Kara Anne Gardner
- Published in print:
- 2016
- Published Online:
- August 2016
- ISBN:
- 9780199733682
- eISBN:
- 9780190246082
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199733682.001.0001
- Subject:
- Music, Dance, History, American
This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth—Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, ...
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This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth—Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, Brigadoon, and Allegro. Carousel and Brigadoon were de Mille’s most influential and lucrative Broadway works. The other three shows exemplify aspects of her legacy that have not been fully examined, including the impact of her ideas on some of the composers with whom she worked; her ability to incorporate a previously conceived work into the context of a Broadway show; and her trailblazing foray into the role of choreographer/director. Each chapter emphasizes de Mille’s unique contributions to the original productions. Several themes emerge. First, character development remained at the heart of de Mille’s Broadway work. She often took minor characters, represented with minimal or no dialogue, and fleshed out their stories. Second, de Mille often came into conflict with her collaborators because of her strong views, but her dances added a layer of meaning that resulted in more complex final products. Finally, de Mille saw much of her choreography as an authorship and argued that she should be given the same rights as the librettist and the composer. Her work as an activist contributed to revisions in dance copyright law and the founding of the Stage Directors and Choreographers Society, a theatrical union that protects the rights of directors and choreographers. Agnes de MilleLess
This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s. Six musicals are discussed in depth—Oklahoma!, One Touch of Venus, Bloomer Girl, Carousel, Brigadoon, and Allegro. Carousel and Brigadoon were de Mille’s most influential and lucrative Broadway works. The other three shows exemplify aspects of her legacy that have not been fully examined, including the impact of her ideas on some of the composers with whom she worked; her ability to incorporate a previously conceived work into the context of a Broadway show; and her trailblazing foray into the role of choreographer/director. Each chapter emphasizes de Mille’s unique contributions to the original productions. Several themes emerge. First, character development remained at the heart of de Mille’s Broadway work. She often took minor characters, represented with minimal or no dialogue, and fleshed out their stories. Second, de Mille often came into conflict with her collaborators because of her strong views, but her dances added a layer of meaning that resulted in more complex final products. Finally, de Mille saw much of her choreography as an authorship and argued that she should be given the same rights as the librettist and the composer. Her work as an activist contributed to revisions in dance copyright law and the founding of the Stage Directors and Choreographers Society, a theatrical union that protects the rights of directors and choreographers. Agnes de Mille
