Matthew C. Augustine
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526100764
- eISBN:
- 9781526138651
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526100764.001.0001
- Subject:
- Literature, Criticism/Theory
Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in ...
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Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past. In hewing to this premise, the familiar outline of the period – with red lines drawn at 1642, 1660, or 1688 – becomes suggestively blurred. For all of Milton’s prophetic gestures, for all of Dryden’s presumption to speak for, to epitomise his Age, writing from the later decades of the seventeenth century remained supremely responsive to uncertainty, to the tremors of civil conflict and to the enduring crises and contradictions of Stuart governance. A study of major writings from the Personal Rule to the Glorious Revolution and beyond, this book also re-examines the material conditions of literature in this age. By carefully deciphering the multi-layered forces at work in acts of writing and reception, and with due consideration for the forms in which texts were cast, this book explores the complex nature of making meaning in and making meaning out of later Stuart England.Less
Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past. In hewing to this premise, the familiar outline of the period – with red lines drawn at 1642, 1660, or 1688 – becomes suggestively blurred. For all of Milton’s prophetic gestures, for all of Dryden’s presumption to speak for, to epitomise his Age, writing from the later decades of the seventeenth century remained supremely responsive to uncertainty, to the tremors of civil conflict and to the enduring crises and contradictions of Stuart governance. A study of major writings from the Personal Rule to the Glorious Revolution and beyond, this book also re-examines the material conditions of literature in this age. By carefully deciphering the multi-layered forces at work in acts of writing and reception, and with due consideration for the forms in which texts were cast, this book explores the complex nature of making meaning in and making meaning out of later Stuart England.
Christopher D'Addario and Matthew Augustine (eds)
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526113894
- eISBN:
- 9781526138897
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526113894.001.0001
- Subject:
- Literature, Criticism/Theory
Texts and Readers in the Age of Marvell offers fresh perspectives from leading and emerging scholars of seventeenth-century British literature, focusing on the surprising ways that texts interacted ...
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Texts and Readers in the Age of Marvell offers fresh perspectives from leading and emerging scholars of seventeenth-century British literature, focusing on the surprising ways that texts interacted with writers and readers at precise cultural moments. With particular interest in how texts entered the seventeenth-century public world, some of these essays emphasise the variety of motivations – from generic distaste to personal frustration – that explain how ideology and form fuse together in various works. Others offer fine-grained and multi-sided contextualisations of familiar texts and cruxes. With an eye to the elusive and complicated Andrew Marvell as tutelary figure of the age, the contributors provide novel readings of a range of seventeenth-century authors, often foregrounding the complexities these writers faced as the remarkable events of the century moved swiftly around them. The essays make important contributions, both methodological and critical, to the field of early modern studies and include examinations of prominent seventeenth-century figures such as John Milton, Andrew Marvell, John Dryden, and Edmund Waller. New work appears here by Nigel Smith and Michael McKeon on Marvell, Michael Schoenfeldt on new formalism, Derek Hirst on child abuse in the seventeenth century, and Joad Raymond on print politics. Because of their relevance to contemporary critical debates, the studies here will be of interest to postgraduate students and scholars working on seventeenth-century British literature, culture, and history.Less
Texts and Readers in the Age of Marvell offers fresh perspectives from leading and emerging scholars of seventeenth-century British literature, focusing on the surprising ways that texts interacted with writers and readers at precise cultural moments. With particular interest in how texts entered the seventeenth-century public world, some of these essays emphasise the variety of motivations – from generic distaste to personal frustration – that explain how ideology and form fuse together in various works. Others offer fine-grained and multi-sided contextualisations of familiar texts and cruxes. With an eye to the elusive and complicated Andrew Marvell as tutelary figure of the age, the contributors provide novel readings of a range of seventeenth-century authors, often foregrounding the complexities these writers faced as the remarkable events of the century moved swiftly around them. The essays make important contributions, both methodological and critical, to the field of early modern studies and include examinations of prominent seventeenth-century figures such as John Milton, Andrew Marvell, John Dryden, and Edmund Waller. New work appears here by Nigel Smith and Michael McKeon on Marvell, Michael Schoenfeldt on new formalism, Derek Hirst on child abuse in the seventeenth century, and Joad Raymond on print politics. Because of their relevance to contemporary critical debates, the studies here will be of interest to postgraduate students and scholars working on seventeenth-century British literature, culture, and history.
Steven N. Zwicker
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526113894
- eISBN:
- 9781526138897
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526113894.003.0014
- Subject:
- Literature, Criticism/Theory
Can a literary age belong to a writer who made a secret of his poems and whose pamphlets were veiled in anonymity? If so, then the middle decades of the seventeenth might be called the age of Andrew ...
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Can a literary age belong to a writer who made a secret of his poems and whose pamphlets were veiled in anonymity? If so, then the middle decades of the seventeenth might be called the age of Andrew Marvell, perhaps not in the way that the opening of this century was the Age of Shakespeare or that its late decades were John Dryden’s own, but a case might be made for the hidden life of the poet as the very emblem of those decades, of the Age of Andrew Marvell. The afterword to Texts and Readers explores this enigmatic, this emblematic possibility.Less
Can a literary age belong to a writer who made a secret of his poems and whose pamphlets were veiled in anonymity? If so, then the middle decades of the seventeenth might be called the age of Andrew Marvell, perhaps not in the way that the opening of this century was the Age of Shakespeare or that its late decades were John Dryden’s own, but a case might be made for the hidden life of the poet as the very emblem of those decades, of the Age of Andrew Marvell. The afterword to Texts and Readers explores this enigmatic, this emblematic possibility.
