Patrick R. Mullen
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199746699
- eISBN:
- 9780199950270
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199746699.003.0003
- Subject:
- Literature, 20th-century Literature and Modernism, Film, Media, and Cultural Studies
This chapter explores Roger Casement’s deployment of queer aesthetics in the context of the international fight for human rights. Until now, scholarship has considered Casement’s work against ...
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This chapter explores Roger Casement’s deployment of queer aesthetics in the context of the international fight for human rights. Until now, scholarship has considered Casement’s work against imperialist brutalities and for the development of human rights as irreconcilable with the infamous homoerotic writing of the so-called Black Diaries. This chapter argues that the homoerotic writings are important supplements to the human rights work that enable us to enlarge the scope of just what humanitarianism might mean. Furthermore, by situating Casement’s work within the trajectory that extends from Wilde to Joyce (who is addressed in the subsequent chapter), this chapter suggests that queer culture is a vital tool in the construction of Ireland’s relation to the international.Less
This chapter explores Roger Casement’s deployment of queer aesthetics in the context of the international fight for human rights. Until now, scholarship has considered Casement’s work against imperialist brutalities and for the development of human rights as irreconcilable with the infamous homoerotic writing of the so-called Black Diaries. This chapter argues that the homoerotic writings are important supplements to the human rights work that enable us to enlarge the scope of just what humanitarianism might mean. Furthermore, by situating Casement’s work within the trajectory that extends from Wilde to Joyce (who is addressed in the subsequent chapter), this chapter suggests that queer culture is a vital tool in the construction of Ireland’s relation to the international.
Patrick R. Mullen
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199746699
- eISBN:
- 9780199950270
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199746699.003.0004
- Subject:
- Literature, 20th-century Literature and Modernism, Film, Media, and Cultural Studies
This chapter examines Joyce’s inscription of Roger Casement in the “Cyclops” episode of Ulysses. In particular, it argues that Joyce figures through Casement both a complex critique of British ...
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This chapter examines Joyce’s inscription of Roger Casement in the “Cyclops” episode of Ulysses. In particular, it argues that Joyce figures through Casement both a complex critique of British imperialism that avoids the pitfalls of reactionary nationalism and a progressive model of national affiliation and belonging. The chapter suggests that Casement’s homoerotic writings and his “Speech from the Dock” are important, if oblique, references for Joyce, who glimpses in them a progressive worldview.Less
This chapter examines Joyce’s inscription of Roger Casement in the “Cyclops” episode of Ulysses. In particular, it argues that Joyce figures through Casement both a complex critique of British imperialism that avoids the pitfalls of reactionary nationalism and a progressive model of national affiliation and belonging. The chapter suggests that Casement’s homoerotic writings and his “Speech from the Dock” are important, if oblique, references for Joyce, who glimpses in them a progressive worldview.
Javier Uriarte
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781786941831
- eISBN:
- 9781789623598
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786941831.003.0005
- Subject:
- History, Latin American History
This essay performs an analysis of the highly controversial and rarely studied personal diaries of this Irish diplomat and traveler. Within the Black Diaries it is possible to find the description of ...
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This essay performs an analysis of the highly controversial and rarely studied personal diaries of this Irish diplomat and traveler. Within the Black Diaries it is possible to find the description of bodies in intense suffering, of dismemberments, torture, and death, alongside descriptions of beautiful near-perfect bodies that provide the narrator with moments of intense pleasure. These are, to a certain extent, the same bodies; bodies of indigenous peoples living in the Casa Arana’s reign of terror. Reconciling the simultaneity of bodily pain and pleasure in this writing is one of the centers of Uriarte’s analysis, which links the Black Diaries to the more traditional utopian discourse about Amazonia of which the myths of El Dorado ––and the violence the promise of untapped, virginal riches provoked––are a significant part.Less
This essay performs an analysis of the highly controversial and rarely studied personal diaries of this Irish diplomat and traveler. Within the Black Diaries it is possible to find the description of bodies in intense suffering, of dismemberments, torture, and death, alongside descriptions of beautiful near-perfect bodies that provide the narrator with moments of intense pleasure. These are, to a certain extent, the same bodies; bodies of indigenous peoples living in the Casa Arana’s reign of terror. Reconciling the simultaneity of bodily pain and pleasure in this writing is one of the centers of Uriarte’s analysis, which links the Black Diaries to the more traditional utopian discourse about Amazonia of which the myths of El Dorado ––and the violence the promise of untapped, virginal riches provoked––are a significant part.
