Christopher Gair
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748619887
- eISBN:
- 9780748671137
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748619887.001.0001
- Subject:
- History, American History: 20th Century
The American Counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life ...
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The American Counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread disobedience and artistic creativity in the Baby Boomer generation. This book explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the counterculture and an appraisal of the key literary, musical, political and visual texts that were seen to challenge dominant ideologies.Less
The American Counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread disobedience and artistic creativity in the Baby Boomer generation. This book explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the counterculture and an appraisal of the key literary, musical, political and visual texts that were seen to challenge dominant ideologies.
Victor Svorinich
- Published in print:
- 2015
- Published Online:
- January 2018
- ISBN:
- 9781628461947
- eISBN:
- 9781626740891
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628461947.003.0008
- Subject:
- Music, History, American
Those musicians involved with Bitches Brew became stars in their own right. This chapter focuses on Davis’s career and personal life shortly after the album came out and how Bitches Brew became the ...
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Those musicians involved with Bitches Brew became stars in their own right. This chapter focuses on Davis’s career and personal life shortly after the album came out and how Bitches Brew became the catalyst for the entire jazz-fusion movement of the 1970s and the blueprint for musical genres ranging from rap, to rock, to hard core, to heavy metal, and beyond for the next four decades.Less
Those musicians involved with Bitches Brew became stars in their own right. This chapter focuses on Davis’s career and personal life shortly after the album came out and how Bitches Brew became the catalyst for the entire jazz-fusion movement of the 1970s and the blueprint for musical genres ranging from rap, to rock, to hard core, to heavy metal, and beyond for the next four decades.
Patrick Barr-Melej
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781469632575
- eISBN:
- 9781469632599
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469632575.003.0004
- Subject:
- History, Latin American History
This chapter examines gender norms and sexuality, drug use, and music—important signifiers of identity, sociability, and agency. In popular parlance, “sex, drugs, and rock ’n’ roll” often prompts ...
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This chapter examines gender norms and sexuality, drug use, and music—important signifiers of identity, sociability, and agency. In popular parlance, “sex, drugs, and rock ’n’ roll” often prompts thoughts of hippies practicing free love while stoned and listening to Jimi Hendrix. A lot of that happened. But the adage also serves as a doorway into a broad range of sensibilities, innovations, and conflicts that lay bare cultural contestations—with generational overtones and sociopolitical implications—during Chile’s road to socialism then dictatorship. Sex, drugs, and rock music were part and parcel of a generation’s Zeitgeist, as many young people searched for things ethereal and new at a unique time in modern history.Less
This chapter examines gender norms and sexuality, drug use, and music—important signifiers of identity, sociability, and agency. In popular parlance, “sex, drugs, and rock ’n’ roll” often prompts thoughts of hippies practicing free love while stoned and listening to Jimi Hendrix. A lot of that happened. But the adage also serves as a doorway into a broad range of sensibilities, innovations, and conflicts that lay bare cultural contestations—with generational overtones and sociopolitical implications—during Chile’s road to socialism then dictatorship. Sex, drugs, and rock music were part and parcel of a generation’s Zeitgeist, as many young people searched for things ethereal and new at a unique time in modern history.
Patrick Barr-Melej
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781469632575
- eISBN:
- 9781469632599
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469632575.001.0001
- Subject:
- History, Latin American History
This book illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the ...
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This book illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the election of a Marxist president followed by the terror of a military coup in 1973, a youth-driven, transnationally connected counterculture smashed onto the scene. Contributing to a surging historiography of the era’s Latin American counterculture, Psychedelic Chile draws on media and firsthand interviews in documenting the intertwining of youth and counterculture with discourses rooted in class and party politics. Focusing on “hippismo” and an esoteric movement called Poder Joven, the study challenges a number of prevailing assumptions about culture, politics, and the Left under Salvador Allende's “Chilean Road to Socialism.” While countercultural attitudes toward recreational drug use, gender roles and sexuality, rock music, and consumerism influenced many youths on the Left, the preponderance of leftist leaders shared a more conservative cultural sensibility. This exposed, a degree of intergenerational dissonance within leftist ranks. And while the allure of new and heterodox cultural values and practices among young people grew, an array of constituencies from the Left to the Right berated counterculture in national media, speeches, schools, and other settings. This public discourse of contempt ultimately contributed to the fierce repression of nonconformist youth culture following the coup.Less
This book illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the election of a Marxist president followed by the terror of a military coup in 1973, a youth-driven, transnationally connected counterculture smashed onto the scene. Contributing to a surging historiography of the era’s Latin American counterculture, Psychedelic Chile draws on media and firsthand interviews in documenting the intertwining of youth and counterculture with discourses rooted in class and party politics. Focusing on “hippismo” and an esoteric movement called Poder Joven, the study challenges a number of prevailing assumptions about culture, politics, and the Left under Salvador Allende's “Chilean Road to Socialism.” While countercultural attitudes toward recreational drug use, gender roles and sexuality, rock music, and consumerism influenced many youths on the Left, the preponderance of leftist leaders shared a more conservative cultural sensibility. This exposed, a degree of intergenerational dissonance within leftist ranks. And while the allure of new and heterodox cultural values and practices among young people grew, an array of constituencies from the Left to the Right berated counterculture in national media, speeches, schools, and other settings. This public discourse of contempt ultimately contributed to the fierce repression of nonconformist youth culture following the coup.
