Richard J. Meyer
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789622095861
- eISBN:
- 9789882207080
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622095861.003.0003
- Subject:
- Film, Television and Radio, Film
In the 1930s, Lianhua studios had the money to make films and had the finest talent in world cinema. Sun Yu, although ill, decided to begin filming Yecao Xianhua (Wild Flower), which he had written, ...
More
In the 1930s, Lianhua studios had the money to make films and had the finest talent in world cinema. Sun Yu, although ill, decided to begin filming Yecao Xianhua (Wild Flower), which he had written, with Jin Yan and Ruan Ling-yu in mind for the leads. The two emerging actors started both a successful professional relationship and a warm close friendship on the set. Wild Flower was extremely important in establishing Jin as a leading man, and he together with Ruan, began a series of box-office hits. Lianhua took advantage of his success. 1931 and 1932 were stellar years for Lianhua and its founders were proven to be correct in continuing to make silent cinema. His popularity was enhanced when the newspaper The Sound of Cinema launched a poll so readers could elect a “Movie Emperor”. Jin Yan was elected in a runaway race.Less
In the 1930s, Lianhua studios had the money to make films and had the finest talent in world cinema. Sun Yu, although ill, decided to begin filming Yecao Xianhua (Wild Flower), which he had written, with Jin Yan and Ruan Ling-yu in mind for the leads. The two emerging actors started both a successful professional relationship and a warm close friendship on the set. Wild Flower was extremely important in establishing Jin as a leading man, and he together with Ruan, began a series of box-office hits. Lianhua took advantage of his success. 1931 and 1932 were stellar years for Lianhua and its founders were proven to be correct in continuing to make silent cinema. His popularity was enhanced when the newspaper The Sound of Cinema launched a poll so readers could elect a “Movie Emperor”. Jin Yan was elected in a runaway race.
Richard J. Meyer
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789622095861
- eISBN:
- 9789882207080
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622095861.001.0001
- Subject:
- Film, Television and Radio, Film
This book tells the story of the “Emperor of Film”, who dominated the golden age of Chinese silent movies. Jin Yan achieved his greatest stardom in the 1930s, when women literally threw themselves at ...
More
This book tells the story of the “Emperor of Film”, who dominated the golden age of Chinese silent movies. Jin Yan achieved his greatest stardom in the 1930s, when women literally threw themselves at his feet. Married first to the Chinese actress Wang Renmei, his movie roles with “the Goddess” Ruan Ling-yu spurred public demand for more of them together in films made by the leading studio, Lianhua. It was Jin who made Ruan aware of film's awesome power to portray social problems while evading the censors with melodramatic soap opera formats. Jin's life spanned the most turbulent period in modern Chinese history — a childhood escape from Japanese-occupied Korea, through the long civil war, the bitter Cultural Revolution, and Deng Xiaoping's reformation. Jin's embodiment of the modernizing May Fourth ideals of the 1920s and 30s added a new layer of sexuality to the liberal movement, but the Communists later cast Jin aside in their campaign to “learn from Lei Feng”, a humble young soldier. As Jin's second wife Qin Yi rose to new heights in the politically charged film world, the sick and aging star languished in obscurity. This book reproduces dozens of stills from the personal collection of Qin Yi and the China Film Archive, and contextualizes Jin's tragic transformation with details on many fellow performers.Less
This book tells the story of the “Emperor of Film”, who dominated the golden age of Chinese silent movies. Jin Yan achieved his greatest stardom in the 1930s, when women literally threw themselves at his feet. Married first to the Chinese actress Wang Renmei, his movie roles with “the Goddess” Ruan Ling-yu spurred public demand for more of them together in films made by the leading studio, Lianhua. It was Jin who made Ruan aware of film's awesome power to portray social problems while evading the censors with melodramatic soap opera formats. Jin's life spanned the most turbulent period in modern Chinese history — a childhood escape from Japanese-occupied Korea, through the long civil war, the bitter Cultural Revolution, and Deng Xiaoping's reformation. Jin's embodiment of the modernizing May Fourth ideals of the 1920s and 30s added a new layer of sexuality to the liberal movement, but the Communists later cast Jin aside in their campaign to “learn from Lei Feng”, a humble young soldier. As Jin's second wife Qin Yi rose to new heights in the politically charged film world, the sick and aging star languished in obscurity. This book reproduces dozens of stills from the personal collection of Qin Yi and the China Film Archive, and contextualizes Jin's tragic transformation with details on many fellow performers.