Alison Garden
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621815
- eISBN:
- 9781800341678
- Item type:
- chapter
- Publisher:
- Discontinued
- DOI:
- 10.3828/liverpool/9781789621815.003.0001
- Subject:
- Literature, Criticism/Theory
The introduction establishes the historical, cultural and theoretical contexts and frameworks that guide the monograph. While the aim of this study is to engage with and entertain the illuminating ...
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The introduction establishes the historical, cultural and theoretical contexts and frameworks that guide the monograph. While the aim of this study is to engage with and entertain the illuminating possibilities of Casement’s notoriously amorphous legacy, rather than attempt to assert any definitive biographical narrative, tracing the contours of Casement’s extraordinary life is necessary if we are to fully appreciate the complex contradictions that shaped Casement’s existence. To this end, a concise but thorough overview of Casement’s life is offered in the first part of the introduction in order to lay important foundations for the project’s literary discussion and analysis.Less
The introduction establishes the historical, cultural and theoretical contexts and frameworks that guide the monograph. While the aim of this study is to engage with and entertain the illuminating possibilities of Casement’s notoriously amorphous legacy, rather than attempt to assert any definitive biographical narrative, tracing the contours of Casement’s extraordinary life is necessary if we are to fully appreciate the complex contradictions that shaped Casement’s existence. To this end, a concise but thorough overview of Casement’s life is offered in the first part of the introduction in order to lay important foundations for the project’s literary discussion and analysis.
Lesley Wylie
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846319747
- eISBN:
- 9781781380932
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846319747.003.0004
- Subject:
- Literature, World Literature
With a focus on the Amazon diaries of Roger Casement and the testimony of West Indian labourers in the Putumayo, this chapter examines literature from the Rubber Boom. In particular, it considers ...
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With a focus on the Amazon diaries of Roger Casement and the testimony of West Indian labourers in the Putumayo, this chapter examines literature from the Rubber Boom. In particular, it considers the intersection between fact and fiction in representations of extreme violence in this period, including in The Weeping Wood by the German Jewish émigré writer, Vicki Baum and El sueño del celta by Mario Vargas Llosa. The question of tropical degeneration, and the extent to which it was seen as responsible for the atrocities of the Rubber Boom, is discussed in the second half of the chapter. Less
With a focus on the Amazon diaries of Roger Casement and the testimony of West Indian labourers in the Putumayo, this chapter examines literature from the Rubber Boom. In particular, it considers the intersection between fact and fiction in representations of extreme violence in this period, including in The Weeping Wood by the German Jewish émigré writer, Vicki Baum and El sueño del celta by Mario Vargas Llosa. The question of tropical degeneration, and the extent to which it was seen as responsible for the atrocities of the Rubber Boom, is discussed in the second half of the chapter.
Alison Garden
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621815
- eISBN:
- 9781800341678
- Item type:
- chapter
- Publisher:
- Discontinued
- DOI:
- 10.3828/liverpool/9781789621815.003.0005
- Subject:
- Literature, Criticism/Theory
This chapter explores Casement’s afterlives in drama, arguing that the intermedial recycling of various aspects of Casement’s life, legacy and politics continue to fascinate dramatists. The first ...
