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Going Hollywood

in I Belong to This Band, Hallelujah!: Community, Spirituality, and Tradition among Sacred Harp Singers

Published in print:
2011
Published Online:
March 2013
ISBN:
9780226109589
eISBN:
9780226109633
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226109633.003.0006
Subject:
Music, History, American

This chapter examines the effects of the inclusion of two Sacred Harp songs in the film Cold Mountain, an event which it suggests never changed the fundamental practices of Sacred Harp singing more ... More


Song Loves the Masses: Herder on Music and Nationalism

Johann Gottfried Herder and Philip V. Bohlman

Published in print:
2017
Published Online:
September 2017
ISBN:
9780520234949
eISBN:
9780520966444
Item type:
book
Publisher:
University of California Press
DOI:
10.1525/california/9780520234949.001.0001
Subject:
Music, Ethnomusicology, World Music

Had Johann Gottfried Herder (1744–1803) written a book on music, it would have been Song Loves the Masses. One of the great polymaths of modern intellectual history, Herder wrote influential ... More


Redemption through Sacred Song: Essay on Letter 46, (1780/81)

Philip V. Bohlman

in Song Loves the Masses: Herder on Music and Nationalism

Published in print:
2017
Published Online:
September 2017
ISBN:
9780520234949
eISBN:
9780520966444
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520234949.003.0012
Subject:
Music, Ethnomusicology, World Music

Music, especially sacred song, was also a critical subject in Herder’s professional life as a theologian and pastor in Weimar, the center of the German Enlightenment. Chapter 6 is an epistolary ... More


Sonorous Desires: Sweet, Spirited, and Stirring Voices in The Sound of Music (1965) and Change of Habit (1969)

Maureen Sabine

in Veiled Desires: Intimate Portrayals of Nuns in Postwar Anglo-American Film

Published in print:
2013
Published Online:
January 2014
ISBN:
9780823251650
eISBN:
9780823253043
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fordham/9780823251650.003.0005
Subject:
History, History of Religion

Chapter 4 begins by proposing that the longstanding disagreement between the film critics who hated The Sound of Music and the large general audience who loved it stems from the film's volatile blend ... More


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