Patrick Barr-Melej
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9781469632575
- eISBN:
- 9781469632599
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469632575.003.0002
- Subject:
- History, Latin American History
The book’s opening chapter takes the reader to the Piedra Roja rock music festival. It focuses on the voices and agency of those who gathered—many of them hippies—at that landmark event in Greater ...
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The book’s opening chapter takes the reader to the Piedra Roja rock music festival. It focuses on the voices and agency of those who gathered—many of them hippies—at that landmark event in Greater Santiago’s municipality of Las Condes during a three-day weekend in October 1970. One person in particular, Jorge Gómez Ainslie, is the chapter’s principal figure. His experiences and proclivities as a teenager point to why the festival happened, and the people and goings-on at Piedra Roja speak to the Chilean counterculture’s coalescence, attributes, and allure during the late sixties and early seventies.Less
The book’s opening chapter takes the reader to the Piedra Roja rock music festival. It focuses on the voices and agency of those who gathered—many of them hippies—at that landmark event in Greater Santiago’s municipality of Las Condes during a three-day weekend in October 1970. One person in particular, Jorge Gómez Ainslie, is the chapter’s principal figure. His experiences and proclivities as a teenager point to why the festival happened, and the people and goings-on at Piedra Roja speak to the Chilean counterculture’s coalescence, attributes, and allure during the late sixties and early seventies.
Ted Ownby
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781469647005
- eISBN:
- 9781469647029
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469647005.001.0001
- Subject:
- History, American History: 20th Century
When Tammy Wynette sang "D-I-V-O-R-C-E," she famously said she "spelled out the hurtin' words" to spare her child the pain of family breakup. In this innovative work, Ted Ownby considers how a wide ...
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When Tammy Wynette sang "D-I-V-O-R-C-E," she famously said she "spelled out the hurtin' words" to spare her child the pain of family breakup. In this innovative work, Ted Ownby considers how a wide range of writers, thinkers, activists, and others defined family problems in the twentieth-century American South. Ownby shows that it was common for both African Americans and whites to discuss family life in terms of crisis, but they reached very different conclusions about causes and solutions. In the civil rights period, many embraced an ideal of Christian brotherhood as a way of transcending divisions. Opponents of civil rights denounced "brotherhoodism" as a movement that undercut parental and religious authority. Others, especially in the African American community, rejected the idea of family crisis altogether, working to redefine family adaptability as a source of strength. Rather than attempting to define the experience of an archetypal "southern family," Ownby looks broadly at contexts such as political and religious debates about divorce and family values, southern rock music, autobiographies, and more to reveal how people in the South used the concept of the family as a proxy for imagining a better future or happier past.Less
When Tammy Wynette sang "D-I-V-O-R-C-E," she famously said she "spelled out the hurtin' words" to spare her child the pain of family breakup. In this innovative work, Ted Ownby considers how a wide range of writers, thinkers, activists, and others defined family problems in the twentieth-century American South. Ownby shows that it was common for both African Americans and whites to discuss family life in terms of crisis, but they reached very different conclusions about causes and solutions. In the civil rights period, many embraced an ideal of Christian brotherhood as a way of transcending divisions. Opponents of civil rights denounced "brotherhoodism" as a movement that undercut parental and religious authority. Others, especially in the African American community, rejected the idea of family crisis altogether, working to redefine family adaptability as a source of strength. Rather than attempting to define the experience of an archetypal "southern family," Ownby looks broadly at contexts such as political and religious debates about divorce and family values, southern rock music, autobiographies, and more to reveal how people in the South used the concept of the family as a proxy for imagining a better future or happier past.
Ted Ownby
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781469647005
- eISBN:
- 9781469647029
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469647005.003.0006
- Subject:
- History, American History: 20th Century
This chapter discusses multiple perspectives on whether white southerners faced new family crises in the 1970s. Legislators passed divorce reform laws in the early 1970s that made divorce far easier ...
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This chapter discusses multiple perspectives on whether white southerners faced new family crises in the 1970s. Legislators passed divorce reform laws in the early 1970s that made divorce far easier and less public. The music of the early 1970s Southern Rock Movement, Lynyrd Skynyrd, the Allman Brothers, and others, upheld a “Free Bird” ideal of endless rambling with no family responsibilities. Church groups responded by debating whether divorced church members should remarry and, more broadly, by including divorce reform in their list of moral failures to be addressed by the Religious Right.Less
This chapter discusses multiple perspectives on whether white southerners faced new family crises in the 1970s. Legislators passed divorce reform laws in the early 1970s that made divorce far easier and less public. The music of the early 1970s Southern Rock Movement, Lynyrd Skynyrd, the Allman Brothers, and others, upheld a “Free Bird” ideal of endless rambling with no family responsibilities. Church groups responded by debating whether divorced church members should remarry and, more broadly, by including divorce reform in their list of moral failures to be addressed by the Religious Right.