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This chapter explores Casement’s afterlives in drama, arguing that the intermedial recycling of various aspects of Casement’s life, legacy and politics continue to fascinate dramatists. The first play discussed is George Bernard Shaw’s Saint Joan (1923) and, reading Shaw’s play alongside copious archival sources, this chapter seeks to assess the extent of the relationship - political, historical and imaginative - between Shaw and Casement. David Rudkin’s radio play, Cries from Casement as His Bones are Brought to Dublin, uses the power of voice and accent to eruditely and creatively stage Casement’s contradictory and evolving sense of identity. Finally, this chapter explicates how Martin McDonagh’s use of Casement in The Lieutenant of Inishmore (2001) is glancing but powerful, testifying to the power that Irish history can continue to hold on contemporary politics, even if it is misunderstood and misplaced.Less
This chapter explores Casement’s afterlives in drama, arguing that the intermedial recycling of various aspects of Casement’s life, legacy and politics continue to fascinate dramatists. The first play discussed is George Bernard Shaw’s Saint Joan (1923) and, reading Shaw’s play alongside copious archival sources, this chapter seeks to assess the extent of the relationship - political, historical and imaginative - between Shaw and Casement. David Rudkin’s radio play, Cries from Casement as His Bones are Brought to Dublin, uses the power of voice and accent to eruditely and creatively stage Casement’s contradictory and evolving sense of identity. Finally, this chapter explicates how Martin McDonagh’s use of Casement in The Lieutenant of Inishmore (2001) is glancing but powerful, testifying to the power that Irish history can continue to hold on contemporary politics, even if it is misunderstood and misplaced.
Sonja Tiernan (ed.)
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780719088742
- eISBN:
- 9781781708859
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719088742.003.0004
- Subject:
- History, British and Irish Modern History
This final section includes Gore-Booth’s writings in relation to Irish nationalism. Although not generally remembered as an Irish nationalist, the writings in this section reveal Gore-Booth as ...
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This final section includes Gore-Booth’s writings in relation to Irish nationalism. Although not generally remembered as an Irish nationalist, the writings in this section reveal Gore-Booth as dedicated to the cause of Irish independence. This devotion was often expressed in her poetry, evident in the first two entries in this section. However, her main political writings on this topic do not begin in earnest until after the Easter Rising of 1916. The Rising was to have a deep impact on Gore-Booth’s personal and political life.Less
This final section includes Gore-Booth’s writings in relation to Irish nationalism. Although not generally remembered as an Irish nationalist, the writings in this section reveal Gore-Booth as dedicated to the cause of Irish independence. This devotion was often expressed in her poetry, evident in the first two entries in this section. However, her main political writings on this topic do not begin in earnest until after the Easter Rising of 1916. The Rising was to have a deep impact on Gore-Booth’s personal and political life.
Lesley Wylie
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9781846319747
- eISBN:
- 9781781380932
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846319747.003.0005
- Subject:
- Literature, World Literature
This chapter will focus on two parallel encounters, separated by some fifty years, through which natives from the Putumayo were reduced to ‘spectacle’: the first is the case of two young men brought ...
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This chapter will focus on two parallel encounters, separated by some fifty years, through which natives from the Putumayo were reduced to ‘spectacle’: the first is the case of two young men brought by Roger Casement to London in the summer of 1911, and photographed and painted; the second relates to a family from an ‘unknown’ Putumayan tribe which, in 1969, was accused of cannibalism and put on public display in the town of La Pedrera, along the Caquetá River. The story of this family has been recorded by Germán Castro Caycedo in Perdido en el Amazonas (1978). Both instances confirm the visualism of anthropological material on the Putumayo, as well as the performative nature of ‘colonial’ relations in the region which, even in the late 1960s, continued to determine the behaviour of both white outsiders and indigenous subjects.Less
This chapter will focus on two parallel encounters, separated by some fifty years, through which natives from the Putumayo were reduced to ‘spectacle’: the first is the case of two young men brought by Roger Casement to London in the summer of 1911, and photographed and painted; the second relates to a family from an ‘unknown’ Putumayan tribe which, in 1969, was accused of cannibalism and put on public display in the town of La Pedrera, along the Caquetá River. The story of this family has been recorded by Germán Castro Caycedo in Perdido en el Amazonas (1978). Both instances confirm the visualism of anthropological material on the Putumayo, as well as the performative nature of ‘colonial’ relations in the region which, even in the late 1960s, continued to determine the behaviour of both white outsiders and indigenous subjects.
