornography, and sexual cultures.Less
The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality, pornography, and sexual cultures.
Thibaut Raboin
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9780719099632
- eISBN:
- 9781526121011
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099632.001.0001
- Subject:
- Society and Culture, Gay and Lesbian Studies
Discourses on LGBT asylum in the UK analyses fifteen years of debate, activism and media narrative and examines the way asylum is conceptualized at the crossroads of nationhood, post colonialism and ...
More
Discourses on LGBT asylum in the UK analyses fifteen years of debate, activism and media narrative and examines the way asylum is conceptualized at the crossroads of nationhood, post colonialism and sexual citizenship, reshaping in the process forms of sexual belongings to the nation.
Asylum has become a foremost site for the formulation and critique of LGBT human rights. This book intervenes in the ongoing discussion of homonationalism, sheds new light on the limitations of queer liberalism as a political strategy, and questions the prevailing modes of solidarity with queer migrants in the UK.
This book employs the methods of Discourse Analysis to study a large corpus encompassing media narratives, policy documents, debates with activists and NGOs, and also counter discourses emerging from art practice. The study of these discourses illuminates the construction of the social problem of LGBT asylum. Doing so, it shows how our understanding of asylum is firmly rooted in the individual stories of migration that are circulated in the media. The book also critiques the exclusionary management of cases by the state, especially in the way the state manufactures the authenticity of queer refugees. Finally, it investigates the affective economy of asylum, assessing critically the role of sympathy and challenging the happy goals of queer liberalism.
This book will be essential for researchers and students specializing in refugee studies and queer studies.Less
Discourses on LGBT asylum in the UK analyses fifteen years of debate, activism and media narrative and examines the way asylum is conceptualized at the crossroads of nationhood, post colonialism and sexual citizenship, reshaping in the process forms of sexual belongings to the nation.
Asylum has become a foremost site for the formulation and critique of LGBT human rights. This book intervenes in the ongoing discussion of homonationalism, sheds new light on the limitations of queer liberalism as a political strategy, and questions the prevailing modes of solidarity with queer migrants in the UK.
This book employs the methods of Discourse Analysis to study a large corpus encompassing media narratives, policy documents, debates with activists and NGOs, and also counter discourses emerging from art practice. The study of these discourses illuminates the construction of the social problem of LGBT asylum. Doing so, it shows how our understanding of asylum is firmly rooted in the individual stories of migration that are circulated in the media. The book also critiques the exclusionary management of cases by the state, especially in the way the state manufactures the authenticity of queer refugees. Finally, it investigates the affective economy of asylum, assessing critically the role of sympathy and challenging the happy goals of queer liberalism.
This book will be essential for researchers and students specializing in refugee studies and queer studies.
Angelique V. Nixon
- Published in print:
- 2015
- Published Online:
- May 2017
- ISBN:
- 9781628462180
- eISBN:
- 9781626746039
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462180.001.0001
- Subject:
- Literature, World Literature
Resisting Paradise asserts the importance of both tourism and diaspora in shaping Caribbean cultural and sexual identity. It examines Caribbean cultural producers who contend with the region’s ...
