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Epilogue

Emma Dillon

in The Sense of Sound: Musical Meaning in France, 1260-1330

Published in print:
2012
Published Online:
May 2012
ISBN:
9780199732951
eISBN:
9780199932061
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199732951.003.0108
Subject:
Music, History, Western

This short epilogue looks beyond the specific topic of the book to suggest ways in which the approaches developed may speak to larger issues current in musicology and medieval studies. Specifically, ... More


The Chosen One's Choice

Andrew Dell'Antonio

in Beyond Structural Listening?: Postmodern Modes of Hearing

Published in print:
2004
Published Online:
May 2012
ISBN:
9780520237575
eISBN:
9780520937024
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520237575.003.0004
Subject:
Music, Theory, Analysis, Composition

This chapter discusses an alternative to the structural listening proposed by Rose Subotnik is presented. This alternative approach rejects Subotnik's notion that one must choose between binary ... More


The Steward of Unmeaning Art: Bach and the Musical Subject

Harry White

in The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach and Handel

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190903879
eISBN:
9780190903909
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190903879.003.0004
Subject:
Music, History, Western

Two principal themes are engaged in this chapter: the recent history of Bach reception in which the composer’s autonomy is drastically reconfigured, and the nature of Bach’s pursuit of the musical ... More


Hermeneutics

Lawrence Kramer

in Interpreting Music

Published in print:
2010
Published Online:
May 2012
ISBN:
9780520267053
eISBN:
9780520947368
Item type:
chapter
Publisher:
University of California Press
DOI:
10.1525/california/9780520267053.003.0001
Subject:
Music, Theory, Analysis, Composition

This book is about musical hermeneutics. It provides a broad survey of “interpreting music” in the two complementary senses of the phrase: understanding musical works and performing musical scores. ... More


“A Darkness Which Might be Felt”: Handel, Fux, and the Oratorio

Harry White

in The Musical Discourse of Servitude: Authority, Autonomy, and the Work-Concept in Fux, Bach and Handel

Published in print:
2020
Published Online:
October 2020
ISBN:
9780190903879
eISBN:
9780190903909
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190903879.003.0005
Subject:
Music, History, Western

This chapter considers Handel’s invention of the English oratorio in relation to its Italian antecedents and seeks to demonstrate how Samson (1743) in particular reimagines the Italian oratorio as an ... More


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