Alison Garden
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621815
- eISBN:
- 9781800341678
- Item type:
- chapter
- Publisher:
- Discontinued
- DOI:
- 10.3828/liverpool/9781789621815.003.0008
- Subject:
- Literature, Criticism/Theory
The monograph concludes with a coda exploring the multiple centenary events celebrating Roger Casement’s afterlives that took place in Ireland in 2016, as part of Ireland’s Decade of Commemorations. ...
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The monograph concludes with a coda exploring the multiple centenary events celebrating Roger Casement’s afterlives that took place in Ireland in 2016, as part of Ireland’s Decade of Commemorations. Rather than offer a conclusion that forecloses our understanding of Casement’s afterlives, this coda gestures towards his continued relevance to cultural memory, cosmopolitan consciousness and the rapidly changing political landscapes of the British and Irish isles. These performances and exhibitions shed fascinating light on the unfinished role that Casement plays within Irish culture and self-fashioning, capturing a range of artistic responses to his afterlives at a key moment in Irish history.Less
The monograph concludes with a coda exploring the multiple centenary events celebrating Roger Casement’s afterlives that took place in Ireland in 2016, as part of Ireland’s Decade of Commemorations. Rather than offer a conclusion that forecloses our understanding of Casement’s afterlives, this coda gestures towards his continued relevance to cultural memory, cosmopolitan consciousness and the rapidly changing political landscapes of the British and Irish isles. These performances and exhibitions shed fascinating light on the unfinished role that Casement plays within Irish culture and self-fashioning, capturing a range of artistic responses to his afterlives at a key moment in Irish history.
Timothy Bowman
- Published in print:
- 2003
- Published Online:
- July 2012
- ISBN:
- 9780719062841
- eISBN:
- 9781781700648
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719062841.003.0003
- Subject:
- History, Military History
This chapter is an assessment of the disciplinary problems facing the British Expeditionary Force (BEF), based on the court martial records. It also deals with the perceived disciplinary problems in ...
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This chapter is an assessment of the disciplinary problems facing the British Expeditionary Force (BEF), based on the court martial records. It also deals with the perceived disciplinary problems in the BEF during this period. With reference to Irish units, Sir Roger Casement's attempt to form a German–Irish Brigade in early 1915 does suggest that even the relatively apolitical regular soldier did maintain certain ideals and values which made him actively anti-German, even when other factors that would have retained his loyalty to the British Crown had vanished. Consideration is given to the morale problems faced by the BEF in this period, especially the difficulties involved in keeping the force supplied with both trained personnel and essential equipment. Finally, the chapter throws light on a number of courts martial held in Irish infantry battalions during the period from the arrival of units in France until 30 September 1915.Less
This chapter is an assessment of the disciplinary problems facing the British Expeditionary Force (BEF), based on the court martial records. It also deals with the perceived disciplinary problems in the BEF during this period. With reference to Irish units, Sir Roger Casement's attempt to form a German–Irish Brigade in early 1915 does suggest that even the relatively apolitical regular soldier did maintain certain ideals and values which made him actively anti-German, even when other factors that would have retained his loyalty to the British Crown had vanished. Consideration is given to the morale problems faced by the BEF in this period, especially the difficulties involved in keeping the force supplied with both trained personnel and essential equipment. Finally, the chapter throws light on a number of courts martial held in Irish infantry battalions during the period from the arrival of units in France until 30 September 1915.
Emily C. Bloom
- Published in print:
- 2016
- Published Online:
- December 2016
- ISBN:
- 9780198749615
- eISBN:
- 9780191813979
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198749615.003.0002
- Subject:
- Literature, 20th-century and Contemporary Literature, Film, Media, and Cultural Studies
This chapter demonstrates how broadcasting catalysed significant revisions to W. B. Yeats’s theories of orality and literacy in his late poetry. Positioning three poems—’Roger Casement’, ‘Sweet ...