More
Resisting Paradise asserts the importance of both tourism and diaspora in shaping Caribbean cultural and sexual identity. It examines Caribbean cultural producers who contend with the region’s overdependence on the tourist industry and address the many ways that tourism continues the legacy of colonialism. The book explores the relationship between culture and sex within the production of paradise and investigates the ways in which Caribbean writers, artists, activists, and other cultural producers respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant narratives of history, exposing tourism’s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise offers an intriguing emphasis on Caribbean and Caribbean diaspora subjects as travelers and as cultural workers contributing to alternative and resistant understandings of tourism in the Caribbean. Through a unique multi-disciplinary approach to comparative literary analysis, interview material, and participant observation, Angelique V. Nixon analyzes the ways Caribbean cultural producers are taking control of representation and sustaining subjectivity. While focused mainly on the Anglophone Caribbean, the study covers a range of geographical territories including Antigua, The Bahamas, Grenada, Haiti, Jamaica, and Trinidad and Tobago. Overall, the book utilizes a transnational feminist postcolonial framework in order to theorize “resisting paradise” and the sexual-cultural politics of tourism. This research posits an intervention within tourism and diaspora studies by making gender and sexuality the center of inquiry and analysis.Less
Resisting Paradise asserts the importance of both tourism and diaspora in shaping Caribbean cultural and sexual identity. It examines Caribbean cultural producers who contend with the region’s overdependence on the tourist industry and address the many ways that tourism continues the legacy of colonialism. The book explores the relationship between culture and sex within the production of paradise and investigates the ways in which Caribbean writers, artists, activists, and other cultural producers respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant narratives of history, exposing tourism’s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise offers an intriguing emphasis on Caribbean and Caribbean diaspora subjects as travelers and as cultural workers contributing to alternative and resistant understandings of tourism in the Caribbean. Through a unique multi-disciplinary approach to comparative literary analysis, interview material, and participant observation, Angelique V. Nixon analyzes the ways Caribbean cultural producers are taking control of representation and sustaining subjectivity. While focused mainly on the Anglophone Caribbean, the study covers a range of geographical territories including Antigua, The Bahamas, Grenada, Haiti, Jamaica, and Trinidad and Tobago. Overall, the book utilizes a transnational feminist postcolonial framework in order to theorize “resisting paradise” and the sexual-cultural politics of tourism. This research posits an intervention within tourism and diaspora studies by making gender and sexuality the center of inquiry and analysis.
Naomi André
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780252041921
- eISBN:
- 9780252050619
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041921.001.0001
- Subject:
- Music, Opera
This is a book about thinking, interpreting, and writing about music in performance that incorporates how race, gender, sexuality, and nation help shape the analysis of opera today. Case-study operas ...
More
This is a book about thinking, interpreting, and writing about music in performance that incorporates how race, gender, sexuality, and nation help shape the analysis of opera today. Case-study operas are chosen within the diaspora of the United States and South Africa. Both countries had segregation policies that kept black performers and musicians out of opera. During the civil rights movement and after apartheid, black performers in both countries not only excelled in opera, they also began writing their own stories into the genre. Featured operas in this study span the Atlantic and bring together works performed in the West (the United States and Europe) and South Africa. Focal works are: From the Diary of Sally Hemings (William Bolcom and Sandra Seaton), Porgy and Bess, and Winnie: The Opera (Bongani Ndodana-Breen). A chapter is devoted to the nineteenth-century Carmens (novella by Mérimée and opera by Bizet) and black settings in the United States (Carmen Jones, Carmen: A Hip Hopera) and South Africa (U-Carmen eKhayelitsha). Woven within the discussions of specific works are three rubrics for how the text and music create the drama: Who is in the story? Who speaks? and Who is in the audience doing the interpreting? These questions, combined with a historical context that includes how a work also resonates in the present day, form the basis for an engaged musicological practice.Less
This is a book about thinking, interpreting, and writing about music in performance that incorporates how race, gender, sexuality, and nation help shape the analysis of opera today. Case-study operas are chosen within the diaspora of the United States and South Africa. Both countries had segregation policies that kept black performers and musicians out of opera. During the civil rights movement and after apartheid, black performers in both countries not only excelled in opera, they also began writing their own stories into the genre. Featured operas in this study span the Atlantic and bring together works performed in the West (the United States and Europe) and South Africa. Focal works are: From the Diary of Sally Hemings (William Bolcom and Sandra Seaton), Porgy and Bess, and Winnie: The Opera (Bongani Ndodana-Breen). A chapter is devoted to the nineteenth-century Carmens (novella by Mérimée and opera by Bizet) and black settings in the United States (Carmen Jones, Carmen: A Hip Hopera) and South Africa (U-Carmen eKhayelitsha). Woven within the discussions of specific works are three rubrics for how the text and music create the drama: Who is in the story? Who speaks? and Who is in the audience doing the interpreting? These questions, combined with a historical context that includes how a work also resonates in the present day, form the basis for an engaged musicological practice.