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This chapter demonstrates how broadcasting catalysed significant revisions to W. B. Yeats’s theories of orality and literacy in his late poetry. Positioning three poems—’Roger Casement’, ‘Sweet Dancer’, and ‘The Curse of Cromwell’—in their radio contexts reveals how Yeats’s broadcasts create an alternative space between private and public spheres that allows the love lyric to become an oral genre and the ballad to become increasingly literary. The scripts within which these poems were broadcast framed the auditory audience by first evoking traditional spaces for oral poetry, such as the Greek stage, the ‘poet’s pub’, and the ‘poet’s parlour’, and then showing the impossibility of these spaces for modern poetics.Less
This chapter demonstrates how broadcasting catalysed significant revisions to W. B. Yeats’s theories of orality and literacy in his late poetry. Positioning three poems—’Roger Casement’, ‘Sweet Dancer’, and ‘The Curse of Cromwell’—in their radio contexts reveals how Yeats’s broadcasts create an alternative space between private and public spheres that allows the love lyric to become an oral genre and the ballad to become increasingly literary. The scripts within which these poems were broadcast framed the auditory audience by first evoking traditional spaces for oral poetry, such as the Greek stage, the ‘poet’s pub’, and the ‘poet’s parlour’, and then showing the impossibility of these spaces for modern poetics.
Alison Garden
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781789621815
- eISBN:
- 9781800341678
- Item type:
- book
- Publisher:
- Discontinued
- DOI:
- 10.3828/liverpool/9781789621815.001.0001
- Subject:
- Literature, Criticism/Theory
This groundbreaking study explores the literary afterlives of Ireland’s most enigmatic, shape-shifting and controversial son: Roger Casement. A seminal human rights activist, a key figure in the ...
More
This groundbreaking study explores the literary afterlives of Ireland’s most enigmatic, shape-shifting and controversial son: Roger Casement. A seminal human rights activist, a key figure in the struggle for Irish independence, a traitor to British imperialism and an enthusiastic recorder of a sexual life lived in the shadows, Casement has endured as a symbol of ambivalence and multiplicity. Casement can be found in the most curious of places: from the imperial horrors of Heart of Darkness (1899) to the gay club culture of 1980s London in Alan Hollinghurst’s The Swimming-Pool Library (1998); from George Bernard Shaw’s play Saint Joan (1923) to a love affair between spies in Elizabeth Bowen’s The Heat of the Day (1948); from the post-Easter Rising elegies of Eva Gore-Booth and Alice Milligan to the beguiling, opaque poetry of Medbh McGuckian. Drawing upon a variety of literary and cultural texts, alongside significant archival research, this book establishes dialogues between modernist and contemporary works to argue that Casement’s ghost animates issues of historical pertinence and pressing contemporary relevance. It positions Casement as a vital and fascinating figure in the compromised and contradictory terrain of Anglo-Irish history.Less
This groundbreaking study explores the literary afterlives of Ireland’s most enigmatic, shape-shifting and controversial son: Roger Casement. A seminal human rights activist, a key figure in the struggle for Irish independence, a traitor to British imperialism and an enthusiastic recorder of a sexual life lived in the shadows, Casement has endured as a symbol of ambivalence and multiplicity. Casement can be found in the most curious of places: from the imperial horrors of Heart of Darkness (1899) to the gay club culture of 1980s London in Alan Hollinghurst’s The Swimming-Pool Library (1998); from George Bernard Shaw’s play Saint Joan (1923) to a love affair between spies in Elizabeth Bowen’s The Heat of the Day (1948); from the post-Easter Rising elegies of Eva Gore-Booth and Alice Milligan to the beguiling, opaque poetry of Medbh McGuckian. Drawing upon a variety of literary and cultural texts, alongside significant archival research, this book establishes dialogues between modernist and contemporary works to argue that Casement’s ghost animates issues of historical pertinence and pressing contemporary relevance. It positions Casement as a vital and fascinating figure in the compromised and contradictory terrain of Anglo-Irish history.